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Death of Spider-Man [Checklist]

February 2011
Ultimate Avengers vs. New Ultimates #1
Ultimate Spider-Man #153 (prelude)
Ultimate Spider-Man #154 (prelude)

March 2011
Ultimate Avengers vs. New Ultimates #2
Ultimate Spider-Man #155 (prelude)
Ultimate Spider-Man #156

April 2011
Ultimate Avengers vs. New Ultimates #3
Ultimate Spider-Man #157

May 2011
Ultimate Avengers vs. New Ultimates #4
Ultimate Spider-Man #158

June 2011
Ultimate Avengers vs. New Ultimates #5
Ultimate Spider-Man #159
Ultimate Spider-Man #160

July 2011
Ultimate Avengers vs. New Ultimates #6
Ultimate Spider-Man #161
Ultimate Spider-Man #162

August 2011
?

deathofspidermanchecklist

Shadowland [Checklist]

JULY
Shadowland #1
Daredevil #508

AUGUST
Shadowland #2
Daredevil #509
Shadowland: Blood on the Streets #1
Shadowland: Bullseye #1
Shadowland: Daughters of the Shadow #1
Shadowland: Moon Knight #1
Shadowland: Power Man #1

SEPTEMBER
Shadowland #3
Daredevil #510
Shadowland: Blood on the Streets #2
Shadowland: Daughters of the Shadow #2
Shadowland: Elektra #1
Shadowland: Ghost Rider #1
Shadowland: Moon Knight #2
Shadowland: Power Man #2
Thunderbolts #148

OCTOBER
Shadowland #4
Daredevil #511
Shadowland: Blood on the Streets #3
Shadowland: Daughters of the Shadow #3
Shadowland: Moon Knight #3
Shadowland: Power Man #3
Shadowland: Spider-Man #1
Thunderbolts #149

NOVEMBER
Shadowland #5
Daredevil #512
Shadowland: Blood on the Streets #4
Shadowland: Power Man #4

The Rest of the Stack: Second Coming, Superman, & Deadpool

When I want to touch on more than I care to review, I post “mini-reviews” under this heading. These, after all, ARE the rest of my stack for the week.

X-Men – Second Coming: Prepare #1 –  I got back into the X-Men comics for a short time a couple years back for the Messiah Complex story. I don’t think I even really meant to, but I wound up picking up the one-shot that kicked the story off, and found myself interested enough to follow it through the various books. I even followed some of the books for a short time after, taking in the new direction of the X-Men stuff (and the milestone issues of X-men and Uncanny X-Men). I passed on Messiah War, though I still hold some small hope at eventually acquiring the hardback to get to read that story. This preview is very underwhelming in and of itself, but the preview art, the slight bit of characterization given of Wolverine, Cyclops, Magneto, and Cable pricked something within me that now has me on the fence about picking up this arc. The “reference materials” in the back of this issue seem to be reprinted from various other works–though as those had been freebies as well, I’m not bothered by it, and they are pertinent to this current stuff. This was a free issue, and there’s a chance it might have done its hoped-for job with me. Time will tell.

Superman #697  – I’m tired of the current Mon-El stuff. I don’t care for the costume–at all, not just the recent changes–and the way the character’s been handled…I just don’t care for the character. There’s not a huge case of dislike, just a case of disinterest. I feel like I SHOULD like the character, but I don’t. This is yet antoher issue of Superman in which Mon-El is the stand-in, though we do see a bit of personality and authenticity here when he admits that he wasn’t ready to take Superman’s place. Though the story and art are not to my liking in general–they just don’t appeal to me–possibly my largest complaint is the gratuitous near-nudity, and general explicitness of a sexual relationship Mon-El’s involved in, which seems to be something that wouldn’t be shown in such detail between Superman and Lois, and does not strike me as something that needs to be anything more than alluded to in general. It looks like Adventure Comics (#8 continues the story from this issue) is becoming little more than an extension of this book…but if that speeds getting this story over with and Superman back into his own title, I’ll be more than happy for that.

Deadpool #20  – After what has seemed at points to be longer than 4 weeks but less than 8 weeks between issues, this title now has reached a 3-parter being told in 3 weeks of 3 consecutive issues. Though I enjoy Deadpool, and am leaning toward a consideration of choosing a single Deadpool title to follow (and this one’s in the lead should such a decision be made), I’m still not a fan of Hit-Monkey or Hitman-Monkey or whatever the character is. I do like that this issue saw the return of Deadpool’s hallucinations–to great effect, I might add. I also like the fact that Spider-Man clues in on and confronts Deadpool about his apparent fear early in this issue, as it addresses a question I had…and was wondering if Spidey was gonna just get screwed over (er…that is, if the character hasn’t already been that way for a couple years now). This is the best (and MOST) of Spidey I’ve read in awhile, and I appreciate the opportunity to read the character as himself, without having to face the changes wrought in that infamous story. Definitely a worthwhile issue for Deadpool fans; not sure it’s a selling point in and of itself for new readers, though. Probably’d also be enjoyable for Spider-Man fans as well…especially those avoiding the Amazing Spider-Man for one reason or another.

Deadpool #19 [Review]

Writer: Daniel Way
Penciler: Carlo Barberi
Inkers: Juan Vlasco, Sandu Florea
Colorist: Marte Gracia
Letterer: VC’s Joe Sabino
Cover: Jason Pearson
Assistant Editor: Jody Leheup
Editor: Axel Alonso
Published by: Marvel Comics

For the most part, I’ve been looking forward to this issue since the Deadpool issue of Amazing Spider-Man several months back. This issue picks up on Peter Parker being the typical version of the character. After a near run-in with Deadpool, he hopes trouble’s not following…but soon finds trouble when a murder is discovered that seems to have Deadpool’s “fingerprints” all over it. Parker tracks Deadpool and beats the guy mercilessly before finally realizing perhaps he’s not the culprit…and Deadpool provides some new information as to who the culprit most likely is–as well as some background on this “Hitman Monkey” character.

This is the best Spider-Man I’ve read in a long time. In fact, it’s the only Spider-Man I’ve read in a long time…and so this story is all the more enjoyable for getting to read a character I like again–the Deadpool issue being the sole issue of Amazing Spider-Man I’ve been able to bring myself to buy since One More Day (and it read like an issue of Deadpool more than it did Spider-Man). Way captures a good part of the character–keeping him recognizable and believable, while leaving out details that date the character. Deadpool seems to be his usual self, which considering Way‘s still the writer, is a good thing. What I don’t care for is this Hit-man Monkey…from what I understand, this is a character created for some sort of webcomic on Marvel’s site, and he’s now being pulled into this title. Were he simply a random character being introduced here for the first time, it would seem far more fitting, and I wouldn’t feel like I’m missing out on some in-joke.

The art is quite good, and I really like the way the characters are depicted throughout the issue. Though I’d enjoyed the Deadpool story in Amazing Spider-Man, I recall the art being a complete turn-off…here, Spidey looks normal, if not very good as a whole…certainly significantly better than the last time I’d seen him. Additionally, this version of Deadpool has a certain visual “feel” that adds to me liking this book.

Story, art…this is a very good issue of Deadpool, and as the start of a new story–one involving Spider-Man–seems a decent point for new readers to jump in and check things out. Of the various Deadpool books, this (for the moment at least) is my favorite…perhaps for being rooted in actual ongoing main Marvel continuity rather than playing in its own sandbox off to the side or with what are–while good stories–still fairly inconsequential done-in-ones.

Highly recommended!

Story: 8/10
Art: 8/10
Overall: 8/10

Amazing Spider-Man #611 [Review]

This Man, This [Expletive Deleted]

Writer: Joe Kelly
Artist: Eric Canete
Colorist: Andres Mossa
Letterer: VC’s Joe Caramagna
Asst. Editor: Tom Brennan
Editor: Stephen Wacker
Exec. Editor: Tom Brevoort
Publisher: Marvel Comics

I never expected to be reviewing–much less BUYING–an issue of this title given the current status quo. I’m one of those who has zero interest in the current Spider-Man post-One-More-Day. That I bought this issue at all is high praise to the draw of Deadpool. And, as I’d hoped…this felt more like a Deadpool title than Spider-Man.

The issue opens with Deadpool amidst a bunch of mostly recognizeable Marvel Women taking a phone call about a new job. Of course, this plays out in typical Deadpool-fashion and manages to reference/poke fun at a couple notable points of Spider-Man comics the last couple years. Even the “Previously Page” is given some hokiness, breaking the “fourth wall” having the Marvel EIC and other editors give the situation-so-far. We then quickly move into seeing Spider-Man in action against Lady Stilt-Man and all the ridiculousness one can imagine. Deadpool steps in and he and Spidey fight (though the fight devolves to juvenile “yo mamma” trade-offs). Finally, Deadpool attains his goal, and the scene shifts to show us the real purpose of Deadpool taking on Spidey, with a fairly major character now lying dead, as this title heads into something called “The Gauntlet.”

I’m not familiar with the artist…and honestly, this issue did absolute zero to make me want to get familiar. The style is rather stylistic…but really does not at all fit what I’d expect of something with Deadpool (or Spider-Man, for that matter). If I wasn’t 1. so stoked about Deadpool as written by Joe Kelly and/or 2. never bothered to look inside the issue before purchase, due to knowledge of Deadpool’s presence and the “regular” cover being the one I wanted*…I’d recommend against this for anyone but those already following and enjoying the title.

(* see how I’ll use the asterisk to note something? Sort like Deadpool and his “voices.” I specifically avoided a recent issue of Hulk that had Deadpool in it, due to the fact that the cover I wanted turned out to be a 1:200 or so ratioed-variant. I’d’ve avoided this issue had it been the same set-up.)

Where this issue succeeds is in feeling like a Deadpool story guest-starring Spider-Man. As I have zero interest in Spidey’s current status quo, this issue worked very well by not dealing with it in any focal manner. I recognize background characters–Madame Web, and Mattie in particular–and see how they provide a sort of “framing sequence” that marks this as a sort of “prologue” to The Gauntlet.

Where this issue fails is in establishing anything to bring me back next issue. This felt like a one-off, and though I’m mildly intrigued by what was set up here…I’m still not at all interested in actually investing in the next arc.

Deadpool fan? This is well worth picking up, if you don’t mind the art. Regular reader of The Amazing Spider-Man? This’ll probably be right up your alley and have more significance for you than me (not having touched a Spider-Man comic in close to two years).

Final thought: The cover is great. And yet realy has nothing to do with the issue. This is the sort of image that would make a great ad in that regard…and I daresay I’d buy a poster if they made one of this image.

Story: 7/10
Art: 3/10
Whole: 5/10