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Captain America #42 [review]


The Death of Captain America Act 3 – The Man Who Bought America: Part Six

Writer: Ed Brubaker
Penciller: Steve Epting with Luke Ross
Inkers: Rick Magyar, Steve Epting & Fabio Laguna
Colors: Frank D’Armata
Letterer: VC’s Joe Caramagna
Production: Jacob Chabot
Associate Editor: Jeanine Schaefer
Editor: Tom Brevoort
Editor in Chief: Joe Quesada
Publisher: Dan Buckley
Cover: Steve Epting

I’m not entirely sure how to start to talk about this issue. I suppose I’ll just wing it. This is the 18th chapter in the Death of Captain America saga, and the 6th/final chapter in the third/final “act”of the saga. Everything from at least issue 25 til now has built to this issue.

And yet…

And yet, there’s no sense of “hype” here, overall. No double-sized issue, no enhanced cover, no wild ‘n trippy cover blurbs.

I think that’s what makes this a good issue, though.

We open as Bucky–the new Captain America–interferes with plans to set the Red Skull’s man up to be a major hero in America’s eyes heading toward an election. While Bucky deals with this, Falcon and Black Widow are mixing it up at the Red Skull’s base trying to find/rescue Sharon Carter. Meanwhile, the Skull prepares another major step in his plan, though he couldn’t resist old habits, and that draws him some criticism from Zola, even as the 50s Cap struggles against his own bonds.

The writing here is dead-on, as usual for Brubaker. Not a thing seems amiss–characters and situations have been set up for a number of issues in this sprawling “epic,” causing events to unfold as they do at present, according to a plan much larger/longer than just a couple issues of “conspiracy” or such. Everything has mattered, from the start of this series to present…and I’m guessing one could argue that from the start of this series, everything has built to this issue, setting up the future of the character. I’ve enjoyed the story well enough as it’s gone on issue by issue, and certainly expect to enjoy it all the more once I sit down to read the entire thing in a much shorter go than 18+ moths.

The art–though multiple individuals are involved–leaves me suitably impressed. There’s a realistic element that makes the word balloons and narration almost look out of place–which works for me, because I do really enjoy the art in a way I don’t notice on the majority of the comics I read these days.

Art and story combine as one very good final product. There are a number of good character moments gotten across as much by story context as by the visuals. As the final chapter in such a long story, I don’t really recommend this as a good jumping-on point (though I suspect the next issue may be a decent starting point for newer readers). If you’ve been following this story, this is not an issue to skip.

Well recommended given that context.

Story: 8/10
Art: 9/10
Whole: 8.5/10

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