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Superman Mug, Because…Clark Kent

For me, Clark Kent is the core character when it comes to Superman. Particularly as depicted in the late 1980s and throughout most of the 1990s, the character could be summed up as “Clark Kent is who he IS, Superman is something he DOES.”

With recent developments–as I understand as an outside party no longer finding the comics worth following at the moment–DC has decided to pretty much do away with Clark Kent officially, at least for now..

While I recall stories such as The Death of Clark Kent where it was a short-term status quo shift and story-driven, the bits I’ve picked up on the current stuff suggest it will be a much longer thing and far less story-driven, at least in any way that I would enjoy offhand.

And it’s to the point that as much as it drives me nuts to consider Clark Kent “merely” some disguise or mask…I saw this mug.

superman_mug_front

And even this “classic” depiction of Superman with the bumbling mask/disguise version of Clark Kent was something I opted to buy, in a moment’s notion of “support” for something involving CLARK KENT.

superman_mug_back

Plus, it’s a nifty coffee mug, Superman-themed.

Not only pre-52, but pre-Crisis on Infinite Earths. Sure, it’s not my favorite, but it’s still preferable to the contemporary version.

Cover Gallery: X-Calibre

Amidst all the reviews and such, for me (at least) sometimes it’s just really fun to look at a bunch of comics’ covers together, whether it’s admiring a run of a series, or seeing a full story, or some other ‘theme’. Here are the covers to the X-Calibre issues from the original Age of Apocalypse event in 1995 (and as a shameless plug, click on the cover and that should take you to my Age of Apocalypse Revisited coverage of the issue).

 

xcalibre001 xcalibre002
xcalibre003 xcalibre004

Cover Gallery: Amazing X-Men

Amidst all the reviews and such, for me (at least) sometimes it’s just really fun to look at a bunch of comics’ covers together, whether it’s admiring a run of a series, or seeing a full story, or some other ‘theme’. Here are the covers to the Amazing X-Men issues from the original Age of Apocalypse event in 1995 (and as a shameless plug, click on the cover and that should take you to my Age of Apocalypse Revisited coverage of the issue).

 

amazingxmen001 amazingxmen002
amazingxmen003 amazingxmen004

Amulet vol. 1 [Review]

amuletvol01thestonekeeperBy: Kazu Kibuishi
Published by: Graphix (Scholastic)
First Edition: January 2008
Cover Price: $12.99

This book caught my attention recently when I was visiting with a friend, and visited a comic shop I don’t often get to. It was shelved next to Bone, which proved fortuitous as I like what I’ve read of that series (the Scholastic Graphix imprint editions), and this is also a Graphix edition…but NOT Bone. I left it there, but the thing sat on my mind for the next couple days until I finally bought it at a local Barnes & Noble.

I read the back cover, but not being at all familiar with the characters or creator, nothing really stood out to me from that. Having acquired the volume and thus having it to get to at my leisure, it sat another couple weeks before I took it with me to read at a park…where I sped through the first 140 pages in one sitting.

When weighed against something like The Hunger Games or Divergent, this is rather tame; I’d normally be a bit “concerned” about the traumatic nature of what the main character and her brother face otherwise, as kids’ fare. But then, these days, said concern just goes to show my first instincts based on a hyper-sensitive culture that tries to “protect” children from ever being “exposed to” stuff, despite the fact that they get it all over from tv, movies, games, classmates, school, etc.

Amulet begins with Emily and her parents driving somewhere to pick up her brother Navin, when tragedy strikes–and the family is devastated. We see this in a prologue rather than flashback, and that works well for me as we’re not left to “wonder” what happened…we see it unfold before us, on-panel, and it gives us a definite sense of where Emily and her mother are when the main story opens.

Emily and Navin’s mom moves them to an old house that’s been in the family for generations, to get a fresh start away from the painful memories. Unfortunately for the family, the house is a mess, and possibly haunted. They attack the place with mops, buckets, brooms, and other cleaning, working to make the place livable. While cleaning, Emily finds a mysterious amulet on a chain. That night, the kids’ mom is kidnapped by a tentacled creature and they pursue, and soon find themselves in a parallel world. The amulet draws them to their great-grandfather, his home, and a “family” of automatons he’s created that have been imbued with individuality/sentience.

With the grandfather’s passing, the kids and their newfound friends are left with the task of rescuing their mother…a mission that shows hints of a larger, wider world and a destiny the kids may not be able to avoid.

While I know that Bone was originally published as a serialized comic series, I’m not familiar with Amulet except in this book format, and did not notice any significant internal breaks–so I’m assuming it was created for this format, and at the least it seems very well suited for it. This first book works well as a “pilot” to the larger series, functioning both as its own arc as well as setting up a world for further exploration.

I appreciate that we get a full “arc” for the characters for the most part resolve the main premise, while having things seeded for later stories. The book does end with some new questions and possibilities, as well as an ongoing thread from this first adventure…a motivation TO continue adventuring and exploring the world Emily and Navin have found themselves in.

Story-wise this is enjoyable, with a lot of potential, interesting characters whose voices I could “hear” pretty easily, and has me curious how things develop.

I like the art for this. While it looks like manga, something about it doesn’t entirely FEEL like manga. Essentially, it just has its own feel and look. There’s a welcome consistency throughout with the character designs between the human and non-human characters and creatures. I was put very much in mind of the castle occupants from Disney’s Beauty and the Beast, and as I write this, I’m supposing that may be part of what made the characters work for me.

Amulet is new to me, but there are at least 6 volumes in print that I’m aware of and the copyright date on this first one is 2008, so I’m obviously late to the party. If–like me–you’ve never checked it out, but have enjoyed the likes of Bone or stuff like Disney‘s Beauty and the Beast, I’d definitely encourage giving this a look.

I Was the Cat [Review]

iwasthecatognWritten by: Paul Tobin
Illustrated and Colored by: Benjamin Dewey
Lettererd by: Jared Jones
Edited by: Jill Beaton and Robin Herrera
Designed by: Jason Storey
Published by: Oni Press
Format: Hardcover (6" x 9")
First Edition: August 2014
Cover Price: $24.95

These days, almost exclusively, my reading is ongoing super-hero stuff…primarily Valiant, Ninja Turtles, and starting the summer, Marvel‘s Secret Wars (2015) stuff. Even the occasional collected volume is generally something whose content was originally serialized, such as trying one of Image‘s vol. 1s or some other $9.99 first volume. I only have so much budget and don’t often care to take a chance on unknowns when I’m perfectly happy with and have a huge backlog of other stuff I’m already reading/trying to keep up on.

So last summer when I saw ads for this book, I Was the Cat grabbed my attention. Full-page ad; full back-cover ad, actually, and I’m a cat-person. So the prominent cat on the cover and the title gave me cause to look and consider. The book turning out to be a hardback was a bit of a surprise and the price seemed a bit steep "on paper." Then I saw the book and its presentation was attractive, it was pleasantly thick, and looked to be well worth its price. But I was buying other stuff, and tacking an additional $25 onto the purchase was not something I was prepared for, so I passed on it.

But where often passing on "the immediacy" of something, letting it slide past that initial "gotta get it" moment, and time moving ever forward tends to show me I’m not nearly as interested in something as I might have thought, or that any perceived interest was merely hype and I "forget" about a book…this one stayed on my mind. The title, and the image, and sheer curiosity.

Thus when I came across the book again…I picked it up, deciding anything else I might find to buy could wait–I was not passing on this again. Though I had some slight worry about it living up to my months’ worth of expectation, I’m glad to say I needn’t have worried.

In simplest terms, I Was the Cat is about a talking cat–Burma–who is nearing the end of his ninth life. As such, he hires Allison Breaking–a blogger–to write his memoir, so that he doesn’t simply pass away unnoticed. In execution, we meet said blogger and her friend and gain insight into where she’s coming from and her reaction to learn that her employer isn’t some eccentric rich guy but actually a real-life talking cat. Amidst Burma’s telling tales of his past lives through history we begin to see that there may be something else going on. Burma isn’t just a cat that can talk…he’s been part of significant historical events, sharing time with many famous, influential individuals…and he’d had his sights set on ruling the world. Unlike most cats that people say must want to do so, Burma was able to do something to attain the goal…and it turns out that on more than one occasion the world had actually been in his grasp. But those times behind him, it remains simply to chronicle those times and pass his knowledge to the world at large after all this time. There’s a subtle dynamic sprinkled throughout with a bit of mystery, and I found myself piecing things together along with Allison, and quite enjoying the experience in general.

As said, I am a cat person, which is largely what drew me to this. And Burma is an interesting character; the whole premise of the book is interesting. We get some of the typical cat-stuff here; but more than just some novelty of "a talking cat" we get a fully-realized character in the cat; someone who has learned and grown from his experiences, had dreams, pursued long-term goals, has a life…and just "happens to be" a cat. That the character has been such a part of history comes from the notion of a cat having nine lives. This plays out as a sort of reincarnation–Burma has had a number of different appearances…it’s his soul that’s remained consistent. Despite the many human attributes, he remains a cat–in appearance, mannerisms, poses, and interactions. It’s an authenticity that I really appreciated and made this believable in its own way, without requiring extra suspension of disbelief.

Typically I expect comic book cats to be cartooney, but Dewey maintains a realistic visual style, and Burma and other cats never come off as being anything but ordinary cats. And as much as the story is engaging, the whole thing is sold by this realism and avoidance of visual tropes for cats in comics. Transitioning through multiple lives means multiple deaths…and while not gratuitous, the simple notion of seeing a cat that’s dead or injured cuts to my heart, and there were several panels that pained me, feeling for Burma in a way that human/superhero deaths in comics do not. While cat lovers may find the scant handful of such panels disturbing, they should not be enough to put one off from reading this…I myself kept peace with the narrative thread that it’s Burma in the present talking about his own past, and that though his bodies experienced deaths, we weren’t seeing his finality.

To be reserved in my phrasing: I was suitably impressed with this entire book. The story, the art, and the physical package as a whole. I Was the Cat is well worth its cover price, and I highly recommend it to anyone who enjoys cats…or conversely, anyone who is highly suspicious that their cat or a cat they know might have more going on than merely existing in a life of luxury, their every need catered to by their humans. I wish I had bought and read this immediately when it came out, but having read it nearly a year later, instead of being one of my favorite reads of 2014, it gets that candidacy for 2015.

Cover Gallery: Astonishing X-Men

Amidst all the reviews and such, for me (at least) sometimes it’s just really fun to look at a bunch of comics’ covers together, whether it’s admiring a run of a series, or seeing a full story, or some other ‘theme’. Here are the covers to the Astonishing X-Men issues from the original Age of Apocalypse event in 1995 (and as a shameless plug, click on the cover and that should take you to my Age of Apocalypse Revisited coverage of the issue).

 

astonishingxmen001 astonishingxmen002
astonishingxmen003 astonishingxmen004

Cover Gallery: Age of Apocalypse Special Issues

Amidst all the reviews and such, for me (at least) sometimes it’s just really fun to look at a bunch of comics’ covers together, whether it’s admiring a run of a series, or seeing a full story, or some other ‘theme’. Here are the covers to the special issues from the original Age of Apocalypse event in 1995 (and as a shameless plug, click on the cover and that should take you to my Age of Apocalypse Revisited coverage of the issue).

 

xmenalpha001 xmenomega001
xmenchronicles001 xmenchronicles002
xuniverse001 xuniverse002
ageofapocalypsethechosen001 xmenprime001

The ’90s Revisited: Quasar #59

quasar059Brothers in Arms

Writer: Ron Marz
Penciler: Andy Smith
Inker: Ralph Cabrera
Letterer: Diana Albers
Colorist: Paul Becton
Editor: Mike Rockwitz
Group Editor: Ralph Macchio
EIC: Tom DeFalco
Published by: Marvel Comics
Cover Date: June 1994
Cover Price: $1.25

This issue grabbed my attention for the Thanos reference on the cover. By the coloring of Thanos’ head/face in the background, I would not have recognized the character from any other random Marvel Cosmic character while simply flipping through issues in a 25c-bin, so seeing Thanos’ name is what caught me. Contextualize it further with rather ticked-off looking Starfox and Quasar, and there was little that would convince me to NOT buy the issue.

I’ve recently been building up my Thanos/Warlock/Infinity ______ library, which also contributed to this grabbing my attention. Despite the cover, this issue was really not what I expected…whatever it was that I WAS expecting.

We open with Quasar telling someone he’d be there soon…and then find the very IMPRESSED Quasar marveling at Titan. He’s there to meet up with Starfox–Eros–for a bit. After greetings and brief showing off, Eros asks Quasar to join him for an errand, that turns out to be an annual tradition. Despite whatever bitter blood between the two, Eros and his brother Thanos put aside their differences for one day a year to spend time as brothers. While Thanos extends their truce to include Quasar, our hero is none too happy to be in the presence of one of the biggest threats to the universe he’s ever known. As the brothers exchange gifts, a squad of alien authorities show up…Thanos’ gift was stolen, and they’ve arrived to take it back (dealing death as penalty for the theft). The trio fights back, and the authorities are eventually sent off, nudged a bit by Eros’ powers of suggestion. As Eros and Quasar leave, we see Thanos…still in posession of the stolen item.

Quasar looks a bit “off” to me somehow…which is particularly noticeable to me as I’m not OVERLY familiar with the character. I just know that he doesn’t look quite right to my eye throughout this issue. On the other hand, Starfox doesn’t look that bad. And Thanos looks pretty good to me. Everyone is recognizeable so there’s no harm there, and I never had to pause to figure out what was going on or wonder at confusion at something shown in a panel. 

Story-wise, this is rather throw-away and generic, with no real change to any of the characters, their status quo, no tie to some bigger event or story…and yet I really, truly quite enjoyed this.

As stated above, I’m not overly familiar with Quasar, but I know of the character and while I have no idea as of this typing where the character is at present in 2015, he’s perfectly standard in the Marvel Universe I recall from the 1990s.

This issue is functionally a standard-sized issue one-shot. There’s no note saying this is continued from anywhere else, and the final panel of the final page clearly states END (though we can wonder exactly what Thanos is up to in the grander scheme of things). And particularly for only costing me 25 cents…I’m very happy with this being a one-shot. I’ve got characters I’m familiar with, as well as one I’m particularly interested in at present (Thanos), no catch-up or follow-up to do based on this issue, and it was an enjoyable read that didn’t leave me scratching my head.

I’m aware of having read a fair bit of Ron Marz‘s work–on Green Lantern as well as (I believe) Silver Surfer, and other stuff through the years. I certainly prefer Jim Starlin‘s Thanos to most…but Marz‘s take on the character seems very Starlin-esque to me and does nothing to make me question this appearance of the character. I’m not consciously familiar offhand with the art team…but this is from the mid-90s and I associate the period with a huge body of creatives that never stood out to me at the time, and apparently never made a name for themselves or stuck around for me to be familiar with contemporary work.

This is from mid 1994, putting this after the three Infinity Events (Gauntlet/War/Crusade) yet ahead of the Onslaught, Heroes Reborn, and Heroes Return stuff. While if I thought hard enough i could probably find (an) example(s) otherwise, I largely have a several-year blind spot with Thanos that this falls into. 

If–like me–you just want to read a “random” Thanos appearance (and I don’t know that this is reprinted or collected anywhere) this is certainly a fun one-off. All the better if you’re a fan of Quasar and/or Starfox. Though I wouldn’t see this as anything much more than a bargain-bin book (worth little more than 25-50 cents) I definitely recommend this as something worth the time it takes to read, just for the fun of it.

Cover Gallery: Legion Quest

Amidst all the reviews and such, for me (at least) sometimes it’s just really fun to look at a bunch of comics’ covers together, whether it’s admiring a run of a series, or seeing a full story, or some other ‘theme’. Here are the covers to late 1994’s Legion Quest books that crossed the X-Men line at the time (and as a shameless plug, click on the cover and that should take you to my Age of Apocalypse Revisited coverage of the issue).

 

uncannyxmen319 xfactor109
uncannyxmen320 xmen040
uncannyxmen321 cable020
xmen041  

The ’80s Revisited: Swamp Thing #72

90srevisited

swampthing072Gargles in the Rat Race Choir

Writer/Penciller: Rick Veitch
Inker: Alfredo Alcala
Letterer: John Costanza
Colorist: Tatjana Wood
Editor: Karen Berger
Published by: DC Comics
Cover Date: May 1988
Cover Price: $1.25

Way back amidst my earliest memories of having comics in my life, there was a pack of comics that included Swamp Thing #72 and ROM [SpaceKnight] #51 along with something else I can’t recall (possibly an issue of Detective Comics). I was at a friend’s birthday party, and these packs of comics were the "party favors." I was not yet particularly aware of most characters out there, and had no idea what this Swamp Thing series was–as a series or the main character, even. I may have flipped through the issue, but I do not recall actually reading it; whether I did or not my 2015 reading yielded an appreciation and enjoyment I certainly would not have had at age 10 or so when I received the comic.

Flash forward nearly a quarter-century and I saw the issue in a quarter bin and the nostalgia and curiosity hit me. For a mere twenty-five cents, I would finally read this issue and gain the conscious experience of having done so…see if I remembered the story itself from when I was a kid or if it truly was just the cover I remembered.

To say this was worth that 25-cent piece would be an understatement: even as a totally isolated, context less single issue, I quite enjoyed this issue. I have a long way to go in terms of learning about the Swamp Thing, but I’ve come to know a heckuva lot more than I did as a kid, both in the basics of the character as well as his place in the wider DC Universe, then Vertigo continuity, back to DC Universe, and so on…as well as his history with John Constantine, the Hellblazer. And that latter certainly contributed to my enjoying this, as Constantine plays no small role in this issue.

The issue is fairly dense, shifting between Swamp Thing, Constantine, and other involved parties. Swamp Thing and Constantine essentially are working different angles of the same problem–some sort of sprout involved in the succession of elementals/agents of The Green is being corrupted for lack of a proper host/soul. Swampy consults with Abby, and then we follow someone named Alden–seeing his annoyance at home as he gets around and goes to the office…where a secret that’s been cultivated lays exposed by Constantine. While this threat is dealt with, Swamp Thing spawns elsewhere (utilizing a package of potato chips to do so). Despite his efforts and Constantine’s results, the situation on Earth is not getting better, and we see that The Green has set something into motion (which we’ll have to pick up later issues to see).

This looks and feels much like an early issue of Hellblazer, which I really like. Of course, that makes sense given the issue’s date–I’m pretty sure Hellblazer started in 1987/1988. I do recognize Veitch as a name, whose work I’ve seen previously–though off the top of my head as I type this, I can’t quite place where (probably other Swamp Thing and/or Hellblazer stuff). The page layouts are interesting, and I think some of that comes from this being both written AND drawn by Veitch, allowing that much more synergy with the story and art, with both influencing the other.

This was published with DC‘s NEW FORMAT label and marked as being For Mature Readers…this pre-dates the Vertigo imprint by several years. Though the issue obviously is not aimed at kids, it’s more the subject matter and themes and violence that would make it questionable for the younger crowd…I doubt I would simply hand it to a pre-teen but it seems appropriate enough for teens and up; the Mature Readers wouldn’t seem to have to mean "18+" in this case.

By itself, this was certainly very well worth my twenty-five cents, and it rekindles my interest and curiosity in Swamp Thing as well as my appreciation in the ties between Swamp Thing and Constantine the characters, as well as Swamp Thing and Hellblazer the comic series.