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Detective Comics #965 [Review]

detective_comics_0965A Lonely Place of Living Chapter 1

Writer: James Tynion IV
Pencils: Eddy Barrows
Inks: Eber Ferreira
Colors: Adriano Lucas
Letters: Sal Cipriano
Covr: Barrows, Ferreira, Lucas
Assistant Editor: Andrew Marino
Editor: Chris Conroy
With Gratitude to: Marv Wolfman, George Perez, and Jim Aparo
Published by: DC Comics
Cover Date: November 2017
Cover Price: $2.99

I’ve gotten woefully behind in actually reading Detective Comics, though it seems it should be one of my favorite titles. But I was a bit put off by the supposed ‘death’ of Tim Drake early in the new run last year, and wasn’t in a big hurry to follow anything "long-term" with that for a number of reasons. And time passed.

Recently, I was quite excited by a familiar-looking image, in an ad for the then-upcoming (now here) Detective Comics story A Lonely Place of Living. For the cover alone, standard or variant (in an extremely rare bit of sentiment) I was going to get the issue ASAP: it’s a callback to my own earliest days "in comics." My first-ever issue of Batman was #439–the closing chapter of Year Three; my second issue was #440…the opening chapter of A Lonely Place of Dying, which is where this story gets its title (sorta like the recent The Lazarus Contract‘s title playing off the classic The Judas Contract).

So for nostalgia alone I was gonna get this issue. But given continuity things of the last six years, I didn’t know exactly what the story itself would yield, outside of the story title and the cover playing off the classic.

We open on a flashback–Tim confronting Dick as he visits the circus he grew up with, showing him photos of Batman going off the deep end and explaining that he knows Batman is Bruce Wayne and that he–Dick–is Nightwing, formerly Robin. In the present, we find Tim being questioned by Mr. Oz–recently revealed to be (a?) Jor-El, father of Kal-El (Superman). We’re treated to brief flashbacks to the events of A Lonely Place of Dying, and then the beginning of the original Robin mini-series as Tim dons the duds and officially becomes Robin. Jor-El reveals his "truth" to Tim even as Tim exerts some control of the situation. He soon finds himself in contact with Batman…only it’s not the Batman he expects…rather, it’s a Batman he swore would never exist. Before much can come of that, the two find themselves facing possibly the most dangerous creature Oz had captured, which leaves us waiting for the next issue.

I would have to actually go back to the original issues or one of the collected editions on my shelves to confirm, but the dialogue in the flashbacks hit pretty darned CLOSE to my memory of the exchanges between the characters, and honestly gave me a slight chill at the way the flashbacked-scenes brought up memories for me.

As of reading this issue, I already knew the "big reveal" of Oz’s identity (though I’m still not sure if or how I’ll accept it–I’m still waiting for some other swerve and imagine it’ll be quite a long time before I’d accept it as the canon it’s being presented as and not just another plot point on the way to something else). I definitely dug Tim’s ingenuity, seeing that despite his time as a prisoner, he’s continued working on a way to escape (and after another earlier escape that we saw in Superman Reborn).

I was not prepared for/expecting the older Bat-Tim to show up or be any part of this at all…I honestly initially saw him as "just another character" of no significance; some swerve to this story or some trap for Tim or some such; it was seeing someone’s comment about the Titans of Tomorrow story that jogged my memory and contextualized the character…making this all the more cool as a story.

I’m not particularly familiar with Tim’s story or origins from 2011-onward; really since before 2009 as I’d lapsed as a reader early in the Red Robin run, and got right back out of the New 52 iteration of Teen Titans that I’d tried at the start. But at least for this opening chapter of A Lonely Place of Living, I feel like I’ve got "my" Robin back, "my" Tim Drake.

Which is a rather personal thing for me as the character debuted AS I got into comics…

Story, art…all in all, this is an excellent issue, certainly for playing on my nostalgia. The story is strongly rooted in continuity, in history…and the art just looks good, with nothing taking me out of the story. This issue just is.

If you’re a fan of Robin, or Tim Drake, or the current run of Detective Comics, I highly recommend this. Really, even if you aren’t a fan of them…this feels like something big, and all the moreso to me personally. Only this first chapter in and I already know I am absolutely looking forward to the inevitable double-dipping of getting the collected volume, and wondering what form that might take–as well as whether or not we’ll get any new version of a collected volume of the original A Lonely Place of Dying story!

tec965_batman441

Batman and Robin Eternal #1 [Review]

batmanandrobineternal001Story: James Tynion IV & Scott Snyder
Script: James Tynion IV
Pencils: Tony Daniel
Inks: Sandu Florea
Colors: Tomeu Morey
Letters: Tom Napolitano
Cover: Tony Daniel, Sandu Florea, Tomeu Morey
Asst. Editor: Dave Wielgosz
Editor: Chris Conro
Group Editor: Mark Doyle
Published by: DC Comics
Cover Date: December 2015
Cover Price: $3.99

Against otherwise better judgment, I decided to check this out. I’m sure it had plenty to do with being a #1–a chance to “check it out” from the start, before things get deep. Also that I got the impression the series is due to focus heavily on the previous Robins–Dick, Jason, and Tim–which is something I’m quite interested in (particularly Dick and Tim). I also have the hope of it being a lengthy but mostly contained story, and while I’m really not thrilled at the prospect of a WEEKLY $4 book, since it’s not like I’m really following anything else from DC and Marvel at the moment, I might be able to tolerate a weekly dose at the higher price.

We open with a flashback, then jump to the ‘present’ with Red Robin, Grayson, and Red Hood pursuing someone; a bit of an action sequence. Scene skips abound as we get a moment with the new Batman interacting with would-be Bat-protégé Harper Row, then more flashbacky stuff, and Grayson encounters a costumed figure that could have used lethal force but doesn’t; we’re introduced to this “Mother” as a concept, and “The Orphan,” and ultimately get a fairly disturbing “reveal” for the ending of the issue.

Aside from the concept, probably the first thing I noticed with the issue was the art. I tend to enjoy Daniel’s work, and even on a hit-or-miss basis, this one’s a hit for me. I really liked the look of the issue on the whole–including Dick and Jason looking rather similar (thanks to metatextual knowledge of Jason’s creation/introduction back in the ’80s). Really no complaints visually.

Story-wise I’m less-keen on stuff. Structurally, I definitely appreciate the issue. I liked that we’re dropped in on action right away (rather than some “talking heads” situation), and I like that we get a bit of an overview of the characters that seem poised to be focal points of this weekly series. It’s silly details that hung me up–stuff like “The Narrows” as a location I don’t ever remember in Gotham prior to the Nolan films or the Arkham games, as well as stuff from Dick’s flashback to his first “super-villain” tying to those films. I can’t quite put my finger on why that bugs me, but it’s there. Hardly a “dealbreaker,” though. I have more concern with Batman–Bruce’s–actions and potential motivation, perhaps just on a metatextual level.

Whatever the specifics…I enjoyed this on the whole. The issue also felt thick (and it is–I count 30 pages of story to the usual 20ish) and so the issue is much more worth its $3.99 cover price.

Seeing the third volume of the paperbacks for the previous Batman weekly–Batman Eternal–also out this week plants the seed in my mind all the more that I might prefer to just wait for collected volumes…particularly given how quickly I lost track of DC‘s weeklies last year. If I’m not going to get around to/keep up with weekly issues and binge-read anyway…might as well wait for my preferred format.

Still…a good first issue, working well as a “pilot” issue and getting me interested, confirming that yes, I am (myself, at least) interested in where this story goes, whatever the format. And as a first issue…this is well worth checking out if you’ve any particular interest in Batman’s sidekicks.

Constantine: The Hellblazer #1 [Review]

constantinethehellblazer001Going Down

Writers: Ming Doyle, James Tynion IV
Artist: Riley Rossmo
Colorist: Ivan Plascensia
Cover: Riley Rossmo
Letterer: Tom Napolitano
Group Editor: Brian Cunningham
Assistant Editor: Amedeo Turturro
Editor: Andy Khouri
Published by: DC Comics
Cover Date: August 2015
Cover Price: $2.99

I was planning on skipping this. I don’t much care for a watered-down version of the Vertigo/Mature Readers take on the title character, gave up on Justice League Dark early-on for not “starring” Constantine, and generally figured there’s more “history” for the New 52 Constantine than I really care to spend money playing catch-up on. But…this is a #1. New creative team (far as I’m aware), and it’s “only” $2.99. So I figured I’d check it out, give it an issue or so to show me what it’ll be…might as well for the price.

We open on a naked Constantine in a store, using his abilities to “con” a fresh set of clothes out of the employee. When John’s ghost-friends cause a stir, he ultimately finds himself in the company of a female demon who he finds is arranging to have a “soul farm,” so he winds up working the situation to a fairly predictable conclusion through his usual means.

Of course, that “usual” is based on my knowledge of the character from the past, from the original Hellblazer title (that was part of the initial Vertigo line and long anchored the imprint until a couple years ago) moreso than I know of the “mainstream” New 52/DC version.

The art for this issue was a bit off-putting for me when I opened the issue…particularly as I wasn’t even sure the character on the first page was actually John Constantine or not. Granted, I’m not used to seeing the character in the Birthday Suit, and some of the blame probably could be placed on the writing as well, the issue opening as it did. Once things move along a few pages, the art grew on me a bit, to where I’ll accept it much as any other Constantine or Hellblazer artist. Though, with only this single issue, I cannot say I’m likely to count Rossmo among my favorite who’ve worked on the character. However, I can definitely say that I enjoyed a 10-panel double-page spread with a sideways layout…it was different, engaging, effective in conveying so much in that part of the story, and really stood out to me for not just being more of the same.

The story was pretty good overall, and other than the obfuscated colorful language, this really felt like it could be a Vertigo issue. Though we do get left with a cliffhanger, and join the story “in progress” in and of itself the issue does give a “complete” story: We’re introduced to Constantine, his ghost entourage, and see a bit of his personality and nature by his actions, obvious intent, narration, and characters’ commentary. We’re introduced to a particular threat/situation, see his reaction to it, and get a resolution. Then we’re given a question that (ideally) hooks us into coming back for the next issue. Or in short: this is an effective first issue, doing what I would expect of a first issue.

While a first issue is not much to go on, the fact that this issue is devoid of superheroes/superheroics (only a passing mention that they even exist) is a welcome thing. My hope with this title is that it’ll be DC‘s way to have their cake and eat it, too: a solo title featuring John Constantine, BEING John Constantine, without the superheroes’ interaction…just Constantine doing his thing in his own world of sorts. But he’s part of the “main universe,” too, and thus remains available for stories that would call for his brand of involvement. I enjoy seeing him dealing with the superhero crowd…but when I pick up a book starring him, I’m not doing so for superhero stuff.

This title’s “subtitle” of The Hellblazer seems tacked-on and like some afterthought given its size and rather obviously being “just” a font rather than a focused part of the title logo. That strikes me as being a sort of appeasement, like saying “Ok, ok, we get it, y’all want a monthly comic with Hellblazer in the title!” (Granted, I understand the title Hellblazer was only ever initially used because Hellraiser was not available).

As a first issue and not knowing how dark the title may go, how long it’ll last, whether it will cross over directly with and mingle with the superhero stuff…taken by itself I think this is as close as we’re gonna get to a return to the classic Hellblazer book. As a fan of that series, I do recommend giving this a shot. I suspect readers of the recently-ended Constantine will appreciate this as well. And overall–in this day and age of seemingly EVERYTHING being $3.99+, this is a $2.99 book for the moment, so I’d recommend getting this even just to “support” the price point if you’re a single-issue buyer.

I’ll probably be back for the second issue and go from there. For my $2.99 this time, the issue was definitely worth the purchase and read, and my buying any more issues at all will be due to this fact, as I’d had every intention of outright ignoring anything DC put out for the foreseeable future.

Batman Annual #1 [Review]

Full review posted to cxPulp.com.

Story: 4.5/5
Art: 4.5/5
Overall: 4.5/5

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