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Action Comics Annual #12 [Review]

Writer: Greg Rucka
Artist: Pere Perez
Colorist: Mazi
Letterer: Rob Leigh
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Renato Guedes
Publisher: DC Comics

I bought this comic out of a combination of “habit” and the fact that it is part of the ongoing narrative of the Superman family of books these days (even though it sports a black “S” in place of a number for this issue’s place in the overall sequence of things).

This issue’s story details how Chris Kent went from the kid we saw in “Last Son” to where we saw him during the initial New Krypton event as the new Nightwing. It also details how Flamebird got to be what/where she is. Since the point of this annual IS the filling in of those gaps in info, I’m not going to dance around the plot being all vague and such beyond what I’ve already said.

The art works quite well on the whole here–I especially liked the depiction of the Phantom Zone as compared to the 3-D crap foisted on us with the Last Son arc. The way it was depicted here gets the same effect across without resorting to the stupid stunt of needing 3-D glasses to see panels clearly and such. I’m not a fan of the newer costumes for Nightwing & Flamebird…something about the looks just doesn’t work for me, regardless of the in-story explanation for them. Despite that complaint, the way they’re depicted is about as good as I suppose I can expect of these costumes.

While this story sheds further light on the characters (even adding a bit to Non, which I liked) it doesn’t seem entirely essential. One could almost see it as one of those guides to a new DVD player’s remote: the buttons on the device are fairly intuitive and you can get by without the guide…but the guide fills in that much more and does give you a different overall experience for having read it than not.

However, I do think the $5 price tag on this issue was just a bit steep–even just the difference to $4.50 would be preferable, steep as that is as well. If the price doesn’t bother you too much, this is a good issue to pick up.

Story: 7.50/10
Art: 8/10
Whole: 7.5/10

Action Comics #878 [Review]

The Sleepers Part 4

Writer: Greg Rucka
Artist: Diego Olmos
Colorist: Rod Reis
Letterer: Rob Leigh
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Andrew Robinson
Publisher: DC Comics

This issue finds a couple of the “Sleepers” (the ones Nightwing and Flamebird are after) house-jacking (cuz hey, they’re Kryptonian and powerful…so let’s go that step above and beyond car-jacking). Lois and Thara talk a bit as Thara explains a bit about her relationship with Chris (K’riss to her). General Lane reacts to recent goings-on and continues to show questionable judgement. Nightwing and Flamebird find themselves back in action (no pun intended) and before long come across an ambush that may or may not pose a significant threat to them.

This issue continues to hold plenty of promise, though the execution is definitely flawed. I’m not all that engaged with the characters, nor do I particularly like them. The abnormally-fast-aging thing with Chris isn’t all that original to me (and I enjoyed the dynamic of him being a much younger child in Clark/Lois’ life, but as a semi-adult super-being…he’s just not that interesting). The story is decent, but not wonderful.

The art’s also in the good-but-not-spectacular sorta category. It fits the story and conveys what needs to be gotten across.

This remains an ok title, and mostly lives up to its name. It’s just not the most engaging, enjoyable thing you’ll find out there these days.

Story: 7/10
Art: 6.5/10
Whole: 7/10

Action Comics #877 [Review]

The Sleepers Part 3

Writer: Greg Rucka
Pencillers: Sidney Teles
Inkers: Sandro Ribeiro
Colorist: Rod Reis
Letterer: Rob Leigh
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Andrew Robinson
Publisher: DC Comics

Chris Kent is reunited with Lois, but their joy is short-lived as they must attend to securing medical attention for Thara, who has been badly injured from the battle with Ursa. Dr. Light (the good one) is called in, and she doesn’t care about the planet-wide ban on Kryptonians. While Thara is cared for, Chris races back to the site of the battle and confronts his mother…while also providing cause for General Lane & Co. to learn more than they should about Nightwing and Flamebird.

The story is decent….it’s not anything hyper-wonderful, but as the story is just beginning to build, it works well enough. I enjoyed the Chris Kent character much more as a roughly-6-years-old kid…as a character spontaneously aged to mid/late-teens, he feels too derivative…I’d enjoy that role being filled by Connor Kent. Still, I can’t deny that it provides for some interesting enough character interactions.

The art actually comes across as far more enjoyable for me this issue than I remember the previous issue or wo being. The visuals definitely work well for this issue, and combined with the story itself, makes for a good issue of the “new” “World Without Superman” Action Comics.

If you’re digging the stories being crafted in the Superman corner of the DCU of late, and/or enjoy the new Nightwing & Flamebird, this issue’s well worthwhile.

Story: 7/10
Art: 7/10
Whole: 7/10

Action Comics #876 [Review]

The Sleepers Part 2

Writer: Greg Rucka
Pencillers: Eddy Barrows & Sidney Teles
Inkers: Ruy Jose & Julio Ferreira
Colorist: Rod Reis
Letterer: Rob Leigh
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Andrew Robinson
Publisher: DC Comics

This issue is largely one big fight scene as Ursa deals a lot of damage to the new Flamebird, while also showing no hesitation at dealing harm to Nightwing as well. We also get a little bit of Lois tring to get into contact with her sister about their dad while this is going on.

The art for this issue is pretty good–while it’s not my favorite, it certainly serves the story quite well, and fits on the whole.

The writing isn’t bad, but doesn’t really blow me away. Rucka’s no stranger to the Superman universe-and the supporting cast–but I’m not giving an automatic pass for history. There’s still a huge amount of potential to the overall story–especially the meta-arc touching into all of the Superman books.

As a whole, this issue’s not much to recommend in and of itself. But if you’re following the title, writer, artist, or just the overall Superman-universe story right now, this is a worthwhile pickup.

Story: 7.5/10
Art: 7.5/10
Whole: 7.5/10

Action Comics #875 [Review]

The Sleepers Part I

Writer: Greg Rucka
Penciller: Eddy Barrows
Inkers: Ruy Jose & Julio Ferreira
Colorist: Rod Reis
Letterer: Rob Leigh
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Andrew Robinson
Publisher: DC Comics

As indicated at the top of the cover, this issue is part of “World Without Superman,” the general (apparent) over-arching premise of the next year or so in the Superman family of books. We’ve had New Krypton, we’ve had a couple months of after-effects and fallout, and finally we now have a story taking place after Superman has left Earth for New Krypton to live there, apparently (to the people of Earth) turning his back on them to live among his own kind. This title looks to be starring the new Nightwing and Flamebird characters that cropped up early in the New Krypton arc.

This issue picks up on Nightwing and Flamebird in new costumes designed to give the appearance of being super-powered armor augmenting humans (to cover the fact that these two are Kryptonians…as all Kryptonians except Superman have been officially banned from Earth). They take down a threat, though things do not go as smoothly as they planned, which leads to some questions developing on multiple fronts as different parties harbor their own suspicions and motivations regarding what to do with these two. We also get to see the unfolding of some background and motivation of Nightwing and Flamebird themselves–what role they played in Kandor, and so on. We are also (after several months of not doing so) treated to a revelation as to WHO Nightwing really is. After this revelation, another twist is thrown in that explains how Nightwing can exist in his present condition, as well as suggest some potential of stories to come. The end of the issue shows that this book and World of New Krypton will not be operating as if the other doesn’t exist, but will continue to share in continuity.

The cover art seems kinda different from what I’m used to seeing, and has a sort of almost watercolored look to it…not quite surreal, but something close to that. And with the way the colors are used, and the logo and even the World Without Superman banner…I really, really like this cover.

The interior art’s pretty good overall as well, if a bit “basic.” By that, it’s not art that would in and of itself inspire me to purchase the book, but it is art that I really can’t complain about, as it does what art’s supposed to do in a comic. It conveys the visuals of the story in a clear, understandable way, and doesn’t leave me confused…it works well right alongside the written aspect of the story.

The writing’s by Rucka, whose work I’ve generally been a fan of. I’ve lost track of who all has handled what characters the last few months, but it seems just from this issue that he’s got a plan for some of these characters in context of the Superman corner of the DCU. That we’ve been given Nightwing’s identity allows I think for much more story potential than keeping it a mystery, and I’ll be interested to see where Rucka takes these characters. Having read his work on Adventures of Superman a few years back, I have confidence in his handling/developing the supporting cast with respect and believability.

On the whole, this is essentially a “First issue,” and does its job well. A new arc is begun; new characters introduced, old characters appear (showing no lack of continuity placement). We see our heroes in action, get some background on them and what’s likely to drive them; some conflict and a mission, plus a classic sorta cliffhanger.

While you’ll get a lot more enjoyment out of this if you’re familiar with Superman continuity of the last couple years–and the last few months in particular–this is a decent point to hop onboard for a Rucka-written story involving characters associated with Superman operating in a world without Superman actually present. Well worth checking out.

Story: 8/10
Art: 7/10
Whole: 8/10

Action Comics #874 [Review]

Suspicion!

Writer: James Robinson
Penciller: Pablo Raimondi
Inkers: Pablo Raimondi & Walden Wong
Colorist: Hi-Fi
Letterer: Rob Leigh
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Aaron Lopresti & Hi-Fi
Publisher: DC Comics

This issue picks up with Superman having a bit of a tantrum on New Krypton at the fact that General Zod not only has been freed of the Phantom Zone but that he now lead’s New Krypton’s army. After fists fail, talking ensues, and Superman grudgingly seems to let things slide for now, though he makes known his misgivings.Back on Earth, Kryptonians–with a specific exception made for Superman–are banned, which sparks the new Flamebird and Nightwing into action as their clock is ticking (and a blurb informing readers to follow them into next month’s Action Comics). Superman and Lois visit his fortress while he ponders things, and then a voice from his past cries out, leading to the issue’s cliffhanger.

The story isn’t bad, but really lacks some “oomph!” I find myself actually bored by the New Krypton stuff, especially given the abrupt ending of the titled story while this still feels like it should fall under that heading. This story also feels like filler, just sorta moving pieces on the board around to force stuff into a new status quo for next month with the Superman family of books.

The art also is not bad, but doesn’t particularly thrill me. Not bad, but not spectacular. It gets stuff across that needs gotten across, but doesn’t begin to get in line to be art I’d specifically choose for Superman.

Origins & Omens

Writer: James Robinson
Penciller: Renato Guedes
Inker: Jose Wilson Magalhaes
Colorist: David Curiel
Letterer: Rob Leigh
Asst. Editor: Wil Moss
Editor: Matt Idelson

This backup stars The Guardian, and basically follows him through some (for him) relatively normal activities in his new job as head of the Science Police. Some of his history is touched upon–particularly recent developments/revelations, with some hints of what may be in store for him given.

Though I don’t particularly care for Guedes’ art style, it works for me pretty well here–perhaps because it’s not Superman/Clark himself depicted but other characters I don’t have so firm an idea in my head as to what they look like. The story is basic, but then, six pages is hardly room for any great storytelling for the most part.

If you’ve been following everything New Krypton, or the “triangle numbers,” this is worthwhile, This is probably also worthwhile as a bit of a prologue to the new status quo for Superman and Action Comics to come. That the main story is shorted for the backup doesn’t exactly make the issue all that enticing.

Story: 6/10
Art: 6/10
Whole: 6/10

Action Comics #873 [Review]

New Krypton part ten: Birth of a Nation

Writer: Geoff Johns
Artists: Pete Woods, Renato Guedes & Wilson Magalhaes
Colorist: Brad Anderson & David Curiel
Letterer: Rob Leigh
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Ladronn
Publisher: DC Comics

New Krypton the crossover/mega-arc concludes here, but the story is far from over.

The issue opens with the world reacting to Supergirl’s punch at Superman in the previous chapter, with General Lane and Luthor politicking over Doomsday’s for-now dead body. Some Kandorians are fighting the Justice Society and Green Lanterns (with a few other heroes), before a Superman Returns style solution is implemented that then takes on a Counter-Earth feel. We’re then treated to several prologue scenes to close out the issue.

The art on this issue isn’t bad, but for the most part is not all that appealing to me. It gets across what’s going on visually, but leaves me missing Gary Frank’s art, particularly at the way Superman himself looks.

The story is a definite let-down. While this is supposedly the “conclusion” to this epic, I’m left at the end feeling like we’ve had a whole bunch of filler leading to this issue, just to kick off some outside mini-series. There’s been a lot of potential built up that doesn’t get resolved and seems to fizzle out, and just results in a hearty disappointment. As a Faces of Evil issue, supposedly we get a story from Luthor’s point of view. However, Luthor is really only on the first two pages as a pawn to General Lane. This isn’t the writer’s fault–this issue has no business being included in the Faces of Evil stunt.

All in all, what began as a very interesting premise with loads of potential comes down to this issue and a completely anti-climactic conclusion. Recommended only if you’ve been following the story thus far; otherwise, you’ll be just as well served finding spoilers online and spending your money elsewhere. If you want a story from Luthor’s point of view and how he interacts with Superman, I’ll recommend the Lex Luthor: Man of Steel mini-series from several years back.

Story: 7/10
Art: 6/10
Whole: 6.5/10

Action Comics #872 [Review]

New Krypton part seven: Brainiac Lives

Writer: Geoff Johns
Artist: Pete Woods
Colorist: Brad Anderson
Letterer: Steve Wands
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Gary Frank & Brad Anderson (variant by Chris Sprouse, Karl Story & Guy Major)
Publisher: DC Comics

Superman continues to interact with his cousin, aunt, and uncle over the recent strikes launched against his various enemies, which resulted in the death of a number of humans and the banishment of numerous bad seeds to the phantom zone. Plans are revealed to restore the other “bottle cities” as well that had been captured by Brainiac. While Luthor continues attempting to tap the knowledge/repository that is Brainiac, some militant Kryptonians continue pushing their agenda. As things spring into motion, some “Creature Commandos” are woken in a time new to them (as they were last seen during World War II, it seems). Finally, a strike by Reactron and Metallo shows that not even Kryptonians are safe on Earth.

This is probably my least-favorite chapter of this story so far. I think stuff is starting to wear a bit thin, or is just developing too slowly, somehow. I was particularly turned off by the “startling return of the Creature Commandos”–I don’t mind a “back-door pilot” here and there, but I cared nothing for these characters going in, and care nothing for them now–they seem very out of place and more suited for a period piece set in World War II, not waking up during this arc and taking some of the focus away from the Kryptonians dealing with life on Earth.

The art–while not confusing characters or anything and clearly showing what’s going on–seems also like a letdown after being spoiled with Gary Frank’s art the last number of months. It’s a real change, and the style doesn’t work all that well for me, at least not in this particular outing.

This is the seventh chapter of however many will make up the New Krypton arc. I find myself ready to see things wind down if this is how my attention’s going to be. Whatever it’s lacking, though, this is still quality stuff…just not as high as earlier chapters to the story.

Story: 6/10
Art: 7/10
Whole: 6.5/10

Action Comics #871 [Review]

New Krypton: Beyond Doomsday

Writer: Geoff Johns
Artist: Pete Woods
Colorist: Brad Anderson
Letterer: Rob Leigh
Editor: Matt Idelson
Cover: Alex Ross (variant by Stephane Roux)
Publisher: DC Comics

In the most recent issue of Superman (New Krypton “triangle number” 2), we ended with Doomsday arriving to spoil introductions between Kryptonians and the American president. Then we had a one-shot to explore further what Jimmy Olsen discovered on his recent adventure (and presumably set some stuff up for later in this mega-arc). Now we’re back to Doomsday. Except the issue begins with General Sam Lane dealing with Luthor, explaining his place in all this. Finally picking up on that cliffhanger, Superman takes charge, having had the most up-close-and-personal experience with the creature, and directs others to get the people clear, while he races into battle. Though the first time the two fought (sixteen years ago!) Superman’s allies easily fell, leaving him alone to stop the creature, this time his allies have all of his powers, and we have a half-issue Kryptonians-dogpile-Doomsday slugfest. Meanwhile, in Superman’s fortress, some Zod loyalists seek to free their General from the Phantom Zone, discovering something interesting in the process.

The story continues to build on what’s come before, picking up where we’d left off, responding to and progressing from that cliffhanger. We get some small nods to flesh out certain characters and see what the Kryptonians’ view of humans contains. It seems Doomsday’s reputation indeed is widely-known as are his origins. Johns keeps Superman in-character–as we saw years back, Supes faced his fears of Doomsday, overcoming them–he doesn’t freeze or wring his hands or cry or anything when Doomsday shows. He springs into action, confidently taking charge. On the whole, I have no real issue with the story here that isn’t self-defeating.

The art isn’t bad, either. It’s a definite departure from Frank, but in and of itself is not bad. It might just be the angles, but it appears that some bits of continuity are nicely maintained–Doomsday never has regrown the bony protrusion Superman snapped off his knee in their first encounter. The battle with Doomsday has a few panels where it’s not 100% clear what’s what…but I suppose that helps convey the nature of the battle with so many involved, and not much space between combatants. No huge complaint from me on the art.

As a whole, this is another solid issue, that admittedly leaves me waiting for the next chapter to find out more about who was found in the Fortress, what happens given the Doomsday battle, what General Lane has planned, and so on. This is hardly the best point to jump on-board, but it’s still early enough one could go snag the earlier chapters and get in from there.

I’m not blown away, but nor am I disappointed. As much as any comic is worth $3 these days, this one’s not a waste of money.

Story: 8/10
Art: 7/10
Whole: 7.5/10

Action Comics #870 [Review]

Brainiac: Finale

Writer: Geoff Johns
Penciller: Gary Frank
Inkers: Jon Sial & Bit
Colorist: Brad Anderson
Letterer: Rob Leigh
Assoc. Editor: Nachie Castro
Editor: Matt Idelson
Cover: Gary Frank (variant by Andy Kubert)

As the issue opens, Brainiac has kidnapped Metropolis (putting it into a bottle as he did Kandor and countless other cities from alien worlds), and is preparing to destroy the Earth. Though somewhat down, Superman proves that he is far from out, as he breaks free of Brainiac’s ship and fights not only for his own life, and the lives of every citizen in Metropolis, but for the entire Earth as well (and this time, lacking the backup he’d assembled during the 1992 “Panic in the Sky”). The battle extends beyond the ship, and Superman is able to–with backup from Supergirl–rescue not only Metropolis, but Kandor as well (c’mon, that was spoiled months ago!). And with Brainiac’s final attack, many–but not all–lives endangered are saved.

I’ve come to really, really appreciate Frank’s art on this book. For this “new,” “Post-Infinite-Crisis” Superman, he seems PERFECT. We get a very realistic-looking Superman (and supporting cast), we get excellent detail, and yet, there’s a certain subtlety to it that just makes for a great visual result; I’m ready to add Frank to the top of my list of favorite Superman artists, holding rank with Dan Jurgens and Jim Lee.

Story-wise, this is solid Johns all the way. On the whole, no real complaint with the writing in and of itself–stuff seems consistent with prior issues, and this just continues the story begun over the past several chapters. The issue’s end…well, I’m not sure how I feel on it quite yet, but will hold judgement until I see how it plays out (hopefully by Johns, through the upcoming “New Krypton” arc and beyond).

For something like what ocurred in this issue to come as a surprise to me adds immensely to the power of the story–I honestly did not see it coming. I figured I had things nailed, given that we’re just a week or two away from the start of “New Krypton,” and that this would be like “The Death of Superman.” You know how it ends going in, but read to find out the HOW to it all. Instead, I got something much deeper.

This is a kick-butt (no pun intended) action-filled issue that will have certain, immediate, deep ramifications across the Superman family of titles and characters. If you’re a Superman fan, and/or thinking of checking out the “New Krypton” story, this issue would be well worth picking up.

Story: 8/10
Art: 9/10
Whole: 8.5/10