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Booking Through Thursday: Soundtrack

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What, if any, kind of music do you listen to when you’re reading? (Given a choice, of course!)

It depends on the kind of reading. If I’m reading emails or casually reading news and other articles online, I may have a little bit of everything playing.

But if I’m reading comics or books where I actually want to “mentally invest” in what I’m reading, has to be instrumental stuff.

Typically, I go with movie scores/soundtracks. I find that my FAVORITE movie score/soundtrack to listen to–as a whole–is the music from Gladiator. I’ll often mix stuff from that, from John Williams’ work (Jurassic Park, Harry Potter, Star Wars, Superman, etc.), Lion King, Aladdin, Pirates of the Caribbean, and whatever else strikes my fancy at the time.

Lately I’ve been enjoying the Green Lantern soundtrack/score after getting hooked by the opening/prologue track.

It’s really that simple, I’d say.

Booking Through Thursday – Reviews

btt buttonDo you read book reviews? Whose do you trust? Do they affect your reading habits? Your buying habits?

When it comes to actual books (as opposed to comics), no, I don’t usually read book reviews–at least, not prior to purchase/reading. Occasionally while reading others’ blogs, if a title sounds interesting or a cover image posted grabs my attention, I’ll read a review. But my reading time is so limited overall that generally if I’m not already planning on reading the book, a review isn’t going to convince me to buy it.

I do sometimes seek out reviews AFTER I read a given book, as I’m generally interested in what OTHERS think of the book; how my feelings compare to their feelings, and often someone else will pick up on something that I entirely missed. So book reviews don’t really affect my reading or buying habits, and I don’t really have any one reviewer as a go-to before I acquire a book.

The primary exception to that is that in the course of listening to his podcast and reading other content he posts at Evertime Realms and cxPulp, Blake Petit turned me on to the Percy Jackson series as well as The Heroes of Olympus series (The Lost Hero) and The Kane Chronicles (The Red Pyramid).

Where my buying habits are most impacted and there are reviewers whose work will influence me is comics. At roughly $4 or under, a comic is a far smaller investment in the short-term, so if an issue is highly regarded, it’s usually not much effort to track it down and read it myself. When a reviewer highly recommends a series, similar deal–easy enough to track down an issue or a single volume (of a graphic novel series) to try it out.

As a reviewer at cxPulp I’ve found other reviewers often managing to get me to try new series, or plant the seed that eventually leads to a minor obsession with a given series. This happens both from actual reviews, and recommendations (which, while not formatted/intended as an official “review” accomplish the same end result).

There are podcasts that–in this context–I actually realize could technically be considered “reviews podcasts” (never thought about them specifically in that sense before). Whether it’s Blake & Co. on 2-in-1 Showcase, Michael Bailey & co. talking about specific issues on Views From the Longbox, or the Raging Bullets guys, I tend to enjoy hearing others’ thoughts on stuff I’ve read…but they also tend to get into talking about stuff I have not read, which often leads to a heightened interest for me such that I’ll end up going out specifically to buy something, or look for it the next week at the comic shop.

Another aspect to this topic: I find that there are times I find myself reading something I wouldn’t “normally” read, in the interest of writing a review of it myself, for others. And I’m confident that much of my comic-buying habits the last few years have been heavily impacted by being a reviewer…though what I actually get around to writing reviews for thends to be on the sparse side, these days.

And perhaps it’s merely pride, but I’m aware of occasions where my own reviews or recommendations have led to others trying something or buying into a new series. (I suppose there’s plenty of room for academic exploration within this topic as well).

Booking Through Thursday: Rut

btt buttonDo you ever feel like you’re in a reading rut? That you don’t read enough variety? That you need to branch out, spread your literary wings and explore other genres, flavors, styles?

All the time. I’m a comics reader primarily the last few years. Between work, reading comics, writing reviews, obsessive 14-week runs through a 7-season tv series, and other distractions, I don’t read nearly as much as I tell myself I want to. And what I do read seems to be “more of the same,” even when I AM enjoying it and it engages me and all that.

With comics, after years of sticking primarily to DC with a bit of Marvel, and occasionally other stuff sprinkled in…last year, I decided to if not “branch out” at least “stick with the less familiar” stuff. Scaled back to mainly non-DC, non-Marvel comics; kept the superhero stuff in Invincible and Savage Dragon, with some diversity by way of The Walking Dead, Uncle Scrooge/Darkwing Duck (later adding Rescue Rangers), GI Joe: A Real American Hero, and Dark Horse’s “line” of comics with Doctor Solar Man of the Atom, Magnus Robot Fighter, Samson, and Turok Son of Stone.

I completely jumped off the Superman comics as those themselves seemed to be in a rut–at least as far as I was concerned. (I’m now back on Action Comics at least for the current “Reign of the Doomsdays” story…I love a good story involving the entire Superman/Superboy/Eradicator/Cyborg/Supergirl gang.)

Other than comics, my reading seems to be YA/fantasy-ish (The Lost Hero by Riordan right now, planning on The Red Pyramid and its sequel later this summer) and Authors I Read Whatever Their New Book Is (Grisham, Meltzer).

I’m not sure what other stuff I’d want to expand into…maybe there’s a rut, but darn it, it’s MY rut, and I’m actually honestly content enough with it so long as I don’t analyze it or myself and initiate temporary dissatisfaction.

And genre-wise with comics, not much there…I read what I’m interested in…it’s cool when there IS quite a diversity, but diversity itself in genres is not the key to what I actually read.

Well, again…out of time for the pre-work writing. Off to work I go!

Booking Through Thursday: Age-INappropriate

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In contrast to last week’s question–What do you think of censoring books BECAUSE of their intended age? Say, books too “old” for your kids to read?

I tend to be torn on the subject of censorship, especially when it comes to books. On one hand, there are subjects that I–as an individual with my own personal beliefs–am uncomfortable with and would “prefer” maybe to not see spread. On the other hand, I fully believe that everyone should have the freedom to choose what we read, just as we have a choice in what we DO with what we read.

I’m honestly disgusted when I hear about schools banning entire books for a single instance of a single word, or for the historically-accurate use of a particular word in-context in a piece of historical fiction. Or when adults would apply a one-size-fits-all directive to hand down without accounting for the fact that everyone is unique, and just because one 9-year old might be too immature or simply “not ready” to handle or deal with certain material does not mean that another 9-year old hasn’t already faced something in real life and its presence in a book might be cathartic. (and any combination of situations in-between, etc.)

Given all that, I believe very firmly in having a ratings system. Some might say that even giving something a “rating” such as “MA 17” or simply “MA” for “Mature Audiences/over-17/over-18” or “A” or “K” for “All-ages/Kids” or such is censoring…but really, ratings are a guide. Sure, kids may intentionally seek out something rated for adults out of curiosity or simply because the subject matter interests them. (While books are not movies, I always remember Alien3. I’d gotten my hands on the book, and read it, but had to convince my mom to let me see the movie (I think I was 12 at the time and the movie’s rated R).

By applying a ratings system, it serves as a guide. Readers can determine what they’re up for or interested in–if they’re interested based specifically on the rating or how “age-appropriate” the material is.

And I also believe very firmly that if parents or other adults are particularly concerned about the age appropriateness of material, it’s on them to voice exactly why, and to share that with others, and still allow them to make a choice.

If I had children and they were interested in, say, Harry Potter (to take an easy shot)…it would be my responsibility to share the experience with them, and to express my feelings about it. I mean…I greatly enjoyed the series in and of itself, but also saw plenty of stuff that would make for valuable conversations with young readers.

On the comics side of things, comics are not “just for kids.” DC Comics has their Vertigo line, comics generally intended as being for adults. I would not hand The Sandman, Preacher, Y: The Last Man, or Hellblazer to a young child blindly. But particularly in the case of The Sandman, if a young reader is particularly interested I do not believe they should be hindered.

I do find it acceptable to separate graphic novels between “adult” and “non-adult” in libraries. I’m uncomfortable with–in a library setting–shelving the likes of Bone and Owly in a kids or intended-for-young-teens section with Preacher and Hellblazer right alongside ’em.

BUT even if everything’s separated specifically by age groups…no one should be DIScouraged from reading, in my mind. Reading’s highly important. And if the 60-year-old wants to look at the picturebooks, he should be allowed; and if the 9-year-old is ready to read something traditionally aimed at adults, she should be allowed as well.

[I’ve run out of time for writing at present…surely this is a far deeper topic that I could write much longer and at length on…and which–if I were writing academically–would certainly benefit from better organization of thoughts, rather than this stream-of-consciousness freeform this morning. Thoughts/questions/etc? Please post in the comments…]

Booking Through Thursday: Age-Appropriate

btt buttonDo you read books “meant” for other age groups? Adult books when you were a child; Young-Adult books now that you’re grown; Picture books just for kicks … You know … books not “meant” for you. Or do you pretty much stick to what’s written for people your age?

Definitely.

Really, this topic (to me) could probably be an entire academic paper, looking at what “age-appropriate” truly means.

A love of reading is one of the (if not THE) greatest gifts my parents gave me. I’ve never been discouraged from reading, and so have always read what suited me as an individual (exceptions being required reading for school stuff).

I’m pretty sure I was reading books aimed at teens before I was 10, whether or not that counts for this prompt. I’ve read comics for most of my life–and there are so many arguments there about age-appropriateness, when ultimately there are comics for all age groups and comics are aimed at all different audiences. (Recently, Boom Studios rebranded their Boom Kids line as kaboom, because supposedly kids don’t like comics that are FOR kids. I can’t speak to that, but I hate the kaboom logo–it puts me in mind of the old logo for the toy company galoob.)

Nowadays, if I’m not reading comics, much of my reading, intended reading, and the books that catch my attention in the stores tend to be the “YA” books. I just started reading The Lost Hero, and have every intention of moving on to The Red Pyramid next, then the 2nd in that series, and by then the 2nd in the Heroes of Olympus series should be out. I’ve lost track of all the books in the YA sections at Walmart and Target look highly appealing to me, while I’m totally UNinterested in anything found in the “adult” or “non-kids'” sections.

The Harry Potter series, the Percy Jackson series, (I’ve even read the Twilight series to have an informed opinion); and it seems that a lot of the sci-fi/fantasy (I’m thinking mainly Ender’s Game/Shadow, and series licensed from tv/comics/RPG properties) seems to be “aimed” to the teen crowd. At the least, I was a teen when I discovered Dragonlance, got into Magic: The Gathering, and really embraced the sc-fi/fantasy “genre.”

A couple years back, I bought my first-ever copy of Goodnight, Moon. I was inspired by some conversation with a friend, as well as Neil Gaiman‘s play on it in Whatever Happened to the Caped Crusader? arc in Batman.

And while I haven’t bought them yet, I’ve been known to stand in the aisle at Target or Borders and read cover to cover the Dewey picturebooks. And while I’m there, other stuff’ll catch my eye.

So…yeah. I read whatever. Maybe it’s not aimed at me, but if I enjoy it–why not? I’m not going to let someone “armchair quarterback” my life and what I read.

Surely I could have this post better organized…but as always…writing in the morning before I dash off to work. Hopefully this has made some sense. And if not…well, I’ve been actually posting more comic reviews lately, so at least there’s real content besides this meme showing up in the blog.

Booking Through Thursday: Not in Theaters

btt buttonAnd–the reverse of last week’s question. Name one book that you hope never, ever, ever gets made into a movie (no matter how good that movie might be).

Honestly…I can’t think of any that would fit this. My thinking can be rather one-sided in that regard: it’s easy enough to think of books that I might like to see made into film, or that would be good for being made into film, or that have been good being made into film.

But going the other way? To me, I think that for the most part…if a book’s one I wouldn’t want to see made into film, the idea of a movie being made for it just doesn’t cross my mind or stand out, or last in memory.

I can’t think of any books that I would actively/passionately be against being made into film.

On the other hand, when you get into talking of QUALITY…that’s another thing entirely. I’ll balk at a badly-made film, one that “goes through the motions” if it’s based on a book I particularly enjoy(ed). Often I find made-for-tv-movies are like this (but not always!).

I’m sure there’s plenty more I could get into, but I want to get this posted this morning.

A randomish, related thought for readers of this post: it’s Thor’s Day, with Marvel’s Thor debuting in the U.S. “tonight” (technically tomorrow morning). What do you think of movies that are based on characters and overall series, but have no direct singular source? I mainly see it with comic movies, but…they are not direct adaptations of any particular story, though they’ll incorporate aspects of many…

Booking Through Thursday: Coming Soon to a Theater Near You

 

btt buttonIf you could see one book turned into the perfect movie–one that would capture everything you love, the characters, the look, the feel, the story–what book would you choose?

deweyThis one’s easy for me: Dewey: The Small-Town Library Cat Who Touched the World. Perhaps with some material from the followup Dewey’s Nine Lives.

Sounds simple enough, right?

Maybe it’s odd that I’d want to see a non-fiction autobiographical piece turned into a movie. But see? They already did a movie of Marley & Me…and this is in–to me–the exact same vein, and so totally plausible. Except, of course, that filming a cat would be so much different than filming a dog. And kittens! You’d probably have to give someone an award for successfully filming kittens doing what you want (as not every random kitten would be like Dewey–they’re all so unique!)

Thing is…I never got to meet the real Dewey, the cat these books are about. I’ve never even been to Iowa.

deweyninelivesBut I remember seeing some blurb about the book coming out, and while I recall thinking along the lines of “Oh…interesting. A book about a cat in a library, and his name is Dewey.” Out of sight, out of mind, nothing deep.

But then I lost my cat, Christy. Dewey came out 5 days later. I bought it 3 days after it was out, and read it cover to cover in roughly 20 hours. It was cathartic–reading about another’s cat. What the cat meant to them, to so many people. Maybe Dewey didn’t touch my life during his own life…but he sure impacted mine by his story being told!

christyonchairThen I found the audiobook, and while I dislike the abridgement (whole other topic for some other post, abridgements) of it, the audio still fascinates me and I will randomly activate that playlist in iTunes to have something playing in the background…or when I’m finding myself particularly wistful for my cats.

kaylawithcomicsAfter I lost Kayla last May, I found myself using the audiobook again, seeking some of that catharsis. Of course, I did this at work, and when THAT scene came up, I had to leave the room to recollect myself.

I mean, such is the necessity in a way…whatever joy there is, sharing that story of a beloved animal, beloved pet, that special member of the family…

But as someone who spent 2 1/2 years in library school, who has family ties to libraries, who has always been someone who has had a library as part of his life…I never thought of having a cat live there. Until Dewey.

And ever since I found out they were making a movie of Marley and Me…I’ve been waiting for the movie of Dewey.

Maybe it’ll “just” be “made for tv.” I’d absolutely go see a theatrical release. But if I can count something like Tuesdays With Morrie as one of my all-time favorite films, and it was made for tv…so, too, I’d “settle” for a made-for-tv film for Dewey.

Kayla (age 13) in mirror

Booking Through Thursday: Cover

 

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CAN you judge a book by its cover?

 

I think this is a very contextual question. Can you judge a book by its cover?

Certainly. And people do, all the time. It’s natural. It’s that first, initial thought. Whether it’s in the logo/design of the cover, recognizing the author’s name or not, the image (or lack thereof) on the cover, etc.

But often, perhaps it’s not so much JUDGING the book as it is EVALUATING the book, by whatever natural criteria one uses, or any specific criteria at the time.

When I’m in–say, Borders–and looking for Dragonlance books…I’m going to be extremely dismissive of any book whose cover does not reference dragons or Dragonlance itself. At the same time, if a book has a similar design to the edition of the book I’m looking for, or the name(s) Margaret Weis and/or Tracy Hickman jump out at me, I may pause and give other books a chance. At the same time, because I’m a Dragonlance fan, if I’m walking through an aisle and an image that makes me think of Dragonlance, puts me in mind of (a) character(s) from Dragonlance, it may be enough for me to stop and see what this book is, whether it turns out to actually be some Dragonlance book I’m unfamiliar with or something else entirely.

I’ve noticed with some types of books, the title of the book will be the prominent feature–when you’re looking for that title or that series, it may be the series’ name alone that “sells” you on giving the book a chance.

Other times, the author’s name is the prominent feature, and one will check the book out or even purchase it unpreviewed simply on the author’s name alone. Right now, I’m like that with John Grisham–if Grisham puts out a new book, I’m going to pick it up. Doesn’t matter if it’s about an appeal, an associate, or the importance of some confession. Grisham’s books could simply be titled “The Book Published in Late 2010” and I’d buy it.

buffytalesAdditionally, particularly with hardcovers that have dust jackets…that becomes another thing entirely as you’re dealing with two covers. The direct, permanent cover of the actual book itself…and the (often much more colorful, detailed, and visually-appealing/senses-stimulating) dustjacket. The dust jacket may grab one’s attention in the store…but when I’m actually reading such a book–and thus, “presenting” it to those around me–all they have to go on is the physical cover as I take the dust jacket off so it’s not damaged in my carrying the book all over. (And then covers any damage the physical cover sustains…)

buffytales2Right now I’m toting around Buffy: Tales…a hardcover graphic novel collection of a bunch of Buffy the Vampire Slayer comics. The cover is solid black, with the title on the spine, and simply that stylized “B” from the Buffy logo on the cover. If one knows that B…it’ll jump out; otherwise, it’s simply a stylized letter B.

Comics become another thing. Perhaps because most of them are published so frequently–12 or more times per year–often the cover IS how you judge ’em until you read them. Whether it’s for the image–is it a familiar character? Perhaps you’ve never even heard of Wookey the Wombat, but…there’s Wolverine on the cover, so you might check it out for his presence.

Similarly, for a series or “event” or crossover, the covers may take on a different style to resemble one another such that even without reading any words or character names on the cover, it’s obvious that the issue has something to do with Civil War or Fear Itself or whatever.

Then there are the comics–and I point the finger primarily at Marvel in the early 2000s–with generic “iconic” covers that don’t have anything to do with the story itself, really, but just simply showcase the title character. Right now I couldn’t even BEGIN to–other than 3-4 issues–differentiate early issues of Ultimate Spider-Man without seeing the number itself on the cover, and I don’t associate most iconic images of Spidey from that run with any particular issue. I’m also noticing that some on my current journey beginning through the Brand New Day stuff.

None of this rambling addresses CONTENT, really, though.

Content-wise…I find that often the cover for non-comics books rarely REALLY give much idea of what’s inside…at least not enough to really judge the book or truly evaluate what the story itself will be. The image might–AFTER having read the book–provide some nice symbolism or summary of the contents…but just because you see a closeup of a “Scales of Justice” there’s no way of knowing if that’s a literal or metaphorical reference, or what its meaning actually is in context of the story within the book.

Other books’ covers may be nothing but text with some sort of background. World War Z: An Oral History of the Zombie War is nothing but text…the title itself, the subtitle, and the author’s name (Max Brooks). In that, I’d suggest that one’s judging it more on the strength of the title and/or author’s name than the cover in and of itself. (Another like this is Buffy the Vampire Slayer and Philosophy: Fear and Trembling in Sunnydale. Nothing but text and a background…standing solely on its title/premise.)

All of this could really get pretty deep, and I’d be shocked if there are not major academic studies out there that somehow address this topic–such as the psychology of a book’s/cover’s design on a person’s likelihood of picking it up.

Booking Through Thursday: Cereal

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If you’re like me, you grew up reading everything under the sun, like the cereal boxes while you ate your breakfast, the newspapers held by strangers on the subway, the tabloid headlines at the grocery store.

What’s the oddest thing you’ve ever read? (You know, something NOT a book, magazine, short story, poem or article.)

Honestly, I’m not really sure how to answer this, off the top of my head. I don’t really think much about what I’m reading, except for this meme, or other occasional random/isolated moments. Like: for as few books as I really read anymore, I read a crapload of comics and graphic novels—which is still reading, just in much smaller chunks than full-length prose novels.

Reading headlines on magazines, tabloids, strangers’ newspapers, or random text on cereal boxes or signs in stores or posted on the door of the apartment building, or whatever….I’ve never really considered those as any particular reading material, nor as something odd TO read.

I suppose email or blogs could factor in here. Facebook statuses and Twitter posts. Subtitles in tv programs or films. But I don’t find it odd TO read any of those.

Maybe warning labels and disclaimers. Heck, even claims that I find to be outright ludicrous given experience.

Like this claim by Sprint regarding their Picturemail service.

I find it EXTREMELY odd that they claim that it’s easier to download stuff using a Flash-y interface, where you cannot simply download an entire album, and that is highly UNfriendly when one has over 5,000 photos they want to download and can’t reliably do it more than 21 photos at a time.

I guess I’m just being extremely wordy to not really say anything at all.

What do YOU think is the oddest thing you’ve read? (Besides any of my writing, that is). Feel free to comment on this post to share!

Booking Through Thursday: Serial

bookingthroughthursdaybuttonSeries? Or Stand-alone books?

 

When it comes to non-graphic books…I don’t think it really matters to me if the book is standalone or part of a series. At least, I don’t choose a book because it’s one or the other.

Most of the Stephen King, Brad Meltzer, and John Grisham books I’ve read have been standalone (even if they’re set in the same world/continuity, they aren’t necessarily part of a series). I look forward to their new books based on it being a new book by an author whose work I enjoy…not because it’s the next book in a series.

At the same time, in the last couple years, I’ve read the Twilight series, the Percy Jackson series, and I just finished listening to the latest two books in Weis/Hickman’s Lost Chronicles (Dragonlance) series. A few years back, I spent six weeks reading the entire original Left Behind series. A couple books on my to-be-read list for this year are the first books in new series—but they’re there due to the author, and not for kicking off new series.

When it comes to comics, though, I’m a bit more choosey.

I prefer series. If something is an “ongoing” series and has proven itself to last, I’m more likely to give it a shot. (a $2.99 or under price point certainly helps). Superman, Batman, X-Men, Green Lantern…there’s a history, there’s a reasonable expectation of the series continuing indefinitely, and so I’m more likely to be comfortable checking things out long-term.

For the most part, I tend to avoid “mini” or “limited” series as these will inevitably be collected into collected volumes/graphic novels, which I may pick up if my interest’s there by the time that edition is published.

Given the serial nature of comics, while there are the occasional great self-contained stories…overall, if it’s just a one-off short story (under 12 issues) I’m generally not going to check it out without much prior critical acclaim—I’ll feel cheated, as it’s a comic, I enjoy it, and I want more. V for Vendetta and Watchmen are a couple of notable exceptions on my own shelf.

Of course, as always…I’m sure there are plenty of exceptions to all this, holes to be poked in my thoughts that make sense before 9am. But hey…that’s the point of discussion. These are my stand-alone thoughts, for the moment…and they’re open to the changes/molding/evolution of a series of posts…