• January 2026
    S M T W T F S
     123
    45678910
    11121314151617
    18192021222324
    25262728293031
  • On Facebook

  • Archives

  • Categories

  • Comic Blog Elite

    Comic Blogs - BlogCatalog Blog Directory

New Toys: Foot Cruiser, Supermen, and Munchkin

Last weekend, I finally pulled the trigger on buying a Foot Cruiser I’d seen at a local vintage toys store.

foot_cruiser_a

This is–from what I understand and recall–one of the earlier vehicle toys for the TMNT toy line in the ’80s. Story-wise, I believe this is supposed to be a flying car–one that Shredder got ahold of that was left behind by the Neutrinos.

foot_cruiser_c

I found that I really liked the coloring of it, and got it into my head that I did actually want it, though I’ve typically held to "just" getting the "van" vehicle for the TMNT lines as the "iconic" vehicle, never having cared to drop the kinda money required for a Technodrome toy.

foot_cruiser_b

And of course, it goes quite well with a couple of Foot soldiers riding about, wouldn’t you say?


Along the way, I’d come across this Superman pack, containing a figure from five different toy lines; though the Justice League Unlimited figure is a "repaint"–I believe the line had ended well before the onset of the New 52 and the trunks-less costume.

superman_ultimate_collection_front

With the addition of these figures to a shelf full of Supermen already, I may need to expand to a second shelf or otherwise spread stuff out a bit more…or pack ’em tighter together!

superman_ultimate_collection_back

It also helped–in deciding to purchase this–that it was on clearance, making the figures individually MUCH better priced than most of them ever were as individuals! I’ve got my eye on a TMNT pack like this with a bunch of Leonardo figures, but that will certainly have to wait til after some other paycheck, assuming it’s even still available by the time I’d opt to go looking for it!


Finally, over the last few months, I’ve added to my Munchkin collection, with Munchkin X-Men as a surprise discovery on Amazon a week or two back.

new_munchkin_games

While they’re admittedly more "open space" than not, I found that I’ve really liked the "Munchkin Deluxe" editions with the square boxes, giving them more of a board game look than just a card game. And with the Guest Artist Editions also getting the same box treatmen, I’ve snagged a couple on sale. The Munchkin Legends I came across (surprisingly!) for 50% off as a sale price at Kenmore on Free Comic Book Day, and didn’t care to talk myself out of it, since I’d already been "interested" and resigned to the likelihood of having to pay "full price" minimum for it.


I’ve learned that the Star Wars collectible card/dice game from Fantasy Flight Games is "back in stock," and even saw some boosters last weekend. I was VERY interested in it back in late February/early March…but with the original set now being in-stock ALONGSIDE an EXPANSION set, with both in very limited quantities…combined with other comics, books/graphic novels, games, etc. that I’m also interested in–I’m just not gonna chase the game. Granted, the company vastly underestimated what demand would be and it was highly under-produced…but stuff I’ve read about the limited quantities of the base set and price-gouging I’ve seen on the secondary market…I’m gonna stick with finite, "fixed" games.

Like Munchkin.

The Weekly Haul – Week of May 10th, 2017

This was a pretty "simple" week, compared to the last several, with only two things I’d consciously planned on getting.

weeklyhaul_05102017a

The new Superman issue of the week, in Action Comics…and the final (late?) chapter of the Batman/TMNT Adventures mini. Then I also decided to check out The Lazarus Contract, and after it’s been how many months, snagged what I believe is the final chapter of A.D. After Death. And I had not realized it at the time when I ordered it, but Rise of the Dungeon Master turned out to be essentially a graphic novel format!

weeklyhaul_05102017b

I happened to peek at the bargain bins at Comic Heaven and found a number of New 52-era paperbacks on sale. For the same price as general Marvel #1s, I snagged these four collected volumes (each with at LEAST 4 issues’ content apiece!). I may be annoyed if DC does an omnibus of this series, but probably not too much–I have most of the rest of the "Constantine Library" in paperback (a couple volumes of The Hellblazer from DC You to track down, and decide if (probably, grudgingly yes) I want to count Justice League Dark and hunt those down, outside of the main long-running Hellblazer series from Vertigo).


Sadly, due to a delay, The Button did not conclude this week, but I believe that’s out next week…and now there’s this Titans/Teen Titans/Deathstroke crossover…following Superman Reborni and The Button, DC is managing quite a string of stories to really have me looking forward to the weekly comic shop runs for at least one, if not more titles…

Showing off the Shelves: Naoki Urasawa’s Monster

Back in 2004, a friend introduced me to Chobits, a manga series that had an interesting enough premise–lifelike humanoid computers, following one kid and his, which turned out to be a very special one, while he interacted with others around him and learned a big secret. I’d tried the first volume of that series, and then wound up getting the other seven or so volumes within the next few days as a major distraction with family stuff going on that week.

Not long after, I tried Fruits Basket, and I think I followed that up to the fifth volume…I’d have to Google it to see how many volumes that series ultimately had. And despite interest, I never really got into getting any of the Dragon Ball Z volumes, only ever got the first volume of Yu-Ki-Oh, and an assortment of Love Hina when I found a bunch for 25-50 cents apiece…most of the series to that point, but not comprehensive.

And even before all that, I’d found the first several volumes of Lone Wolf and Cub at a Borders Outlet for half-off, and I think actually managed to read the first 3-4 volumes that summer (2002 or 2003).

naoki_urasawas_monster_01_18

Then, back in 2006, not long after a friend had told me about this great series he’d just read (either in Japanese or “scanlation,” Viz had announced they were going to be releasing Naoki Urasawa‘s Monster in its Signature Series format, and I jumped in with the first volume…and “kept up” with it for several years, to around the 11th or 12th volume.

In the years since, I’ve managed to track down the final few volumes, to complete the series, without having to “switch” over to the newer “Perfect” editions (larger physical volumes, each collecting the contents of two of these).

And so Monster–as of a couple months ago–is one of only a handful of series (Manga or otherwise) that I actually have the COMPLETE series.

Along with the Manga, I’d also found a boxed set of the first few episodes of the Anime, though I never got around to watching more than a few episodes before getting distracted with other stuff.

Of course, as with most things…this is one that my not flying through or finishing (yet) is in no way a statement on the quality. The Anime seemed quite good, very faithful to the Manga.

And reading these–like most such volumes that I’ve actually read–drew me in and would make for relatively fast reading for the number of pages, and helped cement my preference in general for larger volumes over single issues, outside of a handful of series.

1990s Aliens Toys: Bishop

I remember, as a kid, seeing some Aliens toys while out at some store with my Mom. I’d thought they were kinda cool, but she had zero interest in buying any of them for me.

I think I’d associated them with an arcade game that was at the local skating rink…it’s also possible that I associated them with a bit of a movie I’d seen when Dad fell asleep watching tv; it’s also likely that–this being Kenner–I may have seen commercials for the toys. At the same time–the more I do think about it–I may have already read the novelization of Alien3, and perhaps had already seen the movies, which may have further explained my noticing/taking an interest in these…possibly prior to my getting into the books based on the Dark Horse Comics series.

I recently came across a couple of the figures at a local The Exchange and for the price, went ahead and bought them…though disappointingly, they did not have any of the actual Alien creatures…just a couple of the soldiers.

I was also particularly interested in the "free comic" that was included, quite interested in what that was content-wise. I did not bargain for it to be a rolled up pamphlet with no real story that simply serves as a guide to playtime and/or other toys to get!

Anyway…here’s stuff with the first figure–Bishop!

Aliens_Kenner_Bishop_front

The character looks like a "cool" android here, but not much like the film character. Considering these toys were (as I recall) marketed to kids, and (also as I recall in coming across them as a kid) found in the toy aisle with other kids’ toys…it’s just as well that there were differences as I doubt most kids that would’ve been wanting these toys would have been old enough to (responsibly) be shown such a violent R-rated film.

Aliens_Kenner_Bishop_back

The back of the card gives a tidbit of information about the character, and shows off the other toys in the line–something that (in this quantity) I wish more toy lines would do to this day. Seeing/knowing what’s out there does a lot more than having to (or happening to) "research" a toy line and whatnot. Show off the other cool stuff and prompt the person with this toy to also want those toys!

Aliens_Kenner_Bishop_profile

While these were just into the early 1990s, they tried to (somewhat) follow the "clip and collect" thing (something I personally most associate with GI Joe and TMNT figures).

Aliens_Kenner_Bishop_profile_instructions

Also good to have some basic info about the figure without having to "guess" or "not know until purchase" and getting the figure out of the package!

Aliens_Kenner_Bishop_back_tagline

"Space Marines," huh? "Space ______" sounds cool, I guess. Aliens "attacking," but no significant details. "heavy metal," yeah, ok, sign of the times. Generic text/"tagline"/"elevator pitch" for the line…rather sanitized, but hey…these were for kids!

Aliens_Kenner_Bishop_back_aliens

The aliens look a bit blocky here…but still cool. I’d be most interested in the Alien Queen and the Scorpion Alien, though wouldn’t mind getting the other two!

Aliens_Kenner_Bishop_back_marines

The rest of the "Space Marines"–though I notice at least one prominent character missing. Ripley had to be included, obviously…but otherwise, apparently who actually wanted any females? I’m not sure who "Atax" is with the "disguise" suit; but otherwise, looks to me like a good mix on the characters generically: A woman, "only" a couple white guys, a black guy, and robot.

And perhaps that was one of the things for the film–quite the good ensemble cast.

Aliens_Kenner_Bishop_back_vehicles

And as with any ’80s or ’90s toy line…of course you had to have "vehicles" to go with the figures! Of these, I’d sorta be interested in Ripley’s power loader…though ultimately I’m not all that interested in any of these.

As for the line itself, I’d love to find the Aliens themselves cheaply, even "loose," though I’d be quite interested in seeing what sort of "story" one gets across all the included "comics" inserts.

And speaking of said inserts…here’s the Bishop one, numbered as "No 1" and apparently starting off the adventure!

Continue reading

From the Archives: Batman/The Spirit #1

batman_the_spirit_0001Crime Convention

Storytellers: Jeph Loeb & Darwyn Cooke
Inks: J. Bone
Colors: Dave Stewart
Letters: Comicraft
Assoc. Editor: Tom Palmer, Jr.
Editor: Mark Chiarello
The Batman created by: Bob Kane
The Spirit created by: Will Eisner
Special thanks to: Denis Kitchen
Cover Art: Darwyn Cooke
Publisher: DC Comics

[ This review originally written for and published at comiXtreme/cxPulp some time back while the issue was new–within the first days to a week that the issue was available for sale. ]

I don’t know where this story takes place in continuity exactly (or even whether or not it IS in-continuity). But thankfully, that doesn’t really seem to matter.

Essentially, we get a story opened by the meeting between Gordon and Dolan, and their discussion leads into us (as the readers) discovering the story of “How the Spirit met Batman…” The story itself doesn’t seem particularly deep, and actually evokes a classic Silver-age feel, when events were just taken at face-value, simplistic, silly, and new as they might be.

A bunch of Batman’s rogues and a bunch of the Spirit’s rogues get together; and it’s up to Batman and the Spirit to foil the baddies’ plans. While things are going on, the vigilantes’ confidantes are each ‘seduced,’ and play their own role in the story’s ending.

I know next to nothing about The Spirit as a character. I know that he was created by Will Eisner, and something about the creator adding the mask to please someone with a say over the character being published or not (someone correct me if I’m wrong). The character’s identity, supporting cast, rogues, adventures, and in-continuity history are a mystery to me. Batman, on the other hand, I do know.

One might expect that to detract from the story, but it doesn’t. I got the feeling that a lot of characters were almost analogues of one another, in the way that one could compare Green Arrow and Hawkeye, Aquaman and Namor, and so on. Given that, you need only really know one side or the other to “get” the most basic concept of characters, and have at least some idea of what they’re all about.
The art seems at points almost overly-simplistic at first glance, but that (like the story itself) lends beautifully to a “classic” feel. Additionally, upon slightly deeper examination, it reminds me of the “Animated DCU” visually, which lends further enjoyment and timelessness to this story.

Overall, the issue reads rather like an extra-length episode of Batman: The Animated Series…and for me, at least, that is far from a bad thing. Possibly the worst thing about this issue is the price. I looked past the price due to the novelty of these two characters being thrust together and wonder at how (or even if) this will have any play in the new The Spirit ongoing. Was it worth it? Yeah…I’d say so.

This is a fun read, not so completely hokey as to make one check the date in the indicia, but by no means as serious-toned as a lot of other recent stuff coming out of DC. I can’t speak to longtime/familiar fans of the Spirit, but just for knowing the Batman-side of things, this seems like quite the enjoyable, faithful sort of mushing together of two characters who’ve never (to my knowledge) met prior.

From the Archives: Batman – Streets of Gotham #1

batman_streets_of_gotham_0001Ignition!

Writer: Paul Dini
Penciller: Dustin Nguyen
Inker: Derek Fridolfs
Colorist: John Kalisz
Letterer: Steve Wands
Assoc. Editor: Janelle Siegel
Editor: Mike Marts
Cover: Dustin Nguyen
Publisher: DC Comics

[ This review originally written for and published at comiXtreme/cxPulp some time back while the issue was new–within the first days to a week that the issue was available for sale. ]

This may be only the first issue of a new series…but it feels like something I’ve been reading for ages–and I mean that in a good way!
We open with Gotham’s police responding to an alarm to find Harley Quinn in civilian guise on the scene. Batman steps in, and we see Dick’s interaction with her (as well as an amusing bit from the new Robin, displaying his personality quite well). As the issue moves on, we’re introduced to Firefly and his latest scheme, as well as the interaction Batman has at present with Gordon and his police.

In some ways, this is a typical Batman comic. Then again, typical as it might be, there’s a whole lotta "new" under the top layer, as we have a new Batman, a new Robin, and with them whole new dynamics with existing characters (particularly Jim Gordon and the Gotham City police).

The writing is great stuff–Dini certainly knows his characters. I’ve enjoyed his issues of Detective Comics that I’ve read; and brought the expectation of that sort of enjoyment to this book. Thankfully, he delivers. Though not a focal point for the issue as a whole, the scene with Harley made the issue for me–I heard the character’s voice from the animated series in every word she spoke here, and it was a blast to read. She’s one of very few characters created for a tv show that I think works perfectly integrated into a comics universe afterward.

Nguyen on art is also a blast from the past–and still quite enjoyable. Some of the linework and shadows seem just a bit strange and over the top–but on the whole, a specific gritty, darker-but-not-too-dark tone is established that works really well for the book. The visuals are a bit stylized, and won’t appeal to everyone, though.

This series seems set to focus more on Gotham City and the things going on in the city and her people moreso than on Batman and Robin. That the two are the primary protectors of the city necessitate their appearance, but it seems we’ll get more of the GCPD in here, with Batman and Robin serving more of a well-noticed supporting role. While it’s no Gotham Central, this issue ges off to a good start, and has me interested in seeing more of the character interactions–almost more than finding out what happens after the cliffhanger.

Manhunter

Story Title: Strange Bedfellows
Writer: Marc Andreyko
Penciller: Georges Jeanty
Inker: Karl Story
Letters: Sal Cipriano
Colors: Nick Filardi
Assistant Editor: Janelle Siegel
Editor: Mike Marts

Manhunter/Kate Spencer moves to Gotham to take a new job. While we see her interacting with her new surroundings, we get flashbacks showing us what brought her to this point, giving context to the new status quo for the character.
Overall, I’m unfamiliar with the character, but for whatI’ve seen of her, this segment does not seem out of place. I’m not sure if the story here sums up what happened in the end of the ongoing singular-titled series or not, or if this story is simply the bridge from that series to the new status quo we’ll get as the co-feature in this title. Either way, the story’s simple, to-the-point, and not bad.

The art’s good, too. It’s not spectacular, but it is solid stuff and gets the story across with no trouble.

Whether the character was moved to Gotham because of the move to a co-feature in a title such as this I don’t know–but it works for me. All the more because we’ll get to see even MORE of Gotham through this character and her corner of things. The primary drawback is that with just under half a standard issue’s page-count, there’s less room to really get into the story–just as it gets moving, the segement concludes.
It’ll definitely be interesting to see the writer play with pacing given the page-count and whether or not–or how–it affects the story.

Like Blue Beetle in Booster Gold, this is another co-feature that actually feels worthwhile to me–I’ll probably never be thrilled paying $3.99 for a comic, but for the main story and the co-feature…this is a combo I can definitely handle for now.

The Weekly Haul – Week of May 3rd, 2017

This ended up being a "decent’ week of new comics–not horrendously expensive, but not all that small or cheap, either! But a bit of a spread on stuff I’ve been looking forward to, stuff I continue with, and some new stuff. Though it would have included Youngblood #1…except–thanks to all the variant covers–the "advertised" cover on the Image website was NOT available. Since I couldn’t get the advertised (and thus assumed to be "standard" or "basic" or "CVR A" or "regular") I did not buy the issue at all…and they lose any chance of my buying into nostalgia and trying any further issues. For screwing around with variants, they lose me entirely.

weeklyhaul_05032017a

This week sees part 3 of the Batman/Flash crossover The Button. A new Superman issue. Though I don’t plan to follow all 12 issues offhand, curious about the Bane: Conquest series, and the cover having a familiar-ish font for the logo and iconic look in itself as an image. New Captain Atom…and a couple new Ninja Turtles!

I am ESPECIALLY happy to see the return of the "classic" ’80s TMNT logo on the Funko Universe issue. E, after even the "classic" toys line adopted a "corrupted" form to make it look more like the newer branding!

weeklyhaul_05032017b

Having just last weekend "caught up" on the Life and Death mega-arc through the AvP properties, I’m rather keen for more all around, so definitely welcome this new Predator series.

I missed the Kamandi Challenge issue last week. And as to Swordquest….twenty-five cents. Not about to pass up that one…all the more with my nostalgia-factor kicked into high gear lately on stuff after listening to the unabridged audiobook of Ready Player One (and presently being "on the hunt" for War Games to watch for myself!).

No bargain/back-issues this Wednesday, no collected volumes.

We’ll see what’s waiting at week’s end…and Free Comic Book Day…and of course, the new Guardians of the Galaxy movie premieres tonight/Friday.

From the Archives: Batgirl (2008) #1

batgirl(2009)0001Batgirl Rising part one: Point of New Origin

Writer: Bryan Q. Miller
Penciller: Lee Garbett
Inker: Trevor Scott
Colorist: Guy Major
Letterer: John J. Hill
Asst. Editor: Harvey Richards
Editor: Michael Siglain
Cover: Phil Noto
Publisher: DC Comics

[ This review originally written for and published at comiXtreme/cxPulp some time back while the issue was new–within the first days to a week that the issue was available for sale. ]

This issue opens on an action sequence. Cars take off for a race no one can win, in a scam that has drawn Batgirl to the scene. While she deals with the criminal element, we see that Batman and Robin are keeping an eye on things. Batgirl removes her mask, and we find out who she is. As she goes about her everyday life, we get a flashback sequence that shows how she came by the costume and what led to the previous Batgirl vacating it. Meanwhile, Barbara Gordon spends some time with her dad as they adjust to living near one another again (a plot point begun this past spring in the Oracle mini-series during Battle for the Cowl). As Batgirl is once again drawn into action, we see that she has a long way to go to measure up to her own ideals. The issue closes with her meeting someone who’ll be either mentor or foe.
The issue’s art doesn’t blow me away–it’s good, solid stuff, but that’s something I really expect from any comic I read. I like that all the characters I know are recognizable visually and not just contextually. While I’m sure there are subtleties I’m not picking up on, for a new reader such as myself, the style works just fine and does what a comic’s art should do.

My only real complaint with the art is the structure of the cover. We’re shown the title character from the waist to nose, with an emphasis on her…feminine curves (where the outline of a bat–her personal logo–is situated). I assume the intent is simply to emphasize the character’s chest-emblem since we’re not supposed to know who is actually in the costume. Unfortunately, the outline of a bat around the word "Batgirl" denoting the comic’s title takes away from that…and makes it seem there’s a bit of emphasis on Batgirl’s chest.

The story itself isn’t bad, though it doesn’t have me all that excited about what’s to come. I’m mainly interested in seeing what’s to come with Barbara Gordon and how she handles the new Batgirl than I am Batgirl herself. I expect I’ll give this at least a couple more issues to really draw me in. If I were to decide from this first issue alone, I do think I’d give the series a pass for now and see if anything develops, then play catch-up if interested in the developments.

All in all, a solid first issue as first issues go…and it’s very much to the writer’s–or DC’s–or WHOEVER’s–credit that the "mystery" over "Who IS Batgirl?" has been more for the solicitations on the series than some point within the series itself. That we have the identity of this Batgirl on page 6 of the first issue (the title page of the issue) allows me the interest I’m sure I would NOT have had if the identity was kept secret from the readers.

If you’re interested in Barbara Gordon, or the Gotham characters in general, or just this side of the "bat-family," this issue is worth picking up–at the least it gives you the debut of a new Batgirl, context for her and potentially where she’s going, and you get to see Babs’ story continue and where that may lead in the near future.

From the Archives: The Atom and Hawkman #46

atom_and_hawkman_0046Bye Bye Birdie!

Writer: Geoff Johns
Art: Ryan Sook & Fernando Pasarin
Letters: Nick J. Napolitano
Color: Hi Fi
Editors: Adam Schlagman & Eddie Berganza
Cover: Ryan Sook
The Atom/Ray Palmer and Hawkman created by: Gardner Fox
Published by: DC Comics

[ This review originally written for and published at comiXtreme/cxPulp some time back while the issue was new–within the first days to a week that the issue was available for sale. ]

I’ve never been a huge fan specifically of these two characters, though I’m familiar with them and have read a number of comics they’ve appeared in. They’ve just tended to be on the outer edges of the books I read, showing up for the occasional guest-starring role or cameo, or as part of a team in a team book. I’d read the Return of Hawkman arc in JSA a few years back, and a few issues of his own series heading into Infinite Crisis. The Atom I feel I’m most familiar with from Identity Crisis, and material I’ve read online about both Ray and the new Atom and their adventures post-Infinite Crisis.

That said…this issue was quite enjoyable, rather accessible, and yet seems to have plenty for fans with ties to the characters going much deeper and much further back than mine.

In the "tradition" of many of the Blackest Night tie-ins, we open with a recap sequence of sorts, focusing on the character’s life, leading up to their death. This time, though, it’s a recap of the character’s compassion, and why Ray Palmer–The Atom–was chosen by the Indigo ring for recruitment into the Indigo Tribe. The Black Lantern Hawks (as Hawkman and Hawkgirl were killed and raised into the Black Lantern Corps way back in Blackest Night #1) then attack, and there’s the usual discourse between Black Lantern and Hero, as Hawkman tries to get Atom riled up and his heart ripe for the taking. As the fight wraps up for the present, Indigo-1 tasks Atom with protecting her–keeping her alive–while she contacts other Indigos across the universe who can reach the other Lantern Corps (so they know to get to Earth, where all the Black Lanterns are headed). While protecting Indigo-1, Atom is forced to recall the events that lead off Identity Crisis, as he again faces the horror of what Jean did to attempt to win him back. As the issue closes out, Ray makes an important request–one that seems quite obvious, and is something I would love to see accomplished.

This is definitely one of the better Blackest Night tie-ins. It seems that this issue’s events are more important and meaningful to the overall story than most of the tie-ins. While we do get some Atom/Hawkman interaction, it hardly seems like enough to satisfy expectation. It is, however, appropriate enough to an issue of a two-character book, as it’s natural that one or the other character may take more of a leading role, depending on the given story. As what is essentially a one-shot, though, it’s a bit misleading.

The issue having an important tie to the overall story is something that I suspect comes from this being written by Johns, essentially the orchestrator of Blackest Night in the grand scheme of things. The story touches on a number of elements–Ray’s role with the Indigos, a demonstration of what he can do with the Indigo ring, a confrontation with the Hawks, some resolution to things with Ray and setting a new course for the character–which makes for a very strong read. The recap at the beginning did more to clue me in on the past of the Atom than anything else I’d yet read (and I’m pretty sure answered my unasked question as to the premise of Sword of the Atom).

Sook‘s art is high quality as well, and does a great job of getting across the visual aspect of the story. It just fits the story, and worked very well for me.
All in all, a very strong one-shot issue within the Blackest Night arc. Though it remains to be seen how much–or what part(s) of this issue get recapped in the main mini…this seems to be a tie-in very much worth getting if you’re following Blackest Night, even if you’re not generally snagging the tie-ins.

Definitely recommended.

From the Archives: Adventures of Superman #648

adventures_of_superman_0648Look…Up In The Sky

Summary: Lois Lane reports on the destruction of Bludhaven and the response of the super-heroes.
By: Lois Lane
Photos by: Jimmy Olsen, Karl Kerschl and Renato Guedes
Additional Reporting by: Greg Rucka, Nunzio DeFilipis, Christina Weir and Jami Bernard
Graphic Design by: Richard & Tanya Horie
Copy Design: Rob Leigh
Editors: Eddie Berganza and Jeanine Schaefer
Editor in Chief: Perry White
Cover Art: Karl Kerschl, colors by Dave McCaig
Publisher: DC Comics

[ This review originally written for and published at comiXtreme/cxPulp some time back while the issue was new–within the first days to a week that the issue was available for sale. ]

This issue is another logoed Infinite Crisis crossover issue. This is where we get the immediate response/fallout to the destruction wrought by Chemo in Infinite Crisis # 4. Rather than dialogue and seeing "inside" the heroes’ reactions to that event, we get it from the perspective of some citizen of the DCU reading reporter Lois Lane’s article covering the heroes’ response as she observed it.

This makes for an interesting perspective, if not entirely original. The "narration" is simply Lois’ story, which provides the only words found in the otherwise "silent" issue. One moment that stands out to me offhand is a full-page panel of Green Lantern amidst the wreckage, obviously deeply pained over the event. I believe this would be apparent even without Lois’ observation.

My initial reaction to this being where the plot thread gets immediately dealt with was surprise–given that many characters have "signature cities" that are often as much a character as any humanoid supporting cast member. Shouldn’t this be dealt with in another book? Except of course, Superman being Superman is obviously going to help. And given that Superman’s so powerful (here, the specific focus is on his invulnerability), it’s not like the character’s going to stand by and let others die just to maintain some "image" or such.

The style of this issue remind me of the Superman issue (# 79, I believe) that was told in this same way, except it was Ron Troupe’s story scattered in the otherwise silent issue which showed the Cyborg Superman stopping an attempt in the White House on the president’s life, and that president’s endorsement of the Cyborg as the "real" Superman. Given the destruction the characters rally to face, I’m also reminded of the "Black Cover Spider-Man Issue" (Amazing Spider-Man v.2 # 36, I believe).
Getting the story simultaneously after-the-fact (Lois’ words) and as it unfolds (the visuals) works pretty well–and for the most part might be the only way to truly cram so much into one issue. If there was dialogue with us seeing/hearing the characters talking to each other and coordinating and whatnot, this issue would have be be double, triple, or even quadruple-sized.

On the one hand, it’s interesting that there are four people listed for the writing–three beyond regular writer Greg Rucka. I can give the benefit of the doubt on it to the writing style and giving voice to Lois’ writing, as journalistic writing is not quite the same entity as character-writing and may be more collaborative.
Visually, there’s a fair amount of blank-space on these pages, as the images are pretty much contained to panels, and those panels’ layout tends to somewhat resemble photos placed on a fixed-size page. Though the art is not by a single person, it works for me here.

I found myself reading the text, using the visuals almost as an abstract, seeing them but not diving in deeply. Letting the visuals enhance what I was reading.
No real complaints with the art–it’s not perfect by any means, and this issue continues a trend of having "extras" credited, assumably to get an issue out exactly on-time (given what it covers, this issue pretty much had to be out right after Infinite Crisis # 4. Same week, and someone reading this issue spoils a major part of that issue; two weeks after, and it’s old news compared to books that also touch on the ramifications.

Other than describing how some of the mess is specifically cleaned up quickly (which might be mentioned in other books–I don’t know), this issue doesn’t strike me as essential reading. It will enhance one’s reading of the overall Infinite Crisis event, though. The issue doesn’t even have to be a Superman one–this could almost have been labeled "The Daily Planet – The Day After Infinite Crisis # 4" and been a "special" or "supplement" issue.

My initial reaction to the issue was that it wasn’t all that good, but it is actually quite well done, and serves its purpose as a followup to one of the more catastrophic events in the DCU.