• February 2026
    S M T W T F S
    1234567
    891011121314
    15161718192021
    22232425262728

  • On Facebook

    On Facebook

  • Archives

  • Categories

  • Comic Blog Elite

    Comic Blogs - BlogCatalog Blog Directory

From the Archives: Batman – Streets of Gotham #1

Posted on May 5, 2017 by Walt

batman_streets_of_gotham_0001Ignition!

Writer: Paul Dini
Penciller: Dustin Nguyen
Inker: Derek Fridolfs
Colorist: John Kalisz
Letterer: Steve Wands
Assoc. Editor: Janelle Siegel
Editor: Mike Marts
Cover: Dustin Nguyen
Publisher: DC Comics

[ This review originally written for and published at comiXtreme/cxPulp some time back while the issue was new–within the first days to a week that the issue was available for sale. ]

This may be only the first issue of a new series…but it feels like something I’ve been reading for ages–and I mean that in a good way!
We open with Gotham’s police responding to an alarm to find Harley Quinn in civilian guise on the scene. Batman steps in, and we see Dick’s interaction with her (as well as an amusing bit from the new Robin, displaying his personality quite well). As the issue moves on, we’re introduced to Firefly and his latest scheme, as well as the interaction Batman has at present with Gordon and his police.

In some ways, this is a typical Batman comic. Then again, typical as it might be, there’s a whole lotta "new" under the top layer, as we have a new Batman, a new Robin, and with them whole new dynamics with existing characters (particularly Jim Gordon and the Gotham City police).

The writing is great stuff–Dini certainly knows his characters. I’ve enjoyed his issues of Detective Comics that I’ve read; and brought the expectation of that sort of enjoyment to this book. Thankfully, he delivers. Though not a focal point for the issue as a whole, the scene with Harley made the issue for me–I heard the character’s voice from the animated series in every word she spoke here, and it was a blast to read. She’s one of very few characters created for a tv show that I think works perfectly integrated into a comics universe afterward.

Nguyen on art is also a blast from the past–and still quite enjoyable. Some of the linework and shadows seem just a bit strange and over the top–but on the whole, a specific gritty, darker-but-not-too-dark tone is established that works really well for the book. The visuals are a bit stylized, and won’t appeal to everyone, though.

This series seems set to focus more on Gotham City and the things going on in the city and her people moreso than on Batman and Robin. That the two are the primary protectors of the city necessitate their appearance, but it seems we’ll get more of the GCPD in here, with Batman and Robin serving more of a well-noticed supporting role. While it’s no Gotham Central, this issue ges off to a good start, and has me interested in seeing more of the character interactions–almost more than finding out what happens after the cliffhanger.

Manhunter

Story Title: Strange Bedfellows
Writer: Marc Andreyko
Penciller: Georges Jeanty
Inker: Karl Story
Letters: Sal Cipriano
Colors: Nick Filardi
Assistant Editor: Janelle Siegel
Editor: Mike Marts

Manhunter/Kate Spencer moves to Gotham to take a new job. While we see her interacting with her new surroundings, we get flashbacks showing us what brought her to this point, giving context to the new status quo for the character.
Overall, I’m unfamiliar with the character, but for whatI’ve seen of her, this segment does not seem out of place. I’m not sure if the story here sums up what happened in the end of the ongoing singular-titled series or not, or if this story is simply the bridge from that series to the new status quo we’ll get as the co-feature in this title. Either way, the story’s simple, to-the-point, and not bad.

The art’s good, too. It’s not spectacular, but it is solid stuff and gets the story across with no trouble.

Whether the character was moved to Gotham because of the move to a co-feature in a title such as this I don’t know–but it works for me. All the more because we’ll get to see even MORE of Gotham through this character and her corner of things. The primary drawback is that with just under half a standard issue’s page-count, there’s less room to really get into the story–just as it gets moving, the segement concludes.
It’ll definitely be interesting to see the writer play with pacing given the page-count and whether or not–or how–it affects the story.

Like Blue Beetle in Booster Gold, this is another co-feature that actually feels worthwhile to me–I’ll probably never be thrilled paying $3.99 for a comic, but for the main story and the co-feature…this is a combo I can definitely handle for now.

Filed under: 2017 Posts, 2017 Reviews, Classic Reviews | Tagged: , , , , , , , , , , , , | Leave a comment »

From the Archives: Batgirl (2008) #1

Posted on May 3, 2017 by Walt

batgirl(2009)0001Batgirl Rising part one: Point of New Origin

Writer: Bryan Q. Miller
Penciller: Lee Garbett
Inker: Trevor Scott
Colorist: Guy Major
Letterer: John J. Hill
Asst. Editor: Harvey Richards
Editor: Michael Siglain
Cover: Phil Noto
Publisher: DC Comics

[ This review originally written for and published at comiXtreme/cxPulp some time back while the issue was new–within the first days to a week that the issue was available for sale. ]

This issue opens on an action sequence. Cars take off for a race no one can win, in a scam that has drawn Batgirl to the scene. While she deals with the criminal element, we see that Batman and Robin are keeping an eye on things. Batgirl removes her mask, and we find out who she is. As she goes about her everyday life, we get a flashback sequence that shows how she came by the costume and what led to the previous Batgirl vacating it. Meanwhile, Barbara Gordon spends some time with her dad as they adjust to living near one another again (a plot point begun this past spring in the Oracle mini-series during Battle for the Cowl). As Batgirl is once again drawn into action, we see that she has a long way to go to measure up to her own ideals. The issue closes with her meeting someone who’ll be either mentor or foe.
The issue’s art doesn’t blow me away–it’s good, solid stuff, but that’s something I really expect from any comic I read. I like that all the characters I know are recognizable visually and not just contextually. While I’m sure there are subtleties I’m not picking up on, for a new reader such as myself, the style works just fine and does what a comic’s art should do.

My only real complaint with the art is the structure of the cover. We’re shown the title character from the waist to nose, with an emphasis on her…feminine curves (where the outline of a bat–her personal logo–is situated). I assume the intent is simply to emphasize the character’s chest-emblem since we’re not supposed to know who is actually in the costume. Unfortunately, the outline of a bat around the word "Batgirl" denoting the comic’s title takes away from that…and makes it seem there’s a bit of emphasis on Batgirl’s chest.

The story itself isn’t bad, though it doesn’t have me all that excited about what’s to come. I’m mainly interested in seeing what’s to come with Barbara Gordon and how she handles the new Batgirl than I am Batgirl herself. I expect I’ll give this at least a couple more issues to really draw me in. If I were to decide from this first issue alone, I do think I’d give the series a pass for now and see if anything develops, then play catch-up if interested in the developments.

All in all, a solid first issue as first issues go…and it’s very much to the writer’s–or DC’s–or WHOEVER’s–credit that the "mystery" over "Who IS Batgirl?" has been more for the solicitations on the series than some point within the series itself. That we have the identity of this Batgirl on page 6 of the first issue (the title page of the issue) allows me the interest I’m sure I would NOT have had if the identity was kept secret from the readers.

If you’re interested in Barbara Gordon, or the Gotham characters in general, or just this side of the "bat-family," this issue is worth picking up–at the least it gives you the debut of a new Batgirl, context for her and potentially where she’s going, and you get to see Babs’ story continue and where that may lead in the near future.

Filed under: 2017 Posts, 2017 Reviews, Classic Reviews | Tagged: , , , , , , , , , , , , , | Leave a comment »

From the Archives: The Atom and Hawkman #46

Posted on May 2, 2017 by Walt

atom_and_hawkman_0046Bye Bye Birdie!

Writer: Geoff Johns
Art: Ryan Sook & Fernando Pasarin
Letters: Nick J. Napolitano
Color: Hi Fi
Editors: Adam Schlagman & Eddie Berganza
Cover: Ryan Sook
The Atom/Ray Palmer and Hawkman created by: Gardner Fox
Published by: DC Comics

[ This review originally written for and published at comiXtreme/cxPulp some time back while the issue was new–within the first days to a week that the issue was available for sale. ]

I’ve never been a huge fan specifically of these two characters, though I’m familiar with them and have read a number of comics they’ve appeared in. They’ve just tended to be on the outer edges of the books I read, showing up for the occasional guest-starring role or cameo, or as part of a team in a team book. I’d read the Return of Hawkman arc in JSA a few years back, and a few issues of his own series heading into Infinite Crisis. The Atom I feel I’m most familiar with from Identity Crisis, and material I’ve read online about both Ray and the new Atom and their adventures post-Infinite Crisis.

That said…this issue was quite enjoyable, rather accessible, and yet seems to have plenty for fans with ties to the characters going much deeper and much further back than mine.

In the "tradition" of many of the Blackest Night tie-ins, we open with a recap sequence of sorts, focusing on the character’s life, leading up to their death. This time, though, it’s a recap of the character’s compassion, and why Ray Palmer–The Atom–was chosen by the Indigo ring for recruitment into the Indigo Tribe. The Black Lantern Hawks (as Hawkman and Hawkgirl were killed and raised into the Black Lantern Corps way back in Blackest Night #1) then attack, and there’s the usual discourse between Black Lantern and Hero, as Hawkman tries to get Atom riled up and his heart ripe for the taking. As the fight wraps up for the present, Indigo-1 tasks Atom with protecting her–keeping her alive–while she contacts other Indigos across the universe who can reach the other Lantern Corps (so they know to get to Earth, where all the Black Lanterns are headed). While protecting Indigo-1, Atom is forced to recall the events that lead off Identity Crisis, as he again faces the horror of what Jean did to attempt to win him back. As the issue closes out, Ray makes an important request–one that seems quite obvious, and is something I would love to see accomplished.

This is definitely one of the better Blackest Night tie-ins. It seems that this issue’s events are more important and meaningful to the overall story than most of the tie-ins. While we do get some Atom/Hawkman interaction, it hardly seems like enough to satisfy expectation. It is, however, appropriate enough to an issue of a two-character book, as it’s natural that one or the other character may take more of a leading role, depending on the given story. As what is essentially a one-shot, though, it’s a bit misleading.

The issue having an important tie to the overall story is something that I suspect comes from this being written by Johns, essentially the orchestrator of Blackest Night in the grand scheme of things. The story touches on a number of elements–Ray’s role with the Indigos, a demonstration of what he can do with the Indigo ring, a confrontation with the Hawks, some resolution to things with Ray and setting a new course for the character–which makes for a very strong read. The recap at the beginning did more to clue me in on the past of the Atom than anything else I’d yet read (and I’m pretty sure answered my unasked question as to the premise of Sword of the Atom).

Sook‘s art is high quality as well, and does a great job of getting across the visual aspect of the story. It just fits the story, and worked very well for me.
All in all, a very strong one-shot issue within the Blackest Night arc. Though it remains to be seen how much–or what part(s) of this issue get recapped in the main mini…this seems to be a tie-in very much worth getting if you’re following Blackest Night, even if you’re not generally snagging the tie-ins.

Definitely recommended.

Filed under: 2017 Posts, 2017 Reviews, Classic Reviews | Tagged: , , , , , , , , , , , , , , , | Leave a comment »

From the Archives: Adventures of Superman #648

Posted on May 1, 2017 by Walt

adventures_of_superman_0648Look…Up In The Sky

Summary: Lois Lane reports on the destruction of Bludhaven and the response of the super-heroes.
By: Lois Lane
Photos by: Jimmy Olsen, Karl Kerschl and Renato Guedes
Additional Reporting by: Greg Rucka, Nunzio DeFilipis, Christina Weir and Jami Bernard
Graphic Design by: Richard & Tanya Horie
Copy Design: Rob Leigh
Editors: Eddie Berganza and Jeanine Schaefer
Editor in Chief: Perry White
Cover Art: Karl Kerschl, colors by Dave McCaig
Publisher: DC Comics

[ This review originally written for and published at comiXtreme/cxPulp some time back while the issue was new–within the first days to a week that the issue was available for sale. ]

This issue is another logoed Infinite Crisis crossover issue. This is where we get the immediate response/fallout to the destruction wrought by Chemo in Infinite Crisis # 4. Rather than dialogue and seeing "inside" the heroes’ reactions to that event, we get it from the perspective of some citizen of the DCU reading reporter Lois Lane’s article covering the heroes’ response as she observed it.

This makes for an interesting perspective, if not entirely original. The "narration" is simply Lois’ story, which provides the only words found in the otherwise "silent" issue. One moment that stands out to me offhand is a full-page panel of Green Lantern amidst the wreckage, obviously deeply pained over the event. I believe this would be apparent even without Lois’ observation.

My initial reaction to this being where the plot thread gets immediately dealt with was surprise–given that many characters have "signature cities" that are often as much a character as any humanoid supporting cast member. Shouldn’t this be dealt with in another book? Except of course, Superman being Superman is obviously going to help. And given that Superman’s so powerful (here, the specific focus is on his invulnerability), it’s not like the character’s going to stand by and let others die just to maintain some "image" or such.

The style of this issue remind me of the Superman issue (# 79, I believe) that was told in this same way, except it was Ron Troupe’s story scattered in the otherwise silent issue which showed the Cyborg Superman stopping an attempt in the White House on the president’s life, and that president’s endorsement of the Cyborg as the "real" Superman. Given the destruction the characters rally to face, I’m also reminded of the "Black Cover Spider-Man Issue" (Amazing Spider-Man v.2 # 36, I believe).
Getting the story simultaneously after-the-fact (Lois’ words) and as it unfolds (the visuals) works pretty well–and for the most part might be the only way to truly cram so much into one issue. If there was dialogue with us seeing/hearing the characters talking to each other and coordinating and whatnot, this issue would have be be double, triple, or even quadruple-sized.

On the one hand, it’s interesting that there are four people listed for the writing–three beyond regular writer Greg Rucka. I can give the benefit of the doubt on it to the writing style and giving voice to Lois’ writing, as journalistic writing is not quite the same entity as character-writing and may be more collaborative.
Visually, there’s a fair amount of blank-space on these pages, as the images are pretty much contained to panels, and those panels’ layout tends to somewhat resemble photos placed on a fixed-size page. Though the art is not by a single person, it works for me here.

I found myself reading the text, using the visuals almost as an abstract, seeing them but not diving in deeply. Letting the visuals enhance what I was reading.
No real complaints with the art–it’s not perfect by any means, and this issue continues a trend of having "extras" credited, assumably to get an issue out exactly on-time (given what it covers, this issue pretty much had to be out right after Infinite Crisis # 4. Same week, and someone reading this issue spoils a major part of that issue; two weeks after, and it’s old news compared to books that also touch on the ramifications.

Other than describing how some of the mess is specifically cleaned up quickly (which might be mentioned in other books–I don’t know), this issue doesn’t strike me as essential reading. It will enhance one’s reading of the overall Infinite Crisis event, though. The issue doesn’t even have to be a Superman one–this could almost have been labeled "The Daily Planet – The Day After Infinite Crisis # 4" and been a "special" or "supplement" issue.

My initial reaction to the issue was that it wasn’t all that good, but it is actually quite well done, and serves its purpose as a followup to one of the more catastrophic events in the DCU.

Filed under: 2017 Posts, 2017 Reviews, Classic Reviews | Tagged: , , , , , , , , , , , , , , , , , , | Leave a comment »

Some Thoughts On the Week’s Comics (Week of April 5th, 2017)

Posted on April 11, 2017 by Walt

Once again, real life got in the way, and I’m not going to get around to formal/proper reviews of any of the week’s titles. However, in a bit more of a free-form fashion, I do have some thoughts to put out there regarding the several issues I actually did manage to get read from the most recent week’s purchases!

X-Men Gold #1

xmengold_0001I actually surprisingly enjoyed X-Men: Gold #1, until the weekend hubbub over subversive/hidden messages from the artist. Sure, the issue includes newer/modern/contemporary elements and characters, but if definitely had the right sort of "Rebirth"-y tone to it that would make it appealing…particularly if the title was going to be a MARVEL $2.99 book. Price it lower, like $2.99, and I’d probably give even a book like this as a WEEKLY a shot (barring other things turning me off entirely).

The story was strong, and where I "went in" expecting not to like it, I enjoyed it, and was able to figure out enough as I read along to compensate for missing the last several years of continuity. It would be a solid "welcome back" type of issue and launch if I was planning to stay with it for any length. But while I opted to go against my initial intention of not getting these whatsoever, I went in planning only to try Prime, X-Men Gold #1 and X-Men Blue #1. Gold would have convinced me to come back for #2 if it was not to be $3.99 and $3.99 twice-monthly. I just can’t get past Marvel‘s pricing compared to DC…and I was down to not even bothering with DC, either, prior to announcements of major shakeup (Rebirth, Final Days of Superman) and the reversion in cover price.

I’ll wait for discounted collected editions, which admittedly do comic shops little good, though even this will depend in part on how hard I stand on the "issue" with the artist’s hidden messaging, and where that goes.

Superman #20

superman(2016)_0020In the "casual reader" sense, between not "getting" the entirety of the ending to Superman Reborn and not yet having the follow-up/epilogue exploration that I believe is coming in the next couple issues of Action Comics, I don’t feel like I have any major differences to look for. So this issue read primarily like "just" another issue, drawing on prior continuity from this series itself at least–such as Batman showing up again, Superman meeting him outside instead of inviting him in, etc. Of course, this time, Lois insists Batman and his son come in, that all may interact civilly, not just outside.

And ultimately, this was a fun issue, that seems steeped in continuity without actually giving us much…though it did reveal something about Clark and Lois’ neighbor, which seems like it may impact that status quo a bit, though if so, it seems like it could be a real shame. Time will definitely tell on this story, though.

I’m not enamored with the art, though it fits earlier issues and isn’t really out of the norm…but something about it seemed to just not connect right with me. Still…even a Superman issue like this is far better than the titles have been in years, and I continue to thrill at the fact that nearly a year in and I’m STILL week in and week out looking forward to the next week’s Superman issue, and disappointed on "fifth weeks" when there is NOT a new issue.

The Sovereigns #0

sovereigns_0000Darn it…I wasn’t gonna try this. Yet another "relaunch" for the Gold Key properties, where the last three in recent years didn’t seem to last more than for a year’s worth of issues (number-wise, if not dragged out by lateness). But Dynamite did well to utilize the "promotional price" of "only" $1 for this issue, which meant I’d at least buy it for my "dollar-or-under" self-mandate even if not for the content/title itself. But HAVING the thing, decided I wasn’t going to NOT read it. I was curious.

And darned if it didn’t pique my interest a bit. I’m willing on principle to give this take a shot, this reimagining of the characters.

Unfortunately, there are several catches:

  • Price. I don’t like the $3.99, so that’s a turnoff. This isn’t TMNT, after all.
  • Variants. While I do buy titles that seem to have variants on every single issue, Dynamite (to me) has a reputation as one of "those" publishers, for whom the variants are much more of the "selling point" and that do NUMEROUS variants on EVERY SINGLE ISSUE, far more egregious than "simply" every issue having *A* variant.
  • Lack of trust. The initial Dynamite relaunch didn’t last long at all, relatively speaking (though they did get 3 collected editions from the three ongoings and one from the mini). I’d much rather have a singular complete story or collected edition to read all at once, and having been burned by that relaunch and again by the "only" 5 issues of Gold Key Alliance as a quasi-reboot/failed-reboot/whatever…"Fool me once" and all that.

So while I’d be inclined to give the stuff a shot, I’m unwilling to plan on it, given the multiple burns I’ve had. At the same time, at least said burns have not been the flat-out anti-longtime-reader things that Valiant has done, and I’d be willing to buy these because they’re NOT Valiant, at least.

The coming week’s new books include X-Men: Blue as well as Weapon X and several True Believers reprints. The reprints I’m actually looking forward to. I’ll probably still give Blue the first issue chance, given I’ve already got Prime and Gold. Surprisingly, Weapon X at least looks to be a $3.99 #1 instead of $4.99 or higher…so we’ll see what else is onhand and how finances look. I’m most looking forward to the new Action Comics issue, and there’s a new Spawn issue which means I need to actually catch up on the previous issue.

superman(2015)_0020_blogtrailer

Filed under: 2017 Posts, 2017 Reviews | Tagged: , , , , , , , , , , , | 1 Comment »

Some Thoughts On the Week’s Comics (Week of March 29th, 2017)

Posted on April 5, 2017 by Walt

I didn’t (and haven’t, and won’t) get around to full review treatment for any of last week’s issues at this point, but I did have a few thoughts on several issues. Unfortunately, I haven’t actually gotten around to reading all the new issues I bought, as Real Life has continued to be a bit of a hindrance in that department. But given a couple of purchases were made with the intention of writing about them, I figure I probably should actually write about ’em.

X-Men: Prime (2017)

xmenprime2017When I (premeditatively) decided I would actually go ahead and pick this issue up–despite having originally decided flat-out not to touch any of these ResurrXion titles–I’d had no idea that I would find it completely sold out at two shops before 6pm its day of release. I found a copy at a third shop, which was down to only four copies at that point, including the Venom variant.

The second shop actually did have the Venom variant as well, but I didn’t even recognize it as an X-Men issue, let alone this issue, THE issue I was very specifically looking for! (Way to go, Marvel and stupid-*** variants!)

I bought this issue largely on the premise that I was already buying several $5 issues, might as well lump one more into the mix…plus, I’d have no room to talk about it if I didn’t at least give it a shot myself, right?

The art wasn’t all that bad…it certainly didn’t put me off the X-titles. But it’s far from being enough in and of itself to pull me in. The multiple art teams wasn’t terribly jarring, though it was noticeable…particularly when it came to Storm, due to the character’s hair style(s).

The story felt rather forgettable…nothing really drew me in, and I did not feel like there was really even a full STORY here…more a through line to give us a quick tour of characters and situations that’d make up a number of too-expensive biweekly series and such.

This certainly trades on NOSTALGIA, in title as well as the notion of the ResurrXion thing in general, and the forthcoming X-Men: Blue and X-Men: Gold titles. It cerainly suckered me into stuff.

xmenprime2017xmenprime1995

I read the ORIGINAL X-Men: Prime back in 1995 the day it came out, a week after X-Men: Omega, the end of the Age of Apocalypse saga.

At that time, I’d been following the original Uncanny X-Men series, the original X-Men series, the original Wolverine series off and on, with a spattering of other titles…and having gotten and read the entirety of the X-family of titles the month prior to the Age of Apocalypse and then the entirety of that saga…so I was pretty "up" on the books at the time going in and coming out, so I was a ripe target for such a book, to touch briefly on numerous characters and stuff that’d "spin out" into other titles that I was planning on trying to follow.

This time around? Not so much. It’s telling that I almost have more to say about the original from 22 years ago than this one from a week ago!

All-New X-Men (2015) #19

all_new_xmen_0019I can firmly blame my purchase of this issue on hype from Bleeding Coo, and a curiosity for more detail, and to get some actual context. There’s also something about that cover that hit a bit of the nostalgia-trigger for me as well…perhaps the banner at the bottom identifying this as a finale, perhaps the fonts, I don’t know…but it’s telling that I was more interested in this AS a final issue than I was in a #1 for this or any of a number of other X-books when they’ve hit over the last few years.

The art for this wasn’t bad; nothing overly distracting or such. I actually rather like the costumes and general character designs overall (though Jean looks a bit "off" for this cover despite my otherwise liking it). I especially like the young Cyclops’ costume…a lot like the ’90s version that I’d definitely claim as my favorite and consider THE most iconic of the character’s looks.

Though I already knew it going in, this issue "reveals" that the "past" these X-Men came from and have "access" to presently has their younger selves as if they’d never been pulled out of time…and thus, this young team has nowhere else to GO, and are apparently separate from the adult versions they’ve thought where their own older selves.

I can’t begin to guess at all the continuity or lack thereof in the last couple years since I read most of the original run of the original iteration of this title (from 2012/2013)…but this seems to cut these characters "loose," where there’s no longer a "question" of when or if they’ll go back to their own time–the adult X-Men have past selves properly in their own time, and these five apparently aren’t it, so whatever they do, they’ve got their own future/fate to forge in the present, simply AS themselves, and all their new/recent status quo elements.

The novelty has worn off for me on these versions of the characters…there may still be some interesting-ish stuff to be done with them, but overall, I’m less than thrilled at the notion that these are simply THE "replacements" overall for the characters I grew up on, and am not thrilled at any notion of continuing to follow their adventures (I believe they’re X-Men: Blue?)

Booster Gold/Flintstones #1

booster_gold_flintstones_0001While hardly on the same level as Robin, Superman, or the TMNT, Booster Gold is definitely a draw for me.

Already curious about the re-imagined take on the Flintstones, realizing this was coming had my interest…all the more when I saw this cover (which may actually be a variant…I which case it’s a rarity as I far, Far, FAR prefer it to the other cover!)

The story’s a bit light and goofy, and rather irreverent…and I don’t get much of a sense of Booster himself as a character here nor of the Flintstones characters. In a way, I guess that makes this a good stand-alone issue, as I don’t feel like I’m missing out on anything with any of the characters involved.

The Booster side of the story seems largely predicated on what I’d consider an outdated take on the character, drawing visually on more recent takes on the character while not seeming to use his most recent ongoing series (that touched into and ended with Flashpoint back in 2011). I’m not sure how it ties in with his general New 52 stuff, but that’s because I haven’t read much of that.

I was curious as well, once I got the issue, at what the Jetsons story would be, and suspected from the image on the cover that it’d involve a new take on the robot maid…and I was definitely right! The story proved to be an interesting glimpse into a new version of the characters’ lives/status quo, while also telling an interesting story of how a robot maid would be able to be such an integral part of the family.

Though the $5 cover price is a bit much, for the length of the issue and its contents, the two stories, it’s mostly worthwhile. I enjoyed the issue overall, probably more for the Jetsons than the lead feature, but I did not feel like my money was wasted by having bought this.

I still have the Green Lantern/Space Ghost and Adam Strange/Future Quest issues to read, as well as most of the first Flintstones volume, and assorted other "recent" issues. I’m hoping to keep this week a bit "small," after such an expensive week last week…looking forward to the new Superman issue, as well as needing to check for the AvP: Life and Death #4 that I missed last week.

Also looks like a season of omnibii is approaching, which may get very expensive very quickly…and only a couple weeks or so until The Button, which with Superman Reborn now completed, is probably the story I’m most looking forward to for a few weeks.

Time will certainly tell!

xmenprime2017_blogtrailer

Filed under: 2017 Posts, 2017 Reviews | Tagged: , , , , , , , , , , , , , | 1 Comment »

General Mills Presents: Justice League (2017) #4 [Review]

Posted on April 3, 2017 by Walt

general_mills_2017_justice_league_0004Alien Justice

Writer: Tony Bedard
Penciller: Tom Grummett
Inker: Keith Champagne
Colorist: Sotocolor
Letterer: Wes Abbott
Cover Artist: John McCrea
Cover Colorist: Mike Spicer
Assistant Editor: Brittany Holzherr
Editor: Steve Buccellato
Group Editor: Marie Javins
Design Director: Larry Berry

This is the fourth and (presumably) final issue this time around. Several years ago, they did a run of #s 1-4, and the next promotion had #s 5-9…so I would not be shocked if that happens again (or not, either way). But to my knowledge, for the current promotion, there are only four different issues, of which this is the last.

For me, personally, this is also the most common and plentiful…as of this typing I have something like 9 or 10 copies! It’s become the one to LOATHE seeing when I pull it from a cereal box. That said…

This was probably my favorite read of the four. Perhaps its the immediacy of it–the most recent one I read–as well as the generic feel of #3 that this certainly topped by far. But I really enjoyed this in and of itself.

A giant alien ship shows up over San Diego, and begins sucking up the ocean just offshore. Aliens broadcast to the world what they’re doing and why–they’re taking Earth’s water, as Earth has too much of it and their world doesn’t have enough, and that’s just a huge injustice! The League springs into action, attacking this threat on multiple fronts, each to their strength/specialty. As this is an Aquaman-centric issue, he gets more page time and we get stuff more from his point of view…including the requisite (for this series) “flashbacks” to his youth. As the present-day situation continues, we flash back to see a young Arthur dealing with being of mixed heritage–part surface-dweller, part Atlantean. He sees people react to the notion of someone different, and then talks with his dad, who advises him on the wisdom of finding common ground when one is so different from another. Young Arthur gets a tangible opportunity to put that advice into practice when he encounters some Atlanteans threatening some local fishing boats. The lesson apparently stuck with him, as back in the present, he devises a solution and quickly acts to implement it. With help from (perhaps unexpected) sources beyond “just” the League, a bad situation is halted, with a bit of potential redemption coming out of it, with elements of a win/win scenario.

I was comparatively quite disappointed with the last issue and its feeling of being so generic after the first two issues of this “series.” This issue gets us back to “Name Creators” that I recognize, and is a second Bedard-written issue…with art from Tom Grummett, another creator whose work I quite enjoy, period. As such, it should not have surprised me to enjoy this story as I did. It’s a self-contained piece, and does include a bit of that “special message” peachiness to it…but that’s mitigated quite a bit by my relative lack of familiarity with details of Aquaman…he’s a character I’m pretty aware of while having quite the significant blind spot. Though I’m certain this issue’s flashbacks are “new” and involve a version of the character perhaps different from others…it doesn’t bother me as I have so very little to compare it to.

That lack of familiarity also lent itself to my being able to TRULY appreciate this as I believe one would hope the target audience would/could: this makes me a little more familiar with the character and his background, shows me some important elements of the character, and generally serves as a bit of a touch point for me. It sets some of my character-specific expectations for Aquaman in a way that the other issues did not do for the leading characters…and reminds me a bit of the impact The Untold Legend of the Batman had on me as a kid and my then-knowledge of Batman, or that The Man of Steel #3 “audio comic” did for my understanding of Superman.

Grummett‘s art carried a definite sentimentality for me…the visuals for this issue reminded me of other work he’s done, particularly his prior work on Superman, as well as Robin and Superboy. That’s certainly a good thing–as is the art in itself. This is not just a good-looking “cereal comic,” but a good-looking comic, plain and simple!

Though I’d be inclined to choose Superman or Batman first…this Aquaman issue is definitely THE treat of the set, and very well worth reading if you find it!

general_mills_2017_justice_league_0004_blogtrailer

Filed under: 2017 Posts, 2017 Reviews, DC, DC Misc., General Mills, Justice League | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment »

The ’90s Revisited: Superman #50

Posted on March 28, 2017 by Walt

90s_revisited

superman(1987)0050Krisis of the Krimson Kryptonite Part Four: The Human Factor

Story by: Jerry Ordway
Art by: Dan Jurgens, Brett Breeding, Kerry Gammill, Dennis Janke, Curt Swan, John Byrne, and Jerry Ordway
Colors by: Glenn Whitmore
Letters by: John Costanza
Editing by: Mike Carlin
Cover by: Jerry Ordway
Published by: DC Comics
Cover Date: December 1990
Cover Price: $1.50

This is an extra-sized issue, for a whopping DOUBLE-usual-cover-price…at a whole $1.50. That’s still HALF what contemporary DC Rebirth comics cost, and less than half of what a current Marvel comic costs. Granted, we’re talking a little over 26 years’ difference, but still…

Speaking of covers and cover prices…this may not be THE best or THE most iconic cover ever for a Superman comic (at least, not to me, and not one of my personal top ten) but its "spirit" is pretty iconic–Superman bursting through a wall. In this case, fairly appropriate, after several issues of his being powerless…basically a normal human. Having the strength to simply, cheerfully burst through a solid brick wall is a small indicator of his power level being much increased. Superman #50 is one of the first comics I ever got as a "back issue," and before I really knew the concept of "multiple printings" or "variant covers" or the like. The copy of the issue that I first owned, the first time that I read this, gave away a fairly major spoiler for the issue (at the time).

superman50spoilercover

Historic Engagement Issue. Ok, so the engagement was looming, and it happened here. I had no idea at the time that it was a second print, hence spoiling the ending by calling out what happens in the issue and how it’d go down in history (beyond concluding a several-part story and seeing Superman get his powers back).

This issue gives us a glimpse of Clark in action, going about life powerless–but getting beyond the simplistic "mild-mannered reporter" and letting us see that it really is he himself–Clark–that makes the man, not the Super. Even without powers, he’s not gonna stand by or put his own safety first…he helps people, and tries to step in as able. He checks in on things with Lois, who has just gotten her father’s approval in dating Clark. Jimmy’s mother is doing better…even as we see that Perry and Alice are having their own issues, still reeling from the death of Jerry. And of course, Luthor being Luthor. When Lex contacts Lois, Clark steps in, demanding an interview…which he’s granted. Luthor’s convinced to tell how he’s deprived Superman of his powers…and since he’s telling some reporter, he’s not breaking Mxyzptlk’s One Rule to Not Tell Superman. Of course, Luthor has long since discarded the notion of Clark and Superman being one and the same…but that doesn’t change that Clark is Superman, and Mxy’s powers are magic based and thus bind the rule even without Mxy’s conscious direction, so Luthor telling Clark means he’s broken the rule…and Superman is re-powered. The imp shows up, gives Superman a freebie of sorts (providing a Rule to the game and how Superman can send him away, and then getting Superman to fulfill it) and actually leaving. Luthor’s great victory is wiped away, and the man is dying. Meanwhile, Lois has thought about Clark’s earlier proposal…and says yes. She WILL marry him.

While I did not read this in my initial time into comics, it was still one I read relatively early-on, prior to The Death of Superman. It was cool to see the actual engagement, as well as to have another chapter of the story with the red-border covers, which helped "place" this time-wise/continuity-wise for me at the time. Now, re-reading this, it’s actually sort of hard to believe, and seems such a long time ago, in Clark and Lois ONLY here just getting ENGAGED. Though the engagement aspect went on for a number of years–over 60 issues–they’ve been married so long that I find it natural and preferable, and this was the kick-off, if you will, of that long-lasting aspect of the characters.

Story-wise, this is definitely "classic" Superman for me, for my favorite version of the character, during my favorite period of the continuity. This came at the beginning, served as part of my "foundation" in Superman stuff, as a Superman fan, witnessing the actual development and forward-movement of the character and supporting cast. I think part of that also came from (and I’m using modern thoughts to "project" on my past self) feeling like there was room for surprise and growth beyond done-in-one issues and self-contained every-story-must-stand-alone-and-be-a-graphic-novel-in-serialized-form comics. Clark is the character, Superman is what he does, how he presents to the world when he’s in action. We see his relationship here with Lois–not one of hero worship on her part, or some single-minded buffoon or mere story-trope–but as real humans. She is interested in Clark–the person–and not chasing after some guy in a cape. She wants to marry Clark, and has no idea that he IS Superman. He’s just a man she’s friends with, has come to know and love, and it’s genuine.

This being an expanded, extra-sized issue is definitely a good thing, allowing nearly double the usual length, and thus a lot more story in a single issue…and though the engagement happens here, it’s organic, a rather small part of the overall issue, and is far from actually being the FOCUS of the issue, story-wise. It’s just a darned good Superman comic, at least to me and in recognizing the nostalgia for me.

Visually, it’s an interesting issue, with numerous artist contributing. On one hand, I’d figure that’s partly to allow an extra-sized issue to be produced in the same amount of time as a regular-sized issue while holding to schedules and avoiding fill-ins. It also allows more artists to be part of a key issue in Superman’s history. That said, while I vaguely noticed some unevenness in the art, I was much more engaged (no pun intended) with the story itself, and it wasn’t until sitting down to type up this post that I consciously noted (re-realized) that there were so many artists involved. The art all worked together and was not jarring to me in style or otherwise (perhaps thanks to the single colorist). For an anniversary issue without drastically different variant covers or such, I absolutely welcome the "jam" nature, with a lot of artists "being part of it," and will gladly overlook the uneven nature of that. All the better when the art works with the story and doesn’t distract me.

All in all, this is definitely one of the more "iconic" ISSUES for me, and a key issue in the history of the character. Despite that, I’ve found it in a number of bargain bins over the years; the copy I actually read for this revisiting is from a 25-cent bin…in which there were multiple copies, both of this first print and the later print, and I even convinced a friend to get one to read. Definitely an issue worth reading and having, even out of context and without the entire Krisis of the Krimson Kryptonite story. As a conclusion, it’s fitting, and makes for a good end to that while moving the overall Superman mythos forward and opening stuff to coming stories.

Highly recommended!

superman(1987)0050_blogtrailer

Filed under: 2017 Posts, 2017 Reviews, The '90s Revisited | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment »

General Mills Presents: Justice League (2017) #3 [Review]

Posted on March 27, 2017 by Walt

general_mills_2017_justice_league_0003Truth Hurts

Writer: Ivan Cohen
Penciller: June Brigman
Inker: Roy Richardson
Colorist: Jeremy Lawson
Letterer: Wes Abbott
Cover Artist: Dan Panosian
Assistant Editor: Brittany Holzherr
Editor: Steve Buccellato
Group Editor: Marie Javins
Design Director: Larry Berry

I like these semi-yearly promotions, with DC Comics in cereal. However, this has been THE worst one yet, from two prior Justice League sets and last year’s Batman v Superman: it took an absurd 19 or so boxes of cereal for me to get ONE copy of this 3rd issue. (Meanwhile, I have 9 of #4!) And contrary to the first two issues by what I would consider "name creators" that I recognize, this issue is the worst of the three so far. Or perhaps "worst" is a "strong word," but this is the most generic of the three so far, and comes off worse for comparison to the first two issues.

This one focuses on Wonder Woman where the previous two focused on Superman and Batman, respectively. The Justice League arrives at the site of a volcano that’s about to erupt. The team splits up to approach the situation in their own ways to try to minimize destruction. Aquaman winds up unleashing an underground stream, dousing the League. Then everyone turns on each other, apparently selfish and irritable and downright mean. Wonder Woman–Diana–reflects on an incident from her childhood where she was hurt by stuff her friends had said about her and fled to another island, where she faced the wrath of a minotaur. Based on that experience, she applies the lesson to the present and ultimately the group discovers that something in the water had affected them all, and they resolve the conflicts by admitting the truths that were brought to the surface, and are able to deal with the volcano, preventing any loss of life, though there’s plenty of property damage. Finally, Diana proclaims that real friendship can survive any revelation, and the Justice League are the truest friends of all.

Again, this is the most generic of the issues for this promotion, and comes off that way both story-wise and perhaps even moreso, visually. The story reeks of the "very special episode" and such…perhaps I’m also annoyed and more sensitive to it given the number of duplicates of the other issues I amassed just trying to get this one. But I didn’t feel like the other two issues were nearly as "preachy" on the "special message," though I had noticed a "message" to each of those as well.

The art here is ok–not horrible, but far from wonderful. The characters and designs are recognizable but seem a bit inconsistent, and lacking the "big name" or "recognized" creators, this comes off all the more as what it is–a generic freebie from a box of cereal that happens to have "current" versions of costumes with characters that aren’t given room for much depth (a one-off single-issue story with numerous characters and an attempt to "focus" on Wonder Woman).

That I went through the hassle I did, accumulated a year’s worth (or more) of cereal goes to show my personal OCD and such (and marks me as an ideal "target" for this sort of promotion!). Though the numbering of these–#s 1 through 4–makes for a "complete mini-series" of sorts, if you’re NOT interested in having all four, I would not worry about trying to get this issue unless you want the specific focus on Wonder Woman (a focus that is more of a "gets more pages" than being a Wonder Woman STORY).

Ultimately, for a "free" comic from a box of cereal, this isn’t horrible, but is far from wonderful. I found myself recalling the likes of The Untold Legend of the Batman, which I believe had a "cereal edition" in the mid-1980s. Those were reprints of an actual in-continuity story…I think I’d almost rather see something like that (re)-attempted…or at least, I think something like this (offering miniature editions of comics in cereal) would be ripe for promoting some of DC‘s actual #1 issues to try to hook readers.

I certainly would not begin to consider this issue "worth" a standard cover price, and not worth the boxes of cereal I bought to acquire it…though at least the variety and quantity means I’m not going to have to buy cereal again for a long time, as I will actually (eventually) use it all.

general_mills_2017_justice_league_0003_blogtrailer

Filed under: 2017 Posts, 2017 Reviews, DC, DC Misc., General Mills, Justice League | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment »

The ’90s Revisited: Action Comics #659

Posted on March 24, 2017 by Walt

90s_revisited
action_comics_0659Krisis of the Krimson Kryptonite Part Three: Breakout!

Writer: Roger Stern
Artists: Bob McLeod & Brett Breeding
Letterer: Bill Oakley
Colorist: Glenn Whitmore
Associate Editor: Jon Peterson
Editor: Mike Carlin
Cover by: Bob McLeod & Brett Breeding
Published by: DC Comics
Cover Date: November 1990
Cover Price: $0.75

I was a little bit correct and a little bit off in my assessment of Starman #28‘s place in this story…as reading this would definitely feel like something HAD been missed if that wasn’t read first. Yet, there’s context and footnote to explain the high-level "essential" stuff so you get what you "need" from this. Roger Stern was the writer on that, and is on this, so there’s some definite organic tie-in stuff, with the necessary retread for this era in which comics were not designed and destined for a "graphic novel" or collected edition.

We get a bit of that essential retread to start this issue, "Superman" confronting Luthor and getting the Red Kryptonite from him. We then move to Superman himself and Hamilton as they test out a suit of armor and things don’t go as well as either of them would like. Starman tries to be helpful, but is unable to cheer Superman at all. Meanwhile, Killgrave (a mad scientist/mad genius) launches his plan to bait Superman, take out the hero, and escape. Starman does super feats while Clark goes about life. When Killgrave springs his trap, Starman takes him on as Superman, to shocking effect before the real Superman shows up in his armor. Facing Killgrave, our hero gets lucky with a failsafe in the armor allowing him to bluff the villain. Killgrave attempts to escape, and the powerless Superman leaps back into action to attempt to stop him…but fails, and Starman has to save Superman rather than pursue the fleeing villain…which bums Superman out all the more. Mixed in there, Mxyzptlk uses Red-K dust in Luthor’s office to reveal that the Superman flying around is an imposter, which cheers Luthor a fair bit.

I enjoyed reading this issue…it originally came out toward the end of my first "run" with comics, when I was still getting to know this version of Superman and was really too young to "get" a lot of it, where I appreciate stuff a lot more now as an adult.

This definitely reads as a middle chapter, but does so in a good way…fleshing out the notion of a Superman without powers trying to find a way to "stay in the game" while conveying the danger and frustration he faces. It also touches on subplot stuff to remind us of the larger tapestry of the Superman saga and keeps things grounded and interesting. As a middle chapter, though, there’s only so much this can do, though it’s interesting to have Superman try the armor and lose it in the same issue. With contemporary standards getting, having, and using the armor would be a several issue thing in itself, with loads of variant covers and hype over the "new costume" for him and numerous artists’ interpretations of it and so on.

The art is quite good and very much to my liking. Though the story is good, I do think the quality art lent itself significantly to my simple enjoyment of this issue.

All in all, another good chapter of this arc, and another issue I’d recommend if you find it in a bargain bin.

action_comics_0659_blogtrailer

Filed under: 2017 Posts, 2017 Reviews, The '90s Revisited | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment »

« Previous Page — Next Page »