• March 2026
    S M T W T F S
    1234567
    891011121314
    15161718192021
    22232425262728
    293031  
  • On Facebook

  • Archives

  • Categories

  • Comic Blog Elite

    Comic Blogs - BlogCatalog Blog Directory

Interest vs. Price

ultimateinfinitythumbScanning through my Facebook newsfeed last night, a posted image caught my eye.

Diamond/Previews had posted a cover image for Ultimate Comics Ultimates #25, which seems to show Ultimate Cap, Ultimate Thor, and Ultimate Iron Patriot (?) fighting from the grip of an Infinity Gauntlet.

Now, I definitely think Thanos is getting a bit over-exposed years now UNTIL the next Avengers film. And there’s that part of me with fond memories of the original Infinity Gauntlet story; that part of me that recalls Infinity War #1 that summer before the Death of Superman, and even the more recent Infinity Abyss (was that really over 10 years ago now???).

I also quite enjoyed Avengers & the Infinity Gauntlet by Brian Clevinger, from a few years back.

But the more recent stuff involving the Infinity Gems–and Marvel‘s Illuminati–just hasn’t sat right with that kid in me, so I’ve mostly tried to avoid it. Contemporary writers are welcome to do as they will–but if I don’t like the new stuff, I’ll just revisit the old. My wallet, my choice.

That said…I often enjoy some of the “twists” or “re-imagingings” of stuff from the Ultimate line, and since the Ultimate stuff is not in-continuity with the “main” Marvel universe, I’m far more open to changes/etc. there.

So, back to the cover image. Ultimates (“Avengers”?) facing the Infinity Gauntlet or its Ultimate Comics counterpart. I could really enjoy this. It’s got my interest, my curiosity. Something that’s gotta be on a fairly grand scale, right?

If I knew the Ultimate Comics to be priced at, say, $2.99…the image alone would do more than any generic/mysterious “teaser” has done and I’d email my comic shop to request the issue be ordered/pulled for me.

But I know–like what seems the vast majority of Marvel‘s comics these days–these are at least $3.99. So, since I’m not currently following ANY of the Ultimate Comics titles and I am so sick of $3.99, right now I have no intention of buying in on this.

Sounds like a new creative team, probably a decent one-shot issue or jumping-on point…but the price, that extra dollar that Marvel just HAS TO HAVE serves once again to be an anti-sale for me. Had they “stepped” their pricing and perhaps spent at least a couple years at $3.25 or $3.50 BEFORE going whole-hog to $3.99…maybe I wouldn’t be so vocally bitter.

Sorry, Marvel. I’m intrigued, interested, and I’d be all over this at the $2.99 price point…but at $3.99/issue, I intend to pass on this.

ultimateinfinity

More Shiny Comics

After a momentary re-kindling of my fascination with “shiny covers” last week, I had the chance to raid bargain bins at a local Half-Price Books store as well as another comic shop, Comic Heaven a few days later over the weekend.

Got these six “shiny covers” at Half-Price Books:

moreshiny01

And then at Comic Heaven, snagged these as part of a 15/$5 deal:

moreshiny02

And while not of the shiny variety, found a full set of the Milestone #1s still bagged (I’ve seen these occasionally in bargain bins, both bagged and unbagged, but I don’t recall ever finding all 4 at once, bagged). I can finally build/complete the 16-panel poster now, as each of these comes with 4 panels of the whole.

milestone01s

Best part is, all the comics shown in this post, shiny covers, polybags, and all?
Cheaper than buying any 2 NEW comics today!

Justice League Toys at Target?!?

justiceleaguesupermanTonight while walking through Target, I actually stopped short at the sight of some toys I hadn’t even had a clue were coming.

A new line of Justice League figures.

Of course, I was immediately disappointed at the larger size of these figures–I’ve come to MUCH prefer the 3.75-inch variety, and to this day have still never found any news or anything about the official cancellation of the Infinite Heroes line (nor the reasoning why it went away…though I have some ideas, as listed in a post last Friday).

As far as I can tell, there are only FOUR figures in this line: Superman, Batman, Flash, and Green Lantern. There are no other characters shown on the backs of the cards, anyway. I saw no vehicles/playsets, nor any other accessories other than what comes with each figure. There are no villains. AND the line is Target-exclusive (at least based on that sticker on the fronts of the packaging).

justiceleaguesuperman

justiceleagueflash

justiceleaguegreenlantern

About the only thing really going for these to me offhand is that even at the bigger size, they’re “only” $7.99 (compared to, say, the $9.99 of the various Marvel (Avengers, Amazing Spider-Man, Iron Man 3) figures or Star Wars or $10 GI Joe: Retaliation figures. (Granted, less detail and articulation surely helps keep the cost down).

Still…I was sorely tempted by the Superman figure; but on closer inspection it looked rather sloppily put-together, with a gap in the shoulders where the cape is held in place (on the figure). I tell myself now that I’ll wait until I can 1. afford to and 2. buy both Batman and Superman in the same purchase to really strongly consider actually buying these. (Tonight the Target I was at had 3 of the 4 figures, missing only Batman).

Next to the Batman Unlimited/DC Unlimited $16 figures I’ve seen several times, this is the first “kid-affordable” instance I’ve noticed of the New 52 versions of things making it into general/common toys’ appearance, 18 months after the comics’ relaunch.

Toys as a driving force for cartoons???

sameoldfigs_smallI read an article on Bleeding Cool the other day about how the lack of toy sales seems to have killed off the Green Lantern animated series. I’m not sure I want to get into the stuff about how the (lack of) toys affect the continuation of a series.

But I’ve had some observations, where I myself wonder at factors that make or break a toyline…at least for me.

#1 – If there are only a few figures constantly on the pegs with no true assortment (i.e. only 2 figures out of a 6-figure wave and the other 4 are never present), that would suggest TO ME that the stores would see that as a line not selling. Maybe those other 4 figures fly off the pegs…but especially if stock is automated, the sale of whatever instances of the other 4 figures may not be enough to trigger a reorder…and the lack of sales on the 2 most common figures everyone that wants ’em already has might suggest no one is interested (when it’s actually that no one is interested IN THE PEG-WARMERS).

#2 – Ten years ago, I was buying the 6″ Marvel Legends–large, hyper-articulated figures with cool packaging including a comic book–for $6-$8 apiece. I know prices go up, the cost of materials has gone up, etc. But $9.99 for a 3.75″ figure nowadays? HARDLY appealing, especially for the vast majority of the figures out there. I know I personally would prefer less articulation for cheaper figures. The Marvel Universe line, Avengers movie tie-in figures, Amazing Spider-Man movie tie-in figures, and I think the Iron Man 3 figures run $9.99 or so. These days I’d rather pay a couple dollars more for a Lego set with a mini-figure and something to build (and some of the $10 Lego sets are about the same SIZE or bigger than these 3.75″ figures).

#3 – I don’t want six different costumes for Spider-Man, or 11 different costumes for Batman or 17 different armors for Iron Man. Yeah, the hero’s name is in the films’ titles…but darnit, I’m NOT looking for umpteen variations on the hero. I want more variation in there being a bunch of different characters that are available.

#4 – I don’t want to have to “chase” “basic” figures. Take a character and their standard costume, make the costume a different color and pack that as a “ratioed variant” if you must. But don’t make the CHARACTER itself a “chase figure.” Don’t short-pack certain characters likely to be popular while over-packing other characters. If there are 6 figures in the wave, pack them equally.

#5 – Well, when I started typing I had more than 4 points. Perhaps a follow-up post will finish things off when they come back to me.

Final for now – When a store is obviously over-stocked on what seems to be massive quantities of the same figure and “clearance” is less than 15% “off” (less than 50, even)…I’m probably still not gonna buy, where 50% off I might give in.

sameoldfigs

Age of Ultron: Return of the Shiny

chromiums01I got suckered.

Nothing more than an old trick from the 1990s, Marvel.

But I got suckered in on buying Age of Ultron #1 for a rather shiny cardstock cover.

Somewhere this week I saw the issue referenced as a “chromium” cover…and that seemed to be the STANDARD cover (i.e. NOT a 1:10 or other ratioed VARIANT). With a certain fondness for bargain-bin chromium lately…I decided ok, fine…I was determined NOT to buy into Age of Ultron…but for no true increase in cover price but a nice, shiny cover?

Well, turned out the darned thing’s more what I’d consider “foil embossed,” as chromium suggests to me that the cover itself is the metallic/foil stuff, where you can tell from the inside of the issue as well.

So I’m a bit disappointed there. But I may get a review written up this week, so I’ll save the extra comments for that.

The camera doesn’t catch the sheer shinyness of it all…but here’s the issue amidst a bunch of old 1990s chromium fun-ness!

chromiums02

The 99-cent digital sweet spot

comixologyscreenI love 25-cent bargain bins. That just seems to be the best price…perhaps because even going back 21 years or so, bargain-bins I recall–mainly at Comics and Collectibles–were 25-cents. And because hey…it takes FOUR comics to each one-dollar.

By that logic, the 50-cent bins rack up the price twice as fast, where every 2 comics are another full dollar.

And typically I avoid the dollar bins…even though it takes 4 of these one-dollar comics to match a single contemporary comic, when one’s used to ’90s comics and such around 25-cents…$1 seems a bit much.

But…digitally, it seems that 99-cents (effectively that $1) is the magic price point. Because of whatever limitations or “politics,” I have never seen a digital comic SELL for less than $0.99. Seems there’s “Free,” there’s $0.99, then there’s most of the usual stuff ($1.99/$2.99/$3.99+).

houseofmWhile I don’t usually buy full-priced ($2.99/$3.99+) comics, every now and then I have, for one reason or another. With a tablet now, I’m far more likely, as I do contemplate a more drastic shift to digital.

But primarily, I’ve been a definite fan–and sucker–when it comes to 99-cent sales from Comixology.

Whether it’s been acquiring A Death in the Family, Batman: Year One, Batman: Year Two, and The Dark Knight Returns for a mere $0.99 per issue (all 4 stories for about the price of a TPB of only ONE of the stories) or random other issues–Zero Hour/1994’s Zero Month issues, small runs of Cable, some Rogue and Gambit issues, or X-Force #1 just for the heckuvit, etc.–I frequently find myself buying at least an issue or two from most of these sales.

houseofmspidermanUsually the purchases are fairly spur-of-the-moment, but I actually thought specifically on stuff before partaking in this past weekend’s House of M 99-cent sale. I actually considered splurging for the whole event; but I’m still holding out hope of finding the hardcovers for a decent price.

While I was out shopping, I bought an iTunes “gift card,” treating it as if I was paying the price for a single collected volume. Once I redeemed it, I snagged the entire “core” House of M series, along with the 5-issue Spider-Man: House of M mini. And I have about $2 left over for something else.

I doubt I’d’ve bought any of these for $1.99 each…but for $0.99…I’ll buy in “bulk.”

My "history" with Robin and dead sidekicks

ghostrobinMy earliest experiences with “current” Batman comics was back in Spring 1989, and involved the end of Batman: Year 3 and the start of Batman: A Lonely Place of Dying, as well as The Mud Pack that ran in Detective Comics.

I remember being surprised to learn that Robin had DIED. Here on the cover of Detective #606, we see Batman before the grave, Robin’s ghost pointing accusingly at him.

In the issue itself, it turns out that Batman’s facing a shape-shifter, momentarily rocked by seeing Robin “alive” before the realization of a shape-shifter kicked in.

For me, as an 8-year-old, this was Big Stuff, though. I knew there was a gap between my grandfather’s comics and these…and the fact that Robin had died since Grandpa’s comics really illustrated (to me) that this was an older Batman. I didn’t know much about “continuity” at the time, but I “got” the passage of time and “knew” characters had grown/changed/etc.

I gradually pieced things together from Continuity (yeah, even an 8-11 year old could do that, back in ’89-’92!) and learned that 1. this was a SECOND Robin, that had died–the original had gotten older and became Nightwing; and 2. he’d been beaten to death by the Joker.

deadrobin01

Thanks to the local library system, I was eventually able to access and read the tpb of A Death in the Family, witnessing the death of Jason Todd for myself.

Meanwhile, though extremely sporadic, I was around for Tim Drake’s introduction as Robin–first in A Lonely Place of Dying, and then in 1992 where he was still fairly inexperienced, shortly before Knightfall and his rapid growing up and graduation to his own solo book, etc. (I’d missed much of his training and officially taking the name Robin in the DCU, though.)

II got the Robin III: Cry of the Huntress mini-series, and the first couple issues of the ongoing series, and had picked up the Eclipso: The Darkness Within annual.

I got back into the series a few years later around #50; backtracked immediately to #46 or 47 and kept up with the title; a couple years later I bought a set of the first 40 issues, and tracked down the intervening specific issues, such that by the time the series hit #100 I had the full run to that point. I fell away from the title for a couple years, but again tracked down the back issues to fill in the gap, and kept up for several years.

deadrobinstephanie

I was there for the all-too-short span of time that Stephanie Brown was the “first” female Robin, and her apparent demise in the War Games event. I read Identity Crisis as the issues came out, and was horrified and moved at the death of Tim’s father.

I used One Year Later as a jumping-off point, but got sucked back in around the Batman: RIP story, and yet again filled in the gap. I then continued into the first year or so of the Red Robin series, when Damian Wayne was made the new Robin for Batman and Robin, when Dick had taken over in Bruce’s absence. I’ve yet to track down the latter half of the Red Robin series, though it’s on my to-do list.

I picked up the first several issues of the New 52 Teen Titans run specifically for Tim Drake/Red Robin, but for a number of reasons basically gave up on the New 52 as a whole.

And now, this week, I picked up Batman, Inc. #8, and witnessed the death of another Robin.

deadrobin02

It’s been a long run. I started out 4 years younger than Tim Drake, and now I’m 2 1/2 times the age he was in Lonely Place of Dying. I’ve seen him grow into the role, and learned of Jason’s past, and saw the interaction/brotherly relationship develop between Dick and Tim. Saw Tim leave the role for a bit, with Stephanie Brown stepping in; then her “death” and Tim returned to the role.

batman676After the supposed “death” of Batman in Final Crisis when Dick took over as Batman, it seemed like Tim was kinda shoved out of the way so that the then-still-fairly-new character Damian could officially be Robin.

And now Damian’s dead, and I’m curious about where the Bat-books will go from here, how Batman will be portrayed in light of this new loss.

While we didn’t know at the time that Stephanie Brown wasn’t dead, not much was really done in light of her death; not the way there was with Jason Todd died. No Robin suit in the Batcave, and not much seemed to be done showing Batman without a Robin (Dick and Tim were still around).

But this seems likely to be more on the scale of Jason’s death.

batmaninc(vol2)008In the “meta” sense–interviews, rumors, hearsay–it seems likely this character death may be pretty final. At the least, this is rather sudden–seems just a couple weeks ago Death of the Family ended, we saw that Damian (and the others) were (physically) ok, and it seemed a bullet had been dodged–no major character in the Bat-family had been killed.

Then the “news” broke the other day, Batman, Inc. #8 spoiled quite handily DAYS before the issue went on sale.

So there’s the marketing, the hype, the spoilers, the speculation (I emailed my LCS Monday morning, so a copy of the issue was waiting for me at my convenience Wednesday).

Yet, there’s that Death’s Revolving Door in comics…a character dies only to be back within a few months or a couple of years.

Shamefully…I’m finding myself with a rekindled interest in Robin; in all the Robins…and especially in the idea of catching up on both iterations of the Batman and Robin title; possibly other Bat-books in general.

The End of Hellblazer

hellblazer200I was dismayed a couple months ago to learn that the long-running Hellblazer (I believe next to Archie, this is just about the longest-running uninterruptedly-numbered series out there, PERIOD, with Spawn and Savage Dragon from Image being the closer competitors to the claim). But that’s merely a principle thing to worry about…not than 300 is anything to sneeze at.

I’d fallen away from this title over the past half decade or so, maybe more…in a way, longer than I was following it, perhaps. But I’ve been catching up on the collected volumes–having long since decided I preferred to read about John’s adventures in larger chunks, rather than try to parse out the complexity via memory and a month-long gap between issues. My Hellblazer collection rivals my Superman, Batman, and Green Lantern collections, and even surpasses my TMNT collection.

But that’s still the surfacey stuff. Issue numbers, quantity of books on a shelf.

I worked at a summer camp in the summer of 2001, and while there, came across someone else who was into comics. While I was firmly “into” mainstream super-hero stuff…he was much more into the Vertigo-type books…Sandman, Preacher, Hellblazer, etc. Partway into that summer, he loaned me Damnation’s Flame, and I think I read the volume cover-to-cover in one sitting. Knew next to nothing about the character, but still followed along quite well, enjoyed the story…and I was thrilled when he loaned me whole stack of later issues–primarily from Paul Jenkins‘ run on the book. I devoured those issues, basically “maxing out” what my friend had with him (the rest of his collection being at home in Australia).

hellblazerrecentThere was a small comic shop near the camp, so I was able to get a couple of the then-most-recent issues at the time (in the #160/161/162 range). I believe there was also a Secret Files and Origins type issue out that made a huge difference for me filling in some gaps and adding to my immediate knowledge of the character. Not long after, knowing he might visit a comic shop while on a weekend trip, I’d given him some money, and my friend came back with the Original Sins tpb (the old version, now inferior to the most recent Hellblazer vol. 1).

So for the summer alone, I got to sample the earliest issues of the series, two “middle runs” in the series, and the most recent (Azzarello) issues. Back at school, while I’d largely let other comics “slide,” I began keeping up with Hellblazer for most of the following year; I particularly remember pulling a number of “quotes” from the issues, when I was “collecting quotes” from comics (stuff from narration or characters themselves that worked well outside of context as statements on life and such).

I then took a year or so “off,” frustrated by the monthly grind of story chunks vs. entire stories. Shortly after graduating college, I re-visited a comic shop and found that the ENTIRE PAST YEAR was still available at cover price, so caught up in one fell swoop, devouring those issues and then staying on-board again for awhile. I also backtracked and caught up on the entirety of the then-available TPBs…and 2003 into 2004 kept up with newer TPB releases like Rake at the Gates of Hell, an Ellis volume, and a couple others.

When I began as a reviewer for comixtreme.com (now cxPulp.com), Hellblazer was one of the series that wasn’t being regularly covered, so I claimed it, and wrote a number of reviews as the #100s came to an end, and the early 200s. (In retrospect, it appears the only review that’s actually made it into this blog under the Hellblazer heading is a review I wrote over 4 years ago when the series hit #250).

I have a number of memories associated with certain periods of “binge reading” of Hellblazer –primarily that first summer at the camp, Autumn after college graduation, and a couple years later, spring before grad school graduation. I anticipate similar memories when I dive into a recently-acquired stack of TPBs, and catching up further beyond those.

I was thrilled a couple years ago, now, when Constantine showed up in the Brightest Day Aftermath: The Search for Swamp Thing mini though that turned out to be just a precursor to the New 52. I think I dropped Justice League Dark after only an issue or two for its then-distinct-lack-of-FOCUS on the DCU Constantine…which in retrospect will mean further volumes to acquired to also play catchup on Constantine. But really, I remember enjoying the notion that the Hellblazer Constantine was still around and a distinct character…while the DCU John Constantine was closer to the character’s original roots, and largely a different take on the character. I was actually interested in multiple interpretations.

lifeofwalt006While it may be a rush to judgment, it truly seems to me that cancelling the Vertigo title in favor of a new DCU title is a disservice, as it seems highly unlikely that the new Constantine will be more than (in a broad stroke) a “dumbed-down Hellblazer.” A tamed version without the “twisted” elements that were a distinct part of the character.
That the Hellblazer character was a chain-smoking, womanizing English con-man was somehow rather appealing to me as a reader–so much the opposite of myself. And if opposites attract…that would certainly explain some of it.

I picked up this week’s Hellblazer #300–the final issue of a 25-year run going back to 1988 or so–because it was the final issue. However, the issue seems to be part 3 of a 3-part story…and I’m painfully aware of the fact that there’ve been probably 70 issues of story progression and development since I last regularly read the series.

However, there’s still something familiar to it–I was definitely aware of a history to things…and where I expect some might be put off or disinclined to buy a single issue ending a series, for me it leaves me eager to catch up on the last few years of the series (and perhaps it’s also having that task yet in front of me that keeps me from being as discouraged as I’d otherwise be with the series ending). This was like skipping a couple seasons of a tv show I’d followed, but tuning in for the series finale and then realizing I actually did miss keeping up with the series and want to go back and watch the remaining seasons.

hellblazerlibraryI have to admit that I got to the end of #300 and thought “what? That’s IT?!?” And maybe it was stuff I missed from parts 1 and 2 of the story, or something simply totally going over my head, but the final page left me clueless–as of this writing, I don’t know what actually happened nor what it “means,” as a finale to the series.

I’d like to say that I’ll boycott Constantine #1 on principle–and maybe if it were just about anything else, I would–but I think it’ll depend on my mood the week the issue comes out; I’m not adding it to my pull list, but I may request the single issue be pulled for me, the week it’s due out.

I neglected somehow to mention another “period” of memories I hold with Hellblazer: shortly after I started writing reviews for cxPulp, I joined the staff of the university newspaper The Daily Kent Stater, and had the only in-print review I’ve ever written for a graphic novel where I reviewed the new hardcover OGN All His Engines. I also got to attend an advance screening of the Keanu Reeves film Constantine on a press pass…my only such experience to this day.

And perhaps that’s the more sentimental thing for me.

I joined the ride around #162, so have been around for 138 additional issues…close to half the run.

Here’s to hoping what comes next does some justice to the true legacy of Hellblazer and the John Constantine character.

Too many covers: Variants are an ANTI-selling point for me

toomanycoversbatman13to17I’ve long been frustrated with variant covers. They’re actually a turnoff to me, these days–comics that I would OTHERWISE try, if I know ahead of time or see in-person there are variants, I might avoid them. Case in point: this week’s Justice League of America #1.

There are over 50 covers for this issue–a standard US flag, all 50 states, and I’m not even sure what all else (Guam? Puerto Rico? Washington DC?). I actually picked up the sole remaining copy at the LCS this week with the Ohio cover, and thought about it. Ultimately, I decided: nope. Not giving in, on principle.

And because I’m not buying the first issue, I’m not going to try the second, and so on. One cover, one comic…yeah, I probably would’ve given it a try. But as with other series I’ve passed on a first issue due to variants: someone buying multiple copies will SURELY make up for me not only not buying any of this issue, but make up for my not buying any subsequent issues…right?

I’ve also long recalled with fondness several comics from the 1990s that came with TWO covers. You might still have a 50/50 split–half the printrun has Cover A on top, half the run has Cover B on top. But for someone like me–if I don’t like the top cover, I could pull it off and voila! Cover I want. Or even if I don’t have a problem with the “top” cover, I also HAVE the other covers.

The closest I have seen with this lately is with digital comics. From what I’ve observed, it seems that digital comics (specifically from Comixology) load with the “standard” cover. However, either as the very next page(s) or at the end of the issue, one might be treated to the other cover images associated with that issue.

I particularly noticed this recently with the Batman: Death of the Family arc. Along with each “main” or standard cover, after the issue’s content, each had several more pages–the issue’s variant covers.

I’m pretty sure I’ve noticed this with several Boom! issues and possibly also Valiant. Truly, for me this would be the way to go if I actually had an interest in the covers. (Though I suppose ideally, with the digital one would be able to select which cover to display in their app).

Combine variants with $3.99 and I’m even further put-off from purchasing the issue.

My attitude toward variants extends to actually avoiding certain news or entire sites. I don’t even bother with DC‘s The Source blog anymore, because I got frustrated with the endless posts touting the next VARIANT cover. See so-and-so’s pencils for [Series] #whatever Variant cover. See this artist’s extra-“rare” ratioed variant. Check out the awesome colors on the final version of such-and-such’s variant for whatever series.

Whenever I browse the latest solicitations, as soon as I start seeing all the “This issue will ship with multiple covers” declaration…I just start scanning on past. Maybe the story, or the start of a new arc would be something to get my attention with to try or give another try of the series…you lose me as soon as I see the variants as a “selling point.”

Granted if I held 100% to avoiding anything with variants, I’d have nothing to buy, so I attempt to turn a relatively blind eye to some titles; particularly the Valiant and TMNT books. However, I have specifically requested my pull list be fulfilled with whatever the Standard or “A” cover is; and I’ve started double-checking anyway to make sure that I do NOT wind up with any specifically marked AS a “variant cover.”

I have a pull list for all the Valiant titles…but even there, I don’t want the pullbox variants. I want the cover that’s used with general marketing; I want the cover that is shown in the “next issue” box or page, and I want the cover that is shown on the back of that month’s issues’ covers as a “checklist.”

I also like the consistency that USUALLY comes from sticking to the standard covers. I like my issues to look like they belong together. I don’t want “naked covers” with just an image (how do you tell what issue it is months or years later going back through a collection or trying to ID it in a longbox at the shop?) or fancy logo placement or stuff like that. I’m paying full price for the issue, so don’t “short” me on the colors, or give me an incomplete pencils-only cover or such. That sticks out like a sore thumb! If you want to show off pencils or black and white…make it the back cover or an inside cover or page!

I liked the way Devil’s Due handled early issues of their GI Joe series–you’d get a “bonus image” as the back cover of an issue. Often it seemed this “back cover image” would be SWAPPED for a 2nd print/variant…and I didn’t really have much of an issue with that.

Or back in 1995 (yeah, almost 18 years ago!) I remember some of the Age of Apocalypse 2nd printings having a faded out image with some of the background to draw more attention to the main character(s) or something to that effect–but the back cover was the original cover.

To a certain degree, I also don’t have as much problem with 2nd/3rd/etc. print variants in general; it’s a new edition, a new printing, so…can’t argue too much. I’m even more forgiving when there’s only some color alterations–maybe a white background’s black, or blue, or red; or maybe the cover’s logo changes color–this comes in handy for identifying a different printing at a glance (Superman #75 from 1992 with a green “Superman” logo is the 4th print, for example).

Below: a larger look at 21 covers for only 5 different issues of the current Batman title from DC: captured via screenshots as I read the digital issues.

toomanycoversbatman13to17

Revisiting the ridiculous price of comics (vs. value)

My frustration with the pricing of current/new comics continues. But I do love my local comic shop: the bargain bins and bargain tables honestly put most convention dealers to shame…perhaps all the more by my ability to visit the shop weekly, rather than a one-shot experience.

I’ve largely ignored the bargain-TPB/HCs the last few weeks, but as of this week, we’re up to 80% off. Which makes the X-Men: First Class vol. 1 and X-Men: First Class Finals $3/each–$1 cheaper apiece than most of Marvel’s current new single-issues. (And these each have about 5 issues’ content in ’em!). For that price, and prior enjoyment of First Class issues…yeah, why not?

Sweetening the deal, there were several stacks of books free with a purchase (turned out, purchase 1 book = choose 1 free book; purchase 2 free books, choose 2 free books). So for $6, I got FOUR new TPBs. Roughly 50 issues’ content.

Meanwhile, for regular-sized TMNT #19, Harbinger #9, X-O Manowar #10, and Superior Spider-Man #4 I paid $3.99 apiece; and extra-sized Hellblazer #300 was $4.99. $21 for 5 new comics…while the content of a mere $6 purchase DWARFS the stack of new stuff.

comics20130220