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The ’90s Revisited: X-Men #41

Posted on December 23, 2014 by Walt

90srevisited

xmen041Dreams Die!

Writer: Fabian Nicieza
Art: Ron Garney, Andy Kubert, Matt Ryan
Color: Kevin Somers/Digital Chameleon
Letterers: Oakley / NJQ
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: February 1995
Cover Price: $1.95

This issue is one of THE iconic issues of my youth. I’ve read and reread the issue countless times. It sticks in my head, and is one of the key issues I think of when considering X-Men stories. The cover image is iconic, as is the silver-ink coloring on the cover (shockingly enough in a way, there’s no foil to the cover.) I have a number of copies of this issue in my collection, as I often buy it from quarter bins for the nostalgic factor. And if only "mentally," the cover combined with my recollection of the issue really lends a bit of finality to the thing, like this really could be a "final issue." (Perhaps that’s also helped by the fact that Marvel doesn’t seem to like any of their titles getting much past 30 these days).

We open this issue with the four time-lost X-Men staring in disbelief at the scene that surrounds them–of Legion and Magneto trading blows in the skies over Haifa, their memories having finally returned (for all the good it does them). They seek out young Xavier, and take turns taking on Legion themselves, before Iceman finally manages to freeze him solid. Meanwhile, in the present, everyone comes to accept that despite their best efforts–of the several X-Men "tagging along" to the past as well as the attempt with Cable to contact them–they’ve failed and the finality of their universe rapidly approaches.

In the past, things come to a head as Legion pounces on Magneto, planning to kill him with a psionic blade…but young Xavier throws himself at them, and is the one killed. But with a dead Xavier, there never would be a David Haller. No David Haller means no X-Men-in-the-past. For that matter, no X-Men. No X-Men, no world where the X-Men have been around to save it umpteen times. Etc. Reality ends. With only moments to react, everyone faces the crystallization wave, taking their final moments in their own ways.

The world ends with neither bang nor whimper…but in an eerie, silent, shimmering shroud of glass. A world, which like one man’s dreams–proved to be such a delicate thing. And when not handled with enough care…is so easily…shattered…

I’d forgotten or not really noticed before how much the art of this issue was broken up. I REMEMBER it as a cohesive whole…and this time through, even, just reading through, I didn’t consciously note any particular "breaks" in one penciler over the other. I just kept right on going, and would actually have to go back through very specifically to pick out which pages were by which team. Which is the way it SHOULD be, for this sort of thing. Garney and Kubert certainly complement each other with a similar enough style–whether one veered toward the other or not, I don’t know.

That goes into the story side as well…namely, that this was such a monumental thing for me back in the day, that even reading it now, it simply IS. I flew through the reading, remembering all these little parts as I went along, as I came to them. Yet the art never jumped out at me or turned me off for anything…it was just there, consistent enough that it definitely worked for me.

Huge as this issue is for what happens, it’s a quick read, and reeks of a foregone conclusion. The cover itself proclaims To All Things–An ENDING!" and we see a beaten Magneto holding the body of Xavier (not entirely accurate as Erik wasn’t yet Magneto and all that, but the cover gets plenty across symbolically with the costume’s presence).

The issue’s narration is particularly poignant to me even if it is a bit heavy on the "telling instead of showing" thing. By the final couple pages we see bits showing how fully in-continuity this is for the X-Books (though it didn’t affect the non-X books of the time).

It strikes me that for a contemporary comic of this magnitude, this would have been a foil-enhanced cover for sure, probably $4.99 to $5.99 and a Very Big Deal despite "only" ending the "prologue" to the main event it’s setting up: the massive Age of Apocalypse, with the entirety of the X-books going on hiatus for a third of the year, replaced by four-issue mini-series on a one-for-one basis.

This issue ends Legion Quest, and as an ending to that story, and as an issue taken by itself, it works well for me. With modern comics it seems like story endings are merely backdoor prologues for the Next Big Event. While, yes, this "leads into" Age of Apocalypse in general, the issue itself ends, with finality. Legion Quest is the story of Legion going back in time to kill Magneto, with several X-Men hitching a ride back to stop him, while the rest gather and try to "help" as they can from present-day…but as a whole, the entire thing fails–including Legion himself…which ends their reality.

So far as we see and "know" within the story, everything ends. No broken timestream–just an ending. No revelation of some alternate timeline, no popping-in of some hero from another timeline to save things at the last second, no deux ex machina resolving things in the final panel, no crap ending to an otherwise decent story…this could very well have simply been THE end.

And for the kid I was, this was exciting stuff, and took me "all in" for Age of Apocalypse, and combined with Superman and Batman stuff in the couple years prior made for a massive touchstone in my experiences as a comics reader that holds over into the present.

As my rambling on this issue shows…I’m hardly unbiased, and have loads of thoughts and memories associated with this. But having now covered this issue…next week, I look at X-Men: Alpha and then on into the Age of Apocalypse itself!

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The ’90s Revisited: Cable #20

Posted on December 16, 2014 by Walt

90srevisited

cable020An Hour of Last Things

Writer: Jeph Loeb
Guest Artist: Ian Churchill
Guest Inkers: Bud Larosa w/Barta & Carani
Lettering: Richard Starkings/Comicraft
Colorist: Mike Thomas
Editor: Lisa Patrick
Group Editor: Bob Harras
Published by: Marvel Comics
Cover Price: $1.95
Cover Date: February 1995

This issue takes place during and after Uncanny X-Men 321. That issue had noted this as a must-read; this returns the favor. This issue definitely requires the context of the Legion Quest story so far, but those issues don’t require this.

We get a bit of exposition while seeing the present-day group facing the apparent dangers Cable, Xavier, and Jean face with their psionic time-communication thing. We then pick up with Cable’s "return" to the present, and realizing that despite his having made contact, it apparently didn’t do any good–nothing in the present has changed, and the universe is still coming to an end…which forces everyone to face the fact that this IS their final hour. Much of the issue is the reactions the characters have, who they turn to and how, in this "hour of last things."

Despite some panels where the art seems a bit minimalistic or at least not as detailed in linework as I’m used to and would expect…I really enjoy the visuals in this issue. As with all the previous chapters of Legion Quest, this is extremely "familiar" to me, bringing back memories…something that surely colors my views on the art–where I might complain a bit with a contemporary issue, this one sits perfectly fine with me, being simply another part of a whole, a piece of a larger positive memory, and the general good feelings I have revisiting a favorite, favored period in comics.
I did notice, however, that Archangel’s costume seems to have a lot of red to it here, where I’d noticed blue previously. I’m not sure if there was something I’ve forgotten in-story for the varied colors, but it was a bit of distraction. I like the LOOK overall, just not sure why the red instead of blue.

The cover is one of those distinctive "iconic" ones for me. And yet, somehow looking at it for this review now MIGHT be the first time I consciously realized it’s showing the crystallization wave taking the characters, and not just a generic shot of them facing something else.

The story itself is by Jeph Loeb–who at the time I didn’t know from any other writer–but whose name I know quite well at present and have not been overly thrilled with despite quite enjoying Superman: For All Seasons and such in particular. While this IS part of a larger story, I love the "moments" between the various characters, as well as the overall feeling OF this being a final issue, an actual final chapter.

I’m pretty sure I knew better at the time, back in 1994 than to think these titles were going away PERMANENTLY, and was certainly geared up for the Age of Apocalypse as a large but temporary story. The "official" revelation in-story of Scott and Jean’s part in Cable’s life was particularly key, as is Cable’s "moment" with Domino. Despite this issue covering some of the same ground as Uncanny X-Men 321 and X-Men #41, it leaves certain particularly beats and "moments" to those issues…but what we see here builds on the overall feeling of continuity, that this is truly taking place in the same world and time as other issues rather than just being "related" to each other.
Perhaps it’s the issue’s ending, or the interaction of Cable, Cyclops, and Jean, but this is easily one of my favorite issues of the entire Cable series…and reminds me why the Cable of this period is my favorite take on the character (especially in the face of the last few years of the character).

Only one issue directly involved with Legion Quest remains, as the X-Universe comes to an end…if only for a time.

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The ’90s Revisited: Uncanny X-Men #321

Posted on December 9, 2014 by Walt

90srevisited

uncannyxmen321Auld Lang Syne

Plot: Scott Lobdell
Dialogue: Mark Waid
Penciler: Ron Garney
Inkers: Townsend, Green & Ruinstien
Colors: Steve Buccellato
Letters: Chris Eliopoulos
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: February 1995
Cover Price: $1.95

Though–like other issues of this story–this issue’s cover doesn’t stand out too much to me, it’s definitely familiar seeing it…and the orange background also reminds me of a couple of key Superman comics of the ’90s as well. Before I even started actually reading the issue, the first page had the credits, and while looking to those, I spotted a small notice: "X-Fans! With This issue You MUST Read Cable #20!"

Given my current reading project–the entirety of Legion Quest–as well as already owning the issues involved and their being quarter-bin fodder and all that, I’m not even phased at a notice inside an issue being my first "official" notification of something being a "key" tie-in (as opposed to the cover blurb listing Legion Quest Part X of 4). Spring something like that on me in a contemporary $4 Marvel comic and I’d be quite put-off. Here, however, I love it! Not yet having moved on to Cable #20, I believe this was where we saw stuff–in this issue–from the time-lost X-Men point of view, while in Cable we get much more detail of his involvement and see things from HIS point of view.

This issue gives what feels to me like a much larger chunk of time spent with Xavier and Erik (Magneto) in the past, when their friendship was fresh and good, before anything had gone sour on them.

The two hang out in a bar, and wind up in a fight with some sailors when Xavier refuses to allow someone to get away with mocking a crippled beggar. He and Erik wind up fighting back to back, emerging quite victorious. In the present, the X-Men (and Cable) wait for the Shi’ar to finish cobbling together a device that will allow Jean, Cable, and Xavier to collectively reach back in time to the X-Men there and set them on their mission. Meanwhile, in the past the X-Men have taken on jobs while seeking to piece together their memories and purpose for being where they are. At the same time, the mysterious young man in the hospital–Legion–awakens and finds his mother. Cable’s psychic projection of sorts makes it to the past and encounters Bishop, while Legion’s woken and stirs trouble.

It seems there’s not an entirely stable creative team on this book at this time, as Garney is the third artist in as many issues. Yet, the visuals largely hold to a "house style" such that I honestly don’t believe I’d’ve really noticed withOUT paying attention to the credits. This is a good thing, as the characters all retain their familiar looks and nothing really seems out of place. I firmly enjoyed reading, and nothing about the art took me out of the story or distracted me–this being a definite success in terms of what I look for in art in any given comic.

The story itself is good, and I REALLY enjoyed the interaction with Xavier and Magneto. I can’t imagine these issues were not integral to why I so enjoy the notion of their friendship and the depth of characterization it provides. There’s one scene that I’m not 100% sure how to interpret—apparently Xavier and Gabby—that works in one way, but is EXTREMELY disturbing taken another. I’d like to think I’m just overthinking on that.

I’d been reading Uncanny X-Men regularly for over a year and X-Men sporadically in that time, as well as watching the Fox Kids animated series–all of which I believe converged in terms of showing the two men as old friends gone different directions, and greatly informed my views on–and interpretation of–the characters.

I feel like I could enjoy a bunch of issues just of Xavier and Eric interacting; slice-of-life sort of stuff. I’ve read plenty of stories of the two as foes, and of the X-Men, etc. so I know where they wind up; seeing more of their meeting and early interactions would flesh that out more.

As I reflect on this, it also puts me in mind of the recent 2011 and 2014 X-Men films involving the younger versions of Xavier and Magneto, and I have to wonder how much these issues may have influenced those; generic as the concept can be.

This is the penultimate chapter of Legion Quest proper…but there are still two more issues to go, with Cable #20 being an important tie-in, and then the final chapter in X-Men #41.

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The ’90s Revisited: X-Men #40

Posted on December 2, 2014 by Walt

90srevisited_thumb[2]_thumb

xmen040Legion Quest part 2: The Killing Time

Writer: Fabian Nicieza
Penciler: Andy Kubert
Inker: Matt Ryan
Letterer: Bill Oakley
Colorist: Kevin Somers
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: January 1995
Cover Price: $1.95

Having responded to Jean’s distress, the other X-Men squad scours the desert for their missing teammates. On locating Jean but not the rest of the group, they rush her back to the temporary HQ, where she awakes and tells them about Legion. Meanwhile, in the past, the time-lost X-folks have no memory of who they are or what they’re doing in the past. Several weeks have passed for them, and they’re beginning to regain some memories, just not the key ones. Also in the past, Xavier and Magneto continue to interact as we see the growing friendship, as well as Xavier’s romance with Gabrielle Haller. Erik deals with an anonymous patient who unlocks painful memories. In the present, Cable and Domino arrive, and while they’re assessing things, a cosmic projection from Lilandra of the Shi’ar brings tidings of doom to the heroes of Earth…information authenticated by presence of numerous Watchers.

Going through this issue, I’ve realized that Andy Kubert is–alongside if not moreso than Jim Lee–probably my favorite X-Men artist. I love the looks of the characters in this issue, the layouts, etc. I normally don’t notice the art like this, but it hit me here, and actually added to my enjoyment of the issue.

The story’s not bad. While I’m reading these for the first time in years and without the context I’d had when I originally read them, I’m also noticing a similarity in the books that is quite pleasant–where I probably honestly would not be able to tell you for sure who did what issue’s story(ies) between this and Uncanny X-Men withOUT the credit boxes.

There’s a two-page “interlude” in this issue that addresses Wolverine’s absence (he left the X-Men after Fatal Attractions and from what I recall is just now returning to the mansion and the group)…and sets up his “final issue” for the next month. Almost a pointless bit, but well worthwhile all the same and fitting in the time of touching on numerous plots and not keeping a tight internal story “just” for the eventual collected volume.

I’d remembered the core of Legion Quest being four parts but couldn’t remember how it was broken down…with this issue, a lot of it came back…though I won’t elaborate here, as there are still several issues to cover.

While truthfully I’d forgotten all about this issue’s cover image, having it brought back to mind it is rather iconic–showing Legion with the flames all around. It stood out quite a bit to me back in the day, but being a middle chapter of this story and such it just didn’t stick with me the way the final chapter did. The issue doesn’t begin or end the story, just moves things along…but it was still very much a treat to re-read, and continues drawing me back in time myself, 20 years, to when I was a kid reading these for the first time…when the story was current and unfolding and not essentially a footnote in the history of the X-Men.

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The ’90s Revisited: Uncanny X-Men #320

Posted on November 25, 2014 by Walt

90srevisited_thumb[2]_thumb_thumb

uncannyxmen320Legion Quest part 1: The Son Rises in the East

Plot: Scott Lobdell
Dialogue: Mark Waid
Penciler: Roger Cruz
Inker: Tim Townsend
Colors: Steve Buccellato
Letterer: Bill Oakley
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: January 1995
Cover Price: $1.95

Making me think I missed a chapter, this issue opens on the action, as a squad of X-Men are in the midst of a “battle” with Legion–one in which they’re throwing everything they can at the boy, and the boy’s not even acknowledging them. The issue cycles between this battle and flashbacks to what brought the X-Men to this point–Gabrielle Haller and X-Factor reached out, and so these X-Men came to Israel to see what they could do. Legion finally acknowledges his attackers, jumping back in time with Storm to show her the moments before a jet’s crash that killed her mother. Returning to the present, Storm–despite her hurt and anger–pieces things together, and with the help of Psylocke and Bishop gets the group psychically tethered to Legion just before he makes his main jump back in time. Having used her own powers to anchor herself in the present, Jean is left behind with just enough consciousness to contact Xavier to let him know the X-Men and Legion are gone. Finally, in the depths of space, Lilandra, queen of the Shi’ar, is informed of the beginning of all that is.

This issue had several editions. The X-books at the time were presented in “Deluxe” and “standard” editions–the deluxe having higher quality paper, while the standard was the cheaper paper and (I believe) carried a cheaper cover price. The non-deluxe editions have never been on my radar, and so are being soundly ignored.

With the deluxe edition, there was the regular edition one would buy in comic shops…and there was a “gold edition” that was included in an issue of Wizard magazine. Not just some “ashcan” or “preview” or such, it was the issue in its entirety.

Other than that, there’s nothing (to me) all that remarkable about the cover or anything “iconic” to it. Though I recognize it on sight due to its place in my own life, it doesn’t otherwise stand out in and of itself.

The art is solid, and doesn’t particularly stand out to me, taken by itself. It’s certainly familiar, with the X-Men particularly recognizable, and really the only oddity to me is Iceman’s costume…I don’t recall this costume/appearance, and so at one point I was left wondering who he was while out of his iced-over form. Other than realizing that and wondering who the guy in the unfamiliar costume was, nothing else took me out of the story visually.

The story itself is quite good. I’d noticed Mark Waid‘s involvement with X-Men: Alpha or X-Men: Omega several years ago…and his name again stands out here. Lobdell provides us the plot while Waid supplies the dialogue…yet other than the names in the credits telling me that, I doubt I’d’ve noticed either one of them. For me, going back 20 years, the story just WAS. These were the X-Men, and I took ’em at face value.

Once I realized I had NOT missed a chapter and that we were being presented with some action before the “gap” was bridged with flashbacks, I was ok with the flow of the issue. I doubt this issue’s structure would fly in contemporary comics, as contemporary comics seem primarily written for the trade, and this structure would not play out in a single issue (there’d be an entire issue of action, then an issue of flashback, etc). It’s also sort of odd seeing so few characters involved, despite having appreciated that in the previous issue. But that was part of the premise, I believe–with two X-Men books, each would typically focus on a smaller set of characters from the overall continuity of the whole.

That also poses a bit of a problem here with no explanation given to Bobby’s linking back up with these characters, and where Archangel and Rogue went between the end of #320 and the start of this. However, this opens well given the context of the X-Factor issue, as we go from Legion flying off talking of making things better, and being confronted here with the flashbacks showing that he’s already been setting his plans in motion.

All in all, not a bad opening chapter with plenty of action and context as well as driving the story as a whole forward by the end of the issue. I definitely enjoy that within the pages of a single issue’s pages multiple scenes unfold…that this seems written as a full single issue rather than “just” a chapter of a six-issue arc.

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The ’90s Revisited: X-Factor #109

Posted on November 18, 2014 by Walt

90srevisited_thumb[2]

xfactor109The Waking

Plot: John Francis Moore
Script: Todd Dezago
Pencils: Jan Duursema
Inks: Al Milgrom
Lettering: Starkings/Comicraft
Colors: Glynis Oliver
Editor: Kelly Corvese
Group Editor: Bob Harras
Published by: Marvel Comics
Cover Date: December 1994
Cover Price: $1.95

While this issue’s cover proclaims itself the start of Legion Quest, it’s still more of a prologue/lead-in than an official chapter…at least in my reading of it. The issue seems to be happening pretty much alongside Uncanny X-Men #319, though its labeling marks an official starting point from back in an age where stories were not “written for the trade” and neatly grouped in 4, 5, or 6 issue arcs with the eye on the collected volume.

The issue opens with Mystique in a hospital room being confronted by a couple members of X-Factor, where David Haller (Legion) has just awoken from a lengthy coma (I believe he’d been in the coma since the final pre-“adjectiveless” X-Men #1 launch). She’s there to kill him for (apparently) having killed Destiny, and X-Factor is there to stop her from murdering the boy. Finding herself outmatched, she makes to escape, vowing to return; and X-Factor pursues. The situation doesn’t go well, and eventually we’re left with Legion leaving the hospital and passing a message from Destiny (or *a* Destiny in his head) to Mystique. Legion then zaps X-Factor away, and leaves, talking about making things better.

The art’s a bit iffy for me–not bad, but there were parts (especially panels of Legion himself) that just look weird and exaggerated to me. Overall, no huge issue with the art, but it did distract me at a couple points, taking me out of the story.

The story itself isn’t entirely helpful–to me, it’s a “slice of life” sort of thing, with no “previously” page and not a LOT of context on stuff. At the same time…it’s not really needed…especially not for MY purposes here of reading the issue. This read-through is specifically for the issue being part of the Legion Quest stuff, and not for any specific story otherwise going on in the pages of X-Factor. But there’s plenty to give some context–Legion having killed Destiny, she and Mystique had History together, Forge was there when Destiny was killed, he and Mystique have some recent history, etc.

I really like that there’s some dialogue from Legion that I believe lines up with dialogue in Uncanny X-Men #319…this is the height of what I love about continuity in comics. In that issue, we see Xavier’s side as he dreams he’s interacting with Legion, and here we see Legion’s side, through the eyes of those around him at the time. This does not seem like anything that would truly fly in contemporary comics, from separate series not necessarily intended for collection in the same volume.

I also like that there’s lead-in to a story and it’s not just some sudden last-page reveal or epilogue sequence to something: we have at LEAST UXM 319 and this issue showing characters going about their business, the story unfolding in general but we get to key in on the specific “event” of Legion’s awakening and talking about changing the world for the better…which the main Legion Quest story itself is focused on as he actually executes his intentions.

The cover is a BIT misleading, showing a gleeful Legion standing over the unconscious (?) bodies of Mystique and X-Factor. But it fits the issue as we DO have Legion vs. Mystique and Legion vs. X-Factor, and Legion emerges victorious in both conflicts. Combined with the proclamation of Legion Quest beginning here, it’s a rather key image suggesting (among other things) that Legion’s taken out X-Factor before the X-Men even become involved…upping the threat-factor for the start of the main story itself.

Despite that, this issue is hardly essential to the core of that story, as I remember (not yet having read/re-read it recently). But this gives some good context, and alongside UXM 319 pads thing out pleasantly prior to jumping into the heart of the main story itself.

While not quite as enjoyable as last week’s UXM issue, I liked revisiting the X-Factor of this era, and getting a renewed sense of where things were at the time. Of course, even moreso I’m all the more eager to get into Legion Quest itself, and one of my all-time favorite single issues of a comic, as well as my all-time favorite X-Men story!

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The ’90s Revisited: Uncanny X-Men #319

Posted on November 11, 2014 by Walt

90srevisited

uncannyxmen319Untapped Potential

Words: Scott Lobdell
Guest Penciler: Steve Epting
Inkers: Dan Green & Tim Townsend
Colorists: Buccellato, Becton, Hicks
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: December 1994
Cover Price: $1.95

There’s something simply “familiar” about sitting and reading this issue, that brought back a lot of memories, and a certain feeling. This came out in late 1994–I was 13 at the time. (I’m 33 now). To that barely-a-teenager me, this was just another issue of an X-Men series I’d been following for over a year even as other X-books had lapsed.

Now looking back, this was a key issue on a number of fronts–primarily being a pre-prologue lead-in to Legion Quest, which itself was a prologue to the four-month Age of Apocalypse saga. This was–at least as I recall from having just re-read this issue but nothing earlier, recently–the issue Archangel and Psylocke officially became “a thing,” a relationship that carried across the next 16 or so years til The Dark Angel Saga in Uncanny X-Force a few years ago.

We have three main plots running through this issue: Rogue and Iceman are traveling to Bobby’s parents’ house for a visit. Bobby obviously has stuff eating at him, and Rogue tries to be a friend and get him to open up on the issues. She doesn’t get the greatest welcome from Bobby’s dad, though his mom tries to be a lot more hospitable. The visit overall does not go well, and Bobby storms out on some angry words. Rogue leaves as well with a calmer (but no less sharp) sharing of words.

Meanwhile, Warren (Archangel) and Betsy (Psylocke) are on a date that goes quite well, and leads to the two going back to Warren’s place and (verbally) officializing their relationship.

Finally, we follow Xavier in a dream in which he speaks to Magneto, reminiscing on their time in Israel some 20 years earlier. As the discussion progresses, Xavier begins to realize something isn’t quite right, as the dream moves from reminiscence to nightmare, resulting in Beast jolting Xavier awake–and Xavier explains that he fears his son Legion has recovered and is now more dangerous than ever before.

The art team presents a strong issue. The look was familiar, I had no problem recognizing any of the characters…and really, I quite enjoyed the way they looked. While I could not have said off the top of my head that Epting did the art for this issue, had done art (guest penciler or otherwise) on X-Men stuff from ’94, I recall the look of the issue, and as I re-read it this latest time, the only problem I had at all was disliking the shift from upright pages to “widescreen” pages where I had to physically turn the book in order to read a page. (Of course, I’ll take that over umpteen pointless double-page splashes).

Story-wise, this kept things moving, and while three simultaneous plots only allow a few pages for each, they were woven together well, and I didn’t feel any of them were particularly shorted or such–they and the issue as a whole just “worked.”

Back in the day, I was not familiar with Legion, so reading this the first time I doubt gave me any particular cause to think something big was up just from story context. I imagine I knew a bit about Legion and such, though, from other issues that flashed back, or at the very least from stuff about the then-upcoming “death” of Xavier and all that.

As noted above, I simply ENJOYED rereading this issue. It was cool to see Rogue and Bobby hanging out, and I recognized/identified with the two as they interacted, in a way I never did before. I’d forgotten about their time here, remembering only their “roadtrip” after continuity returned from the Age of Apocalypse stuff. And it was the characterizing of Xavier/Magneto’s relationship heading into the Age of Apocalypse that is certainly my favorite, and was at the time instrumental in DEFINING their relationship to me.

Though this issue works well enough just on its own–perhaps aided by my own memories–it’s also helped by my diving in here just before Legion Quest and remembering the impact that story had on me and looking forward to key moments and then the Age of Apocalypse saga itself.

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