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The ’90s Revisited: Superman #76


90s_revisitedsuperman_0076Metropolis Mailbag II
 
Story & Art: Dan Jurgens
Finished Art: Brett Breeding
Letterer: John Costanza
Colors: Glenn Whitmore
Asst. Editor: Jennifer Frank
Editor: Mike Carlin
Cover Date: February 1993
Cover Price: $1.25
Published by: DC Comics
 
We open this issue on captain Marvel (aka "Shazam!" but he’s the original Captain Marvel!) descending to the roof of the Daily Planet, where a number of heroes have gathered despite the rain. It’s Christmas Eve, and they’ve carved time out to tackle the "Metropolis mailbag," letters sent to Superman, and they’re going to try to fulfill what requests they can since Superman can’t be there to do it himself. Meanwhile, Mitch Anderson has arrived in Metropolis and finds his way to where "Mrs. Superman" is holding a press conference…he’s run away from home in order TO try to make contact with Superman’s family. Jimmy and Lois were present as well…though Lois leaves, disgusted, at the so-called "Mrs. Superman," having told Jimmy "She’s no more Mrs. Superman than I am!" Jimmy notices Mitch and takes the kid under his wing. Lois gets to Clark’s apartment where Jonathan and Martha have arrived…as well as Lana Lang.
 
Jimmy takes Mitch to meet Bibbo where the three share a meal and talk, and find that Mitch believes that if HE hadn’t called Superman back to help HIS family…then Superman would have caught and beaten Doomsday withOUT dying (see Superman #74 / Adventures of Superman #497). Jimmy and Bibbo eventually get Mitch situated to return home, though they have one more place to take him before he leaves. At Clark’s, the Kents, Lois, and Lana discuss whether or no to step forth with the truth of Clark Kent/Superman, deciding that while someone will eventually discover the secret, they don’t have to hasten it. Elsewhere, one of the requests the heroes came across was a woman whose home was destroyed by Doomsday, and the Flash and Green Lantern (advised by the architect?) rebuild. Wonder Woman sought out a man who’d left his wife and kids and didn’t know they’d been involved in the Doomsday stuff. At Superman’s memorial statue, Mitch thanks Superman for saving his mom and baby sister, and as he leaves a photo of his whole family, the threads come together and we see that Wonder Woman has reunited his parents, their home’s been rebuilt, and as readers we see that Jimmy’s telling Mitch to have hope of stuff working out is well-placed. Meanwhile, beneath the crypt…Westfield’s goons have drilled into the burial chamber and make off with the coffin–Superman’s body.
 
This is yet another iconic cover and issue to me. The cover has a bunch of heroes atop the corner of the Daily Planet building and globe, Batman front-and-center (before it became the disgusting cliché I’d see it as if this was published in 2022), apparently casting the shredded remains of Superman’s cape off the building. Iconic, if a bit odd…almost like in a different context, they’re celebrating the DEFEAT of Superman at their combined forces.
 
I don’t remember offhand if I’d read whatever issue had the ORIGINAL "Metropolis Mailbag" story, but I do remember THIS one. As a kid I don’t think I realized how cliché this story is, how CONVENIENT it is to focus on allllll these heroes and we mainly see them rebuilding Mitch’s family’s life. Not that it’s a bad focus–and surely in 2022 we’d have three months’ worth of one-shots, each focusing on a different hero and their individual "mission(s)" from the mailbag–it’s implied they do so much more, the issue simply focuses on these relevant parts.
 
I was always with Jimmy and Bibbo and wondered how Mitch could truly blame himself for Superman’s death. Unfortunately, I do now know how that works and the way one can draw a line between their own actions and someone’s death and feel the weight of self-blame.
 
So the story is good, and the art is fantastic. As much space as I used to synopsize the story, I don’t do it full justice…you really need to read it yourself for the full impact.
 
This issue is a "contextual one-shot," in that it draws from the current continuity of the books from the time, ties directly to those events and sets up stuff for subsequent chapters…but by and large this stands alone. Superman is dead, and these characters are interacting in the aftermath.
 
This issue is oddly specific in its timeframe…it is specifically set on Christmas Eve. December 24. Batman states that "We did just bury Superman last week." Which suggests, certainly, that Doomsday! happened in early December…we’re presumably just a couple weeks or so removed from Superman’s death; and a week removed from the funeral. Most comics don’t seem to get this specific time-wise. I don’t think it gets particularly referenced beyond this issue, and I’m pretty sure that all told, the events of Doomsday, Funeral for a Friend, and Reign of the Supermen only take place across a couple months in-continuity; though real world, we saw events unfold across about 10 months.
 
Between the plot of this issue and some mental association I have between this issue and my grandparents’ house, I’m quite certain this came out the week before Christmas in 1992. (according to Mike’s Amazing World, December 22, 1992)
 
While there’s definitely stuff I remember–"moments"–from the ‘back half’ of this 8-part story…I feel offhand like it’s these first four chapters that I most remember…probably because of their being much more "immediate" after Superman #75. The next few chapters all have an entire issue BETWEEN them and the Doomsday arc…a couple months’ time real-world. Though I suppose as I get to and go through those chapters, even more familiarity may come back to me. I suppose also that some of the "feeling" I have and associate with these first few chapters have something to do with that sense of the season, from right before Thanksgiving into Christmas.
 
As said earlier, this issue definitely works as a one-shot, and I would absolutely recommend it if you find it in a bargain bin, regardless of having the other issues handy.

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