• February 2026
    S M T W T F S
    1234567
    891011121314
    15161718192021
    22232425262728
  • On Facebook

  • Archives

  • Categories

  • Comic Blog Elite

    Comic Blogs - BlogCatalog Blog Directory

Age of Apocalypse Revisited: X-Man #2

aoa_revisited_logo

xman002Choosing Sides

Writer: Jeph Loeb
Pencils: Steve Skroce
Inkers: Mike Sellers, LaRosa, Conrad, Hanna
Colors: Mike Thomas, Digital Chameleon
Letters: Richard Starkings and Comicraft
Cover: Steve Skroce
Edits: Lisa Patrick, Bob Harras
Published by: Marvel Comics
Cover Date: April 1995
Cover Price: $1.95

We pick up a bit after the last issue–Forge’s group has continued their usual, but there’s a growing rift where Nate is gravitating toward the newcomer–Essex. Essex is pushing Nate to use his powers to their fullest, while Forge wants him to keep restrained and not draw attention. Theresa with her newfound powers has adopted the name Sonique and is closer to Nate than the others. Essex leads the group to a factory–if they take it out, they’ll be hitting Apocalypse where it hurts. On seeing the facility, Nate leaps into action, seeing too much of his own past here and refusing to allow it to happen to anyone else. Though the group emerges intact, things seem to be getting out of hand. Meanwhile, Nate takes Sonique with him on a psychic journey to investigate the mansion he’d seen, and she recognizes the figure as Magneto…just before their presence is detected and she breaks their psi-link. Brute pieces things together and finally recognizes Essex, and things kick into gear for the back half of this 4-part arc.

Story-wise, this is a fairly "compressed" issue without being dense. I like that there’s been some passage of time since the first issue–that’s allowed for more development and we get to skip nuanced details and such (like Nate actually meeting Essex and whatever awkwardness may have been there). It allows us to get further into the story and what’s going on, bypassing that and seeing contextually that much has transpired. Yet we still get reference back to the previous issue, tying things together and keeping this from being adrift in a limbo of continuity.

The art’s not bad, though doesn’t really do much for me positive or negative here: it just "is," and keeps the look/feel I associate with the characters here FOR this title. It may not be my favorite, but it definitely does its job, and a good one at that, overall. And though there are multiple inkers…I only notice that specifically from looking at the credits; I don’t think I even picked up on that otherwise.

I find myself considering that this title carried over beyond the Age of Apocalypse, which in a "meta" sense affects my (re)reading of this chapter of what is essentially just an opening arc for the character, introducing him and setting up motivation/context that would be fleshed out later.

While this is paced well for a 4-issue arc, it’s still "interesting" to consider that "only" two chapters in, this series is already HALF done…given the contemporary state of things where a 6-issue arc is the norm/expectation.

Despite the cliffhanger, I don’t feel all that "eager" to get to the next issue…though I’m not dissuaded, either. As a second issue, this lacks the newness of a first issue, the anticipation brought by a third/penultimate issue, as well as being far from a finale. That’s sort of a tough spot for all second issues of four-issue arcs/series.

But for all it may not be structurally, it’s a strong issue in and of itself and an enjoyable read within the ongoing whole of the Age of Apocalypse.

Age of Apocalypse Revisited: Astonishing X-Men #2

aoa_revisited_logo

astonishingxmen002No Exit

Writer: Scott Lobdell
Penciler: Joe Madureira
Inkers:
Dan Green & Tim Townsend
Color Art: Steve Buccellato & Digital Chameleon
Letterer: Chris Eliopoulos
Cover: Joe Madureira, Tim Townsend
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: April 1995
Cover Price: $1.95

Rogue’s team finds themselves in the remnants of Chicago about to be trampled by its fleeing human population. Sunfire lashes out, determining that he MUST take the fight to Holocaust…but Rogue winds up stopping him, keeping her team together to help the humans here, now…not fly off half-cocked to be slaughtered. Meanwhile, Bishop finds Magneto sitting quietly alone while his young charges race around the globe, and chastises him…before realizing he is functionally saying goodbye to the infant son whose very existence will be sacrificed by "remaking" the world to what it should have been. Further meanwhile, Sabretooth enlists Blinks help to take the fight to Holocaust, eluding Rogue where Sunfire did not…and battling the monstrous son of Apocalypse…a battle that goes roughly as he planned, but not before sending Wild Child away with valuable information to survive the encounter.

Re-reading the Age of Apocalypse epic issue-by-issue in single-issue format for the first time in nearly two decades has been a true delight, taking me back at once to my all-time favorite X-Men story, period…as well as a nostalgic, simpler time when I found the X-Men comics to BE fun and enjoyable and a real treat to read…a time before the Internet and daily spoilers and the Next Big Event being hyped hardly halfway into the Current Big Event…when the Current Big Event mattered, was huge, was all-encompassing, was…THERE.

This issue embodies all that. We have favorite characters–Rogue, Magneto, this version of Sabretooth, Blink, Bishop…we have the latest chapter of an epic adventure, the last adventure, the One That Will Change Everything…as we witness the twilight of the Age of Apocalypse, the last-ditch effort of all those involved to make a difference in this darker world. And while the darkness and death is by no means a fun thing, a fun setting…the story itself, reading this…is.

Madureira’s art works really well for me with this issue…the entirety of the issue just looks very good, affirms my (perhaps altered-by-recently-re-read-issues) memory of how much I loved the look of the book at the time as I quite enjoy it here. The characters are all familiar, successfully distinct where I’d expect and any similarities or indistinctness is minimal and only noticed by looking back through for such things and never took me out of the "reading experience."

The writing–the story–simply "is" for me. And that’s a good thing. I read the issue, and was sucked in and maintained page after page, knowing I’ve read this, vague memories creeping up and ever so slightly reminding me that something happens to this character, or that character actually does survive, etc. But by and large the "details" have been forgotten and so are read here anew as a fresh story that is quite enjoyable. This issue fits the ongoing narrative of the epic, gives a number of characters some significant facetime, and unfolds details that add further depth to them…from Rogue’s reluctance to use her powers on a teammate or see any of ’em throw their lives away; to Magneto struggling with the reality he knows versus the knowledge that everything he’s known for two decades can be (MUST be) somehow undone; to Sabretooth and what he means to Blink as well as seeking to atone for his past.

The reading of this issue "kicks off" Month #2 for me in this journeying back through the Age of Apocalypse…and leaves me extremely eager–moreso than I’ve been so far–to get through the entirety, wishing I had the time to just sit and devour the saga…and yet all the more curious (just for myself) at what the overall experience will be and how my own reading is impacted by taking the time between the reading of each issue to write these reviews, forcing myself to think and self-analyze, at least–on what I’ve read.

Age of Apocalypse Revisited: Gambit and the X-Ternals #1

aoa_revisited_logo

gambitandthexternals001Some of Us Looking to the Stars

Writer: Fabian Nicieza
Penciler: Tony Daniel
Inker: Kevin Conrad
Letterer: Chris Eliopoulos
Colorist: Marie Javins
Cover: Tony Daniel
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: March 1995
Cover Price: $1.95

This was twenty years ago, real-time. Gambit was ‘only’ introduced about 4-5 years prior to this issue’s original release, and there have been several “ongoing” Gambit books in the interim, so it’s no longer a ‘special’ thing that Gambit’s headlining a series. Nor is the character the same sort of “mystery” he once was.

But for the time, this was the character leading a ragtag group of rebels, having himself split off from the X-Men due–in large part–to “losing” Rogue to Magneto.

We meet Jubilee running from an Infinite before they’re intercepted by Guido. The two are joined by Sunspot and the momentary battle is over. On returning home they’re met by the most dangerous man they know–Magneto. Who is there with Gambit…and the team’s led to their new mission. After a fight in the Morlock tunnels they’re made aware of the wider universe…and with the unleashed power of Lila Cheney, the team is sent to the other side of the galaxy, after the M’Kraan crystal. Magneto–on Earth–realizes just how fragile all his machinations truly are.

I find myself less impressed in this issue with Daniel‘s art. It’s not bad by any means…but it’s not as good as I’d expect presently on name alone. Then again…this is from two decades ago. There’s a certain style to the linework that registers this firmly in my mind as a ’90s comic without even having to see the cover, indicia, or anything else officially dating it. There’s certainly plenty of comic art out there far less appealing to me, but by and large this issue does not thrill me visually.

Story-wise this is much of what I’d want in a first issue, particularly the sort this actually is. This is coming out of the events of X-Men: Alpha which has set “everything” in motion for this epic Age of Apocalypse ‘event’ and itself introduces us to “new” characters beyond Magneto and Gambit, and their role in things. We’re introduced to the mission itself and the means by which the characters are able to have any chance of cosmic reach in a ruined world…and we’re given the wonder of just what they’ve gotten themselves into: events that we’ll see play out in coming issues.

I’m more enamored with the “idea” of this book than the execution…yet, on the whole I enjoyed this. But then, I’m quite enjoying the entirety of my re-reading of these Age of Apocalypse issues, and this definitely rides that wave a bit. I don’t know that I find this issue singularly important in a stand-alone sense, but it works in the grander scheme of the present X-Universe these are taking place in and given I do not recall details…I’m definitely interested in revisiting this group of characters and their Shi’Ar adventure.

Age of Apocalypse Revisited: Amazing X-Men #1

aoa_revisited_logo

amazingxmen001The Crossing Guards

Writer: Fabian Nicieza
Penciler: Andy Kubert
Inker: Matt Ryan
Color Art: Kevin Somers
Separation: Digital Chameleon
Lettering: Starkings/Comicraft
Cover: Andy Kubert
Editor: Bob Harras
Published by: Marvel Comics
Cover Date:
March 1995
Cover Price: $1.95

With this issue, we’re back to the X-Men "proper," as Storm and Quicksilver lead a squad of X-Men to assist with getting humans out of North America. In order to do so, however, they have to "hack" the High Council’s sentinels’ programming so they can be seen as friendlies and not just more mutants to be attacked on detection. Though they seek to help, their help’s not asked for. As the group preps, the distrust for the man called Bishop runs high as Magneto seems to be the only one who trusts him and believes that he might truly represent a chance to change the world before it ever went wrong.

It’s not really evident to me with this issue why I’ve long held this title to be my favorite of the Age of Apocalypse books–it might be the later issues that brought that to the fore and the way they lead into the end of things…but that’s something to be gotten to when I get to ’em.

This issue is another solid read with plenty of forward development in things as a whole if not overly so with any individual characters. Of course, it’s a team book so I wouldn’t necessarily expect a lot of individual character development. I certainly appreciate the Magneto/Bishop stuff, and rereading all these first issues has reminded me of why I’m such a fan of Magneto, as it WAS this saga 20 years ago that fully introduced me to the character, my prior experience having almost exclusively been Fatal Attractions and the animated series (which itself in its second season gave plenty to like with the character).

The story here is good, as is the art. I can be quite repetitive in talking about art with comics as I’m more a story guy, but with that–this issue’s art didn’t blow me away but it definitely provided strong visuals that certainly had played a part in defining this era of X-Men comics for me.

All in all, this was another enjoyable issue in the dawn of the Age of Apocalypse…keeping the "train" rolling and my interest high in continuing to relearn and revisit the entirety of the AoA epic.

Age of Apocalypse Revisited: Weapon X #1

aoa_revisited_logo

weaponx001Unforgiven Trespasses

Script: Larry Hama
Breakdowns: Adam Kubert
Finishes: Karl Kesel, Dan Green, Chris Warner
Lettering: Pat Brosseau
Coloring: Mike Thomas
Cover: Adam Kubert
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: March 1995
Cover Price: $1.95

After seeing Logan and Jean arrive at the Human High Council in X-Men Alpha, we now find them on a mission while the council decides what to do with the information they’ve been provided. Their mission: to cause trouble for Apocalypse by taking out a structure and allowing a wave of Sentinels in to evacuate what humans can be. Their ride (a sentinel) takes damage, but remains operational; while Logan and Jean fight their way in and ultimately out, even through Havok’s arrival. Once back with the council, the duo learn some shocking news about the humans’ intent moving forward in the face of Apocalypse’s deceit with the Kelly Pact.

This was a good issue, overall. Plenty of action, even if I didn’t comPLETEly follow everything. While I’m sure there are some subtleties I missed in my reading, I take it mostly at surface value. I struggle to see how this Weapon X can be the "villain" I recall from a couple years ago in a more contemporary issue. This seems quite a bit like the Wolverine of the time, but with adamantium (since Magneto never went down his dark path that led to Fatal Attractions and all that entailed). There’s a hint to Logan and Jean’s past, though it’s quick and not something dwelled on by the story. It’ll be interesting to get to the next several issues, and being reminded of the "cool" factor of this title and the character(s).

The visuals were good on the whole…no real complaint. I’m actually a fan of the "big hair" Wolverine rather than the tamed-down Hugh Jackman version of the last decade-plus in contemporary comics. Plenty to "appreciate" here and even as the issue may not be a favorite I still enjoyed it. The only let-down may have come from higher expectations for this than several other recently-read issues.

I do think the cover is one of my favorites–certainly one of the more memorable–of the AoA #1 issues, probably the entire saga. It shows all we really need, with Weapon X front and center and Jean right nearby…two mutants not to be messed with.

Age of Apocalypse Revisited: Generation Next #1

aoa_revisited_logo

generationnext001From the Top

Created by: Bachalo & Lobdell
Inker: Mark Buckingham
Colors: Steve Buccellato/Electric Crayon
Lettering: Starkings/Comicraft
Cover: Chris Bachalo, Mark Buckingham
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: March 1995
Cover Price: $1.95

On a more pronounced scale than X-Man #1, I remember disliking this series and so kinda "dreaded" "having to" read it to progress through the Age of Apocalypse saga. I know present-day I tend to not care for Bachalo‘s visual style, finding it cluttered and often hard to follow in the flow of just reading the story. But I actually rather enjoyed this issue.

The bulk of the issue follows a "training exercise" in which the younger mutants fight–Danger Room style–as training in use of their powers. First against each other, and then against their teachers–Colossus and Shadowcat, who prove to be quite ruthless and deadly, and encourage the same in their students. "Training" gets cut short with the appearance of Magneto, who (in his first "live" appearance to the kids) has Bishop in tow and seeks discovery of a possible time traveler…who, as it turns out may well be the sister Colossus thought killed. It will be up to this team of mutants to retrieve her.

As said, I haven’t really cared for Bachalo‘s work in more contemporary comics, and as such really was not looking forward to this issue. But I actually forgot as I read that this was a Bachalo-drawn issue, as the problems I’ve had with more recent stuff he’s done does not seem to be apparent here. I don’t know if that’s the inks, colors, pencil styles, or what. Whatever it is, I’m thankful, as this issue thusly has a distinct grittier, darker tone than the other issues I’ve read so far of the Age of Apocalypse #1s…setting it apart but not distractingly so.

The story isn’t bad…it doesn’t blow me away and is actually fairly cliché in its own way…but it works here, setting tone and showing the harshness of things these kids are facing (though we don’t get much explanation for Kitty’s behavior/personality compared to her non-AoA self).

While I have YET to read the Phalanx Covenant in full and really much with all the Generation X characters, I always found the timing of this interesting: by the end of the Age of Apocalypse stuff, there’d been equal time spent with Generation X as a title as this Generation Next…4 issues and 4 issues.

Not a bad read, certainly much more enjoyable than I remembered or expected…we’ll see what the later issues do for me.

Age of Apocalypse Revisited: Astonishing X-Men #1

aoa_revisited_logo

astonishingxmen001Once More With Feeling

Writer: Scott Lobdell
Penciler: Joe Madureira
Inkers: Dan Green, Tim Townsend
Letters: chris Eliopoulos
Colors: Steve Buccellato
Separations: Digital Chameleon
Cover: Joe Madureira, Tim Townsend
Editing: Bob Harras
Published by: Marvel Comics
Cover Date: March 1995
Cover Price: $1.95

This is another “iconic cover” to me, with Magneto front ‘n center and the rest of his group of X-Men there as well–Blink, Sabretooth with Wildchild, Morph, Sunfire, Rogue, Banshee, Iceman, and Storm. The AoA Magneto is probably my all-time favorite version of the character, and I quite like Rogue with the cape. This is also my favorite Sabretooth design.

While Magneto ponders how to proceed in light of what he’s learned from Bishop (see X-Men: Alpha), Blink and Sunfire return via one of her portals, barely escaping one of Apocalypse’s minions. The X-Men are “victorious,” and Sunfire reveals that Apocalypse not only lied but has sent his son Holocaust to personally carry out a new round of cullings. Meanwhile, Apocalypse is briefed, that it’s only a matter of time until the X-Men are located. Gambit gets a few moments with Rogue to catch up before he takes off with his X-Ternals. Nightcrawler converses with Magneto about the implications of Bishop’s presence. Morph adds a bright spot to things as Rogue readies her team to leave, and Bishop has a moment with Quicksilver over what he’s set in motion.

While this is a first issue, it’s clearly part of something larger. For one thing, it draws heavily from the introductory stuff in X-Men: Alpha–from Bishop and his presence, to Magneto having set other stuff in motion. However, I’m a bit surprised at Nightcrawler’s presence here, having thought he actually took off immediately on Magneto’s order to go find Destiny. Even having so recently re-read Alpha, I can’t recall for sure what Blink was up to, so the fact she and Sunfire were off and about is a slight surprise to me, at least in their discovering the resumation of the cullings being either off-panel or in another issue I’ve not gotten back to yet.

Somehow through the years, I’ve gotten it into my head that I was not particularly a fan of Madureira‘s work…but by and large I really enjoyed his work in this issue. As mentioned regarding the cover, I particularly enjoyed the character designs on Magneto, Rogue, and Sabretooth here. Blink also looks quite distinct, familiar, and “normal” to me. The visuals brought back a definite sense of nostalgia here–as I expect most (if not all) of these Age of Apocalypse issues are going to do.

I don’t recall much in the way of thoughts I had back in the day beyond the cover still standing out to me. I noticed on this read-through that Rogue has a collar much like Magneto’s holding her cape in place, and it’s interesting re-adjusting to the notion of a romance between the two. She’s certainly a rather young mother figure to Magneto’s relative age…and yet, that works quite well for me here. Events in my personal life as I’ve aged myself make Gambit’s situation a lot more understandable and identifiable for me…where the character wasn’t nearly so sympathetic 20 years ago.

Though this has the aforementioned feeling of being something larger, it also feels like a solid first issue, introducing the reader to the basic situation at hand and identifying the main characters. References are made to the larger story, accompanied by the Lost Art Of The Footnote directing readers to consider Amazing X-Men, X-Calibre, and Generation Next in an offhanded way that doesn’t require it but shamelessly “plugs” those series. This issue is clearly moving pieces around the board a bit and starting to situated stuff, while bridging the events of X-Men: Alpha and the series that make up the Age of Apocalypse saga itself.

Age of Apocalypse Revisited: X-Men Alpha #1

aoa_revisited_logo

xmenalpha001Beginings…

Story: Scott Lobdell
Dialogue: Mark Waid
Pencils: Roger Cruz w/Steve Epting
Inks: Tim Townsend w/Dan Panosian
Letters: Starkings w/Comicraft
Colors: Steve Buccellato w/Electric Crayon
Editor: Bob Harras
Cover: Joe Madureira, Tim Townsend
Published by: Marvel Comics
Cover Date: February 1995
Cover Price: $3.95

The cover proclaims A NEW World! A NEW Beginning! This issue sports a fancy "chromium" cover, and is itself a rather iconic image–to me, at least–of the "new" X-Men, as brought together by Magneto. We see Weapon X (Wolverine) front ‘n center on the front panel of this wraparound cover. Blink, Sunfire, Bishop, Rogue, Magneto, Jean Grey, Quicksilver, Nightcrawler, and Gambit round out the bunch here. Open the issue up to see the back cover as well and we see Apocalypse in the background, with Sabretooth and Wild Child in the foreground, Jubilee and Colossus behind, and some flying stormtroopers (Infinites, I believe) filling out the sky-space of the image.

There are no ads in this issue. 48 pages of story, plus the cover–that’s it. For "only" $3.95. Sorta pricey "back in the day," but quite a bargain by today’s standards. I wouldn’t be surprised to see something like this priced around $9.99 by Marvel nowadays–and shocked to see it under $7.99.

Though this issue kicks off the Age of Apocalypse epic, it does not itself carry an Age of Apocalypse badge–this is a "bookend" issue that serves as a prologue to the entirety of the event encompassing ten or so titles across the four months.

We open on a wasteland, where we meet Bishop–whose mind was damaged by the energies that ripped Legion and the other X-Men away in X-Men #41. We find that he’s wandered for the 20 years since. Here, he’s become the focus of an attack from Unus and his troopers who were chasing a young human who found momentary hope in Bishop. The X-Men arrive–Magneto’s X-Men–and the battle is joined. Emerging victorious, the X-Men are then confronted by Bishop, who recognizes Magneto and levels some major accusations at him. Magneto sedates him and they take Bishop for questioning.

Meanwhile, we meet Beast–Henry McCoy–a mad scientist figure experimenting on mutants. Havok touches base, and the mutant (Blob) being experimented on attacks, and the pair are "rescued" by Cyclops–with long hair and only one eye, and see that he and Havok have a horrible relationship. The two are part of Apocalypse’s group, by way of Sinister–who arrives and chastises the two for fighting, and then speaks cryptically and leaves. The scene shifts to a bar maintained by Angel–Heaven–where he’s confronted by Gambit, who is looking for Magneto. We shift to the X-Men, questioning Bishop, then to Apocalypse and his upper ranks as he reveals plans to destroy the last of humanity.

The story shifts to Weapon X and Jean meeting up with the Human High Council, and then back to Magneto’s group. "Feedback" from Rogue touching him leads to Magneto seeing fragments of a universe that might have been, leaving the older mutant troubled. He immediately sends Nightcrawler to seek Destiny in order to get confirmation of his vision. Meanwhile, Sinister’s gone missing, and Apocalypse nudges things into motion. The X-Men know "something" is up, but not specifics. While off in space, a certain crystallization wave heads toward Earth.

I don’t usually like summarizing an issue so thoroughly–but there is a LOT going on here. And it all works, for me. There’s a lot of vagueness and toss-off references scattered throughout that don’t necessarily make a lot of sense now, in context of just this one issue–but having read this before and knowing the characters, I follow them quite well. This sets up the various books that make up the Age of Apocalypse saga, introducing us to core elements–the characters and places that will have significant roles in the story to come.

There’s a definite sense of "history" here, and it feels like this could easily BE just a random issue I picked up, amidst an ongoing continuity and not the first actual glimpse at the entirety of said continuity. This is–to the reader–a new world, a beginning of an "Event," but for the characters involved this is simply the present, 20 years after a key incident in Israel.

I remember being quite eager to get into the Age of Apocalypse as a whole and being fascinated by this new version of all the characters. Despite the dark setting of the story, I thoroughly enjoyed reading this, with a familiarity and warm sense of nostagia as I did so.

The art is slightly stylistic at points, and I’m not particularly familiar with Roger Cruz‘s name…but this issue being what it is, none of the art bothered me…I was simply a kid again, enjoying seeing all these characters and where they were, and trying to glean where the story was going from this single issue.

It’s refreshing to read this issue again, and getting a sense of pureness or "authenticity" from what I so enjoyed about this event…before everything that’s come in the past ten years or so as things were changed, pulled from, and generally mucked about with in attempt to get as much out of this story as possible beyond its relatively self-contained nature in 1995.

In short, this issue holds up extremely well to my memory, is still very enjoyable, and leaves me eager to get into the heart of the story.

The ‘90s Revisited: December ’94 X-Books

As the events of Legion Quest were reshaping the ENTIRE line of X-books for the start of 1995, even the titles not directly involved in Legion Quest itself reflected the fact that story was going on, with each title ending with the reality-ending crystallization wave washing over things, most of the books being left on a cliffhanger. While I wasn’t originally going to cover these other titles due to not being direct tie-ins/chapters of Legion Quest, I figured I’d touch briefly on them after all. Here are the resultant five “mini-reviews” of the rest of the December 1994-shipping X-Books.

WOLVERINE #90

wolverine090The Dying Game

Script: Larry Hama
Pencils: Adam Kubert
Inks: Mark Farmer & Dan Green
Lettering: Pat Brosseau
Coloring: Marie Javins
Cover: Adam Kubert, Greg Hildebrandt, Tim Hildebrandt
Editor: Bob Harras

This is one of the more "iconic" issues of this series for me–and certainly harnesses the "feel" of this "era" of the comic for me. The cover is the first thing that stands out, with a hybrid Kubert/Hildebrandt Bros. image–the distinctive Hildebrandts image that would be great on its own, with Kubert‘s art overlaid to the side, and the series logo is almost an afterthought or a formality.

The issue’s story is fairly simplistic, with Wolverine returning to the X-Mansion to keep an eye on the imprisoned Sabretooth while everyone else is away. Wolverine starts out refusing to fight, but pieces things together about the time Sabretooth pulls an escape, and the two brawl. Ultimately they wind up with Wolverine on top, having popped two claws, one to either side of Sabretooth’s head. The villain taunts Wolverine, threatening everyone he loves and cares about, and right as Wolverine pops the third claw–into Sabretooth’s brain–the crystallization wave hits and this never happened, as this universe ends.

While not on the same level as X-Men #s 25 or 41 or Wolverine #75, this is an issue that’s long stood out to me. The ending plays very well with the pre-Age of Apocalypse cliffhanger thing, leaving us hanging a bit on the supposed fate of Sabretooth, what it means for Wolverine to have at long last apparently killed his old foe, etc. (However, the popularity of the characters renders this cliffhanger moot, where some of the "lesser" characters/titles have faded over the years and hold far less memory).

X-FACTOR #111

xfactor111Explosive Performance

Plot: John Francis Moore
Script: Todd Dezago
Pencils: Jan Duursema
Inks: Al Milgrom
Colors: Glynis Oliver
Letters: Starkings/Comicraft
Cover: Tom Grummett, Al Milgrom
Editor: Kelly Corvese
Group Editor: Bob Harras

This issue is one of the more memorable cliffhanger-issues for the month’s X-books, with Guido (Strong Guy) falling to a heart attack, and Reality ends before we learn if he’s actually dead or not.

I remember THAT I’d read a handful of issues of the title from #92-onward thanks to my introduction via the Fatal Attractions crossover the year before. However, other than apparently having read the END, I don’t recall THIS issue’s story prior to reading it this time around.

On the whole, this was a solid enough jumping-in issue…helped perhaps by having read #109 (the Legion Quest Prelude). As I read this issue, I kept mixing up Lila Cheney with Dazzler…two characters I’m familiar enough with name-wise but not so much story-wise. And though I didn’t totally follow–there’s a definite sense I missed plenty with skipping #110–I didn’t feel "lost" or have any particular problem with reading this issue.

That’s probably primarily helped by the fact I read this solely for its "tie-in" to Legion Quest and specifically TO get to the cliffhanger, to have the sense of where the title left off immediately preceding the shift into the Age of Apocalypse itself.

GENERATION X #4

generationx004Between the Cracks

Story: Scott Lobdell and Chris Bachalo
Inks: Mark Buckingham
Colors by: Steve Buccellato
Lettering: Richard Starkings/Comicraft
Cover: Chris Bachalo
Editing: Tom DeFalco, Bob Harras

I’ve yet to *really* ever read any issues of this title–I couldn’t say for sure if I’ve ever actually read an issue, including this one. I remember getting this when it came out, though, so I probably did read it…just without knowing much about the characters. I’d only partially followed the Phalanx Covenant stuff that led to Generation X, and didn’t yet know (m)any of the new characters. This issue’s very stylistic, which I’m not all that enamored with. The story itself isn’t bad, though I don’t much care for the page borders or the little character wandering said borders and holding up page-number signs. It’s an interesting thing to do, and I can appreciate it setting this title apart, as well as the "meta" nature of it. Perhaps it was even "fun" at the time. It just doesn’t do much for me.

Reading this issue for its "lead-in" to Age of Apocalypse was quite disappointing, as it also "bucked the trend" of the other X-books in doing its own thing and then a tacked-on bit to account for the ending of the universe. Not bad in and of itself–a good way to get around being totally formulaic, but my appreciation does not equal enjoyment–and this was the least-enjoyable of the non-Legion Quest X-issues heading into the big event.

X-FORCE #43

xforce043Teapot in a Tempest

Writer: Fabian Nicieza
Penciler: Tony Daniel
Inker: Kevin Conrad
Coloring: Mike Thomas
Cover: Tony Daniel, Kevin Conrad
Editor: Bob Harras

I definitely don’t remember this issue’s story as something I’d read before. I’m familiar with a number of the characters–perhaps from stuff I’ve read in the last 20 years, where I can’t say for sure I’d’ve been familiar with them at the time. I liked the art for this issue, and it’s interesting to see that it’s Tony Daniel, whose work I enjoyed on Batman a few years back. In addition to appreciating the art, I enjoyed this snippet of story–it was cool seeing a number of different characters/situations without them all having to be together in one space; with these multiple ongoing subplots weaving about. The Reignfire reveal seems like it was rather huge at the time, though not recalling anything of the character tells me that’s not something that’s particularly carried to this day.

That the issue involved communication with Cable and was affected by his absence due to things going on in Legion Quest was a definite treat, showing how the various characters tie together and that this issue is not something "on the fringe" of the X-universe of the time but was still closely affected.

EXCALIBUR #86

excalibur086Back to Life

Writer: Warren Ellis
Pencil Artist: Ken Lashley
Ink Artist: Tom Wegrzyn
Letterer: J. Babcock
Colorist: J. Rosas
Cover: Ken Lashley, Tom Wegrzyn
Editor: Suzanne Gaffney
Group Editor: Bob Harras

While I certainly did not pick up on the significance of things at the time, rereading this issue brought back snippets of memory–particularly Kitty’s threat to put Wisdom’s cigarette out, and the issue’s end with the jet crashing.

I do not recall consciously noting before now that this was a Warren Ellis-written issue, though somewhere along the way I became aware of his having been the writer in this general time, and being the one behind the Pete Wisdom character. That this seems to be Wisdom’s first appearance is rather cool.

This issue was a welcome glimpse back to the then-status-quo, and a reminder that Kitty and Nightcrawler had a period of time where they were NOT part of the X-Men themselves. I’d also forgotten about other characters, as well as how much I "miss" Moira’s presence in the X-books. Of course, given contemporary things, that’s practically a generational factor.

The cliffhanger of the characters facing a crash-landing that they weren’t certain of surviving was compelling even back in the day, and has me curious about how the point was resolved when everything returned after the Age of Apocalypse…I’m partially torn on digging that issue out to find out versus allowing myself the wondering until after covering the event itself.

The ’90s Revisited: X-Men #41

90srevisited

xmen041Dreams Die!

Writer: Fabian Nicieza
Art: Ron Garney, Andy Kubert, Matt Ryan
Color: Kevin Somers/Digital Chameleon
Letterers: Oakley / NJQ
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: February 1995
Cover Price: $1.95

This issue is one of THE iconic issues of my youth. I’ve read and reread the issue countless times. It sticks in my head, and is one of the key issues I think of when considering X-Men stories. The cover image is iconic, as is the silver-ink coloring on the cover (shockingly enough in a way, there’s no foil to the cover.) I have a number of copies of this issue in my collection, as I often buy it from quarter bins for the nostalgic factor. And if only "mentally," the cover combined with my recollection of the issue really lends a bit of finality to the thing, like this really could be a "final issue." (Perhaps that’s also helped by the fact that Marvel doesn’t seem to like any of their titles getting much past 30 these days).

We open this issue with the four time-lost X-Men staring in disbelief at the scene that surrounds them–of Legion and Magneto trading blows in the skies over Haifa, their memories having finally returned (for all the good it does them). They seek out young Xavier, and take turns taking on Legion themselves, before Iceman finally manages to freeze him solid. Meanwhile, in the present, everyone comes to accept that despite their best efforts–of the several X-Men "tagging along" to the past as well as the attempt with Cable to contact them–they’ve failed and the finality of their universe rapidly approaches.

In the past, things come to a head as Legion pounces on Magneto, planning to kill him with a psionic blade…but young Xavier throws himself at them, and is the one killed. But with a dead Xavier, there never would be a David Haller. No David Haller means no X-Men-in-the-past. For that matter, no X-Men. No X-Men, no world where the X-Men have been around to save it umpteen times. Etc. Reality ends. With only moments to react, everyone faces the crystallization wave, taking their final moments in their own ways.

The world ends with neither bang nor whimper…but in an eerie, silent, shimmering shroud of glass. A world, which like one man’s dreams–proved to be such a delicate thing. And when not handled with enough care…is so easily…shattered…

I’d forgotten or not really noticed before how much the art of this issue was broken up. I REMEMBER it as a cohesive whole…and this time through, even, just reading through, I didn’t consciously note any particular "breaks" in one penciler over the other. I just kept right on going, and would actually have to go back through very specifically to pick out which pages were by which team. Which is the way it SHOULD be, for this sort of thing. Garney and Kubert certainly complement each other with a similar enough style–whether one veered toward the other or not, I don’t know.

That goes into the story side as well…namely, that this was such a monumental thing for me back in the day, that even reading it now, it simply IS. I flew through the reading, remembering all these little parts as I went along, as I came to them. Yet the art never jumped out at me or turned me off for anything…it was just there, consistent enough that it definitely worked for me.

Huge as this issue is for what happens, it’s a quick read, and reeks of a foregone conclusion. The cover itself proclaims To All Things–An ENDING!" and we see a beaten Magneto holding the body of Xavier (not entirely accurate as Erik wasn’t yet Magneto and all that, but the cover gets plenty across symbolically with the costume’s presence).

The issue’s narration is particularly poignant to me even if it is a bit heavy on the "telling instead of showing" thing. By the final couple pages we see bits showing how fully in-continuity this is for the X-Books (though it didn’t affect the non-X books of the time).

It strikes me that for a contemporary comic of this magnitude, this would have been a foil-enhanced cover for sure, probably $4.99 to $5.99 and a Very Big Deal despite "only" ending the "prologue" to the main event it’s setting up: the massive Age of Apocalypse, with the entirety of the X-books going on hiatus for a third of the year, replaced by four-issue mini-series on a one-for-one basis.

This issue ends Legion Quest, and as an ending to that story, and as an issue taken by itself, it works well for me. With modern comics it seems like story endings are merely backdoor prologues for the Next Big Event. While, yes, this "leads into" Age of Apocalypse in general, the issue itself ends, with finality. Legion Quest is the story of Legion going back in time to kill Magneto, with several X-Men hitching a ride back to stop him, while the rest gather and try to "help" as they can from present-day…but as a whole, the entire thing fails–including Legion himself…which ends their reality.

So far as we see and "know" within the story, everything ends. No broken timestream–just an ending. No revelation of some alternate timeline, no popping-in of some hero from another timeline to save things at the last second, no deux ex machina resolving things in the final panel, no crap ending to an otherwise decent story…this could very well have simply been THE end.

And for the kid I was, this was exciting stuff, and took me "all in" for Age of Apocalypse, and combined with Superman and Batman stuff in the couple years prior made for a massive touchstone in my experiences as a comics reader that holds over into the present.

As my rambling on this issue shows…I’m hardly unbiased, and have loads of thoughts and memories associated with this. But having now covered this issue…next week, I look at X-Men: Alpha and then on into the Age of Apocalypse itself!