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The ’90s Revisited: Parallax: Emerald Night #1

parallaxemeraldnight001Emerald Night

Writer: Ron Marz
Penciller: Mike McKone
Inker: Mark McKenna
Colorist: John Kalisz
Letterer: Chris Eliopoulos
Associate Editor: Eddie Berganza
Editor: Kevin Dooley
Published by: DC Comics
Cover Price: $2.95
Cover Date: November 1996

I missed Final Night when it originally crossed the DC Universe. (Of course, that was an easy enough thing to do, as back then an event even of this magnitude seemed to be contained to a single month rather than spread out across half a year or more!)

I came across this issue in a random box of comics I got for $5. I knew it had ’90s stuff in it; my interest was piqued by some Onslaught (Marvel/X-Men) issues and a couple issues of Wizard magazine on top of the stack. This was one of the brightest “gems” of the entire box, though, once I actually dug through…well over 100 issues and yet I found myself leaving everything else partially sorted and began reading this, just because of what it was!

Kyle Rayner finds Hal Jordan–Parallax–and explains that Earth really needs him…the hero that he WAS, anyway. A sun-eater has darkened Earth’s sun, which means if it’s not reignited…well, that’ll be the end of the world, within days. Jordan wallows in indecision given his checkered recent-past, and winds up visiting several figures from his past in order to seek internal “guidance” on making a monumental decision. As we see him interact with Guy Gardner, John Stewart, an old mechanic ally and finally Carol Ferris, we see the influence they’ve had on him, and Jordan–Parallax–makes his decision.

Story-wise, this issue is rather cliche. The Hal Jordan I knew and have had thrust upon me for the last decade or so certainly wouldn’t have had this hesitation…yet, this was a much different character, and was Parallax at the time, which we’ve come to know means he was possessed and thus not entirely himself anyway. That doesn’t remove the cliche, but makes it bearable as a piece of the past, filling in a small gap in my experiential knowledge of this character. Yet, this is a Ron Marz issue, and it’s nice to see the way he handled the Kyle/Hal stuff, and the rest of the Hal stuff…what I recognize retroactively to be making the best of a bad situation.

Visually, I liked the look of this overall–I rather enjoy McKone‘s work–yet it didn’t seem quite as refined as I expected, and something was a bit “off,” keeping this from being as much a visual enjoyment as I expected for the name on the cover.

Still, as something that I functionally paid maybe 4 or 5 cents for, this was very much a worthwhile read, worth my time and I’m glad to have read this. The primary drawback is that now I want to find my other Final Night issues to reread that core story, and I’m re-interested in tracking down the actual Green Lantern issue(s) that tied in, as all these years later I’ve still never read those in any form!

The ’90s Revisited: The New Titans #65

newtitans065Dejavu

Writer: Marv Wolfman
Pencils: Tom Grummett
Inks: Al Vey
Letterer: John Costanza
Colorist: Adrienne Roy
Associate Editor: Jon Peterson
Editor: Mike Carlin
Cover: Tom Grummett, George Perez
Published by: DC Comics
Cover Price: $1.75
Cover Date: April 1990

Few bargain-bin issues really grab my attention by the cover alone the way this one did. I probably knew this existed, knew OF the issue, but I’d never read it before, and despite all my early-’90s bargain-bin buying, I don’t know that I’ve ever even owned this issue before a few days ago.

While this is a New Titans issue, the cover shows Batman with Nightwing and Tim Drake (and a Robin costume on a table), with the caption “It Began With Batman…” I first looked for the Lonely Place of Dying indicator despite the cover not being one I recognized from that story…but nothing relating to that story other than my knowledge of the characters. Still, I recognized this as being extremely early Tim Drake, and for that alone my interest was piqued.

What we get is Tim seeking out Dick per Batman for some insight/training into being “Batman’s Partner.” Not necessarily ROBIN, but Partner. Despite this being a New Titans issue, I was rather disappointed when the rest of the Titans appeared…apparently they’ve been dealing with Trigon and some sort of Plague, that Raven is still facing. This leads them to facing their teammate who–infected–turns again on the team and is ready to kill them all while they don’t even want to hurt her. Of course, Dick is eventually drawn back into things, showing his leadership and necessity to them as further emphasis that he has grown out from under the Batman.

This was quite a treat visually. Grummett‘s art stood out very well…the only characters that really looked “off” to me were Raven herself and Donna Troy, and yet the former I’m aware of having multiple “looks” through the years and same for the latter…I even recognized another character as who I believe to be her husband of the time, or at least someone I’ve seen and “known” to have been involved with this character group in the early 1990s.

Story-wise, I really, really enjoyed seeing Dick and Tim interact. This issue came out during my first real foray into comics, while Tim Drake was still a new character…not yet Robin, but the obvious successor to the role. I would have perfectly enjoyed this issue if it was nothing but Tim and Dick; but as it was, I was able to “get” what was going on with the rest of the team. If not in full, then enough to not feel like half the issue was truly wasted on them; I just wanted to see Dick training Tim.

All in all, this is easily one of the most enjoyable bargain-bin issues I’ve pulled in ages, in and of itself; and a definite rare treat as something from this era that is truly an entirely NEW read for me, rather than simply re-reading something I read 20 or so years ago! Though I paid 25 cents, and the original cover price was “only” $1.75, this would have been a rare case of an issue being well worth my paying the modern $3.99, given my enjoyment of the issue as a whole.

The ’90s Revisited: The Incredible Hulk #444

incrediblehulk444Cable Vision

Writer: Peter David
Penciler: Angel Medina
Inker: Robin Riggs
Lettering: Richard Starkings and Comicraft
Colors: Glynis Oliver
Enhancement: Malibu
Assistant Editor: Polly Watson
Editor: Bobbie Chase
Published by: Marvel Comics
Cover Price: $1.50
Cover Date: August, 1996

It’s amazing how much “context” can play a role in a random issue working or not. This issue is labeled as Onslaught: Impact 1, meaning it was an “impact” issue of the first month of Onslaught. From what I recall, there were two types of issues associated with Onslaught: the Phase 1/2/3 issues, and the Impact 1/2/3 issues. Phase were main parts of the “core” story, while the Impact issues were much looser tie-ins…literally “impacted” by Onslaught, but not having much to do with the main story.

I pulled this issue from the quarter bin for that Onslaught tag. Reading it reminded me just how “loose” the tie-in could be. The basic premise of this issue is that Onslaught has basically wiped the Hulk’s mind, setting him on killing Cable. Banner’s been blocked out, so there’s just the mindless, mission-centered beast. The issue opens with Cable already beaten and barely conscious…the only other ally trying to save him is X-man Storm. The issue is basically one long fight-scene, as Storm turns the elements on the Hulk, and a death-ready Cable rallies and does what he can in his state. Eventually the two manage to develop a risky plan to break Onslaught’s control, and restore the Hulk.

Story-wise, there’s not exactly a lot to this issue. And yet, it shows that David “gets” the X-characters, writing a decent Cable and an impressive (at least power-wise) Storm. But, being a big fight sequence, there’s not exactly much character development…moreso we seem to have had a plot point (Onslaught possesses Hulk) that had to be dealt with to get the Hulk from there to the next plot point (back to being himself again, but Really Very Ticked-Off At Onslaught).

Visually, the art’s not bad, though nothing wonderful. The coloring seemed somehow kinda dull, and the Hulk’s shade of green especially a bit different, more subdued, than what I’m used to for the character. I’m also not all that familiar with this particular interpretation of the Hulk…but knowing this was the “Banner’s consciousness/Hulk’s body” era…and the mid-’90s (and this being a single, isolated issue I’m reading) that mostly gets a pass.

Overall, not a bad issue, but nothing spectacular. I don’t believe I’d ever read this back in the ’90s when originally published, so it was interesting to read a loose tie-in to Onslaught, and getting a single-issue “feel” for the “impact” of that story on this title prior to the bigger shakeup of losing Banner but keeping the Hulk that was the status quo once Onslaught ended.

As a 25-cent issue in an age of $3.99 comics, this was a decently enjoyable issue…but I’m not sure I would care for it without already having a working knowledge of the “main” Onslaught story. Taken by itself as a random issue and being a big fight scene, it’s not really something to specifically seek out unless you’re looking for all the Onslaught issues, or a complete PAD run on this title.

The ’90s Revisited: Hulk #8

hulk008Death Match

Writer: Erik Larsen
Pencils: Ron Garney
Inks: Sal Buscema
Letters: John Workman
Colors: Steve Buccellato
Editor: Tom Brevoort
Published by: Marvel Comics
Cover Price: $1.99
Cover Date: November, 1999

It’s been quite awhile since I last read any Hulk comics. I think the last story I actually read all the way through was Planet Hulk, and that was probably 4-5 years ago now. But there was a time that I read Hulk on a regular basis–back in the late 1990s when Marvel rebooted most of its titles and I got in on the “ground floor” with a lot of them.

I pulled this copy of the issue from a 25-cent bin. Truthfully, it was Wolverine on the cover that grabbed my attention. While I don’t entirely care for the faces on the cover, the coloring really got me: the orange background and its contrast to the green Hulk, and the coloring of the Logo, and even the “Wolverine vs.” banner across the top, making this look like a one-shot/special.

The interior art is good stuff, with Garney and Buscema on pencils/inks. No real complaints there overall. The visuals slid right by, not distracting me from the story.

The writing by Larsen is so-so: I wasn’t blown away, but I wasn’t entirely turned off, either. Seems kinda fitting that Larsen brought Wolverine into the issue–I’d have to check to be sure, but I’m pretty sure he was the writer on the main Wolverine title at the time. We also get some hints at things that were brewing in the X-Men corner of Marvel at the time–such as the new Death, Horseman of Apocalypse.

Though it’s been a good 14 years now since being reunited with his adamantium-laced skeleton…this issue is from shortly before that: this is bone-claw Wolverine taking on the Hulk, and it was interesting to see this take on the character again, after having re-acclimated to the more contemporary Wolverine whose continuity doesn’t seem to even have any reference to the “bone-claws” era.

While I don’t much care for any of the issue’s subplots, hardly remember the context leading to this and remember nothing of what came after before Jenkins took over and the book added “Incredible” to its title again, I certainly got my 25-cents’ worth out of this. I wanted to see a Wolverine/Hulk fight, and that’s what I got, for much of the issue. At 1/16th the cost of a contemporary Marvel issue, and 1/8 the cost of this issue’s original price…25 cents very well spent.

The ’90s Revisited: Superman: The Man of Steel #50

supermanmanofsteel050The Trial of Superman! / Part 1: Split Personality

Story: Louise Simonson
Penciller: Jon Bogdanove
Inker: Dennis Janke
Letterer: Ken Lopez
Colorist: Glenn Whitmore
Assistant Editor: Duffy & McAvennie
Editors: Carlin & Carlson
Published by: DC Comics
Cover Price: 2.95
Cover Date: November, 1995

This was another issue I pulled from the quarter-bins not too long ago: it caught my attention because of having revisited the issue’s cover when complaining about the newest DC Superman title, Superman Unchained and lack of explanation to the “unchained” part. But seeing the issue handy for only 25-cents, I re-bought it in order to easily re-read it…far easier to pay 25-cents than have to shift a number of heavy longboxes around and root through at least 2 boxes to find my original copy.

This issue begins the Trial of Superman arc…one of the larger arcs of this era of the titles, crossing through about 3 months’ worth of all the Superman titles at the time. Yet, as typical of the era, the story as a whole is an ongoing narrative, so this picks up with an ongoing plot, and sort of merges into what becomes the main plot for The Trial of Superman.

We pick up with a grossly weakened/decayed Superman, virtually powerless, barely skin-and-bones from an ongoing fight with a new incarnation of the Parasite. While some of the details played out on-panel in a previous issue, here we get context and figure out along with the characters what the present status quo is of the Parasite, which makes him all the more dangerous. Things don’t end with putting down the threat posed by the Parasite, as Superman is captured and faces an alien tribunal seeking to hold him accountable for the destruction of the planet Krypton…and things are not pretty.

While I like the cover quite a bit, I’m not all that thrilled with the interior art. I don’t remember having much of an issue with it “at the time,” but taking this alone and pretty much out of context–and being much more used to the last several years’ worth of interpretations of Superman–it’s not to my liking. And while explained in-story by the Parasite draining him, Superman just appears rather “off,” and impossibly skin-and-bones to even have survived any of what he’s put through in the issue.

Story-wise, I’ve never–that I can recall–been any fan of the Parasite character. I’ll be one of the first to want to see villains who are a physical danger to Superman (as opposed to businessman Lex Luthor, or the likes of the Toyman or Prankster) but I’ve just never been interested by Parasite, and have a particular dislike for the round-mouthed “parasitic-worm” look the character was given in the mid-’90s.

This issue boasts plenty of cliche in the villains…but works decently enough overall. I got a definite sense of how overwhelmed Superman was here–dealing with the Parasite and mid-battle being kidnapped into space, and the shock of this alien tribunal wanting to make him accountable for the destruction of a planet gone before he was technically even born.

I enjoyed re-reading this…and it certainly has me contemplating re-reading the entire arc…which I believe I have a collected volume, which would make said undertaking far simpler than trying to dig single issues out or tracking down new copies.

The ’90s Revisited: Wolverine #79

wolverine079Cyber! Cyber! Burning Bright!

Script: Larry Hama
Penciler: Adam Kubert
Inkers: Mark Farmer and Mike Sellers
Lettering: Pat Brosseau
Coloring: Steve Buccellato
Editor: Bob Harras
Published by: Marvel Comics
Cover Price: $1.75
Cover Date: March, 1994

I was introduced to the X-Men in 1992 or so–though I have a vague memory of a 1989ish viewing of the one-shot “pilot” Pryde of the X-men. My clearest memory of early discovery of the X-Men is a re-viewing of that episode along with the initial premiere of the 1990s X-Men cartoon. And of course, Wolverine was quite a stand-out character. But it was barely a year after I was introduced t othe character that he lost his adamantium in the Fatal Attractions crossover…it would be about six years and another 70-odd issues of “bone-claw Wolverine.”

Which makes this issue that much more significant to its time: now that his claws are “just” bone, an interesting question was answered as we learned that yes, indeed, his claws could now be broken.

And just as the cover focuses on the agonized broken-claw Wolverine, the issue itself isn’t all that memorable other than the fact that Wolverine’s claws are broken. Musing at recent events, Wolverine finds himself having to face Cyber, yet another villain after him for his adamantium…only to have the villain realize that Wolvie no longer has the famed metal, and is far more susceptible to a sound beating. During their scrap, Cyber sees an opening and takes it–stomping the exposed claws and breaking them off, a whole new experience for either character.

So, not a whole lot to the story itself, but definitely an extremely key moment in Wolverine’s history…the first time his claws had ever been broken. And the question also set out would be: do they regenerate? And how would this affect the character moving forward?

Visually, I quite enjoyed this revisitation of Kubert‘s take on Wolverine. As this is from very early in my experience reading the Wolverine solo title, this really IS “my” Wolverine. I’d forgotten all the double-page “tall” layouts, though…something I never really cared for. Takes me out of the story a bit having to physically re-manipulate the way I’m holding the issue and re-orient visually.

Overall, definitely a “dated” issue–between Cyber himself, and the bone-claw Wolverine, and given how common it became for the claws to get broken and grow back (I believe Kitty Pryde at one point was shown to use old broken claws as weapons herself?). And as a piece of “history,” not a bad issue to snag for a one-off read; though I’m sure I appreciated this more having read it before, as well as surrounding issues before and after, and remembering this “era” rather fondly.

The ’90s Revisited: Action Comics #761

actioncomics761For a Thousand Years…

Writer: Joe Kelly
Penciler: German Garcia
Inker: Joe Rubinstein
Colorist: Glenn Whitmore
Seps: Wildstorm
Letterer: John Costanza
Associate Editor: Maureen McTigue
Editor: Edddie Berganza
Published by: DC Comics
Cover Price: $1.99
Cover Date: January, 2000

This is one of those fairly “one-off” issues, the sort I tend to quite enjoy, despite being one who thoroughly enjoys a rich “continuity.” While cover-dated as January 2000, this came out in 1999, and is one of the later issues of the ’90s run on the Superman titles that has really and truly stuck with me through the years.\

While there’s stuff with ongoing plot details, the heart of this issue is about Wonder Woman recruiting Superman to assist an ongoing battle of the gods. Unfortunately, the two find themselves stuck–they cannot return home until the war is over…and they learn that war can last for a very, very, very long time.

I quite like the cover of this issue…at least compared to the main interior art. The art isn’t bad, mind you–but it’s a bit less detailed and more cartooney than I remembered. Beyond that, I’m neither put off nor enamored by the art–it does what it should conveying visuals of the story, it just doesn’t blow me away in and of itself.

The story is what really makes this issue stand out in my memory, such that I had but to see the cover to know this was the issue the story was in, and recall the overall plot. This is the Superman I grew up on, and hold to be “my” Superman: the one who is great friends with Wonder Woman, but extremely sure of himself and his relationship with Lois. That what he had with Lois was essential to who he was, and not something casually set aside for some woman who also happened to be “more than mortal” or some such.

I like the epic-ness of the issue, though it’s a bit far-fetched in a lotta ways, especially in this “era” of Superman. At the same time, it fits–as there had already been hints–if only in Kamandi: At Earth’s End and the DC One Million stuff–that suggest Superman would go on to have an extremely long lifespan. I honestly don’t recall how much “fallout” there was from this issue–but there was some, I’m almost certain.

Despite plenty of attention given to the supporting cast, this issue is a fairly good stand-alone issue, if plucked by itself from a bargain bin. For me, it’s one of the stand-out issues of the 1990s-era Superman run, of all the ongoing titles, simply FOR its dealing with the Superman/Wonder Woman/Lois “triangle” and (to me) strongly affirming where the characters stand with each other.

The ’00s Revisited: Captain Marvel #17

captainmarvel017Cheating Death

Writer: Peter David
Pencils: Jim Starlin
Inks: Al Milgrom
Colors: Steve Oliff
Letters: RS/Comicraft’s Wes Abbot
Assistant Editor: Marc Sumerak
Editor: Tom Brevoort
Published by: Marvel Comics
Cover Price: 2.50
Cover Date: May, 2001

This issue grabbed my attention because of Thanos on the cover. Besides Thanos himself, there’s just something to the cover’s colors that I really dig…it’s so colorful without being gaudy or even all that bright…it’s just really nicely drawn and colored; the generic background sets Thanos, Thor, and Genis off quite well; and the coloring of the logo and such even fit nicely…though I might’ve gone with more of a gold for Captain Marvel to better match Thanos’s gold coloring.

This was another quarter-bin discovery, at least this copy of the actual issue–I’d bought and read it as a new issue back in 2001, and still have that copy…somewhere. So I do vaguely recall some context, both prior and subsequent to this issue, once I got to reading. But even sticking solely to this one issue by itself, I rather enjoyed the Thor/Thanos bickering, and even the dynamic with Rick and Genis and having to be aware of the environments they’re in when the swap places. And of course, the now-iconic “Klang” that I’ve come to appreciate in context of Quantum & Woody from Valiant.

We find Thanos recruiting Thor for some part of a larger plan…of course, Thor is not at all a happy camper, given his recent tussles with Thanos. But he’s convinced of his necessity in things, and goes along grudgingly. Meanwhile, Marlo (Rick’s wife) is being haunted by the ghost of…a friend, or coworker, I don’t recall exactly, she’s just here (the details were in earlier issues of this run). Rick finds himself in a bit of trouble, as the entity that has Thanos recruiting Thor to begin with makes his appearance, and the “big guns” duke it out.

Visually, I very much enjoyed the interior art. Starlin has–for me–defined these characters to the extent that just seeing his name on the cover would have drawn me in. As far as I’m concerned, “Marvel cosmic” doesn’t get much better than sharing involvement from Starlin.

Story-wise, David always did have a great feel for the characters he involved in this series, making them his own, and giving them quite a memorable voice. There are elements from this series that settled into the core of my thinking about comics, and this take on Captain Marvel remains my absolute favorite.

This issue reminds me of how much I’d enjoyed this run on the series, and has me remembering rather fondly other issues, and a bit of a rekindled interest in re-reading the entire run…and certainly wishing Marvel would put out an omnibus collecting this entire first run of PAD‘s Captain Marvel.

The ’90s Revisited: Uncanny X-Men #325

uncannyxmen325Generation of Evil

Writer: Scott Lobdell
Penciler: Joe Madureira
Inkers: Townsend & Ryan
Colors: Steve Buccellato & Electric Crayon
Leters: Richard Starkings and Comicraft
Editor and Chief: Bob Harras
Published by: Marvel Comics
Cover Price: $2.95
Cover Date: October, 1995

This issue always throws me, just from the cover. This is from that period of time when Marvel apparently thought the covers’ numbers didn’t matter and would have the issue’s number in tiny print somewhere in the UPC box, at the bottom of the cover, rather than somewhere near the upper part with the cover logo. For this cover, they actually hide all of that–the title logo folded to the inside, and the UPC to the back cover, so all you have is Storm, Colossus, and Wolverine attacking someone off-panel, and a tiny banner at the top specifying this as a Special X-Men Anniversary Issue. (20th anniversary of the “All-New” X-Men from Giant-Size X-Men #1)

While the issue opens on the X-Men playing baseball, the bulk of the issue features a “return” of Morlocks, apparently in the wake of some of their number taking on the name “Gene Nation” or such and executing terrorist acts around the city. Leader of the Morlocks Callisto shows up and explains it’s the “younger generation” that feels the older has failed them, failed to act–and seeks to rectify the issue. This also brings up Storm’s “history” as a former leader of the Morlocks (having once challenged and beaten Callisto FOR said leadership), and what that means for her in the face of the current situation.

Story-wise this is a solid issue; nothing horrible about it to me; but nothing fantastic, either. However, having the baseball game is a great moment…the sort I recall truly enjoying in the X-books…just seeing the characters relax and not have to be fighting the villain of the month/issue…I’d probably thoroughly enjoy a full issue that’s nothing but the characters just being who they are, interacting with each other; no villains or any particular antagonist, period. I like that the issue is definitely set in continuity, dealing with the history of the Morlocks, as well as keeping several subplots moving (Gambit, and Rogue/Iceman).

Visually this is a mixed thing for me: the style is a bit cartoony at points and feels a bit “off” to my sensibilities with these characters, and yet it totally brings back (good) memories OF this era of X-Men comics, and works in that regard.

For an issue fished out of a 25-cent bin, certainly well worth the purchase and reading. There’s no funky foiling on this copy, so I think this is the “newsstand” edition where the original copy I bought when it came out new I’m pretty sure was the “direct edition” or otherwise had shiny-ness about it. (Which works for my interest in “converting” FROM shiny covers to standard/newsstand editions for my various “runs” of series). It’s also worth noting that these days, this would probably be at least 2-3 variant covers, rather than the 4-panel wrap-around/fold-out this actually carries.

Given the lengthy role Marrow (I believe) went on to play in the X-Books, this is a good jumping-on point to see where she comes from and (presumably) changes. All in all quite a high-quality bargain-bin purchase!

The ’90s Revisited: Spider-Man Team-Up #7 (featuring the Thunderbolts)

Old Scores

Writer: Kurt Busiek
Artists: Sal Buscema, Dick Giordano
Lettering: Comicraft’s Team Dave
Colors: Tom Smith
Cover: Steve Lightle, Mark McNabb
Assistant Editor: Glenn Greenberg
Editor: Tom Brevoort
Published by: Marvel Comics
Cover Price: $2.99
Cover Date: June 1997

I remember the hype around the whole Heroes Reborn thing. After the Onslaught event (which began as an X-Men “event” and spread to the wider Marvel Universe), the Fantastic Four and the more prominent Avengers (specifically Captain America, Thor, and Iron Man) were shunted to another universe and “our” Marvel Universe was left without its heroes–just mutants more hated and feared than ever before.

And I remember learning of some new super-hero group, the Thunderbolts. Without researching and lacking 100% memory, I want to say they first appeared in an issue of The Incredible Hulk, and were going to be seen around the Marvel Universe, filling in a bit of the void left by the other heroes’ disappearance. Then I learned they were getting their own series. Cool…an actual brand-new super-hero group. And of course, thanks to (most probably Wizard) I was “spoiled” as to their Great, Dark Secret–though it would be a few months after Heroes Return when Hawkeye left the Avengers to go insert himself as leader of the Thunderbolts that I started buying their title–I actually, truly followed Hawkeye FROM the pages of Busiek‘s Avengers to Busiek‘s Thunderbolts.

So though I was aware of them, it was a good way into the run that I started with Thunderbolts–it’s only been in the years since that I’ve gradually been acquiring their earlier appearances–the Hulk issue(s?), and even the early issues of their own series. And when I saw this issue in a bargain-bin recently, it hit on some interesting buttons for me, just from the cover and concept.

For one thing…it’s a ’90s bargain-bin issue…to me, you can hardly go wrong getting a ’90s comic for only 25-cents (or less, even, with the right bargains or bulk-purchases!). For another, this is an early appearance of the Thunderbolts (I believe their own #1 is cover-dated May 1997, this is cover-dated June ’97). So this would be within the earliest concept of the Thunderbolts characters–before they were “outed” to the world for actually being the Masters of Evil (not really a spoiler, it’s been 15+ years AND it’s detailed within this very issue). And as a bonus, ’90s Spider-Man long before any talk of One More Day or a Brand New Day (and as I found out reading this, no talk of clones, either!)

I often lament contemporary comics’ high prices–hating the $3.99 price point and wishing for the previously-lamented $2.99-from-$2.50-or-less as $2.99 by comparison is much preferable. And here, this comic from 15 years ago is carrying a $2.99 cover price…but it’s a 38-paged issue (easily $4.99 or $5.99 and an “Annual” at that, these days!). Reasonably-priced at $2.99 with the extra pages, putting it well enough in line with $2 cover prices for 20-22 pages at the time.

The story itself is at once simple and cliched as well as nicely layered. When a guard at a warehouse is killed, a survivor sees a figure making a getaway that can only be Spider-Man! The mayor’s office reaches out to the Thunderbolts, to track Spidey down and bring him in for questioning…a task some on the team are all-too-thrilled to take on. The ‘bolts split into three groups to take on different aspects of their task–looking into the crime site, specifically searching for Spidey, and keeping an eye on a potential target-site. Continue reading