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The ’80s Revisited: Batman #439

80s_revisited

batman_0439Batman Year III Chapter Four: Resolutions

Writer: Marv Wolfman
Penciller: Pat Broderick
Inker: Michael Bair
Letterer: John Costanza
Colorist: Adrienne Roy
Assoc. Editor: Dan Raspler
Editor: Dennis O’Neil
Cover Price: $1.00
Published by: DC Comics

This is another issue that’s very iconic TO ME but not necessarily anyone else. This was my first-ever issue of the main Batman title that I got. #439…438 issues came before I got my first! And it’s got a large "Year 3" on the cover…AND it’s marked as "part 4 of 4." It’s hundreds of issues in; it’s the final chapter of a multi-part story; and it’s some middle year, not even a "first year" or such! And I was 8 when I first got the issue, yet it didn’t stop me from getting the next two issues, or further issues of both Batman as well as Detective Comics. But I suppose kids in 2022 are incapable of that…at least for the way publishers treat contemporary numbering outside of Detective Comics and Action Comics.

We open where an Anthony Zucco has apparently just been killed, and Nightwing scolds Batman for letting it happen. The two talk, and there’s obviously some "history" here. We find out the dead guy had some book with details about crimes all over Gotham…so now "the underworld" wants it and an all-out hunt begins. The two talk further in the Batcave–in costumes, but masks off–before Batman leaves, insisting on doing stuff alone. Nightwing and Alfred talk, and we get several pages of flashbacks to how Nightwing–Dick Grayson–was legally able to become Bruce Wayne’s ward…and why it was ward and not adopting him as a son. Dick heads out to check on stuff that might lead him to answers, and we cut to where Batman’s much more brutal than usual, beating answers out of criminals rather than speaking. Meanwhile, Dick follows up and gets useful information without the actuality of violence. While Dick returns to an orphanage he spent some time at, Bruce is back at the cave, putting things together a bit slower than Dick had. Dick speaks with Sister Mary Elizabeth and pieces the final bits together to determine where Zucco’s book is. As he finds it, the primary person behind the situation arrives and wants the book for himself…and Batman arrives in time to realize he’s about to lose Dick the way he lost Jason. Things don’t play out that way, though…but the book is lost to the elements. While Batman returns to the cave alone, Dick visits his parents’ graves.

As said at the start of this post…more than 400 issues, a third year, and part 4 of 4, all elements that should have put an 8-year-old off from getting this comic, at least according to 2022 standards. I don’t even know if I comprehended those elements, though…as an 8-year-old, I simply saw the word "Batman" on the cover and knew it to be a Batman comic. That’s it…plain and simple. Didn’t matter that there was a 438 on the cover; didn’t matter that it said it was the 4th of a 4-part story; didn’t matter that it said "Year 3," it was a Batman comic.

I’ve long considered Jim Aparo, John Byrne, and Norm Breyfogle to be my favorite Batman artists…and in my "memory" I’m sure I figured this to have been one of theirs. It’s not…and I need to add Broderick to that list, I think, based on my most recent read-through of this issue and how well the art worked for me (despite this particular copy of the issue having dulled, the inks bled, and generally the issue’s newsprint paper is hardly in pristine condition 33 years later). Along with stuff like Untold Legend of the Batman, that Man of Steel issue One Night in Gotham City, and Breyfogle on The Mud Pack in Detective, this is iconic early Batman (and Nightwing) for me, visually.

Story-wise, this seems like a solid issue. Even though I have read the entire 4-parter a couple times in the years since it came out, this issue stands out due to being my first issue of the title. Same for this re-read: I read it cold, rather than the entire story. We get a bit of context about Zucco’s death, from Bruce and Dick’s verbal sparring; to figure out what’s been going on in earlier chapters…at least as relevant to this issue specifically.

When I first read the issue as a kid, I had no clue there’d been a Year One or a Year Two. In a way I never give this story much thought in that regard as a Year Three, except right now I take it sort of like Years One and Two were Bruce’s start…and it was the 3rd year when Dick joined. So in a way, this is as much Dick’s story as Bruce’s…maybe more.

I also don’t think terribly much about who WROTE these earliest issues of the title that I read…at the time it was absolutely the character I was getting/reading, with no regard for any given writer or artist. And compared to the likes of Superman, I only dabbled with Batman comics, and the Batman comics never had the same depth nor singular ongoing story the way the Superman books did that led me to being much more familiar with some of the artists and continuity over there. That said, Marv Wolfman being the writer is a pleasant re-realization for me, and sort of a re-epiphany "of course!" as far as what was set up in this story and in the next–A Lonely Place of Dying.

I definitely see the depth in this issue, and the importance of the Bruce/Dick stuff and the flashbacks. As a kid, I probably sort of understood the flashbacks were supposed to be Dick–Nightwing–but I had no real understanding that this was Robin! I also had only begun to "realize" that "a" Robin had even died, or that the original had "grown up" and become Nightwing. In this issue I just saw this guy that had history with Batman/Bruce and they didn’t get along well for some reason.

I don’t believe this story was ever collected as its own thing…I’m pretty sure it was even left out of the Death in the Family volume that combined Death in the Family with Lonely Place of Dying! Death in the Family had a TPB; I believe The Many Deaths of the Batman had a TPB; and I know A Lonely Place of Dying had a TPB (that was one of my very first-ever TPBs!). But this story did not have one. I’m not even sure if this wound up being included in any of the larger collected volumes DC has put out the last few years, and while I know some of the Detective stuff like The Mud Pack wound up in a Norm Breyfogle volume…I don’t have the knowledge of the same thing happening with this story.

I’ve seen a mix of stuff for Batman: Year Three over the years; from issues in bargain bins to being offered in the $10-something range and anything in between. Some of that’s probably moreso the first chapter that introduced Tim Drake, though.

On the whole, I wouldn’t recommend this as a single issue…but if you find it in a bargain bin, I’d recommend getting all 4 parts; it’s definitely worth a read if you can get all four for $5ish or under!

Reading this again has me itching to read other issues from around this time…particularly to actually sit down and read Death in the Family through Lonely Place of Dying straight through. But that’ll be a reading project for some time down the road, perhaps.

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The ’70s Revisited: Planet of Vampires

70s_revisited

planet_of_vampires_0001The Long Road Home!

Script: Larry Hama
Pencils: Pat Broderick
Inks: Frank McLaughlin
Editor: Jeff Rovin
Published by: Atlas Comics (Seaboard Periodicals)
Cover Date: February 1975
Cover Price: 25 cents

I can’t remember where I got this issue. It’s most likely from a 25-cent bin, though also possible that I grabbed it from a dollar bin for the novelty of its age and all. Whatever the case, this thing is from 1975–42 years ago. It pre-dates Claremont on X-Men, and even pre-dates me existing.

I normally don’t care (much) for stuff before the 1980s as any kind of preferred choice in reading, comics-wise…and this issue doesn’t change my mind. That said, this is a #1, with an interesting logo suggesting an interesting concept, and I forced myself to read the thing all the way through!

Basically, we’re introduced to a group of 6 astronauts, part of some mission sent out a number of years ago to Mars, that’s just now returning to Earth. While they were "out there," they heard back about war breaking out, before losing contact with Earth. They stalled awhile, hoping for positive news, but when their resources got to a critical level–if they didn’t head back, they wouldn’t make it at all–they headed back, hoping for the best. After a "rough landing," they encounter a couple different groups of people and are ‘taken in’ by one group, apparently more civilized, after being attacked by "savages." Ushered into a dome, they learn that this is one of the last bastions of civilized society, and the dome is to protect them from incursions from the savage outsiders. War had indeed happened, and led to a huge division in the populace! Our protagonists–allowed to explore–walk in on something they weren’t supposed to see, which reveals a horrible truth, and suggests the "savages" are the population inside the dome, not outside. In righting the apparent wrong, the astronauts ally themselves with the so-called savages, and begin to make an escape from the "vampires" of the dome.

This title’s concept led me to expect/assume this would be about astronauts arriving on some foreign planet inhabited by your typical vampires–the bite-your-neck-and-suck-your-blood sort. Having that flipped–humans returning to Earth to find a group of people who mechanically harvest the blood they need to survive from another group–provides a different take on the notion of a ‘vampire’. There’s also something to the whole thing that puts me in mind of Planet of the Apes, if only loosely so.

This story’s set in 2010…at the issue’s time of publication, that was 35 years in the future. As I read this and as of this writing, 2010 is eight years in the past! To re-time it, it’d be like my now reading a new story set in 2053.

I find it interesting to read something like this–both for the alternate future notion rooted in its time, as well as being work by Larry Hama that predates GI Joe by the better part of a decade.

The art isn’t anything overly special…it conveys the story as needed, getting things across and moving the reader along. Nothing much really stands out, at least to me–this is a comic, and non-superhero at that. The work is consistent enough, but all the characters kinda blend together to a degree, at least on a single reading.

As a whole, this issue felt like something out of the 1970s, as it is. The issue, the concept, the story, etc. The issue makes for an interesting sorta time-capsule of sorts, for comics of the time, as well as concerns of the time in society in general (that fear of nuclear war wiping out most life on Earth).

I’d thought this Atlas Comics line to be an imprint of Marvel at the time, figuring it was just an imprint I wasn’t familiar with, given Marvel‘s history with the name. A bit of quick internet research turned up the fact that this is from a whole different entity…albeit an entity that did have some top names associated with it! None of the titles lasted very long, though, which likely explains my lack of familiarity with this.

I don’t think I care enough to try to hunt down the remaining several issues to see where this title started to go…but it was still an interesting read by itself for the present.

If you find this in a bargain bin, it’s worth a quarter, and maybe even going as high as $1 or so. If nothing else, even for more, you’ll get a lengthier reading experience out of this than you will most contemporary comics!

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I’m pretty sure this would fit right in with Sci-Fi January…check out The Crapbox of Son Of Cthulhu for a bunch of great stuff, currently with the Sci-Fi January theme!

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The ’80s Revisited: Captain Atom Annual #1

captain_atom_annual_0001The Dark Side of the Force

Writer: Cary Bates
Co-Plotter: Greg Weisman
Penciller: Pat Broderick
Inker: Bob Smith
Colorist: Carl Gafford
Letterer: Duncan Andrews
Editor: Denny O’Neil
Published by: DC Comics
Cover Date: 1988
Cover Price: $1.25

I’ve long been aware of Captain Atom, and have even read some issues here and there with the character. I believe he was in some Justice League (America) issues; I know he was in Armageddon 2001; I read at least most of the Captain Atom: Armageddon series he was in, blowing up the Wildstorm universe some time back; there’s the parallel with Dr. Manhattan in Watchmen…and of course, the character’s brief but pivotal role in Kingdom Come, to name a few offhand. I think I may even have read the first issue or two/few of his 1980s ongoing series at one point, though I don’t consciously remember much beyond the basic origin (so I probably read it around the time I read Watchmen back in the early 2000s).

Going through a stack of comics recently, I happened across this issue–certainly a quarter-bin find–and it struck me as interesting "in the moment" to read due to the cover proclamation: "Enter: Major Force!" I’m more familiar with Major Force as the character that killed Kyle Rayner’s girlfriend (stuffing her body in the refrigerator) back in the early days of the new direction for Green Lantern. Having briefly revisited that era recently in covering the Zero Hour crossover, I was all the more curious about how long the character had been around. This issue seems either a first appearance, or at least a post-Crisis on Infinite Earths (CoIE) first appearance. Given the character tying into Captain Atom’s origin and some guessing, I’m pretty sure this is the first appearance of the character.

The issue opens with a conspiracy-theorist radio show, the host talking about a corroborated incident of a UFO crashing in a quarry. We then move to Captain Atom arriving on the scene, and something emerges–an alien creature that the Captain winds up fighting. Meanwhile, an anonymous Major joins the scene, and we see that events are being manipulated to create an apparent origin of a new super-hero: that of a Major helping Captain Atom and being fused with an alien creature. When, in fact, this is the result of a later experiment like the one that created Captain Atom, but with different variables…and the "alien" is in fact another test subject. Due to his position and government involvement, Captain Atom goes along with things, introducing/endorsing this new guy to the public…as they get Major Force. Predictably (this comic is from 28 years ago!) Force doesn’t "work out" in the role of super-hero, as his methods are violent and don’t account for innocents/civilians. When CA tries to rein things in, the Major fights back. Captain Atom emerges from the battle victorious…though in its course he seems to have made a decision, delivering his message ("I quit!") along with the unconscious Major Force to his government handlers.

The issue has page numbers, with the story ending on a page numbered ’39’ so this is basically a double-length issue. As an Annual, it’s a ‘special’ issue, with a bigger story (but relatively self-contained) than just another issue of an ongoing series. Being from the late 1980s, and evaluating this (having read it), it seems to be an Annual from when such things "counted," and were truly a bonus or special issue along with the ongoing run, and having stuff important to the character’s ongoing status quo. In this case, the issue seems to be the point at which Captain Atom has had enough of just going with the flow and taking orders, and after seeing what the government/his handlers are up to, he can’t stick around simply accepting the status quo.

As an Annual (and a first one, at that), I figured this to be a decent sort of one-shot, though a lot of that comes from my own experience with comics, and DC history/continuity. We don’t get a lot of context/background on Captain Atom or a supporting cast in this issue, but we do get some slight references such that knowing what I do, it all fits.

I’m good with the art–it neither blows me away nor disappoints…it just "is." This looks and feels (visually and story-wise) like an ’80s comic, and something to it (such as the introduction of a character I know gets used more and in key ways years later) feels a lot LIKE the start of a new super-hero universe…which at this point, the then-current DC Universe essentially was. And I like that.

The story itself is decent, and seems to draw on existing continuity (at least from the Captain Atom series) and expects the reader to at least somewhat know what’s going on; introduces a new villain/antagonist or opposite version of the hero with an origin, background, some character/world-building, and ultimately resolution…while leaving things open for later use of the character as well as modifying the status quo (presumably, at least!) for the ongoing series. I notice that quite unrelatedly, this is the second issue in the last few days I’ve read written by Bates (the other was Action Comics #428) and am pretty sure the co-plotter (Greg Weisman) is the same who eventually did Gargoyles for Disney years after this.

For an issue that I only paid a quarter to purchase, this was definitely a good value for the time it took to read, and I enjoyed adding this piece to the puzzle–I’ve now read the introduction of Major Force and this also re-kindles a bit of my interest in the early Captain Atom series (I believe I have the first year or so of issues SOMEWHERE in my collection).

While this issue won’t hold the reader’s hand, it’s a solid piece with a nice length, and is definitely worth a read if you’re interested in the title character, villain, or this period in DC‘s history. If you find it in a bargain-bin–MAYBE up to $2ish–its well worthwhile. At a higher price, I’d say you’d have to really have a specific interest in this, rather than anything casual.