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The Weekly Haul – Week of March 11, 2015

Finally “back on schedule” after a couple of off-weeks. Vacation 600 miles away a couple weeks ago, trying to catch up on the DC Weeklies before getting prohibitively far behind, while getting back into work after a week off made the last couple weeks iffy on comics.

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The new Ninjak series premiered this week, and I couldn’t resist grabbing the Bill & Ted comic for nostalgia’s sake. Magnus wraps up, I’ve bought my third Marvel Star Wars issue, and been keeping up with my reading Unity.

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I’m almost certain I do have the original edition of the iZombie series, which was ALSO $1 cover price IF I’m recalling correctly, back when Vertigo was premiering some of their series for that $1 price point.

I’m amazed that I have YET to find anything that will tell me concretely how many issues the DC Weeklies each run…obviously we’re almost done, given Convergence starts next month, but still…52? 25? 48?

I have a  LOT of reading to do, and need to find a “guide” to the Convergence books, as I’ll probably buy a few (heck, 3/wk matches these Weeklies) but I’m more inclined to know how Convergence will be collected.

A topic for another time, perhaps.

Age of Apocalypse Revisited: Factor X #3

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factorx003Open Wounds

Writer: John Francis Moore
Pencilers: Steve Epting with Terry Dodson
Inker: Al Milgrom
Lettering: Richard Starkings, Comicraft
Colorist: Glynis Oliver
Cover: Steve Epting
Editors: Kelly Corvese, Bob Harras
Published by: Marvel Comics
Cover Date: May 1995
Cover Price: $1.95

Hostility between Havok and Cyclops openly breaks out in this issue, as Havok makes his move to get his brother outta the way and take his place within Apocalypse’s hierarchy. Getting to that point follows the arrival of Jean Grey (who left her partner Weapon X in the most recent issue of that mini). Havok capturing and presenting her to Cyclops to further entrap him doesn’t go quite according to plan…and word quickly reaches Apocalypse on the transfer of power between the brothers.

Aside from a rather distractingly cartoony panel of Jean, I really dug the art for this issue…as I have the previous ones as well. Everything seems familiar and consistent overall–something I definitely like in issues of a single mini-series–and I can’t really complain. It’s cool seeing a couple "new" characters taken on by this creative team in flashing back to Weapon X #2.

Story-wise it’s very cool to see Jean’s arrival for a number of factors–but certainly at least for the notion of continuity and the shared universe of the X-books. I identified her so closely with Weapon X due to that series’ start and the cover to its first issue, and it’s interesting to see the crossing over as things build and develop, and get to see Jean interact with Cyclops…especially given what they were to each other in the "main" Marvel Universe prior to Legion screwing stuff up.

With this issue, we’re three-quarters through the series. Past the point of introduction, no treading water, and racing toward a conclusion…though I recall certain characters continuing into X-Men: Omega, so there’s a different sense of things for me looking back on this.

This would not be a singularly favorite issue for me, and the cover is a bit disingenuous–though in a very loose sense it could be seen as accurate given what goes down here. However, I definitely enjoyed reading the issue and seeing stuff progress in general as well as the feeling of things coming together. While the various X-titles sort of split apart coming out of X-Men: Alpha, the "universe" is shrinking a bit and I recall the minis all leading their set of characters back together into the pages of X-Men: Omega to conclude the entirety of the original Age of Apocalypse event/story.

Digging out classic posters

In my first apartment, I went all-out decorating with posters, and had them all over the place. I actually bought several poster magazines just to have MORE, along with an X-Men calendar just for the images (that work quite well AS posters).

In my current apartment I’ve been a lot more reserved, aiming more toward having any posters that I hang be framed ones.

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As I’ve been unable to find exactly-matching frames for some, I did finally find several that fit these, with an acceptably-sized “border” left over.

The TMNT poster is from Wizard back in 2003 or so when the short-lived Dreamwave series based on the 2003 cartoon was being published.

The Prime vs. the Ultraverse poster is from a 1993 issue of Hero Illustrated, I believe. And the X-Men poster I believe is from 1993 or so, though I don’t remember where it’s from–it may have been a pull-out from a Wizard magazine, or else a comic shop promo.

X-O Manowar #34 [Review]

xomanowar0034Dead Hand part 1: To the Last

Writer: Robert Venditti
Penciler: Diego Bernard
Inker: Ryan Winn
Colorist: Brian Reber
Letterer: Dave Sharpe
Cover Artists: Lewis Larosa, Jorge Molina, Das Pastoras, Butch Guice
Associate Editor: Tom Brennan
Editor: Warren Simons
Published by: Valiant Comics
Cover Date: March 2015
Cover Price: $3.99

This issue is fairly distinct as the first “overlay” cover I’m aware of from this incarnation of Valiant. In addition to the “regular” cover, we have another piece covering half the front and all of the back of the issue, providing the same house-ad in color on the back (but nothing on the interior) and half the image of the front (in black-and-white with nothing on the interior side). The overlay includes the arc designation Dead Hand and story chapter (1), while the main/actual cover itself underneath is entirely in color with no arc designation or anything to indicate a new or specific arc.

Compared to prior issues where the “A” cover was outright MISSING half the image as a “variant”/”interlocking” sequence of covers for a single issues, I’ll gladly take this. I don’t really “get” the need for the overlay–the arc title doesn’t cover much and fits the title logo and simply looks like a comic cover. I’ll also accept this as an alternative to having a “black and white variant cover” and a “color variant cover” or some “virgin art” variant cover. Seeing this process done infuriates me all the more on the matter of variant covers.

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That said, the cover isn’t bad but doesn’t really stand out to me other than the presence of the overlay.

I like the story quite well, and caught myself contemplating that I’m pretty sure Venditti has been on this book for 35-some issues now (including the #0 issue) which in this day and age is a significant run despite barely being 3 years. While I’ve had previous issues that I didn’t totally “follow” consciously, this one felt nicely rooted in a general continuity–I’ve read since #1; I read the Planet Death arc a couple years ago I read last year’s Armor Hunters stuff; and so this flows nicely out of everything that’s developed so far. I enjoyed seeing Aric return to Loam (and that I recognized the planet’s name) and felt like the Vine (aka “spider aliens”) could be sympathetic characters if only generically. I also quite liked Aric’s sense of responsibility toward ’em.

The art for the issue is solid, and while nothing stood out to me as singularly spectacular or such, it’s really good and fits the story quite well. The design of this issue’s Armor Hunters (with their armors) have a cool look to them and made me think of an “X-O Manowar Corps” in a sense.

This is clearly the opening chapter of an arc, as it basically “just” introduces stuff for the main part of the whole: we see Aric with his people as he prepares to leave; we’re introduced to what I believe are previously-unknown Armor Hunters; we’re introduced to Dead Hand; we see Loam and its reception for Aric; and we’re left on the cusp of a significant event for Loam and Aric as the issue ends. Though a reader would certainly enjoy this most as an in-context story, there’s just enough introductory stuff that I’d say this would be a good jumping-in point for someone to give the book a shot. Unfortunately, this IS “just” an opening chapter of a larger arc so that lends its own aspect to the book in general: there’s NOT a “full story” just in this single issue, which does promote the advantage of waiting for a collected volume to get an entire story in one book.

Whatever complaints I’ve had on variant covers, or my general complaint toward the $3.99 price point, this is a solid issue, and fresh off from reading it, it’s a nice validation of my enjoyment of the series as a whole. As the premiere and presently longest-running Valiant title, if you aren’t checking it out issue by issue, it’s at least well worth checking out in collected edition format. Significant as the Armor Hunters saga was, Dead Hand looks to be extremely significant for Aric and his supporting cast of characters minus additional issues outside of X-O Manowar itself to follow. Very much recommended!

Age of Apocalypse Revisited: X-Man #3

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xman003Turning Point

Writer: Jeph Loeb
Pencils: Steve Skroce
Inks: Bud LaRosa and Mike Sellers
Colors: Mike Thomas
Separations: Digital Chameleon
Letters: Richard Starkings and Comicraft
Cover: Steve Skroce
Editors: Lisa Patrick, Bob Harras
Published by: Marvel Comics
Cover Date: May 1995
Cover Price: $1.95

I miss the single-issue titles and creative presentations of credits…maybe it’s reading so many of these 20-year-old comics lately and barely touching contemporary Marvel books, but it really seems that these aren’t done like this anymore. I appreciate the "Previously…" Pages that catch you up, and avoid disrupting the story or filling it with exposition that (in the inevitable collected volumes) can seem rather silly at points. But that’s part of the fun of revisiting the Age of Apocalypse and pointedly doing so on an issue-by-issue basis rather than via any of the collected editions or digitally.

This issue’s cover is relatively generic…yet, I like it. There’s no real background to it (though the title’s logo takes up most of the space where there otherwise WOULD be background, so there’s not much point to it), and we see Forge with Nate, both men standing together, eyes gleaming, ready for battle. Not terribly dynamic or iconic or stand-out, but works for the issue…and as said, I like it.

The art for the issue continues–as with previous issues–to work well for me, getting things across and not distracting me from the story.

The story itself is solid, and does well as a third issue of a four-part story, building on the previous chapters and leaving things at a tipping point for the fourth issue to wrap up.

Forge and the group find themselves facing Domino, Grizzly ,and Caliban–agents of Apocalypse–and fight. The trio is dealt with, Nate "tasting blood" (so to speak) as he dispatches Domino rather harshly. As the group deals with what they just went through, Forge discovers Brute’s fate as well as the truth behind his suspicions of Essex. Forge’s fate, in turn, is felt by Nate due to their psychic link…and despite Forge’s dying words, Nate faces the killer and discovers the cold truth of Essex himself.

Knowing what comes next honestly "taints" my enjoyment of this issue. It’s a good issue, with plenty of forward movement and development for the characters. But important as the issue’s events are for Nate, I get a different feel from this third issue than I have others–and I’m reminded that just as these minis "spun out" from X-Men: Alpha…so, too, do they dovetail back into it, and thus while there may be endings to the 4th issues, the characters’ stories all go on to an overall conclusion apart from the individual minis.

All that aside…I enjoyed the issue and do look forward to the continuation of this story and the Age of Apocalypse in general.

New Toys on New Comic Day

Despite it being a New Comic Day, I’m more excited with a couple of toy purchases this week.

Valiant‘s weekly email noted that the announced-awhile-back-and-I’d-forgotten MiniMates pack of X-O Manowar and Bloodshot was now in Toys R Us stores…so I stopped by my local TRU and found it. And bought it.

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While in TRU I also browsed the Lego stuff, and happened to notice a new Mech:

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Since they’re often cheaper at and I was going to Target anyway, I ended up getting the Mech there, though it proved to be the same price as TRU.

I suppose I might be “back” into Legos again for a time. We’ll see, though…

Age of Apocalypse Revisited: Astonishing X-Men #3

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astonishingxmen003In Excess

Plot: Scott Lobdell
Dialogue: Jeph Loeb
Pencils: Joe Madureira
Inks: Townsend/Milgrom
Colors: Steve Buccellato
Separations: Digital Chameleon
Letters: Richard Starkings and Comicraft
Cover: Joe Madureira
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: May 1995
Cover Price: $1.95

With this issue, we head into the final half of the Age of Apocalypse story. We pick up on Wild Child being pursued and brought down…and when about to be killed, realize that Rogue and her group of X-Men have arrived to rescue him. On figuring out that something’s happened to Sabretooth, they mount yet another rescue mission. We also find out about Blink and Sabretooth’s past–what has so bonded the two; and we get a moment with Magneto and Bishop discussing Bishop’s ability to take a life, should it be possible to actually send him back in time–as it’s likely he would have to kill Legion to stop him.

This issue is definitely one where Morph stands out–and while I initially suspected this might’ve been where I started to REALLY notice the character, I recall that this series came a couple years AFTER the Fox animated X-Men tv series where we’d had a Morph, and this AoA character is actually the ‘derivative’ of sorts, at least by name.

I enjoyed this one quite a bit (with the USUAL caveat of that being in spite of the dystopian environment and dark situations the characters are actually in). At the time (in general) Rogue was one of my favorite characters…and this version of the character is rather "classic" to me…and in some ways even more interesting to me than the regular version at the time, and certainly moreso than recent years in the contemporary X-books. It’s also kind of odd to see Bishop struggling with the notion of taking a life, given the way he’s portrayed years later and most of the last decade.

I also continue to be amazed at how much a part of the X-universe Jeph Loeb was, prior to having real "name recognition" for me with comics…and sad to notice the contrast in how much of his ’90s work I enjoyed and how little I’ve enjoyed his contemporary stuff, myself.

This begins the third quarter of the Age of Apocalypse story as originally presented, and this 3rd of 4 issues hits a high gear. Given this is a mini-series, and a "temporary universe" as far as we’re (as readers) concerned…given so much is already "different" from the "regular" universe…there’s a heightened sense of "anything can happen" and that it’s pretty certain not everyone’s going to survive the series–they don’t need to, as the ongoing/perpetual nature of the X-Men property in general doesn’t apply to this. Even if major, core characters die, if we’re back to the "regular" books in a month or two, they’ll be "back" and none the worse for wear.

While I haven’t cared much for Madureira‘s contemporary work–looking "too stylized" for my personal tastes–the art works really well on this issue and I definitely enjoyed it. Though the cover isn’t nearly as "iconic" as the first issue, looking at it sitting here while I type, I like this one…both the focus on Rogue (despite some wonky perspective with her legs) and the coloring of the logo, playing off the foreground and the generic-ish background.

Definitely a good issue, enjoyable to read and look at, with a nice balance of characters, and keeping the story moving forward while giving a dark cliffhanger that promises an interesting 4th issue.

Funko TMNT Blind Box Minis

I’m still missing Bebop, Splinter, and Casey Jones from this line of the Funko minis…I’m not really interested in buying more of the boxes blindly due to the odds of “just” getting a duplicate (the only one I wouldn’t mind getting duplicates of would be the Foot Soldier).

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I really like the four turtles…especially as these are so much more expressive than the full-size Pop line.

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I didn’t like the Foot Soldier at first…but when I wound up with a second one and realized how great they look flanking Shredder, I decided I do like ’em. And I far prefer this Shredder to the classic action figure!

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While I’d love the Krang having an actual piece as Krang himself (that’s just a sticker on the gut), I do like the size/bulk of the figure. Rocksteady looks smaller here than he actually is, and is a good size himself…all of these are.

For the most part, I’ve had little interest in any full “wave” of Funko figures…but this TMNT one is a definite exception as yet again, the TMNT prove a weakness for me.

Blue and Gold: NON-Silver Age Showcase volumes

blue_and_gold_04My first exposure to Booster Gold and Blue Beetle that I can recall was Justice League America #69–the Doomsday tie-in that came out back in October 1992 as that storyline kicked off.

They were just these two characters I’d never heard of before that apparently were part of the Justice League. The Blue Beetle was nearly killed by Doomsday–beaten horribly–while Booster was knocked away from the fight (saved by his force field) where Superman caught him, and the creature was given its name.

I would later learn plenty more about the characters and backtrack and keep up with them to varying degrees in the ongoing DC Universe of the 1990s. Unfortunately, I haven’t a clue now when I became aware of both having their own ongoing series shortly after Crisis on Infinite Earths.

I do know that I came across their series in a sale, and have the full runs SOMEWHERE in my accumulation, but that’s a whole other thing.

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I now have both series, complete, in a handy two-volume format.

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The Booster Gold volume came out over 6 years ago, and I picked it up pretty much right away with the expectation that there’d be a Blue Beetle volume to follow before long…never realizing just how long it would actually be!

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Now in early 2015, I finally have my Blue Beetle volume, and despite it being $3 more expensive and some minor cosmetic/visual differences in the trade dress, I’m really pretty happy with it…happy at least to actually have the thing.

blue_and_gold_02a

Since I’ve never (yet) read the series I definitely look forward to getting into it and experiencing the stories despite the age of them. While color would be better, since I read for story over art most of the time anyway, I’m not particularly concerned here.

blue_and_gold_02b

blue_and_gold_02c

Though I was specifically interested in both books over the years for the series/content…I also felt inclined to “support” them as post-Crisis on Infinite Earths volumes rather than Silver Age stuff. I would LOVE to see various early post-Crisis titles reprinted like this…especially as DC prepares to move away from “continuity” “mattering” and it seems less and less likely that I’ll have any real interest in their new output.

Age of Apocalypse Revisited: Gambit and the X-Ternals #2

aoa_revisited_logo

gambitandthexternals002Where No eXternal Has Gone Before!

Writer: Fabian Nicieza
Penciler: Tony Daniel
Inkers: Conrad, Milgrom, Christian
Letterer: Chris Eliopoulos
Colorist: Marie Javins
Separations: Digital Chameleon
Cover: Tony Daniel
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: April 1995
Cover Price: $1.95

Picking up immediately on the heels of the previous issue, our point of view is back with Gambit and his group, as they suddenly find themselves farther from home than they ever could have imagined being…and facing what they come to learn is the Shi’Ar Imperial Guard. The encounter is not encouraging, and Gambit has the group retreat. Rictor–who tagged along in their cross-galaxy space-hop–goes with the Imperial Guard. While he meets with a certain brutality interacting with the Guard, Gambit and co. meet a local who brings them up to speed on the situation they’ve found themselves in on this alien world. Rictor soon leads the Guard back to the X-Ternals, and the fight again does not go well, but this time the group is rescued by another group–calling themselves the Starjammers…who explain the danger facing all existence.

The art in this issue seems somehow "off" on this read-through…I’m sure it’s not all that different from the first issue, but as has plagued many of the #2s, there’s something to not being the opening chapter, nor penultimate or final chapter that leaves me a bit dissatisfied with the issue and more negatively critical of stuff that wouldn’t otherwise bother me. On the whole, the art works, the characters are familiar and mostly distinct…though just paging through the issue there’s a strange sort of blend to the visuals that–at least just for this issue–seems "off" to me.

The story itself is good, though a bit fast-paced and feeling quite a bit the opposite of "decompressed." This issue’s events could easily (by contemporary standards) be stretched to at least 2-3 issues–as we meet the Imperial Guard, see a fight and retreat, meet another new character and get exposition, see Rictor interrogated, another fight, meet another group, get further exposition, and finally a declaration to end the issue. That a lot is packed into the issue is good, and feels like a lot is going on, keeping things moving forward and giving a bit of that sense of hecticness the characters must be feeling, trying to find their bearings in this screwy new setting they’re thrust into.

With the Age of Apocalypse story exploring a number of different facets of the X-Universe, this series gets to do the "cosmic" side of things. It’s not entirely to my liking, nor is it necessarily a disliking. Though I’ve read some of the stuff with "X-Men in Space" I’m not really used to THESE X-characters "in space" so that throws me off a bit.

All in all, the issue’s rather average; neither landing as something crummy and distasteful nor anything of great significance or notice. It simply is what it is. We have plenty of action and story advancement and are moved into the heart of things away from the simple "premise" of this mini as spun out from X-Men: Alpha.

And like many other issues in the Age of Apocalypse stuff, I find this current re-reading to be almost new as it’s been so long since the last time I read through the entire story that I’ve forgotten details even if I’ve retained broad strokes.