• April 2024
    S M T W T F S
     123456
    78910111213
    14151617181920
    21222324252627
    282930  
  • On Facebook

  • Archives

  • Categories

  • Comic Blog Elite

    Comic Blogs - BlogCatalog Blog Directory

The ’80s Revisited? – Batman #428 "Faux-simile" Edition

batman0428fauximileA Death in the Family

Writer: Jim Starlin
Penciler: Jim Aparo
Inker: Mike DeCarlo
Letterer: John Costanza
Colorist: Adrienne Roy
Asst Editor: Dan Raspler
Editor: Denny O’Neil
Cover Art: Mike Mignola
Cover Price: $4.99

Batman arrives back at the warehouse just after it’s exploded. Searching the wreckage, he finds Sheila just before she dies. And then…Robin. But he’s ALIVE! Kid in the hospital, the rest of the issue plays out much as it originally did—Bruce returns to the US, sees to it that Sheila is buried properly, goes after the Joker, is confronted by Superman, and learns of the Joker’s new “promotion” that keeps him from touching the murderer if he wants to avoid an international incident.


Well, that was NOT what I expected. I’ll have to dig out my copy of the original issue, and/or the older TPB to check page-by-page…but I’m pretty sure the only REAL differences were text boxes and "that" panel–"He’s alive!" vs. head bowed in grief.

As I went through this faux-simile, though, it hit me as a great example of how different a story can be/go with just a few word changes…and how much we may or may not "read between the lines" or insert our own feelings, etc.

The Joker goes on about stuff having left the kid for dead…NOTHING about that had to change. But reading a few words about Jason being ALIVE lets one consider how "foolish" the Joker was to not confirm his kill, and/or build up feelings of "oh, he’s gonna be in for a shock when Batman catches up to him!" or whatever.

I think of the ’80s animated GI Joe movie where they apparently had intended to kill off Duke; but after Transformers and the actual death of Optimus Prime they backtracked a bit. As I’m recalling it offhand, there’s some dialogue about Duke pulling through, or is going to pull through, or whatever…but you still don’t see the guy on-screen again. They easily could have referenced his NOT having pulled through, but due to action there’s no time to get a funeral on-screen, or logically they just wouldn’t get TO it yet (if all the action is same-day, for example).

I’d also forgotten how many pages we had leading up to Batman FINDING Jason, and the way ads spaced things out for the pages, drawing along some drama as Batman goes through the warehouse wreckage.

I said this was NOT what I expected–I suppose I EXPECTED a lot more change to the issue and more of a visual difference…that there’d be at least several PAGES of different art to the story.

Having Jason be "in a coma" obviously tracks with his being ALIVE, and accounting for the horrific injuries from the explosion. AND accounts for him not being in #429…dead or in the hospital in a coma, he wouldn’t be physically capable of anything "on-panel" of story significance, and the point of the story is NOT hospital drama of Bruce lingering by the bed listening to machines, etc…so in "classic" "compressed" style, we’d get the focus on Batman, Superman, Joker, etc in #429 and would just have to "know" that the kid’s alive in the hospital but no longer pertinent to the story at hand (Joker as ambassador targeting the UN).

This issue has one of THE MOST iconic (to me) covers in comics; one I was very aware of long before I ever got to own a copy myself…probably from the back cover of an early TPB edition of the entire story (from a local library, back in the day). It’s by Mike Mignola…likely better known nowadays for Hellboy. I often forget that he DID do stuff for DC back then…This cover definitely works for conveying something from the issue–namely that we have a badly-injured-from-an-exploding-warehouse-Robin; and yet the blood spatter was Comics Code Authority-approved.

The interior art being Jim Aparo is fantastic, especially compared to what I think of nowadays. Aparo and John Byrne and Norm Breyfogle (and it’s waned on me over the years, Jim Lee) are probably my favorite Bat-artists. Visually this issue is up there with the heart of Knightfall, such as Batman #497 (the Batcave slugfest between Bane and Batman).

This thing was $4.99 ($7.99 cover price on the foil variant!). I’m not quite sure why the extra dollar on a standard-length issue (Batman #405 facsimile—Year One part 2—came out the same day with the same number of story pages for $3.99). But I suppose it’s technically a “new” issue for not being a 100%-straight-reprint, so they snuck the extra dollar into the price. I’ve quit buying Batman in part for the price increase…and at the least, the price increase has "kept" me away from buying the title for the current issues. Considering the importance of this issue in pre-2004 Bat-history and it commanding higher prices as a back issue, I can be a LOT more "forgiving" of the $5 price; and it’s much more palatable somehow. (Even though the ads technically become “story pages” since they’re not putting NEW ads in with stuff…seems “off” having 428 & 405 together with the difference in pricing!)

For me personally, I enjoyed this issue/experience, seeing how the issue could have been different all those years ago, getting the thoughts/examples in my face of how different "tweaks" can impact a story.

If you’re not all that familiar (or at all) with A Death in the Family and/or prefer much more recent Batman to ’80s/’90s Batman, this may not be "worth it" to you.

But if you’re like me, this is well worth the pickup.


Some comparisons:

428_01_orig

First from the original take in #428.

428_01_faux

And then here’s the “new”/alternate from the faux-simile.

428_02_orig

The infamous full-page image…

428_02_faux

But it’s smaller for the alternate take, making room for several additional panels (since the kid’s survived and that has to be explained, vs. just the grave moment)

428_02_bat_ann_25

And since they’d included it in the TPB I was referencing, here’s the page that we were given in Batman Annual #25, without the extra words.

428_03_orig

Context, conveying a lot in just a few words…

428_03_faux

A slight change of wording omits Jason, since the alternate take is that he actually survived.

428_04_orig

Original panel…

428_04_faux

Slightly re-worded without Jason.

428_05_orig

The original version, mother and son side-by-side.

428_05_faux

Alternatively, a single coffin and simply no extra reference to Jason.

428_06_orig

A poignant moment with Alfred after the funeral…

428_06_faux

Orrrr Dick checks in with Bruce in the hospital after the funeral of Jason’s mother.


And then looking into #429, we have a few panels that would take very little alteration of words to account for Jason living.

429_01

“Injured” vs. “Killed,” perhaps.

429_02

Make past tense present tense, and the Joker “did that to” rather than “murdered"?

429_03

“Hurt” instead of “murdered”…

429_04

“in a coma” instead of “dead”…

429_05

“nearly killed”…


Now, even having this alternate take…with DC releasing the 4-issue Year One issues weekly, it seems like other 4-parter classics like Death in the Family, Year Two, and so on would be ripe for facsimiles. Even The Dark Knight [Returns]. If they can do Vengeance of Bane as a “regular” (if extra-pages) facsimile instead of squarebound, why not those?

Time will tell, but such reprints would get ME buying Batman for the duration…

batman0428fauximile_blogtrailer

Robins Update

It’s been awhile, but I have a new Robin in the collection. It’s actually been several weeks now, but…whatever.

I don’t even remember now how I came across it, but I was able to order it from Amazon (and it actually came in decent shape!)

robins_update_april_a

I’m not all that familiar with this costume, or even if it’s "canon." The shape of the "R" tells me this is Damian, though, so not AS much preference on my part. I prefer the Tim Drake Robin…but have found that for me, to SOME degree…"Robin is Robin," regardless of WHICH Robin it is.

robins_update_april_b

So this new Funko Pop vinyl joins a dusty display-top that is dominated by Robins, while sharing with some excess Supermen.

In their own way, these Robins are themselves "excess," not really fitting well with stuff inside the display case.

robins_update_april_c

I’m keener to have the smaller figures and figurines and minis and such in a display case so they’re better ‘contained’ should any fall over or such and start a domino-effect or such.

But as of this typing, as of this post, this is the updated Robin collection (with a glimpse of some Supermen and some other miniatures and figurines).

robins_update_april_blogtrailer

A Year of DC 3.75"/4" from Spinmaster

Last year, I started seeing some new DC action figures from Spinmaster. (Also from McFarlane Toys). The Spinmaster figures are smaller–3.75" or 4" scale, I’m not actually certain which…but considerably smaller than 6"/7" figures like the DC Multiverse or Marvel Legends figures.

Due to increasingly limited shelf-space…and already having a shelf jam-packed with loose Superman figures–I didn’t immediately open the Superman that I got. And then I chased down a black suit, bearded variant. And then over the past year, I’ve occasionally snagged another figure as my eye’s been caught.

spinmaster_dc_general

Having the "actual" Superman (Rebirth-era without the trunks) I’m not bothered by other variants. I’m actually hoping for a version WITH the trunks! I’m not overly-keen on Lex Luthor, but liked the appearance with the packaging and actually having the "logo" for his name. The "tech" Superman or whatever reminded me of the Cyborg Superman, so while obviously not that, I snagged it. Captain Marvel, Flash, and Aquaman were cool. After the Mattel 3.75 Infinite Heroes Wonder Woman standing out in my mind as one of those figures that would not stand on its own, I only got her figure to go with Superman and (separately) Batman.


But it’s been more than clear to me that Spinmaster‘s (and DC‘s!) HEART lies with BATMAN. Soooo many more figures, where the general DC ones seem–by comparison–to be token action figure presence to claim presence, perhaps to maintain a license or some such? Stuff over MY pay grade.

spinmaster_dc_batman

Robin (Tim Drake) is one of my favorite comic characters, and over the last few years I’ve wound up with quite a collection of Robin figures and such.I like to think that these variant Robins are intended to be the various characters–Tim, Damian, and Jason, at least.

I finally caved recently-ish and snagged the most NORMAL-LOOKING/most-comics-accurate-looking-to-me Batman. Nightwing and Catwoman for obvious ties to Bat-stuff.

And an apparently armored Batman putting me in mind of Dark Knight Returns, but perhaps intended more as Batman v. Superman. Whatever. It’s bulky and cool.

Then there were some of the big, bulky villains! Killer Croc, Bronze Tiger, King Shark, and Man-Bat.

Somewhere along the way, spotted Talon and figured for this line, and being (relatively-speaking) pretty cheap (1/3 to 1/2 the price of the larger Multiverse scale figures), I’d rather have more characters, so grabbed it. Same for Killer Moth. I even grudgingly bought Batwoman figuring she’d go well with a grouping of Detective Comics: Rebirth characters at least.

And that golden Joker…happened across that and initially figured I’d get it as "trade bait," but have since more or less settled on keeping it for the heckuvit, at least for now. There’s another Joker variant that I may keep an eye out for as well. Despite this, I still think it’s rather stupid to have limited chase variants in action figures; but all the more when they’re functionally UNPAINTED figures merely done in some alternate color plastic!

But as said…with this scale and the possibility quantity-wise, I’m more ok with stuff than I’d be if these were DC Multiverse or such.

And these are just "basic figures," without getting into any of the multi-packs and such that have even more recently caught my eye.

I see plenty of activity in a toy group I’m in on Facebook about the Multiverse figures…but I feel like I don’t/haven’t seen much of anything for this line.

Fine by me–if the only figure(s) being "chased" for this line ARE the solid-color-unpainted variants, that leaves more of the actual figures for me to be able to get without dealing with…shall we say…"resellers."

spinmaster_dc_blogtrailer

The Last of the Giants?

The last day of the month. (Possibly?) the last shipment (for me) from DCBS. The last of the DC Giants.

last_of_the_giants_0331

And somewhere in there apparently I’d added a spare copy of the Uncanny X-Men #266 replica edition. And the Alterna Giants issue. Probably to go along with the Robin 80th anniversary issue and such. Trying to add stuff to the order to "justify" the DC giants and shipping, considering we went from what appeared like we’d be getting 10-12 per month down to the minimum number per month that Walmart started with a couple years ago.

As of tonight (3/31/2020) had an email from Lonestar/mycomicshop.com saying they’re closing down for the duration of the shutdown order in their state. Midtown‘s offering delays for any orders, despite pumping out emails of supposed sales on stuff (might sound good for some %percent sale but hardly matters if they don’t have anything or MUCH actually for that pricing).

With this DCBS shipment, I believe that’s all my "channels" cleared out and up to date.

More endings.

We’ll see what/if there are any new beginnings

last_of_the_giants_0331_blogtrailer

Robin #500: Marvel Math-ing 80 Years of The Boy Wonder

So, apparently in 2020, DC is going to publish a $9.99 one-shot celebrating 80 years of Robin. Whereas in 2018, they did so for Superman with Action Comics #1000. And in 2019, they did so for Batman with Detective Comics #1000. And coming up in January and February 2020, they’re doing so with Wonder Woman #750 and Flash #750…all characters with present ongoing titles.

I’ve long cut DC some slack with the numbering on Action and Detective compared to Marvel‘s titles, as both have ONE "lapse" in numbering, which makes it relatively easy to slot the issues into their proper spots.

But now their doing the same for Wonder Woman and Flash requires a bit more work due to gaps and shorter runs and (at least with Wonder Woman) prior "legacy renumbering."

And with DC pulling other stuff that’s caused me to almost entirely back away while eyeing moving further away–and seeming to be following Marvel‘s lead in a negative (to me) manner…fine.

So WHAT IF..DC did "Marvel Math" for Robin, heading toward this 80th anniversary thing?

marvel_math_robin_500

The way I have it figured…they should be able to give us a giant-sized Robin #500, celebrating 500 issues featuring Robin (Dick, Tim, Stephanie, and Damian, at least) as well as the 80th anniversary of the character.

Even nearly 17 years later, I still don’t care for what they’ve done with Jason/Red Hood…and I wouldn’t count the Red Hood stuff as that’s been more of a team title (to my knowledge) and I don’t know enough about the title(s) and the character, nor has Jason operated AS Robin in the time that Tim or Dick have had titles of their own.

Now, granted, MY math here gets a bit screwy and isn’t entirely in the best order, and there’s certainly overlap, particularly in the original Robin and Nightwing ongoing titles. But frankly…if Marvel can screw around with grabbing random stuff to get to certain numbers, then I’m going to do the same here.

Perhaps my math is off slightly somewhere, but regardless…at this point, I feel like the Robin 80 Years 100-Page Super Spectacular or whatever it’s going to be called–with "decades variants" and the works–really ought to just simply be Robin #500.

What do you think? Would you be "for" a Robin #500?

marvel_math_robin_500_blogtrailer

Young Justice (2019) #1 [Review]

young_justice_(2019)_0001Seven Crises

Script: Brian Michael Bendis
Art: Patrick Gleason
Colors: Alejandro Sanchez
Letters: DC Lettering
Cover: Gleason & Sanchez
Associate Editor: Jessica Chen
Editors: Mike Cotton & Andy Khouri
Group Editors: Brian Cunningham & Mark Doyle

I wasn’t going to get this. I vaguely remember it being announced, as well as seeing SOMETHING about these Wonder Comics and thinking hey…yet ANOTHER new imprint to not get into!

As to the property itself–the title Young Justice–I remember ads for the World Without GrownUps or whatever back in 1998 or so, and the premiere of the original Young Justice ongoing series. I mostly missed out on that at the time–I was getting a lot of Marvel at that point (with the Heroes Return titles) and mainly just the Superman titles from DC, offhand. The END of that Young Justice series (and Titans) came in the Titans/Young Justice: Graduation Day mini-‘event’, which I picked up just after my OWN graduation day from college. The event led away from Young Justice and Titans and into two "new" series–a new iteration of Teen Titans and Outsiders, both of which I followed (getting in at #1 for lengthy runs) up to Infinite Crisis or so. I dove deep into DC continuity just after Young Justice. So I never had the nostalgia of the title or the particular iterations of the characters. When the animated series was out, I enjoyed the first several episodes, but lost track of it due to episode scheduling (as I do most animated series, it seems). So I had no huge attachment there to the title, either.

But somewhere along the way between this series being announced and this issue’s release, I found out (online) that Tim Drake would be Robin again, and that "my" Superboy–Connor Kent–the one introduced during 1993’s Reign of the Supermen–would be back. Seeing Superboy in particular on a cover image, I was "sold."

Maybe the first thing about this actual issue to note is the hefty $4.99 price point. I tend to DESPISE $4.99 #1 issues, particularly because of the way I feel that Marvel has abused the practice over the last few years. This issue felt thicker, though, and I’m more forgiving toward DC (though they have squandered a lot of the goodwill they earned from me with Rebirth). It is an extra-sized issue, with 30 story pages (an extra 1/3 content for the price of 1/4), so the "value" is technically there.

We open the issue on Gemworld, with someone relaying information about seven crises and Earth. We then jump to Earth, and a young woman’s arrival in Metropolis. This is Jinny Hex…new to the big city. As she’s dealing with having been pulled over for a busted taillight on her vehicle…agents of Gemworld invade, causing quite a ruckus. Jinny finds herself face to face with Robin (Tim Drake) and seems rather awe-struck. A flashback shows us an interaction between Tim and Cassie Sandsmark minutes earlier, also in Metropolis, as the two catch up briefly before Tim leaps into action with the invasion. Joining the action is Impulse–Bart Allen; he is clearly excited to be in action and interacting with the others while facing the invasion. Before long, Wonder Girl joins in as well as a Green Lantern Ring Construct…and Bart declares that Young Justice is back! It looks as if the heroes may have prevailed, and then they’re caught up in some sort of energy, and Robin comes to on Gemworld facing Amethyst…while Impulse finds himself facing a certain missing teammate to end the issue.

This issue provoked a reaction in me that I haven’t had in awhile from any comic, and that I don’t know entirely how to describe. But to try…in short, I flat-out enjoyed this comic, I loved seeing Tim referred to as Robin again, and something about these characters–even though I lack a huge amount of context for the grouping–really hit my nostalgia buttons. Perhaps because this is the first time it seems Tim Drake has properly–without likelihood of reprint revision–been referred to as Robin since 2009 or so. Perhaps it’s seeing Connor Kent Superboy again for the first time since at least 2011. Perhaps it’s that this feels like something from before the New 52, period.

Likely all of the above and that the issue was just…FUN. I mean, an invasion, the destruction of property and all that…sure, that’s not something to celebrate, but this IS a comic book, and we’re not beaten over the head while reading about the destruction itself or how it’s impacting some random character or bystander. We just get heroes in action, and saving people, and no real focus on dark, grim, gritty stuff.

I know I’ve had issues with Gleason‘s art in the past–I think to the point that I even came to dislike seeing his name on stuff; it was a sign that I would likely dislike the art. His art won me over a bit during the Rebirth run of Superman; and maybe I’m just so thrilled to see Robin and Superboy again, but I really dug the art on this issue! Gleason‘s style seems very well-suited for this sort of frenetic fun and the energetic nature of much of the issue–from Robin laying into Gemworlders to Bart completely enjoying himself in action…and even working in more serious stuff without coming off with stylistic things that’d get me complaining on some principle. There are several double-page spreads, and other than the "Young Justice is BACK!" bit, I could do without them. I tend to feel that most double-pagers are "cheats" and go by way too quickly for taking up multiple full pages, lowering the "value" in terms of per-page story content.

Story-wise, this seems like a pretty good first issue. I’m not at all current on Tim Drake stuff, nor Bart or Cassie; I vaguely recall something about Jinny being in a Walmart-exclusive comic, but she comes off as fresh and new here, as does Teen Lantern; I also lack any real familiarity with Amethyst and Gemworld except that they exist. But I was still able to enjoy the issue, with everyone getting introductions or otherwise at least being named on-page…no need to go online to hunt down "who" someone was or be left scratching my head. (And the lettering had a great touch, working character names in as logos in a way that doesn’t seem to be used much lately and reminds me quite a bit of ’90s comics). This isn’t a perfect story by any means…I didn’t really "get" the invasion or anything much from that–it was more incidental, an excuse for "big action" and something to bring the characters together, to get stuff from Point A to Point B and such. That it included these particular characters being pulled together, though…it worked for me.

This is certainly no done-in-one issue, and it really only serves so far to move pieces around to begin to move toward whatever the full story will eventually be. The issue is significant in itself as a single issue for bringing the characters together (if only certain characters in virtual cameos) and being the first time we’ve seen several in years–or at least, seemingly years. But this is just the opening chapter of a serialized graphic novel, that presumably will be the standard-ish 6 issues in length.

There’s a certain on-page authenticity to the various characters, that both looks and feels like what I’d expect of a Bendis-helmed comic. His work can be hit or miss for me, but this issue is definitely a hit. I got this for the characters involved, and was not disappointed. That Bendis is the writer is incidental to me, and something I’m fine with, based on this issue. Whether that holds for future issues remains to be seen! But for now, I’m definitely onboard for this title in particular…and having thoroughly enjoyed this, I may even consider checking out the other Wonder Comics titles.

If you’re a fan of Tim Drake, Bart Allen (at least as he was pre-2003), early Connor Kent Superboy, and so on…this is definitely worth jumping in on. Especially if you’ve been "away" from the characters for awhile or not staying current with DC‘s continuity. This does not feel like it relies on anything else going on…it’s just the world these characters inhabit and them coming together and working together. This is not spinning out of some other event or title…no prologue in Detective Comics or one of the Justice League titles or some other mini-series. And even if you’re not specifically a fan of a specific character in a particular role, if you enjoy teen heroes, enjoy seeing Robin/Wonder Girl/Impulse/etc. together in a title…I’d say this is worthwhile to check out.

I have every intention myself of picking up the next issue, and if I enjoy it the way I did this issue, I may be onboard for awhile!

young_justice_(2019)_0001_blogtrailer

#BestEventEver: #UnderworldUnleashed – My Posts

Last month, a number of blogs and podcasts joined together to present #BestEventEver 2018, covering the 1995 event Underworld Unleashed! Due to computer issues, I stretched a bit into November to cover the Robin issues. In addition to my own posts, please check out these other blogs and podcasts for in-depth coverage of the various issues that were part of the event…and join in on further peeks at and discussions of the event on Twitter by joining at hashtags #BestEventEver and #UnderworldReUnleashed!

ITG | Resurrections: An Adam Warlock/Thanos Podcast | Relatively Geeky Podcast Network | The Retroist | Chris is on Infinite Earths | Cosmic Treadmill | The Pop Culture Palace | Rolled Spine’s Diana Prince: Wonder Woman Podcast | The Idol-Head of Diabolu | Justice’s First Dawn | Justice Trek: The Podcast


90s_revisited

green_lantern_0068

green_lantern_0069

batman_0525

superman_man_of_tomorrow_0003

superboy_0022

robin_0023

robin_0024


best_event_ever_my_posts_blogtrailer

The ’90s Revisited: Robin #24 – Underworld Unleashed!

90s_revisited

robin_0024Insects and Violence

Story: Chuck Dixon
Pencils: Aaron Lopresti
Inks: Stan Woch
Colors: Adrienne Roy
Letters: Tim Harkins
Cover: Mike Wieringo, Terry Austin, Bob LeRose, Curtis King, John Wren
Associate Editor: Jordan B. Gorfinkel
Editor: Denny O’Neil
Published by: DC Comics
Cover Date: December 1995
Cover Price: $1.95

Last month, a number of blogs and podcasts joined together to present #BestEventEver 2018, covering the 1995 event Underworld Unleashed! Due to computer issues and developments in my personal life, I’ve stretched my part into November to cover the Robin issues. In addition to my own posts, please check out these other blogs and podcasts for in-depth coverage of the various issues that were part of the event…and join in on further peeks at and discussions of the event on Twitter by joining at hashtags #BestEventEver and #UnderworldReUnleashed!

ITG | Resurrections: An Adam Warlock/Thanos Podcast | Relatively Geeky Podcast Network | The Retroist | Chris is on Infinite Earths | Cosmic Treadmill | The Pop Culture Palace | Rolled Spine’s Diana Prince: Wonder Woman Podcast | The Idol-Head of Diabolu | Justice’s First Dawn | Justice Trek: The Podcast


This issue is a sort of tie-in that’s not a tie-in. In the previous issue, we got to see Drury Walker and Neron and Walker’s transformation from joke-villain Killer Moth into the monstrous bug-creature Charaxes, which ties in well with the general Underworld Unleashed stuff. This issue, though…if it wasn’t for the Underworld Unleashed logo on the cover, and following directly on the previous issue–one wouldn’t even know there was some larger "event" going on! This can be read as its own thing–you don’t need Underworld Unleashed itself, and other than simply knowing Tim’s been captured by the creature, you don’t even REALLY need the previous issue! (Thanks to context and exposition…and speaking for myself, 30 years of comics-reading.)

Robin’s been cocooned ALIENS-style (well, lots-of-things-style, but I’m in an ALIENS frame of mind), unable to free himself yet, but in contact with Alfred…who can provide some information if not actual help (such as the fact that a ‘Charaxes’ is a butterfly, not a moth…but Robin’s not sure his captor’s sweating the details. While Tim struggles and eventually manages to use his extending bo to free himself…the police–even armed with a shotgun–don’t fare well against Charaxes. Robin then gets to have a go at the creature, but eventually it looks like he’ll get to experience that which Alfred had told him about…when a mysterious figure shows up, shoots Charaxes, captures him in a high-tech net…as our hero passes out. When he wakes, it’s to Batman (who arrived too late to have helped), and both are left to wonder about the mysterious entity. At school the next day, Tim is approached by a rival who is willing to put aside differences and "recruit" Tim…in vigilante opposition to the influx of new students. When he shows off a gun…he’s got Tim’s attention!

This is a fairly solid issue of Robin. We get to see our titular hero escape a "death trap," fight the villain, and even interact with Alfred and Batman. In addition, we get to see a bit of Ariana and her family in their new home, as well as see Tim at school with his friends. While this issue came off a cliffhanger, one isn’t really missing a CRUCIAL piece of story–it’s easy enough to catch up from exposition. This is from a time when comics were not locked into a rigid cycle of X number of issues = 1 graphic novel/collected volume. Each issue was episodic, rather than "just" X of Y serialized chapters of a SINGLE story.

It’s perhaps a bit fitting that I get to this issue a couple WEEKS later than I had intended–it’s a "straggler" issue for me on reading, as well as covering as part of the #BestEventEver coverage of Underworld Unleashed. While it’s technically a tie-in, it seems to be a later one, and labeled as such almost as an afterthought. You’d want to read this if you’re reading the series, and if you read the previous issue and cared about how Robin escapes from Charaxes…but this really seems to have absolutely nothing to do with Underworld Unleashed, and would be suitable for getting in conjunction with that solely for the logo on the cover.

Visually, I like the issue. It’s just Robin for me. It’s not trying to be some distinctive visual interpretation, it’s just…Robin art for a Robin issue. If I wasn’t looking at the credits I probably wouldn’t identify the artist offhand…but in the way this issue is, that’s a good thing, as it just looks like a ’90s Robin issue, and not a bad one at that.

As with most ’90s comics…this is definitely worth a 25-cent purchase, though there’s not really much to this to make it stand out as a sole, single, isolated issue. Aside from the "completist" mentality for Underworld Unlimited, if you’re not interested in early Tim Drake Robin stuff, or Killer Moth and that character’s oddities, or the art…I woudln’t suggest hunting this down for the sake of itself.

As a Robin issue, and my being a fan of this character…these two issues were a treat to revisit and I’m quite glad to have read them!


Again, please check out these other sites for additional, more in-depth coverage of the various other issues–including the main event mini itself–for Underworld Unleashed!

robin_0024_blogtrailer

The ’90s Revisited: Robin #23 – Underworld Unleashed!

90s_revisited

robin_0023Buggin’

Story: Chuck Dixon
Pencils: Aaron Lopresti
Inks: Stan Woch
Colors: Adrienne Roy
Letters: Tim Harkins
Cover: Mike Wieringo, Terry Austin, Bob LeRose, Curtis King, John Wren
Associate Editor: Jordan B. Gorfinkel
Editor: Denny O’Neil
Published by: DC Comics
Cover Date: December 1995
Cover Price: $1.95

Last month, a number of blogs and podcasts joined together to present #BestEventEver 2018, covering the 1995 event Underworld Unleashed! Due to computer issues, I’ve stretched a bit into November to cover the Robin issues. In addition to my own posts, please check out these other blogs and podcasts for in-depth coverage of the various issues that were part of the event…and join in on further peeks at and discussions of the event on Twitter by joining at hashtags #BestEventEver and #UnderworldReUnleashed!

ITG | Resurrections: An Adam Warlock/Thanos Podcast | Relatively Geeky Podcast Network | The Retroist | Chris is on Infinite Earths | Cosmic Treadmill | The Pop Culture Palace | Rolled Spine’s Diana Prince: Wonder Woman Podcast | The Idol-Head of Diabolu | Justice’s First Dawn | Justice Trek: The Podcast


I’m pretty sure I had not read this when it first came out…but I realized I must have read it quite a number of years ago–though at most recent, it would have been 2002! More likely 2001, when I bought a set of issues 1-40 from Capp’s Comics, which then left me (at the time) only missing 41-45 from being “current” with the series, as I’d jumped back in with #46 or so, and followed the series more or less to at least #100! So some part of me remembered having read this, the “upgrade” of Killer Moth to Charaxes! Other than this, or in spite of this, to me, the main thing I know the character from is that he was involved in an attempted kidnapping of Bruce Wayne in which Barbara “Babs” Gordon intervened as Batgirl (the incident is referenced in Untold Legend of the Batman #3, but Killer Moth himself/by name is NOT).

We open this issue on a large, green, bug-like face demanding “Do as I say or face the wrath of…Killer Moth!” The scene transitions and we see that it’s a dream, and meet the man himself–who longs to be feared and not the butt of jokes amidst even fellow villains. Neron (this is an Underworld Unleashed branded tie-in, after all!) appears to him and offers to transform him. We then shift to Robin “stalking” Tim Drake’s girlfriend, lamenting her family having had to sell their business and move. He feels angsty over stuff until Batman shows up, and asks him an interesting question–does he know who bought the family’s property? We then learn that it was bought by Wayne Enterprises at triple market value, which allows the family to thrive, and move to a better part of Gotham (which happens to be closer to Tim, close enough that Ariana will now attend the same high school!). Meanwhile, Arkham guards find a cocoon in Drury Walker’s cell, and eventually the cocoon opens, and a bug-creature emerges, agrees that “Killer Moth” is a ludicrous concept, and to call it Charaxes! At Gotham Heights High, we see Tim introduce his friends to Ariana and they interact a bit, before we see some results of Charaxes’ rampage. Eventually the actual police are called, and even they aren’t equipped to deal with this new “upgraded” threat from a previously-considered-a-joke guy. Learning of the situation, Robin prepares to head out, figuring it shouldn’t be a problem…after all, this is Killer Moth they’re talking about! Unfortunately, Robin winds up getting knocked out during the fight with the creature, and wakes up at the end of the issue stuck in a cocoon of sorts having no idea where he is or how he got there, knowing only that “it” will be back soon.

Somehow notably to me is Neron responding to Walker’s question of whether the transformation he’s agreed to will hurt. “You will forget the pain….when the transformation is complete.” This concept is something that I’ve often considered in various situations, and while I don’t know if my personal original coming across it was this issue, this issue DID spark at least a vague sense of deja vu or such with it. That painful as something is in the moment, once through it, the pain will be forgotten in light of the result.

Over the 16+ years since I would have read this, I’d forgotten plenty of details of Tim Drake’s early days as Robin. (Though he had 3 mini-series and an Annual even before about 2 years of this ongoing series…the character has been around for 30 years now and this issue was only about 6 years into that, so this is still “early” for the character.) Coming back to Tim still being with Ariana touches off a nice bit of nostalgia for me. I’d completely forgotten about subplots with her family and moving and such. For that matter, given the way most modern comics seem to be with the eye for the 4-6 issue “graphic novel,” sometimes I feel like I forget what “subplots” even were, and the sort of structure seen in this issue, with a number of points touched on that are not strictly structured for a specific, standard-sized collection.

I really like the art in this issue. As I read it, I hadn’t noted the credits…I just wanted to take in the story. I think I “assumed” the art was Tom Grummett, but was (pleasantly) surprised to find that it’s Aaron Lopresti…a name I’m more recently “re-familiar” with due to his work on the Malibu Ultraverse title Sludge.

It’s not surprising, then, that I liked the art! I’m not a huge fan of the Charaxes design…but then, I’m not a huge fan of bugs, so the character just has a look that I’m not quite comfortable with. However, I’d put that down as a success in the appearance! Throughout the issue, stuff’s not hard to follow visually, and Lopresti‘s style works very well with what I tend to think of for 1990s Robin, and fitting right in with prior Robin art so as to not be distracting or off-putting!

Story-wise, I enjoyed the memories in this, and that there wasn’t MUCH time wasted on exposition…and yet, it seemed easy enough to follow along. Granted, I’d read this issue before, know quite a bit about Robin and so on, but I didn’t feel lost or stuck “outside” the story. Even if one doesn’t know the characters or history, it’s pretty easy to pick up on the main points, much as one might casually watch an early episode of a tv series for which they’ve seen some later-season episodes.

Neron’s appearance itself is not explained or contextualized here–not even an Editor’s Note to “see Underworld Unleashed“–but his appearance here qualifies AS appearing here AND gives us the on-panel “explanation” for Walker going from some inept inmate desiring respect, to a cocoon on the ceiling and transformation into Charaxes. This seems like one of the more drastic changes to a villain, and seems fitting enough with the cocoon and all, transforming Walker physically/biologically into a killer bug, rather than having just a name and costume.

The introduction of Charaxes certainly fulfills my expectation of this as a tie-in to Underworld Unleashed, in seeing a previously-established low level villain receiving an “upgrade” into a larger threat. I don’t recall how long this change “stuck,” as I’m pretty sure “Killer Moth” as a petty, low-level villain is presently still a butt of jokes and “just human” and such, though I couldn’t say where the character is at present in 2018.

This issue doesn’t really stand out singularly or have any over-obvious cover to draw one’s attention to it in passing as to this particular story. That said, the cover image of a cocooned Robin looking wide-eyed at the giant bug-creature on the cover gives this a suitably “spooky”-ish type of imagery that would fit with an October issue (cover dates being a couple months ahead, this issue would have been an October 1995 issue).

This is a solid issue of Robin (the series), and works well in what I remember as the continuity of the time. We do have the “origin” and such of Charaxes, so there’s some significance in that regard, if one comes across it in a bargain bin. This does end on a cliffhanger, and there is a second tie-in issue (the next issue, #24) so this doesn’t work as well as a standalone thing, and is best acquired as part of the pair of issues. If you’re a fan of Robin, writer Chuck Dixon, artist Aaron Lopresti, seeking Underworld Unleashed tie-ins, or Killer Moth/Charaxes stuff, this’d be a definite treat to pick up.


Again, please check out these other sites for additional, more in-depth coverage of the various other issues–including the main event mini itself–for Underworld Unleashed!

robin_0023_blogtrailer

Detective Comics #965 [Review]

detective_comics_0965A Lonely Place of Living Chapter 1

Writer: James Tynion IV
Pencils: Eddy Barrows
Inks: Eber Ferreira
Colors: Adriano Lucas
Letters: Sal Cipriano
Covr: Barrows, Ferreira, Lucas
Assistant Editor: Andrew Marino
Editor: Chris Conroy
With Gratitude to: Marv Wolfman, George Perez, and Jim Aparo
Published by: DC Comics
Cover Date: November 2017
Cover Price: $2.99

I’ve gotten woefully behind in actually reading Detective Comics, though it seems it should be one of my favorite titles. But I was a bit put off by the supposed ‘death’ of Tim Drake early in the new run last year, and wasn’t in a big hurry to follow anything "long-term" with that for a number of reasons. And time passed.

Recently, I was quite excited by a familiar-looking image, in an ad for the then-upcoming (now here) Detective Comics story A Lonely Place of Living. For the cover alone, standard or variant (in an extremely rare bit of sentiment) I was going to get the issue ASAP: it’s a callback to my own earliest days "in comics." My first-ever issue of Batman was #439–the closing chapter of Year Three; my second issue was #440…the opening chapter of A Lonely Place of Dying, which is where this story gets its title (sorta like the recent The Lazarus Contract‘s title playing off the classic The Judas Contract).

So for nostalgia alone I was gonna get this issue. But given continuity things of the last six years, I didn’t know exactly what the story itself would yield, outside of the story title and the cover playing off the classic.

We open on a flashback–Tim confronting Dick as he visits the circus he grew up with, showing him photos of Batman going off the deep end and explaining that he knows Batman is Bruce Wayne and that he–Dick–is Nightwing, formerly Robin. In the present, we find Tim being questioned by Mr. Oz–recently revealed to be (a?) Jor-El, father of Kal-El (Superman). We’re treated to brief flashbacks to the events of A Lonely Place of Dying, and then the beginning of the original Robin mini-series as Tim dons the duds and officially becomes Robin. Jor-El reveals his "truth" to Tim even as Tim exerts some control of the situation. He soon finds himself in contact with Batman…only it’s not the Batman he expects…rather, it’s a Batman he swore would never exist. Before much can come of that, the two find themselves facing possibly the most dangerous creature Oz had captured, which leaves us waiting for the next issue.

I would have to actually go back to the original issues or one of the collected editions on my shelves to confirm, but the dialogue in the flashbacks hit pretty darned CLOSE to my memory of the exchanges between the characters, and honestly gave me a slight chill at the way the flashbacked-scenes brought up memories for me.

As of reading this issue, I already knew the "big reveal" of Oz’s identity (though I’m still not sure if or how I’ll accept it–I’m still waiting for some other swerve and imagine it’ll be quite a long time before I’d accept it as the canon it’s being presented as and not just another plot point on the way to something else). I definitely dug Tim’s ingenuity, seeing that despite his time as a prisoner, he’s continued working on a way to escape (and after another earlier escape that we saw in Superman Reborn).

I was not prepared for/expecting the older Bat-Tim to show up or be any part of this at all…I honestly initially saw him as "just another character" of no significance; some swerve to this story or some trap for Tim or some such; it was seeing someone’s comment about the Titans of Tomorrow story that jogged my memory and contextualized the character…making this all the more cool as a story.

I’m not particularly familiar with Tim’s story or origins from 2011-onward; really since before 2009 as I’d lapsed as a reader early in the Red Robin run, and got right back out of the New 52 iteration of Teen Titans that I’d tried at the start. But at least for this opening chapter of A Lonely Place of Living, I feel like I’ve got "my" Robin back, "my" Tim Drake.

Which is a rather personal thing for me as the character debuted AS I got into comics…

Story, art…all in all, this is an excellent issue, certainly for playing on my nostalgia. The story is strongly rooted in continuity, in history…and the art just looks good, with nothing taking me out of the story. This issue just is.

If you’re a fan of Robin, or Tim Drake, or the current run of Detective Comics, I highly recommend this. Really, even if you aren’t a fan of them…this feels like something big, and all the moreso to me personally. Only this first chapter in and I already know I am absolutely looking forward to the inevitable double-dipping of getting the collected volume, and wondering what form that might take–as well as whether or not we’ll get any new version of a collected volume of the original A Lonely Place of Dying story!

tec965_batman441