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Ultraverse CD Romix Revisited

prime001.jpgSomehow, it never even occurred to me to check YouTube for these. But Prime artist Norm Breyfogle recently posted a link to the Prime video in the Ultraverse Facebook Group, and I noticed the other two–Hardcase and Freex–have also been put on there.

These are “CD Romix,” a combination of audiobook/motioncomic/quasi-cartoon. I remember first seeing these at a local convention/dealer room back in ’93 or ’94. As a kid, had no budget for ’em. But a few years later, I came across ’em at a dollar store…maybe ’97 or ’98.

The best part–to me–was that there was an actual audio track on the CDs, which I was able to rip to digital file, and I’ve tended to have these on my iPod to this day (I just listened to Prime #1 the other day, actually!).

Definitely a fun “blast from the past”!

Prime #1:

 

Hardcase #1:

 

Freex #1:

 

Eulogy for a Favorite Character

char_death_thumbLast week I’d seen SOMEthing online about something big happening in Marvel’s Uncanny Avengers issue; but I flatly ignored it; get tired of the click-bait claims from Bleeding Cool at times. But then yesterday I saw something a bit more SPECIFIC, including stuff about a favorite character. So, much as I hate doing so for brand-new issues, I bought the issue digitally just so I could get the actual CONTEXT of things for myself.

I’ve seen SO MANY “deaths” in comics that it hardly phases me. It’s mostly “just” another story element at this point. Whether the death of Captain America or Professor Xavier or whoever…I DON’T find myself all that bothered. It’s in service of the story, or I just figure “hey, they’ll be back sooner than I’d like!” or such.

But this one? “Shock value” or WHATEVER…it just sits wrong with me. Sits wrong in a way that most character deaths in comics do not. And I think part of that is that this time it’s a character that’s been one of my favorites through the years…one that I haven’t seen touched by “death,” and perhaps also the fact that it’s a specific female character.

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Expired Patience

expired_thumbI’m out of patience as I type this. I am supremely annoyed at Marvel and their arbitrary barely-a-year-IF-that-long “expiration” of digital codes for redeeming a digital copy of $3.99+ issues they’ve published.

I touched on this the other day, but now it’s a focal thing for me. THEN, it was sort of “hey, whatever…annoying but live with it.” Now I’m just FRUSTRATED and totally put-off the whole thing.

The digital editions of the issues in question? They’re all still available on comiXology from Marvel. I believe I could still BUY the digital editions from Marvel itself. But because I read the issues when they came out and so didn’t get around to revisiting them until just over a year later…suddenly that so-called “added value” of the digital codes is null and void?!?

Sunday night (Dec 1st) I attempted to redeem some more codes…TWO codes that failed supposedly expired November 29th. Less than 48 hours and the things expired and there’s no apparent leeway in that.

But it’s not like the digital editions don’t exist out there, still for sale. Just that there’s an arbitrary “expiration” for whatever reason. I don’t much care what that reason is, or for the fact of any fault of my own (sure, I didn’t redeem the codes earlier, but a year is a rather short amount of time compared to say, movies with digital copies that at least get a 2-year window!).

WORST of all, I opened my AvX hardcover, and learned that APPARENTLY that code expired about 3 weeks ago. Nothing on the cover saying there was an extremely limited expiration date on the thing. (But on the cover there IS a blurb proclaiming it a Print AND Digital edition!). Yet, I saw a print edition of this book on a shelf at a Booksamillion barely 2 days ago. If half the product is the “digital copy,” and that’s no longer valid, shouldn’t the price of the entire thing be cut?

This whole experience totally sours me on the idea of the so-called “free digital copy” thing, sours me on Marvel in general, and unfortunately (if only in the moment) sours me on digital comics. At least the PRINT EDITIONS can be bought “whenever,” be it a year later or 10 or 20 or 30+ years down the road.

And if that “free digital copy” is supposed to be part of the “added value” of the issue and “justify” the cover price…SURELY an extended redemption-window can be afforded!

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Green Friday

The other day I snagged several books for 75%-off…including one of several Green Lantern Corps books I’ve been meaning to get for awhile. Today I wound up getting another. Then I realized that I had but to get the Emerald Warriors book to finish my pre-New 52 collection of the books…so checked Comic Heaven…and they indeed had it. So…I now just have New 52 GL books to catch up on…and I’ve already started THAT with Rise of the Third Army (having caught Comixology‘s 99-cent sale on the main GL book for its first year + Annual last weekend).

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The Maxx and Expiring Digital Codes

Time certainly flies…especially when LOOKING BACK over the time that has PASSED. With this week’s new comics, I picked up The Maxx Maximized #1. It’s a recolored reprint of the original series. The cover reminded me a lot of the original–I originally thought it was simply a recolored version of the original, but it’s not quite–and I wound up picking it up simply for the nostalgia, and I’m gradually becoming a “sucker” for seeing what something from when I was a kid looks like with modern technology and techniques.

The original is dated March, 1993…so these are technically 20 years apart, nearly 21.

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…and then I found a copy of the ORIGINAL in a quarter-bin, so I actually get to (conveniently) do a side-by-side comparison of the thing. And the new one looks good. I do like its coloring better, and it LOOKS more modern.

While on the subject of time passing, though…you know those “free” digital codes that Marvel does with their $3.99-and-up books?

Yeah, I was still getting the AvX stuff in single-issues at the time they started. Unfortunately, I’d never gotten around to peeling the stickers off and keying the codes into the redemption site.

So last night I sat down with a stack of last year’s AvX books and keyed a bunch in.

But alas…of all of these, only TWO worked. The others all gave me an error saying the code had EXPIRED.

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Now, I GET that they don’t want to have “rogue codes” out there for years and years…but REALLY? It’s a freaking DIGITAL FILE. There’s no “original,” there’s no “shipping,” the thing’s out there ANYway for people to BUY to this day…so where’s the harm in allowing the code to work so long as the file is AVAILABLE? I mean, yeah…in 4, 5 years, THAT might be excessive. In 4-5 years, maybe Marvel will have yanked their stuff from Comixology, and thus the current system/databases may not work and all.

But this just makes me feel like I got “shorted” on my purchases, EVEN THOUGH I “knew” they expired “in a year.” I guess I’d better get to digging through stuff from the past year or so and see what I can still actually GET, just for the sake of redeeming ’em.

New Leonardos

I recently added a couple more Ninja Turtles to my collection. Last week I acquired a couple new Raphaels…this week I went the Leonardo route. I found a 2-pack of Mash-‘Ems with Leonardo and a Foot Ninja–where you see exactly what you’re buying rather than a random blind-pack–and got the Pop! Vinyl figure.

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…and all my “main” Leonardos at present:

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Valiant’s Comixology Ads: Easily My Favorite Ads at Present

valiantpastandpresentadsI typically ignore ads in comics as much as I can, finding that more often than not they’re just not relevant or interesting to me. Sometimes an ad will really stick out to me, though–such as the ad for the Deadpool Corps series a few years back with the “Deadpool Corps Oath.” I’ve also posted before about quite liking the way Valiant was doing its back-cover house-ads; though the last few months they’ve shifted to a full-cover ad for Unity and such, with a two-page spread inside to advertise a month’s books.

I’ve also noticed–pretty much since the Valiant launch back in May 2012–the recurring Comixology ads in the various books. The ads are pretty much the same, except for the showcased covers. For each title, the ad changes to show the first issue of the original ’90s valiant series next to the (non-variant) cover of the first issue in the current series.

I’ve found myself enjoying these ads, and the sense of history they impart. If you’re a fan of the classic books “trying” the current stuff, they show that the classic stuff is available simply, through Comixology. If you’re just a fan of the current stuff, it shows what the original cover was, and offers a “way in” if you want to check out the original take on the character(s). Plus, to me, there’s just something about seeing the two covers next to each other that I like in each ad. (Though it also drives home my frustration at the abundance of variant covers from the current Valiant and solidifies my preference for the “standard” or “iconic” cover of a given book).

These also remind me THAT so much classic Valiant is now available digitally, and will certainly facilitate some of my reading soon, as I’m likely to grab the digital editions of early issues rather than wait til I can find the print editions (for stuff like Harbinger, X-O Manowar, and Rai in particular). It’s already allowed me to read what I believe is the entirety of the original Quantum and Woody stuff.

Anyway, as recurring ads go, or quasi “house” ads, these have gotta be my favorite since the various Superman house ads in the ’90s in the DC books.

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Thoughts on Last Week’s Comics: Week of November 20, 2013

X-O MANOWAR #19

xomanowar019I’ve said before–right now, I’m “all in” with the current Valiant. As such, I quite enjoyed that this is a tie-in to Unity. PLUS, it just makes sense: since Aric–X-O–is the inciting factor OF the events of Unity, it would be rather weird for this book to NOT touch on that. Where I’d thought Unity seemed like a slightly more epic issue of X-O Manowar, with a more expanded cast…this issue does a great job of re-humanizing Aric, keeping him relatable and not being some god-like faceless alien bent on conquering a country. Yet, after Unity #1, Nord‘s art here seems out of place and rather weird to me. The story continues on from earlier issues, and events have built rather organically, so nothing seems forced. I like the cover’s symbolism, as well as the design: the Unity Tie-In blurb is at the bottom of the cover, so looking at the cover, the info is there…but it does not take away from the Valiant trade-dress at the top, and in a typical comics-racking format, it’s probably not even going to be seen, and thus the book sells itself on its own merits without RELYING on being a tie-in.

BLOODSHOT AND H.A.R.D. CORPS #16

bloodshot016I continue to be impressed with this “new direction” and re-titling of the Bloodshot book. While I remember anticipating the supporting cast that I’d thought was being built to, the H.A.R.D. Corps angle is working really well for me. It feels like an organic development and mixing, and the characters seem to fit together quite nicely. Perhaps most of all I greatly appreciate that despite adding H.A.R.D. Corps to the title–literally–the numbering continues onward…Valiant clearly recognizes that the series doesn’t need to re-start to #1 again every few months. Seeing Bloodshot himself amped up with the tech H.A.R.D. Corps sports–albeit more powerful since he can survive stuff normal humans can’t–is an additional treat in finding out what the character can, can’t, and will/won’t do. I’m also liking the ongoing interactions with Harada, as it makes sense that someone like Harada would be involved in far more than just chasing down some kids. I’m hoping the H.A.R.D. Corps crew is around for quite awhile, and that this title keeps up with the quality. I’m certainly around for awhile yet!

ETERNAL WARRIOR #3

eternalwarrior003I noticed an “editor’s note” in this issue, placing the events of the issue/story before the events of Archer and Armstrong #5…and that one little note made me suddenly enjoy this story all the more. Instead of being just some random story, knowing it takes place before the other appearances of Gilad in the pages of Archer and Armstrong, X-O Manowar, and now Unity gives me more context to appreciate. This is in its own way an origin story for the Eternal Warrior…not so much how he came to be (that’s touched on in A&A) but how he goes from one status quo to the “present day” status quo of Valiant in general. I’m also quite appreciating the character interactions, and laughed out loud at the old lady trying to shush Gilad and his daughter for their arguing in public. I’m interested in the conclusion of this arc, but admittedly even MORE interested in #5, seeing the Eternal Warrior of the future…which is kind of a shame, given advance solicitations and “convention announcements” and such, as I’d have more preference on just anticipating the current arc.

TMNT NEW ANIMATED ADVENTURES #5

tmntnewanimatedadventures005I’m finding myself growing to PREFER Brizuela‘s visual style to the actual cartoon itself. The turtles look great in this issue–as they have in the previous issues. While Fishface is one of the more ridiculous concepts of the series, this issue shows what a threat he can be, and is maybe the first time I’ve come this close to enjoying the character at all. I’m drawing obvious parallels between this series and Archie‘s TMNT Adventures; both developing from tv series, both serving as an alternative for fans of the cartoon vs. just the comics. This series has yet to straight up adapt any episodes, yet it’s set in the same continuity, rather than developing its own universe. It works, I’m going to continue on with this title if only for the art…but unfortunately, some of the shininess has worn off for me, and I find myself preferring the regular ongoing IDW continuity. Still, fans of the show will appreciate this most likely, and it’s a good title of one-off/one-issue stories if you want to read something with the TMNT but not have to deal with a lot of continuity or related/tie-in issues.

BEN10 #1

ben10001I was originally drawn to Ben10 upon discovering Dwayne McDuffie‘s involvement, and watched a handful of episodes from a DVD I snagged sometime last year. I never managed to get very far into the series (and I think what I saw was the equivalent of a second or third season), so I’m not all that steeped in Ben10 continuity to know if this is a tie-in or continuation of the cartoon’s continuity, or just its own thing. I don’t suppose it matters TOO much…I zipped right through the issue and enjoyed it in and of itself. However, not being entirely certain of where this is in the larger Ben10 universe/timeline, I’m pretty sure I’m left “on the outside” just enough that I’m not really the target audience for this book. Still, it was worth my trying for being the first issue…but I rather doubt I’ll keep sinking $4/issue into this. If you are or have a fan of the show, I’d definitely say check this out…it’s the premiere issue, after all. But if you’ve never experienced anything Ben10, this issue doesn’t particularly fill you in on stuff so wouldn’t seem the greatest ‘first-introduction-to-the-series/premise’ story to dive in on.

DOCTOR WHO: PRISONERS OF TIME #12

doctorwhoprisonersoftime012I haven’t read issues 1-11, but I bought this issue BECAUSE it’s the last issue…also in anticipation of the Day of the Doctor 50th Anniversary Special. Story-wise, I was fairly lost…not having any details whatsoever of the previous 11 issues. I’m also a bit iffy on the art, with this issue having something just a bit “off” about the various Doctors. Despite that, I could recognize them all, and love the double-page spread of all 11 Doctors. That I could identify each is testament to how far I’ve come as a Doctor Who fan since March of this year. I’d figured I’d probably go for a collected volume of this series, but I’m pretty sure it’s being split into 3 books, so barring a single-edition, I’ll cut my losses with having this single issue that includes all the Doctors and be glad I only spent the $3.99. I imagine if you’ve been following the series to date this puts a nice cap on the series and possibly the entirety of IDW‘s holding of the DW license. In and of itself, I’m kinda “meh” on this…the issue wasn’t bad, but not exactly my cup of tea…yet I hope that’s more my lack of 11 issues’ context than anything of the series itself.

New Raphaels

I recently added two new Raphaels to my TMNT collection. The little guy is one of those Mashables squooshy things you can find in Target and Toys R Us in little green canisters. The bigger one is one of those Pop vinyl figures that have wound up with a huge assortment. I got this one at the local Booksamillion.

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And the entire Raphael collection at present:

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This Week’s Comics Haul (November 20, 2013)

I’m loving the $1 “promo” issues of late. At the LEAST they add “value” to the “stack.” I picked up Doctor Who: Prisoners of Time #12 (of 12) on a whim just to check it out since I haven’t a clue when I’ll get to read the entire series. And Ben 10 I figured I’d just try, see if I liked it. With only about 8 titles and at least 4 Wednesdays in a month, I haven’t figured out why Valiant can’t better “stagger” their books!

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Also hit the quarter-bins at JC’s in the Falls. Finally got Supergirl #1 (PAD’s run), couldn’t pass up Superman the Man of Steel #1 on principle (see upcoming Akron Comicon post from the con a couple weeks ago).

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And finally got Superman Red to go with my Superman Blue that I got a couple years ago. I’m re-realizing how much I like the pre-New 52 Tim Drake Robin character, particularly given my history with the character and comics in general (another story for another time). These figures will be coming out of the packages ASAP; to display with my other JLA figures, and the cards are slightly curled and just seem “worn” such that I might as well ditch the packaging.

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