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The ’90s Revisited – Green Lantern Annual #1

90s_revisited

greenlantern_annual001Diamond Rings

Writer: Gerard Jones
Penciller: Andy Smith
Inks: John Beatty
Letters: Bob Lappan
Colors: Matt Hollingsworth
Editor: Kevin Dooley
Cover Date: 1992
Cover Price: $2.50
Published by: DC Comics

This issue sits weirdly with me right from the cover! Just the cover image alone is rather disturbing. We have the text "…In Blackest Day!" and a large silhouette of a rather sinister/creepy Eclipso…while Hal Jordan delivers one heckuva brutal punch to Star Sapphire, with visible blood flying off her face! There’s also a stylized "G" saying "No More Mister Nice Guy!" One would think from the G that it refers to Guy Gardner…but he is nowhere to be found on the cover! And especially as neither Hal nor Star Sapphire appear to actually BE "eclipsed," it just looks like a total abusive situation that seems flat-out disgusting to me before so much as opening the issue.

We open on a brief scene of Kilowog, John Stewart, and several other Lanterns training/bantering, before they take in some sort of warning that something is hunting Green Lanterns. Turning the page, we get a generic shot of Eclipso on his throne stating "I want Green Lantern." Continuing on we see the dark god is rather Orange Lantern-y 15-16 years before we had Orange Lanterns…he wants all GL has, period. We then see the eclipsed Starman in Times Square pass a black diamond around to cause some Eclipso-y mischief. Ultimately a black diamond makes its way to Guy Gardner who is still incredibly ticked-off at Hal and the GLs. Scene cuts to a scream coming from a house, and then Green Lantern (Hal Jordan) slamming a door open to find a sweating, terrified Carol Ferris, just awoken from a nightmare. We spend a number of pages of Carol conveying the nightmare to Jordan, in the process picking up that there’s a pretty traumatic history involving Star Sapphire as a personality/entity controlling her, maybe still IN her. As Carol goes back to sleep, Jordan muses on his always being "giving" and not getting back, with women in his life…Carol or Arisia. As he looks out a window, we find an eclipsed Guy Gardner stalking the hero. We switch to see Bruce Gordon and his crew on the hunt for this latest black diamond, and then back to Gardner, who does not meet Eclipso’s expectations. No ring, no powers…the villain wants those, not whatever Gardner is now. So he flicks the diamond to be found when Jordan emerges from the dwelling…but he’s so preoccupied he misses it.

Instead, coming out later herself, Carol finds it…and the diamond along with her anger and whatever involving the Sapphire lends itself to Eclipso eclipsing another super-powered individual in the now-twice-possessed Carol/Star Sapphire! As with gaining Rampage’s body in Superman: The Man of Steel Annual #1, Eclipso has a fight on his hands DESPITE eclipsing Carol…he wants Jordan alive, Star Sapphire wants him dead! And Eclipso, while possessing the body is compelled to initially act on the anger that gave him control in the first place. Eclipso/Sapphire unleash some destruction to draw Hal out, and then they fight a bit. "Starman" shows up to "help," but of course "betrays" Jordan, leading to his defeat and Sapphire’s victory…as Bruce Gordon & Crew show up and use a solar generator on Sapphire. This distracts, but doesn’t release her…and then the GL Corps show up, just to be interrupted–seemingly welcomely–by Hal leaping into action. It soon stands clear that he’s been Eclipsed, too, and by the two bodies–Jordan and Ferris–have played out their "revenge fantasies," Eclipso has full control! The GL Corps members attempt to take them on, but to no avail. As the powers of the GL ring and the sapphire cause an explosion, the GLs are knocked out. When they come to, there’s no sign of Jordon or the Sapphire…so they fly off in search and to notify others. We then see that Eclipso got the better of them as the two fly out from under the rubble and the villain prepares to "store" the bodies for later.

I’m not particularly familiar with this era of GL/GLCorps stuff. I’m loosely aware OF some stuff, but while I’ve read both Emerald Dawn minis and possibly the first arc of this iteration of the GL series, I mostly didn’t come to the "modern" GL stuff until a good year or so after this annual, with the Reign of the Supermen tie-in issue (#46 I believe) and then Emerald Twilight in #s 48-50. Other than the fact OF Carol having been or been possessed BY (the?) Star Sapphire(s?), I don’t think I’d really actually READ anything with that as a present-day status quo/issue prior to Johns’ run in the late "aughts" leading up to and during the Blackest Night event.

Here in this issue, I feel like the Hal/Carol thing comes off as rather contentious and bitter, though I could be reading too much into it. Add to that that we see Hal’s frustrations with stuff with Arisia (who I surely knew nothing about at the time these Annuals were being published) and the whole thing feels a BIT forced. Relevant to the story–Hal’s anger–but like we’re being TOLD a lot more than we’re being SHOWN.

The art’s not bad, though it doesn’t blow me away. It’s good stuff for ’90s GL, and doesn’t feel "off" the way the art in the Man of Steel Annual did; and with Jones on the writing this seems to fit into or play with "continuity" pretty well, rather than just being some "in-name-only" thing mashed against an ongoing series.

Perhaps it’s that this is a 30-year-old story now, and thus I have 30 years of "experience" with comics since then, but with 2022 hindsight this comes off a fairly contrived and forgettable, and though once upon a time I was flabbergasted that Hal Jordan could be seen as stale or boring and need to be moved off the board for the likes of Kyle Rayner, this particular issue’s "vibe" with me is that yeah, I wouldn’t be "sold" on GL stuff from this and I’m a bit hard-pressed to dig much deeper into GL or the series’ mythology on just what I got from this issue.

There’s also the fact that I’ve "sat on" this issue for nearly two weeks…having read it, which was well enough in and of itself…but I just didn’t have any particular desire to synopsize or write ABOUT the issue. As a blogger like this, undertaking this "personal reading project" OF reading all these Eclipso Annuals and writing about each issue as I go along, that’s a bit disheartening and has almost stalled me out 3 "real" chapters in! I do look forward to things picking up, but all the more of the sense that SOME annuals are going to prove far more important than others, possibly with a "core" throughline in a few and some being more "red sky crossover" type than particularly important to the main narrative. At somewhere over double-size but slightly less than triple-size, each annual here represents enough content for at least two issues’ tie-in, perhaps 3-4 with 2022-era "decompression." We get this single issue of the event touching the GL corner of the DCU directly, where present-day this would certainly be at least a 3-issue tie-in mini-series instead of "just" an Annual.

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The ’00s Revisited: Detective Comics #826

detective_comics_0826Slayride

Writer: Paul Dini
Penciller: Don Kramer
Inker: Wayne Faucher
Colorist: John Kalisz
Letterer: Jared K. Fletcher
Cover: Simone Bianchi
Assoc. Editor: Michael Siglain
Editor: Peter Tomasi
Published by: DC Comics
Cover Date: February 2007
Cover Price: $2.99

Hard to believe even this issue was published OVER 12 YEARS AGO, but then, it’s been 8 since the announcement of The New 52, and it’s been a decade longer SINCE Tim Burton’s Batman than IT was from the ’60s series. Time flies. This issue is from a period where I’d largely stepped away from the Bat-books, before I came back for Batman RIP and Battle for the Cowl and such. So though I obviously knew Detective Comics was out there, I was not buying it regularly in 2006/2007. I actually found out about this issue from a post on Facebook with a discussion of "favorite Tim stories," and decided to track it down. Sort of surprisingly, the very first place I looked for it, I found it–for about $4, or "only" $1 more than cover price, and perfectly in line with what would be paid for a contemporary 2019 new comic!

This issue opens on Robin–Tim Drake–speeding away, being chased and shot at after winding up in the middle of rival drug gangs. As his bike is totaled, a minivan pulls up and someone throws the passenger door open, calling to him by name. Not looking a gift-horse in the mouth, Robin leaps in…to be greeted by The Joker! When Tim awakes from the Joker’s gas, he’s bound to his seat, the heat in the vehicle is on, the seat-warmer is on, and the original owners of the vehicle are dead in the back. Tim’s in for a hell-ride with one of those most deadly individuals he’s come up against, as the Joker drives over pedestrians and generally tortures Tim with his inability to DO anything. We get some flashbacks to some "human" moments Tim has with Dick…that also lend context to Tim’s eventually distracting Joker enough to escape. Unfortunately, he’s unable to capture the Joker. Batman appears, and the two leave the scene, knowing this is anything but the end of their old foe.

I don’t know if I’d consider this the greatest Tim story ever–but for reading it as a sole, single issue, completely out of any context of issues surrounding it, and getting a complete story in one issue…this is definitely an excellent issue TO get as a one-shot!

Adding to my enjoyment of this issue was having just watched a couple episodes from early in Batman: The Animated Series. Perhaps that this issue was written by the same Paul Dini that wrote those episodes, this had a certain vibe that fit right in with that…especially for being a complete story told in a short amount of time!

The cover is primarily black-and-white…with only the title logo "Detective Comics" in red. Bianchi is a hit-or-miss artist with me…but for a cover, this works very well! It also helps that the cover is actually RELEVANT to the CONTENTS of the issue–something that seems to all-too-rarely be the case in 2019, where "variants" rule and the cover doesn’t often seem to matter.

The interior art is quite good as well. I would not say I’m familiar with Kramer‘s work by style or name, but I was able to follow the story quite well and "get" what was going on, with no great distractions to yank me out of the story. If the art doesn’t "blow me away" with sheer awesomeness, then I greatly appreciate when–as with this issue–it recedes to the background and simply does its job. BY receding to the background it’s better as it becomes part of the story, the issue, and doesn’t take anything away. That said, this is probably one of the best-looking Jokers I’ve seen, and I WOULD welcome this art for the Joker in more contemporary stories!

Story-wise, the writing is very good, and along with presenting a solid story about Tim as Robin–facing and surviving The Joker–it gets into character moments/downtime with the character, and manages to give us a complete story in a single issue! Nowadays something like this one issue would be stretched to at least 3 issues, if not somehow 6 to be a full graphic novel, if one wants a "complete story." While it might be slightly toned back, this would be an excellent episode of Batman: The Animated Series.

Having thoroughly enjoyed this issue, I’m reminded that I may have read that there was a time with the title where Dini was doing a bunch of done-in-one issues…and I will definitely have to "investigate" that as that’s something I would almost certainly enjoy reading more of!

If you’re a fan of Robin, of Tim Drake, of Joker stories, or just getting a full story in a single issue of a comic, I’d highly recommend this! I consider it to absolutely be "worth" $4 or so…and anything under that is a bargain!

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Young Justice (2019) #1 [Review]

young_justice_(2019)_0001Seven Crises

Script: Brian Michael Bendis
Art: Patrick Gleason
Colors: Alejandro Sanchez
Letters: DC Lettering
Cover: Gleason & Sanchez
Associate Editor: Jessica Chen
Editors: Mike Cotton & Andy Khouri
Group Editors: Brian Cunningham & Mark Doyle

I wasn’t going to get this. I vaguely remember it being announced, as well as seeing SOMETHING about these Wonder Comics and thinking hey…yet ANOTHER new imprint to not get into!

As to the property itself–the title Young Justice–I remember ads for the World Without GrownUps or whatever back in 1998 or so, and the premiere of the original Young Justice ongoing series. I mostly missed out on that at the time–I was getting a lot of Marvel at that point (with the Heroes Return titles) and mainly just the Superman titles from DC, offhand. The END of that Young Justice series (and Titans) came in the Titans/Young Justice: Graduation Day mini-‘event’, which I picked up just after my OWN graduation day from college. The event led away from Young Justice and Titans and into two "new" series–a new iteration of Teen Titans and Outsiders, both of which I followed (getting in at #1 for lengthy runs) up to Infinite Crisis or so. I dove deep into DC continuity just after Young Justice. So I never had the nostalgia of the title or the particular iterations of the characters. When the animated series was out, I enjoyed the first several episodes, but lost track of it due to episode scheduling (as I do most animated series, it seems). So I had no huge attachment there to the title, either.

But somewhere along the way between this series being announced and this issue’s release, I found out (online) that Tim Drake would be Robin again, and that "my" Superboy–Connor Kent–the one introduced during 1993’s Reign of the Supermen–would be back. Seeing Superboy in particular on a cover image, I was "sold."

Maybe the first thing about this actual issue to note is the hefty $4.99 price point. I tend to DESPISE $4.99 #1 issues, particularly because of the way I feel that Marvel has abused the practice over the last few years. This issue felt thicker, though, and I’m more forgiving toward DC (though they have squandered a lot of the goodwill they earned from me with Rebirth). It is an extra-sized issue, with 30 story pages (an extra 1/3 content for the price of 1/4), so the "value" is technically there.

We open the issue on Gemworld, with someone relaying information about seven crises and Earth. We then jump to Earth, and a young woman’s arrival in Metropolis. This is Jinny Hex…new to the big city. As she’s dealing with having been pulled over for a busted taillight on her vehicle…agents of Gemworld invade, causing quite a ruckus. Jinny finds herself face to face with Robin (Tim Drake) and seems rather awe-struck. A flashback shows us an interaction between Tim and Cassie Sandsmark minutes earlier, also in Metropolis, as the two catch up briefly before Tim leaps into action with the invasion. Joining the action is Impulse–Bart Allen; he is clearly excited to be in action and interacting with the others while facing the invasion. Before long, Wonder Girl joins in as well as a Green Lantern Ring Construct…and Bart declares that Young Justice is back! It looks as if the heroes may have prevailed, and then they’re caught up in some sort of energy, and Robin comes to on Gemworld facing Amethyst…while Impulse finds himself facing a certain missing teammate to end the issue.

This issue provoked a reaction in me that I haven’t had in awhile from any comic, and that I don’t know entirely how to describe. But to try…in short, I flat-out enjoyed this comic, I loved seeing Tim referred to as Robin again, and something about these characters–even though I lack a huge amount of context for the grouping–really hit my nostalgia buttons. Perhaps because this is the first time it seems Tim Drake has properly–without likelihood of reprint revision–been referred to as Robin since 2009 or so. Perhaps it’s seeing Connor Kent Superboy again for the first time since at least 2011. Perhaps it’s that this feels like something from before the New 52, period.

Likely all of the above and that the issue was just…FUN. I mean, an invasion, the destruction of property and all that…sure, that’s not something to celebrate, but this IS a comic book, and we’re not beaten over the head while reading about the destruction itself or how it’s impacting some random character or bystander. We just get heroes in action, and saving people, and no real focus on dark, grim, gritty stuff.

I know I’ve had issues with Gleason‘s art in the past–I think to the point that I even came to dislike seeing his name on stuff; it was a sign that I would likely dislike the art. His art won me over a bit during the Rebirth run of Superman; and maybe I’m just so thrilled to see Robin and Superboy again, but I really dug the art on this issue! Gleason‘s style seems very well-suited for this sort of frenetic fun and the energetic nature of much of the issue–from Robin laying into Gemworlders to Bart completely enjoying himself in action…and even working in more serious stuff without coming off with stylistic things that’d get me complaining on some principle. There are several double-page spreads, and other than the "Young Justice is BACK!" bit, I could do without them. I tend to feel that most double-pagers are "cheats" and go by way too quickly for taking up multiple full pages, lowering the "value" in terms of per-page story content.

Story-wise, this seems like a pretty good first issue. I’m not at all current on Tim Drake stuff, nor Bart or Cassie; I vaguely recall something about Jinny being in a Walmart-exclusive comic, but she comes off as fresh and new here, as does Teen Lantern; I also lack any real familiarity with Amethyst and Gemworld except that they exist. But I was still able to enjoy the issue, with everyone getting introductions or otherwise at least being named on-page…no need to go online to hunt down "who" someone was or be left scratching my head. (And the lettering had a great touch, working character names in as logos in a way that doesn’t seem to be used much lately and reminds me quite a bit of ’90s comics). This isn’t a perfect story by any means…I didn’t really "get" the invasion or anything much from that–it was more incidental, an excuse for "big action" and something to bring the characters together, to get stuff from Point A to Point B and such. That it included these particular characters being pulled together, though…it worked for me.

This is certainly no done-in-one issue, and it really only serves so far to move pieces around to begin to move toward whatever the full story will eventually be. The issue is significant in itself as a single issue for bringing the characters together (if only certain characters in virtual cameos) and being the first time we’ve seen several in years–or at least, seemingly years. But this is just the opening chapter of a serialized graphic novel, that presumably will be the standard-ish 6 issues in length.

There’s a certain on-page authenticity to the various characters, that both looks and feels like what I’d expect of a Bendis-helmed comic. His work can be hit or miss for me, but this issue is definitely a hit. I got this for the characters involved, and was not disappointed. That Bendis is the writer is incidental to me, and something I’m fine with, based on this issue. Whether that holds for future issues remains to be seen! But for now, I’m definitely onboard for this title in particular…and having thoroughly enjoyed this, I may even consider checking out the other Wonder Comics titles.

If you’re a fan of Tim Drake, Bart Allen (at least as he was pre-2003), early Connor Kent Superboy, and so on…this is definitely worth jumping in on. Especially if you’ve been "away" from the characters for awhile or not staying current with DC‘s continuity. This does not feel like it relies on anything else going on…it’s just the world these characters inhabit and them coming together and working together. This is not spinning out of some other event or title…no prologue in Detective Comics or one of the Justice League titles or some other mini-series. And even if you’re not specifically a fan of a specific character in a particular role, if you enjoy teen heroes, enjoy seeing Robin/Wonder Girl/Impulse/etc. together in a title…I’d say this is worthwhile to check out.

I have every intention myself of picking up the next issue, and if I enjoy it the way I did this issue, I may be onboard for awhile!

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The ’90s Revisited: Robin #24 – Underworld Unleashed!

90s_revisited

robin_0024Insects and Violence

Story: Chuck Dixon
Pencils: Aaron Lopresti
Inks: Stan Woch
Colors: Adrienne Roy
Letters: Tim Harkins
Cover: Mike Wieringo, Terry Austin, Bob LeRose, Curtis King, John Wren
Associate Editor: Jordan B. Gorfinkel
Editor: Denny O’Neil
Published by: DC Comics
Cover Date: December 1995
Cover Price: $1.95

Last month, a number of blogs and podcasts joined together to present #BestEventEver 2018, covering the 1995 event Underworld Unleashed! Due to computer issues and developments in my personal life, I’ve stretched my part into November to cover the Robin issues. In addition to my own posts, please check out these other blogs and podcasts for in-depth coverage of the various issues that were part of the event…and join in on further peeks at and discussions of the event on Twitter by joining at hashtags #BestEventEver and #UnderworldReUnleashed!

ITG | Resurrections: An Adam Warlock/Thanos Podcast | Relatively Geeky Podcast Network | The Retroist | Chris is on Infinite Earths | Cosmic Treadmill | The Pop Culture Palace | Rolled Spine’s Diana Prince: Wonder Woman Podcast | The Idol-Head of Diabolu | Justice’s First Dawn | Justice Trek: The Podcast


This issue is a sort of tie-in that’s not a tie-in. In the previous issue, we got to see Drury Walker and Neron and Walker’s transformation from joke-villain Killer Moth into the monstrous bug-creature Charaxes, which ties in well with the general Underworld Unleashed stuff. This issue, though…if it wasn’t for the Underworld Unleashed logo on the cover, and following directly on the previous issue–one wouldn’t even know there was some larger "event" going on! This can be read as its own thing–you don’t need Underworld Unleashed itself, and other than simply knowing Tim’s been captured by the creature, you don’t even REALLY need the previous issue! (Thanks to context and exposition…and speaking for myself, 30 years of comics-reading.)

Robin’s been cocooned ALIENS-style (well, lots-of-things-style, but I’m in an ALIENS frame of mind), unable to free himself yet, but in contact with Alfred…who can provide some information if not actual help (such as the fact that a ‘Charaxes’ is a butterfly, not a moth…but Robin’s not sure his captor’s sweating the details. While Tim struggles and eventually manages to use his extending bo to free himself…the police–even armed with a shotgun–don’t fare well against Charaxes. Robin then gets to have a go at the creature, but eventually it looks like he’ll get to experience that which Alfred had told him about…when a mysterious figure shows up, shoots Charaxes, captures him in a high-tech net…as our hero passes out. When he wakes, it’s to Batman (who arrived too late to have helped), and both are left to wonder about the mysterious entity. At school the next day, Tim is approached by a rival who is willing to put aside differences and "recruit" Tim…in vigilante opposition to the influx of new students. When he shows off a gun…he’s got Tim’s attention!

This is a fairly solid issue of Robin. We get to see our titular hero escape a "death trap," fight the villain, and even interact with Alfred and Batman. In addition, we get to see a bit of Ariana and her family in their new home, as well as see Tim at school with his friends. While this issue came off a cliffhanger, one isn’t really missing a CRUCIAL piece of story–it’s easy enough to catch up from exposition. This is from a time when comics were not locked into a rigid cycle of X number of issues = 1 graphic novel/collected volume. Each issue was episodic, rather than "just" X of Y serialized chapters of a SINGLE story.

It’s perhaps a bit fitting that I get to this issue a couple WEEKS later than I had intended–it’s a "straggler" issue for me on reading, as well as covering as part of the #BestEventEver coverage of Underworld Unleashed. While it’s technically a tie-in, it seems to be a later one, and labeled as such almost as an afterthought. You’d want to read this if you’re reading the series, and if you read the previous issue and cared about how Robin escapes from Charaxes…but this really seems to have absolutely nothing to do with Underworld Unleashed, and would be suitable for getting in conjunction with that solely for the logo on the cover.

Visually, I like the issue. It’s just Robin for me. It’s not trying to be some distinctive visual interpretation, it’s just…Robin art for a Robin issue. If I wasn’t looking at the credits I probably wouldn’t identify the artist offhand…but in the way this issue is, that’s a good thing, as it just looks like a ’90s Robin issue, and not a bad one at that.

As with most ’90s comics…this is definitely worth a 25-cent purchase, though there’s not really much to this to make it stand out as a sole, single, isolated issue. Aside from the "completist" mentality for Underworld Unlimited, if you’re not interested in early Tim Drake Robin stuff, or Killer Moth and that character’s oddities, or the art…I woudln’t suggest hunting this down for the sake of itself.

As a Robin issue, and my being a fan of this character…these two issues were a treat to revisit and I’m quite glad to have read them!


Again, please check out these other sites for additional, more in-depth coverage of the various other issues–including the main event mini itself–for Underworld Unleashed!

robin_0024_blogtrailer

The ’90s Revisited: Robin #23 – Underworld Unleashed!

90s_revisited

robin_0023Buggin’

Story: Chuck Dixon
Pencils: Aaron Lopresti
Inks: Stan Woch
Colors: Adrienne Roy
Letters: Tim Harkins
Cover: Mike Wieringo, Terry Austin, Bob LeRose, Curtis King, John Wren
Associate Editor: Jordan B. Gorfinkel
Editor: Denny O’Neil
Published by: DC Comics
Cover Date: December 1995
Cover Price: $1.95

Last month, a number of blogs and podcasts joined together to present #BestEventEver 2018, covering the 1995 event Underworld Unleashed! Due to computer issues, I’ve stretched a bit into November to cover the Robin issues. In addition to my own posts, please check out these other blogs and podcasts for in-depth coverage of the various issues that were part of the event…and join in on further peeks at and discussions of the event on Twitter by joining at hashtags #BestEventEver and #UnderworldReUnleashed!

ITG | Resurrections: An Adam Warlock/Thanos Podcast | Relatively Geeky Podcast Network | The Retroist | Chris is on Infinite Earths | Cosmic Treadmill | The Pop Culture Palace | Rolled Spine’s Diana Prince: Wonder Woman Podcast | The Idol-Head of Diabolu | Justice’s First Dawn | Justice Trek: The Podcast


I’m pretty sure I had not read this when it first came out…but I realized I must have read it quite a number of years ago–though at most recent, it would have been 2002! More likely 2001, when I bought a set of issues 1-40 from Capp’s Comics, which then left me (at the time) only missing 41-45 from being “current” with the series, as I’d jumped back in with #46 or so, and followed the series more or less to at least #100! So some part of me remembered having read this, the “upgrade” of Killer Moth to Charaxes! Other than this, or in spite of this, to me, the main thing I know the character from is that he was involved in an attempted kidnapping of Bruce Wayne in which Barbara “Babs” Gordon intervened as Batgirl (the incident is referenced in Untold Legend of the Batman #3, but Killer Moth himself/by name is NOT).

We open this issue on a large, green, bug-like face demanding “Do as I say or face the wrath of…Killer Moth!” The scene transitions and we see that it’s a dream, and meet the man himself–who longs to be feared and not the butt of jokes amidst even fellow villains. Neron (this is an Underworld Unleashed branded tie-in, after all!) appears to him and offers to transform him. We then shift to Robin “stalking” Tim Drake’s girlfriend, lamenting her family having had to sell their business and move. He feels angsty over stuff until Batman shows up, and asks him an interesting question–does he know who bought the family’s property? We then learn that it was bought by Wayne Enterprises at triple market value, which allows the family to thrive, and move to a better part of Gotham (which happens to be closer to Tim, close enough that Ariana will now attend the same high school!). Meanwhile, Arkham guards find a cocoon in Drury Walker’s cell, and eventually the cocoon opens, and a bug-creature emerges, agrees that “Killer Moth” is a ludicrous concept, and to call it Charaxes! At Gotham Heights High, we see Tim introduce his friends to Ariana and they interact a bit, before we see some results of Charaxes’ rampage. Eventually the actual police are called, and even they aren’t equipped to deal with this new “upgraded” threat from a previously-considered-a-joke guy. Learning of the situation, Robin prepares to head out, figuring it shouldn’t be a problem…after all, this is Killer Moth they’re talking about! Unfortunately, Robin winds up getting knocked out during the fight with the creature, and wakes up at the end of the issue stuck in a cocoon of sorts having no idea where he is or how he got there, knowing only that “it” will be back soon.

Somehow notably to me is Neron responding to Walker’s question of whether the transformation he’s agreed to will hurt. “You will forget the pain….when the transformation is complete.” This concept is something that I’ve often considered in various situations, and while I don’t know if my personal original coming across it was this issue, this issue DID spark at least a vague sense of deja vu or such with it. That painful as something is in the moment, once through it, the pain will be forgotten in light of the result.

Over the 16+ years since I would have read this, I’d forgotten plenty of details of Tim Drake’s early days as Robin. (Though he had 3 mini-series and an Annual even before about 2 years of this ongoing series…the character has been around for 30 years now and this issue was only about 6 years into that, so this is still “early” for the character.) Coming back to Tim still being with Ariana touches off a nice bit of nostalgia for me. I’d completely forgotten about subplots with her family and moving and such. For that matter, given the way most modern comics seem to be with the eye for the 4-6 issue “graphic novel,” sometimes I feel like I forget what “subplots” even were, and the sort of structure seen in this issue, with a number of points touched on that are not strictly structured for a specific, standard-sized collection.

I really like the art in this issue. As I read it, I hadn’t noted the credits…I just wanted to take in the story. I think I “assumed” the art was Tom Grummett, but was (pleasantly) surprised to find that it’s Aaron Lopresti…a name I’m more recently “re-familiar” with due to his work on the Malibu Ultraverse title Sludge.

It’s not surprising, then, that I liked the art! I’m not a huge fan of the Charaxes design…but then, I’m not a huge fan of bugs, so the character just has a look that I’m not quite comfortable with. However, I’d put that down as a success in the appearance! Throughout the issue, stuff’s not hard to follow visually, and Lopresti‘s style works very well with what I tend to think of for 1990s Robin, and fitting right in with prior Robin art so as to not be distracting or off-putting!

Story-wise, I enjoyed the memories in this, and that there wasn’t MUCH time wasted on exposition…and yet, it seemed easy enough to follow along. Granted, I’d read this issue before, know quite a bit about Robin and so on, but I didn’t feel lost or stuck “outside” the story. Even if one doesn’t know the characters or history, it’s pretty easy to pick up on the main points, much as one might casually watch an early episode of a tv series for which they’ve seen some later-season episodes.

Neron’s appearance itself is not explained or contextualized here–not even an Editor’s Note to “see Underworld Unleashed“–but his appearance here qualifies AS appearing here AND gives us the on-panel “explanation” for Walker going from some inept inmate desiring respect, to a cocoon on the ceiling and transformation into Charaxes. This seems like one of the more drastic changes to a villain, and seems fitting enough with the cocoon and all, transforming Walker physically/biologically into a killer bug, rather than having just a name and costume.

The introduction of Charaxes certainly fulfills my expectation of this as a tie-in to Underworld Unleashed, in seeing a previously-established low level villain receiving an “upgrade” into a larger threat. I don’t recall how long this change “stuck,” as I’m pretty sure “Killer Moth” as a petty, low-level villain is presently still a butt of jokes and “just human” and such, though I couldn’t say where the character is at present in 2018.

This issue doesn’t really stand out singularly or have any over-obvious cover to draw one’s attention to it in passing as to this particular story. That said, the cover image of a cocooned Robin looking wide-eyed at the giant bug-creature on the cover gives this a suitably “spooky”-ish type of imagery that would fit with an October issue (cover dates being a couple months ahead, this issue would have been an October 1995 issue).

This is a solid issue of Robin (the series), and works well in what I remember as the continuity of the time. We do have the “origin” and such of Charaxes, so there’s some significance in that regard, if one comes across it in a bargain bin. This does end on a cliffhanger, and there is a second tie-in issue (the next issue, #24) so this doesn’t work as well as a standalone thing, and is best acquired as part of the pair of issues. If you’re a fan of Robin, writer Chuck Dixon, artist Aaron Lopresti, seeking Underworld Unleashed tie-ins, or Killer Moth/Charaxes stuff, this’d be a definite treat to pick up.


Again, please check out these other sites for additional, more in-depth coverage of the various other issues–including the main event mini itself–for Underworld Unleashed!

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The ’90s Revisited: Superboy #22 – Underworld Unleashed!

90s_revisited

superboy_0022Fire and Ice

Writer: Karl Kesel
Penciller: Tom Grummett
Inker: Dan Davis
Colorist: Tom McCraw
Lettering: Richard Starkings and Comicraft
Assistant Editor: Chris Duffy
Editor: Frank Pittarese
Published by: DC Comics
Cover Date: December 1995
Cover Price: $1.95

This month, a number of blogs and podcasts have joined together to present #BestEventEver 2018, covering the 1995 event Underworld Unleashed! Beyond my own posts, please check out these other blogs and podcasts for in-depth coverage of the various issues that were part of the event…and join in on further peeks at and discussions of the event on Twitter by joining at hashtags #BestEventEver and #UnderworldReUnleashed!

ITG  |  Resurrections: An Adam Warlock/Thanos Podcast  |  Relatively Geeky Podcast Network  |  The Retroist  |  Chris is on Infinite Earths  |  Cosmic Treadmill  |  The Pop Culture Palace  |  Rolled Spine’s Diana Prince: Wonder Woman Podcast  |  The Idol-Head of Diabolu  |  Justice’s First Dawn  |  Justice Trek: The Podcast


It seems I’ve picked a whole bunch of "cold" issues for covering Underworld Unleashed! Mr. Freeze over in Green Lantern #68 and Batman #525, Luthor and Joker in a snowglobe over in Superman: The Man of Tomorrow #3…and now Killer Frost in this issue!

The issue opens with Superboy popping back into the present in amazement after some sort of time-travel adventure (apparently a crossover between the previous issue, Legion [of Super-Heroes?] #74, and Legionnaires #34, according to the Editor’s Note). He heads home only to be ambushed by Knockout, who has decided she’s living "here now" to Superboy’s consternation. Meanwhile, a plane crashes into the airport, apparently brought down due to being "all iced up!" An ice-woman emerges, seeking warmth, saying "…Neron said he’d make me more powerful, but i’m just as I always was…need to absorb more heat…" We then return to Superboy and a rather perturbed Rex Leech lamenting damage to the house, though he hadn’t noticed Knockout being in the process of cleaning up the mess she’d made. While Superboy, Knockout, Dubbilex, and Roxy Leech chat, it begins to snow…which is quite surprising considering their Hawaii environment! Superboy and Knockout wind up in town facing off with the ice-woman, who–based on MO–seems to be Killer Frost. With Tana Moon nearby observing, they manage to stall Frost with a bit of volcanic heat…before Knockout drops a truckload of liquid oxygen on the Neron-enhanced villainess. Losing sight of both, Superboy worries about Knockout before she emerges and steals a kiss, joyful over the fun of the day (said kiss making Tana jealous, and leading Superboy to affirm his feelings for her and that Knockout is not his interest). Meanwhile, Neron appears to Knockout and offers her her heart’s desire…she violently refuses and Neron leaves. Also meanwhile, Roxy makes it slightly belatedly to a "meeting" she was worried about, and we see that she’s taking a police exam, which has implications for the future.

First off, while Neron does appear (briefly!) in this issue, it’s more of a cameo, lasting barely a single page. Second, we’re not given much of anything on Killer Frost…she’s anything BUT 3-dimensional here, just a name and power; nothing to do with who she is, any background, any real or in-depth motivation (she thought Neron was helping her, but she still needs warmth.) Lacking motivation, she’s nothing but a plot device, serving as a shoe-horned-in element to try to justify this issue "tying in" to Underworld Unleashed for the month.

Though the cover gives us Killer Frost’s face and a frozen Superboy…that’s misleading, giving an appearance of personal, intentional malice on her part and having more impact on Superboy than she actually does.

The issue really seems to belong to Knockout trying to establish–or re-establish–a teamup with Superboy and showing (perhaps) a bit of responsibility on her part. I remember seeing the character on covers, and I’m pretty sure I remember her being an antagonist for Superboy in the earliest issues of this series–maybe as early as the first or second issue. I don’t remember much of anything about her or her arc, but she seems like the "annoying tag-along spanner-in-the-works" here, disrupting Superboy’s life, public and private. She reminds me quite a bit of Maxima in some of her early appearances in the Superman titles in the late-’80s/early-’90s, serving at once as an antagonist while showing lustful interest in our hero that is not reciprocated, and yet not being "all-bad."

As said, Killer Frost is basically incidental here, interchangeable with any other character that causes/controls cold, or even any NEW character with such a power set. I only even really know the name "Killer Frost" thanks to the CW Flash tv series…without that, I wouldn’t know the character existed prior to this issue and might have assumed she was some throw-away character introduced in the main Underworld Unleashed mini-series or an earlier issue of Superboy or some such (Killer Frost was actually introduced in Firestorm in the late 1970s).

I’m not overly familiar with this period of the Superboy series, losing track of the title after its first several issues in 1994. I remember Rex and Roxy from the character’s earliest days in Adventures of Superman, during Reign of the Supermen, and that along with Dubbilex and Tana Moon, they wound up in Hawaii with Superboy. I also remember Roxy seeming like a complete, dumb airhead or such…but here, I see that she’s been making changes and the simple fact of her taking the police exam shows me that she is anything BUT some complete, dumb airhead. She’s apparently stretching herself and trying to do something positive with her life, possibly inspired by Superboy or making up for something (I honestly don’t know what her motivation is, but as a "supporting character" in the Superboy comic, that would be a simple guess, I suppose).

Though I don’t have much context for things, the fact I recognize most of the characters does a lot for me, and allows me to enjoy the issue in and of itself, and I wonder at stuff between Superboy and Knockout, as well as between Superboy and Tana…and my curiosity has me that much more curious about the early issues of the series, in a good way!

Visually, I love Grummett‘s art…all the characters look familiar, and look good (as far as they’re supposed to…Rex has the slightly smarmy look to go with his name, as well as with my memory of his actions during Reign of the Supermen and claiming legal right to use of the name ‘Superman’). Superboy especially looks exactly as I "remember" him looking in this time period, which is what I expect and adds to my enjoying the issue.

Though I enjoyed the issue, it does not seem at all "essential" in any way to Underworld Unleashed…without "prior knowledge" OF that title as a concept/event series, I wouldn’t even know from this issue what it actually is! In context of this issue, Neron could be just some villain playing behind the scenes of this title, and even the Underworld Unleashed logo on the cover could be a blurb for this issue or a story in this series following whatever the Legion/Legionnaires crossover was, with an underworld being unleashed on Superboy and his allies. If you want the entire event/crossover, though, since the logo’s here on the issue, you’ll want this for that at least. Otherwise, this issue doesn’t seem to be particularly significant in and of itself in isolation–I’ve not read the aforementioned Legion crossover, I don’t recall what came immediately after this issue, so I’m not sure how significant Roxy and the police exam might truly be, or Knockout’s presence in this issue, and so on.

As a snapshot of mid-’90s Superboy by Kesel and Grummett, though, this is well worth snagging if you find it in a bargain bin…but probably not something to singularly seek out without it being part of a run or as seeking Underworld Unleashed tie-ins.


Again, please check out these other sites for additional, more in-depth coverage of the various other issues–including the main event mini itself–for Underworld Unleashed!

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The ’90s Revisited: Green Lantern #69 – Underworld Unleashed!

90s_revisited

green_lantern_0069Bargains

Writer: Ron Marz
Pencils: Paul Pelletier
Inks: Romeo Tanghal
Colors: Linda Medley
Letters: Albert De Guzman
Associate Editor: Eddie Berganza
Editor: Kevin Dooley
Published by: DC Comics
Cover Date: December 1995
Cover Price: $1.75

This month, a number of blogs and podcasts have joined together to present #BestEventEver 2018, covering the 1995 event Underworld Unleashed! Beyond my own posts, please check out these other blogs and podcasts for in-depth coverage of the various issues that were part of the event…and join in on further peeks at and discussions of the event on Twitter by joining at hashtags #BestEventEver and #UnderworldReUnleashed!

ITG  |  Resurrections: An Adam Warlock/Thanos Podcast  |  Relatively Geeky Podcast Network  |  The Retroist  |  Chris is on Infinite Earths  |  Cosmic Treadmill  |  The Pop Culture Palace  |  Rolled Spine’s Diana Prince: Wonder Woman Podcast  |  The Idol-Head of Diabolu  |  Justice’s First Dawn  |  Justice Trek: The Podcast


Particularly coming off of Green Lantern #68, this issue definitely feels like I missed something!

…Which, of course…I did! But we’ll get back to that shortly!

The issue opens on Green Lantern–Kyle–returning home quite battered and beaten. He finds Donna Troy–Darkstar–waiting, and she quickly helps him to a couch and begins to tend to his wounds, as he recounts the story of how he wound up in this condition: namely, some big guy named Neron. When tempting Kyle didn’t work, Neron beat the hero within an inch of his life. After some friendly banter, the two prepare to head out to gather other heroes to face Neron. Meanwhile, a couple of police officers notice a light coming from an alley…upon investigation, they find Purgatory (the guy Neron bargained with in #68 and granted power beyond the human’s control, in exchange for destroying Green Lantern). As Purgatory has (thus far) failed to destroy Green Lantern, Neron shows up to threaten his pawn if he doesn’t get results soon. Before Kyle and Donna can leave, Purgatory bursts in, and Kyle engages him in fighting, saying he can hold him off while Donna gets the rest of the building’s residents out to safety. So while Kyle fights, Donna gets all of Kyle’s neighbors out safely. Kyle and Purgatory BOTH regret the attempted help that set things on this path, but Kyle realizes maybe he can win the fight by giving MORE of his GL energy…which first seems to overload Purgatory and revert him to normal…but then he disappears in a green flame, as Neron apparently has claimed him for again failing his end of their bargain. After confirming everyone’s safe and seeming to ignore Donna in the presence of his attractive, toweled neighbor, Kyle flies off to the Justice League satellite to let them know about Neron (though they already know).

As of this typing, I’ve not yet actually read the main Underworld Unleashed mini itself, as I wanted to approach the tie-in issues strictly as tie-ins, intentionally withOUT the context of the main series. How do they read if one is just reading the regular ongoing series without buying into some event mini-series?

From one issue to the next, this feels a bit choppy, and definitely that I missed something. And editor’s notes direct me as a reader to the Underworld Unleashed mini-series, which I feel I can "assume" picks Kyle up from #68 of his series, advances things, and then he stumbles off to come back into his own series here in #69. As a comics reader and understanding that sort of flow, it makes sense logically, though does leave me wondering at Donna not being part of things. The fact that Neron makes an appearance here, "re-igniting" Purgatory into action, combined with Kyle relating to Donna what he’d faced makes this feel much more like an actual TIE-IN to the event, worthy and justified in carrying the event logo on the cover…where the previous issue (especially by comparison) would seem to have been served better not as a tie-in itself but as a reflection of what actual continuity in a shared universe looks like, where events from something big going on in one part of the comics universe can ripple outward and impact other characters and their stories without having those stories themselves actually moving the event’s story forward.

The story for this issue works well for me, and really is another strong issue in and of itself. Though I feel I’ve missed stuff, I would consciously expect that of pretty much any single-issue comic I’d read in isolation, as it’s not the only comic to exist. We get to see forward development of Kyle here as he’s continued to learn about his powers, what he can and can’t do, the nature of willpower, and self-recognizes the impact things have had on him as he’s now TWICE had to resist the temptation to have Alex artificially brought back (and it feels odd that a simple image of a closed refrigerator conveys so much!). We have a quasi-complete "episode" in this issue, with Purgatory bursting onto the scene…that gets us to "the fight" or main conflict, while Donna "meets" the neighbors (which gives readers a bit of a sense of others immediately, directly impacted by threats on Kyle and his own apartment). Fight/defeat Purgatory, save all the neighbors: a two-pronged conflict/goal of the issue, with both technically accomplished in this issue. That those are contained within sequences showing this to be a chapter in something larger serves that side of things well, keeping the ongoing narrative of this title moving as well as keeping Kyle moving through the crossover and likely at least prodding readers to look to other issues for additional story on top of this title. I like it, myself…but the structure and approach won’t be for everyone.

Visually, I like the issue overall. It’s recognizably Green Lantern, specifically Kyle, and definitely "feels" like a ’90s comics, especially something to the character design for Purgatory…and even Neron himself. I do not particularly appreciate the cover, though, as it shows Kyle engulfed in green flame–presumably to suggest, in this case, Neron’s–cradling the battered, broken body of Donna–Darkstar. Yet, within the issue, it’s Kyle that’s been beaten badly, and Donna who faces HIS battered body. From the cover alone I’d expect this issue to contain a fight with Neron that leaves Donna in bad shape–not because she’s a woman, but because Neron would hurt Kyle. Of course, the misleading nature could be a play on the actuality–reversing the roles–or it might be something not specifically referenced here that I’d better understand after reading the main Underworld Unleashed event mini. Whatever the case, I’m good with the art in and of itself.

On the whole, as a more-than-20-years-old comic from the 1990s and not being anything particularly "key," I would consider this a bargain-bin sort of issue…not bad to get from a bargain bin, but certainly nothing to pay any premium price for. Based on what I know on a larger "meta" level for this title and the characters (more than two decades later) I think this issue probably works best as part of a run of these early/first couple years of Kyle as GL, making the best of the surfeit of ’90s crossovers and events. Given Kyle does not himself face Neron in this issue, and the Justice League already knows things are going on…this issue doesn’t seem essential to the event itself, though it expands on and shows what Kyle is up to in addition to his appearance in the event mini itself.


Again, please check out these other sites for additional, more in-depth coverage of the various other issues–including the main event mini itself–for Underworld Unleashed!

green_lantern_0069_blogtrailer

The ’90s Revisited: Superman the Man of Tomorrow #3 – Underworld Unleashed!

90s_revisited

superman_man_of_tomorrow_0003Fighting Back

Writer: Roger Stern
Artists: Tom Grummett and Brett Breeding
Letterer: John Costanza
Colorist: Glenn Whitmore
Separations: Digital Chameleon
Assistants: McAvennie & Duffy
Editors: Carlson & Carlin
Cover Date: Winter 1995
Cover Price: $1.95

This month, a number of blogs and podcasts have joined together to present #BestEventEver 2018, covering the 1995 event Underworld Unleashed! Beyond my own posts, please check out these other blogs and podcasts for in-depth coverage of the various issues that were part of the event…and join in on further peeks at and discussions of the event on Twitter by joining at hashtags #BestEventEver and #UnderworldReUnleashed!

ITG  |  Resurrections: An Adam Warlock/Thanos Podcast  |  Relatively Geeky Podcast Network  |  The Retroist  |  Chris is on Infinite Earths  |  Cosmic Treadmill  |  The Pop Culture Palace  |  Rolled Spine’s Diana Prince: Wonder Woman Podcast  |  The Idol-Head of Diabolu  |  Justice’s First Dawn  |  Justice Trek: The Podcast


Now this is more like it! This is the sort of thing I expected of Underworld Unleashed tie-ins! Then again, looking back across the 20+ years…the Superman tie-ins very likely were the only ones that I actually would have read, as I was in a downswing toward a 13-14 month period of getting very few comics!

This issue is "triangle-numbered" 1995/50…that is, it’s the 50th issue of any of the main Superman titles with a 1995 cover date. This is from that time where the titles functioned as a weekly thing, with each leading into the next with very tight continuity! In fact, this title itself was created (as I’m recalling it) to cover "fifth weeks," so that there WOULD be a new SUPERMAN comic every single week of the year!

We begin the issue on Earth, with Lois Lane meeting with Contessa (at this time the current head of Lexcorp) and discussing recent events; basically exposition for those of us just joining in. Superman’s been kidnapped into space, the Alpha Centurion gathered the rest of "Team Superman" (Supergirl, Superboy, Steel) to go after him, something about the Eradicator, and hints at other subplotty stuff with people romantically linking the Centurion to Lois herself. The scene then moves to Sorcerer’s World, where we find Superman fighting an invisible and mostly-intangible entity. It seems he’s been "shot down" onto the world, along with a new friend–"Mope" or "The Mope"–they were arriving peacefully, seeking to clear Mope’s name so he would be free of "The Tribunal."

[The Tribunal being a cosmic group that tries and punishes folks; I don’t remember all the context as it’s been quite awhile since I read the story, whether I’ve even read it since publication or if it’s BEEN 23 years! They had Superman brought in to be tried for the destruction of Krypton, for example. I’ll probably re-cover this issue if/when I’d cover The Trial of Superman and be able to do so with more context!]

While Superman defeats the entity and claims its cape, we find Mope prisoner of a sorcerer who is determined to find out why Mope is here!

Meanwhile…in the Underworld, Neron sits on his throne and enjoys gloating over a snowglobe with two figures held prisoner within–The Joker! And Lex Luthor! Luthor reflects on the events that have brought him here, the "flashback" showing us his deal with Neron and how he’s gone from being a mind trapped in a frail, shriveled clone to being a fit man at his prime–and some details contextually from Underworld Unleashed itself–the main mini-series. That he is stuck with The Joker offers him his own personal hell. Then the whole place bursts apart! Meanwhile (again), Superman rescues Mope and they convince the sorcerer of their non-invasive intentions, and get sent to where they can find the person they’re after.

As this is going on, Luthor and Joker find themselves in some surreal void and ultimately separated, and Luthor "lands" on Earth. He reflects further on the situation–is he truly free of Neron, and how he lucked out keeping this healthy body…and he seems to settle his questions of having or not having a soul with the idea that if he DID have a soul, he’d surely lost it prior to Neron anyway. Hitchiking a ride, he heads into the nearest city to get back to humanity. Closing out the issue, the Tribunal has a new agent who is glad to hunt down Superman for them–The Cyborg! And Superman and Mope find themselves trapped on the other end of the portal they were sent through, facing a new situation that’ll pick up in another issue of another title.

As much as I complain about modern 2018 comics and the constant cycle of events…I’d nearly forgotten the overlap of events in the ’90s. Or if not events as I think of them in 2018, then titled storylines/crossovers where an issue is part of two different larger stories. This very issue is the immediate example, as it is both a chapter of the larger The Trial of Superman! and also part of Underworld Unleashed! at the same time. I’m also thinking of the 1994 story The Fall of Metropolis where at least one issue was part of that and simultaneously part of the Worlds Collide event/crossover between the DC Universe and the Milestone universe. I don’t remember particularly minding this back then, and now in 2018 I’m good with this issue being part of two stories because The Trial of Superman! is basically a crossover, or given the "weekly" nature of the combined Superman titles, "just" a titled story wholly contained with no special issues, one-shots or external tie-in issues. And with the issue’s participation in Underworld Unleashed, it represents there not being a separate special, one-shot, or tie-in mini-series on top of the already weekly Superman saga. Underworld Unleashed was an event affecting the DC Universe, and here we see it affecting the DC Universe!

I really enjoyed this issue, overall…a large part of that is the art from Grummett and Breeding; I’m re-realizing lately just how much I truly enjoy Grummett‘s work! Superman himself looks a bit "off" without his cape, but I’m pretty sure I he lost it in a different chapter of this story, so that speaks to the quality editing and continuity; and this was from a period where the cape was not a singular, permanent piece of a singular costume, but something that could and would be damaged and occasionally lost. I far prefer the character with the cape, but as part of an ongoing story where he doesn’t have time or inclination TO replace it, the visual speaks volumes that don’t even have to be referenced in text or dialogue. The alien characters look suitably odd to me, and I really like the way Luthor looks here, and even the Joker has a certain ’90s look and feel where he’s dangerous but one can easily drop their guard on that with the act he puts on. Seeing him frolic around the snowglobe actually made me chuckle, and I could just feel Luthor’s boiling anger at him when hit with a snowball of all things!

Story-wise, this issue progresses two things: 1. the ongoing Trial of Superman story following Superman himself and his ordeal involving escape from the Tribunal and helping his new friend clear his own name and 2. Underworld Unleashed by way of seeing Luthor’s deal and the result, even getting some context of the event series itself along with notes-from-the-editor on issues to check out for full details that refer us both to the event series and another Superman issue. But we get plenty right here in this issue such that we don’t NEED to read Underworld Unleashed itself…we’d just get a lot more context and fuller appreciation for doing so! While I’ve already covered Green Lantern #68 and Batman #525 that both tied in to the event…this is the first issue I’ve gotten to that actually has an actual, obvious direct connection to the event itself and truly reference it.

While it’s obvious that this issue is impacted by the main mini-series of the event, even if a reader doesn’t get to that at all, one is able to share all the more in Luthor’s perspective of knowing something happened but not being "in the know" as to what, exactly. That allows this to stand alone as well as it does. That it references the mini and draws from it very much justifies the "logoed branding" of this issue as part of the event, in a way that other issues have not.

I think my main complaint for the issue is rather surfacey–the cover is highly misleading, showing Luthor gloating over Superman being electrocuted; something that doesn’t at all happen here. Yet, as a figurative thing, it does allow for the caption "Luthor–Back in CHARGE!" Further with that, given Luthor’s history in the post-Crisis DC Universe, this issue is quite significant for the character!

Taken by itself as a single, isolated issue, this is not bad, and does definitively show us how Luthor so quickly got back on his feet, healthy and whole and all that, after the events of The Fall of Metropolis. While this is an issue #3, is a "middle" chapter of The Trial of Superman!, is a part of Underworld Unleashed, I feel that one can appreciate it well enough for the Luthor stuff on its own…making the issue something quite justifiable for an isolated, single-issue bargain-bin purchase!


Again, please check out these other sites for additional, more in-depth coverage of the various other issues–including the main event mini itself–for Underworld Unleashed!

superman_man_of_tomorrow_0003_blogtrailer

The ’90s Revisited: Batman #525 – Underworld Unleashed!

90s_revisited

batman_0525Frozen Assets

Writer: Doug Moench
Artists: Kelley Jones, John Beatty
Colorist: Greg Wright
Letterer: Todd Klein
Separations: Android Images
Associate Editor: Jordan B. Gorfinkel
Editor: Dennis O’Neil
Cover Date: December 1995
Cover Price: $1.95

This month, a number of blogs and podcasts have joined together to present #BestEventEver 2018, covering the 1995 event Underworld Unleashed! Beyond my own posts, please check out these other blogs and podcasts for in-depth coverage of the various issues that were part of the event…and join in on further peeks at and discussions of the event on Twitter by joining at hashtags #BestEventEver and #UnderworldReUnleashed!

ITG  |  Resurrections: An Adam Warlock/Thanos Podcast  |  Relatively Geeky Podcast Network  |  The Retroist  |  Chris is on Infinite Earths  |  Cosmic Treadmill  |  The Pop Culture Palace  |  Rolled Spine’s Diana Prince: Wonder Woman Podcast  |  The Idol-Head of Diabolu  |  Justice’s First Dawn  |  Justice Trek: The Podcast


Based generally on the premise of Underworld Unleashed–a bunch of villains revamped and powered-up after deals with Neron–I was expecting something big with Mr. Freeze. Instead, other than what amounts to me to be a shoehorned-in reference via dialogue, in terms of what I expected, this is just a random one-off issue involving Freeze.

We open on Batman crouched on a water reservoir surveying the city, reflecting over no one that he knows of from Arkham–or Hell–being loose. The scene then transitions to Mr. Freeze, meeting with a group of rich, elderly individuals, showing off his newest cryo-tech. Seems he’s working to scam them out of their fortunes…and his present "henchmen" are a duo who finish each other’s sentences in rhymes. There’s a subplot with James Gordon and Sarah (Essen, I believe); I’d forgotten about her character and where these two were at the time! Jim’s not Commissioner at present, and is actually looking at running for mayor. By the next night, Freeze has been rejected by his would-be customers…but he decides he’ll put ’em on ice anyway…why let a pesky detail like consent delay him? We have another subplot involving Harvey Bullock who’s had a date recently. As Freeze begins his freezing-spree, Batman realizes that yep–there’s one from Arkham that he missed! A bit of time in the Batcave with Robin and Alfred gets things rolling, and Batman’s back out into the hellish night to deal with this master of cryonics. Batman makes short work of the henchfolks, discovers he’s too late to save Freeze’s victims, and finally takes on the man himself, breaking through ice barriers and then the helmet of the cryo-suit. Ultimately, Batman leaves Freeze and his henchfolks for the police–Freeze sitting in an open refrigerator to offset his compromised cold-suit, awaiting his return to Hell (Arkham).

I wanted to like this issue. It’s an issue of Batman. It’s from the ’90s–and I quite enjoy ’90s comics! I thought I remembered liking Kelley Jones‘ art, despite its exaggerated style. It’s an Underworld Unleashed tie-in and includes Mr. Freeze in a souped-up, upgraded-looking suit…surely a deal with Neron! It was supposed to be a cool issue! (Pardon the punnage).

Perhaps I’m too used to modern Batman art, perhaps I expected too much from my nostalgia…but on this read through, I really did NOT like the art at all. It seemed wildly inconsistent–one panel, the bat-cowl’s "ears" are curved backward, another they’re sticking straight up, the exaggeration just didn’t work well for me here. A lot of bodily anatomy seemed "off" and too angular or (and I keep using that word) over-exaggerated, much like I’d think of for a political cartoon. Even the coloring–that I don’t often notice in itself–seems a bit "too" contrasty (whether that’s my particular copy of the issue or not, I’m not absolutely certain). I’m not gonna pick apart every detail that bugged me in this issue, but there were plenty throughout. There’s some potential, to me, to this design of Freeze’s suit and the way he’s drawn–kinda like a light from within the suit is obscuring the lower part of his face, giving him more of a floating-skull-in-a-tank appearance…which at first glance speaks to my expectation of new/revised villains in light of deals with Neron, their powers amped-up but at a cost.

The story really does not see that point out, though–we have references to Freeze’s cryonics/cryo technology, and by the end of the issue, confirmation that he NEEDS this suit to survive, and that it IS his suit; it doesn’t pose a threat to Batman as a Neron-provided suit ought to! In and of itself–Batman vs. Mr. Freeze–this isn’t a bad story. I have a hard time divorcing the story completely from the art…but structurally, I like the story. It’s in a comfort zone of expectation for Batman, and it’s basically a done-in-one issue that includes some subplotty stuff to loosely progress an overall Batman-comics-narrative. Batman’s watching over Gotham; he knows he can’t save everyone/stop every last criminal, but he can handle the bigger ones the cops can’t handle; but he doesn’t know initially that Freeze is out. Once he does, he heads out to stop him, though he’s too late to save the latest victims, but he manages to stop Freeze himself. The issue doesn’t feel like we’re doing anything but tuning into the latest episode of a series. Other than a brief reference to Neron in dialogue, there doesn’t feel like there’s any tie to Underworld Unleashed. Take the textual reference out, and take the event logo off the cover, and reading this, I’d have no idea it was supposed to be a tie-in!

While Moench‘s story is good in itself, the art bugs me, and I’m annoyed at my expectations not being met for this being an event tie-in for Underworld Unleashed. Additionally, after Mr. Freeze’s upgrade to seeming like he was practically an ice-elemental or such, biologically-generating/controlling coldness over in the previous month’s Green Lantern #68, which this in no way references, it’s like two different characters and a huge continuity-hole…itself particularly egregious due to being cover-dated only a single month after the Green Lantern issue!

Because it has the event’s logo on the cover, if you’re seeking out "the entire event," this issue’s worth getting for that much; and if you’re a fan of Moench or Kelley (writing or art) not really anything to say not to get this issue (especially if you come across it in a bargain bin!). But otherwise…this feels like an entirely forgettable, skippable issue, not worth specifically seeking out. As it’s basically done-in-one, though, it’s functionally one of the better values you’ll get if you find it for 25-50 cents or such, since that price gets you an "entire" story without it being a middle-numbered chapter of a contemporary 6-issue arc, nor does it send you chasing after another issue to find out what happens off a "To Be Continued…" cliffhanger.

Taken alone, this issue does not do much for me, does not "inspire" me to want to read more of this Batman, nor to seek out more Underworld Unleashed, and so it really feels to me like a failure as an event chapter. Hopefully other issue I cover of this event give me a better feeling!


Again, please check out these other sites for additional, more in-depth coverage of the various other issues–including the main event mini itself–for Underworld Unleashed!

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Superman: Blank #1 [Review]

superman_blank_24_hour_comics_day_000124 Hour Comics Day

Published by: DC Comics
Cover Date: N/A (October 2018)
Cover Price: $2.99

I was not going to buy this–it’s basically some "branded" sheets of paper stapled together.

I’ve liked stuff I’ve seen here and there over the years for this "24 Hour Comics Day" thing, but as my own notions of "drawing comics" are nearly a quarter-century in the PAST (I quickly realized MY actual creative enjoyment was in WRITING and creating a STORY, not in "art" in and of itself).

But it occurred to me that as a Superman fan all this time…something like this–it’s NOT a "variant cover"–would be interesting as something to maybe start taking to conventions or such. Get signatures and sketches in it. Depending on pricing and timing, perhaps find a Superman artist I like to get a cover image done, another for a "back cover," and of course, whatever sketches and such inside–24 pages’ worth of room for all that.

The physical stock of this thing is significantly thicker/better than a typical comic…it’s obviously designed to be able to handle drawing utensils being applied to the pages without shredding or necessarily (?) bleeding through.

For "only" $2.99 and NOT being "stuck" or "typecast" or whatever to a specific issue–even if I were to, say, ONLY get a "cover sketch" or such done–this is NOT a "variant" cover. It’s would not be getting Superman (2018) #1 "blank cover variant" signed or sketched on; it’s not something I’d feel I’d need to file with any given SERIES, etc.

It’s $2.99 for a glorified packet of paper, though, so by no means for everyone. I also (initially) had the motive of thinking I’d be "cute" and post a "blank" review for a "blank" comic, $3 for a stupid bit of snarkiness or sarcasm or whatever.

I have no idea how many of these DC was producing (I don’t really care offhand) nor how easy to get it’ll be in the future. Though blank, this has the typical modern/current DC Comics (DC Universe) branding and cover dress with the Superman logo in the iconic yellow and red; this is perfectly sized as any other comic, so it’s not some giant sketchbook or mis-sized anything…this will easily "disappear into" my collection with all my other comics if I’m not careful to keep it separated somewhere.

As this is not something with or of story-content, the price is for the convenience, size, and so on. There is no art whatsoever to this that is not shown on the cover. There’s a generic barcode with the typical TM & Copyright DC Comics / Printed in Canada notice on the back. You’re not missing any art from anyone nor any story/content from anything. No reprinted material, no exclusive material, etc..

As I’ve glommed onto using this for autograph/sketches, I’m liking it all the more, envisioning a mix of perhaps established Superman artists and just artists whose work I like adding something to a page or pages. For $2.99…that’s quite a good deal to me, and very much worth it for my own purposes.

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