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Superman: The Man of Steel #19 [Back-Issue Review]

DOOMSDAY is Here!

Story: Louise Simonson
Penciller: Jon Bogdanove
Inker: Dennis Janke
Colorist: Glenn Whitmore
Letterer: Bill Oakley
Assistant: Jennifer Frank
Editor: Mike Carlin
Cover: Bogdanove & Janke
Triangle #: 1993/1

After fighting to keep the moster away from his city, Superman is unable to prevent Doomsday from taking lives almost the moment he arrives in Metropolis. While trying to keep clear of news helicopters (one of which carries his friend as well as his fiance), Superman tries flying Doomsdy toward space, then when that doesn’t work pursues him into the “underworld” (not before some underworlders perish at Doomsday’s touch). After a building-leveling explosion, Superman is badly injured when Doomsday pierces his side; Supergirl enters the battle to gruesome results, and even Professor Hamilton and Bibbo join in, firing an energy cannon at the beast. The Metropolis Special Crimes Unit is unable to affect the monster, and newly-arrived Cadmus soldiers have as much impact as the SCU…Superman fights on, alone.

The art here holds up well with the rest of the story–no real issue, no problem with it–though there are places it looks slightly “off” a bit. We witness some fairly bloody fighting, and big explosions.

The story stays consistent with what’s been going on, and giving us a taste of some of the extended cast of the Superman titles of the time, with Bibbo and the Professor’s presence a definite treat (coming years before ill treatment in the late 1990s).

The cover to this issue is one of the more iconic in the series, with a closeup on the faces of the two combatants as they’re locked in combat with an explosion in the background. This image–due to the “triangle number” on the cover–was long the first image I’d associate with “1993,” and remains one of my favorite covers from the run.

We’re down to two panels per page with this issue, heading toward the single-panel splash pages to come in the final chapter of the story.

Story: 8.5/10
Art: 7.5/10
Whole: 8/10

Action Comics #684 [Back-Issue Review]

…Domsday is Near!

Writer: Roger Stern
Artists: Jackson Guice & Denis Rodier
Colorist: Glenn Whitmore
Letterer: Bill Oakley
Assistant Editor: Jennifer Frank
Editor: Mike Carlin
Cover: Art Thibert and Denis Rodier
Triangle #: 1992/48

Picking up from the last chapter, Superman and the Guardian (and a fallen Maxima) are in the ruins of the town that’s just been the latest casualty of Doomsday’s rampage. While news reports flood the airwaves, Supergirl itches to go into battle to help Superman, but is talked down by Lex, urging her to stay in Metropolis in case she’s needed–after all, Superman can’t be in any real danger, right? With Lois and Jimmy in one ‘copter and Cat Grant of WGBS in another following the story, Superman hurls Doomsday away from his Metropolis-bound path and into “the Habitat,” an organic city created by the Cadmus project, bringing Cadmus into the fray…though even that doesn’t seem enough to help.

The art style here is a bit different than previous chapters of this story, in a way that is both noticeable and yet hard to describe. No complaints with it, though…it fits the story, conveys the action, and we can see that Superman is getting worn down.

The story isn’t all that deep–we get a few moments of character interactions to show what’s going on WHILE Superman is battling Doomsday (and to explain, for example, why Supergirl holds back). Overall, this continues the long fight scene that makes up much of the story. This does not seem out of place in tone from other chapters, and other than the variation in visuals keeps a great consistenc with earlier chapters.

Something that jumped out at me on this read-through is Lex-Mart, the store destroyed in this issue. I immediately thought of Wal-Mart, but the in-store dialogue reminded me this was probably based on K-Mart…illustrating what a difference 16 yers can make in the real world.

Somehow, this issue often feels like the low part of a totem pole, lost in comparison to the other issues, as this neither begins nor ends the story and even lacks the distinction of a penultimate chapter. Remains a strong chapter none the less, holding well its place within the story, and holding up well through the years.

Story: 8/10
Art: 7.5/10
Whole: 8/10