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The ’80s Revisited: Swamp Thing #72

90srevisited

swampthing072Gargles in the Rat Race Choir

Writer/Penciller: Rick Veitch
Inker: Alfredo Alcala
Letterer: John Costanza
Colorist: Tatjana Wood
Editor: Karen Berger
Published by: DC Comics
Cover Date: May 1988
Cover Price: $1.25

Way back amidst my earliest memories of having comics in my life, there was a pack of comics that included Swamp Thing #72 and ROM [SpaceKnight] #51 along with something else I can’t recall (possibly an issue of Detective Comics). I was at a friend’s birthday party, and these packs of comics were the "party favors." I was not yet particularly aware of most characters out there, and had no idea what this Swamp Thing series was–as a series or the main character, even. I may have flipped through the issue, but I do not recall actually reading it; whether I did or not my 2015 reading yielded an appreciation and enjoyment I certainly would not have had at age 10 or so when I received the comic.

Flash forward nearly a quarter-century and I saw the issue in a quarter bin and the nostalgia and curiosity hit me. For a mere twenty-five cents, I would finally read this issue and gain the conscious experience of having done so…see if I remembered the story itself from when I was a kid or if it truly was just the cover I remembered.

To say this was worth that 25-cent piece would be an understatement: even as a totally isolated, context less single issue, I quite enjoyed this issue. I have a long way to go in terms of learning about the Swamp Thing, but I’ve come to know a heckuva lot more than I did as a kid, both in the basics of the character as well as his place in the wider DC Universe, then Vertigo continuity, back to DC Universe, and so on…as well as his history with John Constantine, the Hellblazer. And that latter certainly contributed to my enjoying this, as Constantine plays no small role in this issue.

The issue is fairly dense, shifting between Swamp Thing, Constantine, and other involved parties. Swamp Thing and Constantine essentially are working different angles of the same problem–some sort of sprout involved in the succession of elementals/agents of The Green is being corrupted for lack of a proper host/soul. Swampy consults with Abby, and then we follow someone named Alden–seeing his annoyance at home as he gets around and goes to the office…where a secret that’s been cultivated lays exposed by Constantine. While this threat is dealt with, Swamp Thing spawns elsewhere (utilizing a package of potato chips to do so). Despite his efforts and Constantine’s results, the situation on Earth is not getting better, and we see that The Green has set something into motion (which we’ll have to pick up later issues to see).

This looks and feels much like an early issue of Hellblazer, which I really like. Of course, that makes sense given the issue’s date–I’m pretty sure Hellblazer started in 1987/1988. I do recognize Veitch as a name, whose work I’ve seen previously–though off the top of my head as I type this, I can’t quite place where (probably other Swamp Thing and/or Hellblazer stuff). The page layouts are interesting, and I think some of that comes from this being both written AND drawn by Veitch, allowing that much more synergy with the story and art, with both influencing the other.

This was published with DC‘s NEW FORMAT label and marked as being For Mature Readers…this pre-dates the Vertigo imprint by several years. Though the issue obviously is not aimed at kids, it’s more the subject matter and themes and violence that would make it questionable for the younger crowd…I doubt I would simply hand it to a pre-teen but it seems appropriate enough for teens and up; the Mature Readers wouldn’t seem to have to mean "18+" in this case.

By itself, this was certainly very well worth my twenty-five cents, and it rekindles my interest and curiosity in Swamp Thing as well as my appreciation in the ties between Swamp Thing and Constantine the characters, as well as Swamp Thing and Hellblazer the comic series.

The ’90s Revisited: Silver Surfer #45

90srevisited

silversurfer045Thanos vs. Mephisto

Writer: Jim Starlin
Penciler: Ron Lim
Inker: Tom Christopher
Letterer: Ken Bruzenak
Colorist: Tom Vincent
Cover: Ron Lim, Tom Christopher
Editor: Craig Anderson
Published by: Marvel Comics
Cover Date: January 1991
Cover Price: $1.00

This is an issue of Silver Surfer. That’s the series, the title, that’s the logo on the cover. But…the cover belongs to Thanos and Mephisto…there’s no attempt whatsoever to have the title character–the Surfer himself–worked into the cover image. There’s a square box that has no pretension of some callout or "burst" hyping something: it states simply The Boys are Back! and we see a stoic, confident Thanos "posed" for the image with a sorta creepy, up-to-no-good Mephisto putting an arm around him. This image alone evokes plenty of thoughts and depth…surface stuff and far deeper, should one wish to hyperanalyze.

The cover belongs to these two…as does the interior. The Surfer has fallen (in the previous issue, I’d assume…it’s been well over a decade since I last would have read this run) and he and the Destroyer (Drax) lay lifeless at Thanos’ feet–their souls having been sucked into the Soul Gem. Other than the opening full-page shot and barely a reference in a subsequent panel and then a small panel at the very end of the issue reminding us of their existence–we don’t see Surfer or the Destroyer in the rest of the issue. And while this is a Silver Surfer issue…that does not bother me in the slightest, particularly having bought this for a quarter, because of the cover…and TRULY getting exactly what I wanted, what I expected out of the issue: Thanos and Mephisto. That’s what the cover promised, and that’s what was delivered.

Thanos has assembled his Infinity Gauntlet, having completed his quest to gather the Infinity Stones. The two beings who sought to stop him–the Silver Surfer and Drax, the Destroyer–have been defeated. Mephisto takes this opportunity to step him, pledging himself to Thanos, master of all. Along with doing so, he goads Thanos on, suggesting the greatness he can yet attain, if he reaches out with his infinite power to touch every living/sentient mind in the Universe. Thanos does so, and Mephisto’s ulterior motive is revealed: to steal the Gauntlet for himself. Of course, it turns out that Thanos was prepared for this, and puts Mephisto in his place, wherein the two come to an agreement about How Things Will Be…and we again see the lifeless forms of Surfer and Drax as Thanos considers the notion of there remaining any who could possibly be a threat to his plans.

This issue falls right in the midst of all the lead-up to The Infinity Gauntlet (1991), though unfortunately it does not seem to be part of the Silver Surfer: The Rebirth of Thanos collected volume. (I’m actually not sure if this has been collected anywhere at the moment?) And the cover–basic though it is (a simple greenish turquoise background with the two characters and then the usual cover dress)–just hit the right nostalgia button for me.

Starlin‘s writing here is spot-on for me; I so associate him with this material–this run on Silver Surfer, all his stuff on Thanos heading into and then during the core Infinity Gauntlet and so on–that this is essentially a "perfect" comic. This is Thanos as I appreciate the character, like the character, and simply reading this issue leaves me anxious to re-read this whole run of the title. As Thanos’ creator, Starlin gets a "pass" from me: what he says goes, and if he’s writing Thanos, then to me…that IS Thanos.

Lim‘s art is absolutely fantastic and iconic in itself to me…as depicted in this issue, this simply IS Thanos. The costume, the shadowed eyes, the star-flare in the eyes, whatever details I notice just works for me and seems perfect.

I already "know" this period of the comics; I know stuff before, after, and am certain I’ve read this before, so reading this is a true revisiting for me; like taking a cherished, favorite book and spending a few minutes re-reading a short selection. That’s probably why despite this chunk of story being right in the middle of the lead-up to Infinity Gauntlet, I so thoroughly enjoyed it as a single issue.

This issue is well worth grabbing, particularly as a bargain-bin issue…and especially if it’s truly not reprinted anywhere as yet. It’s a great middle piece between what you’ll find in Silver Surfer: The Rebirth of Thanos tpb and the Infinity Gauntlet.

The ’90s Revisited: X-Men Prime

90s_revisited

xmenprime001Racing the Night

Writers: Scott Lobdell & Fabian Nicieza
Pencilers: Bryan Hitch, Jeff Matsuda, Gary Frank, Mike McKone, Terry Dodson, Ben Herrerr, Paul Pelletier
Inkers: Al Milgrom, P. Craig Russell, Cam Smith, Mark Farmer, Mark McKenna, Tom Palmer, Tim Townsend, Hector Collazo
Letttering: Richard Starkings and Comicraft
Coloring: Steve Buccellato and Electric Crayon
Cover: Bryan Hitch
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: July 1995
Cover Price: $4.95

With this issue, we’re back to the “real” reality/universe/timeline/whatever. The 616 Marvel Universe. Bishop and his mission was a success, and by stopping Legion from killing Xavier…the Age of Apocalypse never happened, things have been set right. Or have they?

We have a bunch of plot points sharing this issue…while the various Age of Apocalypse mini-series led into X-Men: Omega, this issue now serves as the focal point for the return of the “regular” X-Men titles…as a “regular universe” Alpha issue to introduce readers to the current status quo of the characters and teams that make up the X-side of the Marvel Universe and send the readers into the mix of titles having had this bit of setup for where things are moving forward.

I do think that if Free Comic Book Day had been around in 1995, this would certainly have been a Marvel offering…an in-continuity quasi-anthology to get readers to jump aboard the entire line of X-comics.

I can’t say I’m honestly all that thrilled with this issue on this re-read. I certainly appreciate that there are “only” two writers credited, offering a bit of consistency to the story side of things. The issue is quite a mix visually due to the numerous pencilers and inkers getting their chance to work on pages presumably germane to the individual titles. Reading through this time, I noticed a bit of wonky art at points, but somehow was not particularly jarred by the shifts…perhaps for familiarity with the Age of Apocalypse stuff as a whole.

After the shiny “chromium” covers for X-Men: Alpha and X-Men: Omega, seems Marvel felt the need to give this a special cover as well–a clear plastic-ish thing with an inner orangey background. We also get the “alternate” X-Men logo, with the Prime part next to it…and the whole thing is a wrap-around (which I very much appreciate 20 years later in an age of VARIANT “interlocking” covers).

The story introduces or re-introduces some characters–and I even see hints of Onslaught in this reading. We find out that several characters–Nate Grey, Dark Beast, Sugarman, and Holocaust–escaped the Age of Apocalypse and wound up in the real timeline. Nate first appears in the “present,” while Magneto’s Acolytes only now in the present discover what will be revealed to be Holocaust…but Beast and Sugarman arrived 20 years ago, and were responsible for the Morlocks and Genosha’s Mutates, respectively. Marrow is reintroduced, aged twenty years from a prior appearance…Rogue and Iceman are on a roadtrip, the former haunted by whatever she saw in Gambit’s memories (Gambit’s in a coma). Trish Tilby reveals the Legacy Virus to the public along with the knowledge that it’s affecting humans as well as Mutants. X-Factor chases Mystique and Havok’s powers act up on him; X-Force’s base is destroyed. Wolverine is living in the woods outside Xavier’s mansion (refusing to reside under the same roof as Sabretooth) and Bishop is having unconscious outbursts as a result of the visions he’s having as a result of his temporal status in relation to the Age of Apocalypse. Amidst all this a mutant seeks the X-Men but winds up victim of humans lashing out against something they fear and do not understand.

This certainly sets up the various X-titles moving forward, so for that alone is pretty much an “essential read.” Yet, unless one intends to pursue those issues from mid-1995 that this is immediately germane to, there’s not much to really dig into singularly with this issue. Outside of characters involved and how they now will interact in the 616 universe, there’s no actual story-content directly tied to the story of the Age of Apocalypse timeline.

Given that, my covering of this issue is much like why I covered the non-Legion Quest X-books that preceded Age of Apocalypse: this is stuff coming out on the “other end”, the border, “bleed,” or whatever butting up against the Age of Apocalypse without actually BEING an issue of that..

While rarer than the Alpha or Omega issues in bargain bins, I certainly would not pay much more than cover price for this (and that would be a grudgingly-paid price). I’d seek this out to use as a starting point diving into any or all of the X-books of the time but certainly not if you’re only interested in the Age of Apocalypse.

Unlike contemporary Marvel, this does not kick off “the next” EVENT but rather gives the individual titles time to flex and explore their own things for awhile before everything heats up again with the following year’s Onslaught stuff.

xmenprime_wraparound

Ninjak #1: Then and Now

It was a little over 21 years ago as I write this that yet "another" chromium-covered #1 issue of a series debuted: Ninjak #1. The November 1993 issue sported a chromium wrap-around cover in the vein of X-O Manowar #0 (which I already had), and was supposed to be this great new series…but at least in my experience, it was nothing special or valuable or such.

ninjak_1993_2015_covers

I actually can’t even remember for sure if I had my own copy, or if I’m only remembering a friend getting it, though I remember him not being particularly enthused by the issue. I now own several copies, scattered throughout my collection–obtained from bargain bins over the years. But while I clearly remember getting and reading X-O Manowar #0, Ninjak #1 sparks no such memory.

I missed the premiere of a number of the "original Valiant" books, "joining in" well after the original Unity (I believe X-O Manowar #0 and Deathmate in summer 1993 were my introduction to Valiant as a publisher) and never got beyond the first issue of Bloodshot (which was purchased because someone recommended it as a "hot" thing akin to the Superman #75 I was in line with my friend and mom for). At the time I simply didn’t particularly care about Valiant‘s output beyond what I was reading about in Wizard magazine or picking up in "buzz" at the comic shops. The issues were expensive–$2.50 or so in a world of $1.50 comics; and I was into the Ultraverse stuff that I DID get to be there from the start.

But despite all that and plenty of other thoughts looking back…I remember that darned COVER. It is–for me–a rather "iconic" cover…in terms of Valiant, in terms of "the ’90s" and in terms of my childhood and early days in comics, becoming aware of stuff beyond Marvel and DC.

And now we have a NEW Ninjak #1 and series with no such gimmick to the "main" cover of the first issue…this one I read immediately, and reviewed earlier in this blog.

The ’90s Revisited: Superman/Doomsday Hunter/Prey

supermandoomsdayhunterpreytpbStory & Layouts: Dan Jurgens
Finished Art: Brett Breeding
Lettering: Bill Oakley
Color Guides: Greg Wright
Color Separations by: Android Images
Published by: DC Comics
Cover Price: $14.95

It’s been a bit over 20 years since this story first debuted, back in the spring of 1994. I remember the excitement I had for its premiere, and the orangey front cover of the first issue is rather “iconic” to me–extremely distinctive and always grabs my attention.

While this took Superman–and Doomsday–from actual continuity at the time, it’s a primarily stand-alone series that gave fans a rematch between Superman and Doomsday, as well as an origin to the monster. Its events drew directly from continuity and impacted ongoing continuity in such a way that it could just as easily have been part of the ongoing “regular” comics story-wise, though its epic nature was well-suited to a separate series.

While I read an old collected edition this time through, the series was originally published as three prestige-format volumes priced at $4.95 apiece (and this was in 1994!). The format, of course, put each at the size of a small graphic novel, and the collected work is as thick as any contemporary 6-issue volume.

While the rest of the Superman creative teams were also involved in the whole Death/Return of Superman saga, this volume being a Jurgens/Breeding work and feeling so very familiar in this read-through suggests to me that this is where I primarily came to associate Jurgens with Doomsday, and this has pretty much the best-looking renditions of the character (in my mind) to this day. (I certainly prefer this version by far to anything in the contemporary New 52 with the character).

Though the story works as a whole–Superman hunts Doomsday and the two fight once more–the story is fairly nuanced, and nicely balanced across the three parts. 

The first volume is a hunt–as Superman recognizes the impact of lingering fear from having died at the beast’s previous attack and the need to face his fear. While he seeks a way to find Doomsday, we see the creature’s arrival and impact on Apokalips…taking down Darkseid, the Cyborg’s return, and Superman catching up. As a first chapter it’d be rather short to have the two actually meet, and we see Doomsday sent off before Superman can confront him.

The second volume sees Superman (and Waverider) dealing with things on Apocalypse–taking down the Cyborg, as well as Superman learning the origin of the creature. The origin takes up a goodly part of the chapter, and provides a (fictionally) plausible background for the creature from inception to its emergence in the Death of Superman story.

The third and final volume sees Superman actually face the creature in battle, with an entire planet at stake, with a new costume for the occasion. (Said costume is rather cool in itself to me for the nostalgia factor, but reeks of ’90s belts and pouches. I look at it as a chance for the costume to be done but not have to be kept in-continuity.) The creature is defeated, and status quo restored, making this not exactly timeless, but free of absolutely fitting between specific issues of the ongoing Superman titles of the time.

Another nostalgic factor to me for this volume is the fact that it contains an “introduction” (something long lost in the contemporary age of collected volumes) by Jurgens, discussing the story’s genesis and including some early design sketches of Doomsday.

I believe this series was reprinted in the Superman/Doomsday Omnibus that came out awhile back (and which is presently out of print last I’d checked) but have seen the singles for this in bargain bins. I would certainly enjoy a nice “deluxe hardcover” treatment for this, or even combine it with the later The Doomsday Wars which was done in the same length and format detailing a later confrontation with Doomsday, Superman, and (I believe) the Morrison-era JLA.

All in all, definitely one of the “greats” from my childhood, a favorite volume, and it certainly holds up to this day. Re-reading this was far more enjoyable than any of the Superman: Doomed chapters the last several months, and felt like a far better spending of time.

Though best read in context/knowledge of the general Death/Return of Superman stuff, this can be read by itself pretty well. In and of itself it’s a complete story, that does not REQUIRE previous reading, nor does it drive one into future reading.

Classic TMNT Toys: Multiple Leos and Random Mutants

Back in the early ’90s, I was often “suckered” by the many “variants” on the main turtles. While I don’t believe I did many “sets” of all 4, my favorite of the four turtles was Leonardo, so I wound up with a lot of those.

I recently came across some of the old figures, which provided a bit of a trip down memory lane, so to speak.

multiple_leonardos

 

The Leo with the tall neck comes plugged in to a gun/trigger thing to make the legs kick…sort of a rock ’em sock ’em TMNT. Then we had Hockey Leo and TD Tossin’ Leo. There was some sort of Talkin’ Leo that used to have some kind of strip that fed through a speaker/mechanism on the back to spout a copule phrases. Then there’s Sword Slicin’ Leo from the Wacky Action set. And in front, my favorite: Storage Shell Leo. Not so much for the ridiculousness of opening the turtle’s back and stuffing weapons, but because if you didn’t really know any better, the figure looks normal, just a different (and I think superior) sculpt from the original.

Then we have a couple random mutants-du-jour…Muckman and Pizzaface:

muckman_and_pizzaface

Muckman originally came with a trashcan that attached to the back, and a miniature “sidekick” figure Joe Eyeball. The banana peel on top of his head comes off like a lid and you can squish some “ooze” in to have it drool out the mouth and gut, I believe.

Pizzaface is just…I don’t know, absolutely ridiculous, stupid, and there’s no way in heck I’d ever choose to buy such a character now.

Finally, we have Panda Khan:

panda_khan

I recently learned that Panda Khan was an actual character in his own comic that I suppose must have been licensed for a toy. I originally took him as simply another random mutant made up to sell a toy. [ Panda Khan info ]

Fool me once, shame on you: all those many, many figures back in the day. Fool me twice, shame on me: refusing to buy variants within the same line of figures.

storage_shell_leo

…and a closeup on the Storage Shell Leonardo, just cuz I really, really dig the sculpt.

The ’90s Revisited: Action Comics #761

actioncomics761For a Thousand Years…

Writer: Joe Kelly
Penciler: German Garcia
Inker: Joe Rubinstein
Colorist: Glenn Whitmore
Seps: Wildstorm
Letterer: John Costanza
Associate Editor: Maureen McTigue
Editor: Edddie Berganza
Published by: DC Comics
Cover Price: $1.99
Cover Date: January, 2000

This is one of those fairly “one-off” issues, the sort I tend to quite enjoy, despite being one who thoroughly enjoys a rich “continuity.” While cover-dated as January 2000, this came out in 1999, and is one of the later issues of the ’90s run on the Superman titles that has really and truly stuck with me through the years.\

While there’s stuff with ongoing plot details, the heart of this issue is about Wonder Woman recruiting Superman to assist an ongoing battle of the gods. Unfortunately, the two find themselves stuck–they cannot return home until the war is over…and they learn that war can last for a very, very, very long time.

I quite like the cover of this issue…at least compared to the main interior art. The art isn’t bad, mind you–but it’s a bit less detailed and more cartooney than I remembered. Beyond that, I’m neither put off nor enamored by the art–it does what it should conveying visuals of the story, it just doesn’t blow me away in and of itself.

The story is what really makes this issue stand out in my memory, such that I had but to see the cover to know this was the issue the story was in, and recall the overall plot. This is the Superman I grew up on, and hold to be “my” Superman: the one who is great friends with Wonder Woman, but extremely sure of himself and his relationship with Lois. That what he had with Lois was essential to who he was, and not something casually set aside for some woman who also happened to be “more than mortal” or some such.

I like the epic-ness of the issue, though it’s a bit far-fetched in a lotta ways, especially in this “era” of Superman. At the same time, it fits–as there had already been hints–if only in Kamandi: At Earth’s End and the DC One Million stuff–that suggest Superman would go on to have an extremely long lifespan. I honestly don’t recall how much “fallout” there was from this issue–but there was some, I’m almost certain.

Despite plenty of attention given to the supporting cast, this issue is a fairly good stand-alone issue, if plucked by itself from a bargain bin. For me, it’s one of the stand-out issues of the 1990s-era Superman run, of all the ongoing titles, simply FOR its dealing with the Superman/Wonder Woman/Lois “triangle” and (to me) strongly affirming where the characters stand with each other.

More Shiny Comics

After a momentary re-kindling of my fascination with “shiny covers” last week, I had the chance to raid bargain bins at a local Half-Price Books store as well as another comic shop, Comic Heaven a few days later over the weekend.

Got these six “shiny covers” at Half-Price Books:

moreshiny01

And then at Comic Heaven, snagged these as part of a 15/$5 deal:

moreshiny02

And while not of the shiny variety, found a full set of the Milestone #1s still bagged (I’ve seen these occasionally in bargain bins, both bagged and unbagged, but I don’t recall ever finding all 4 at once, bagged). I can finally build/complete the 16-panel poster now, as each of these comes with 4 panels of the whole.

milestone01s

Best part is, all the comics shown in this post, shiny covers, polybags, and all?
Cheaper than buying any 2 NEW comics today!

$3.99 vs. $3: Shiny Bargain-Bin Finds

Looking through a new mix of 25-cent books at the LCS today, wound up with a bunch of shiny covers, as well as a few random issues. I have GOT to get a list together soon of what I actually have and what I still need by way of ’90s X-books.

Started out with a couple random issues cuz they were there, and then grabbed Phalanx Covenant:

kenmore20121114a

And though I grabbed the Phalanx Covenant books for being there…wound up with the 4-part Generation Next arc–pretty sure at least one or two of these are new for me:

kenmore20121114b

I’m not sure now which issues of Hero Illustrated I’m missing, but pretty sure this one’s new…and for what it is and the price, if it’s a duplicate I’m glad to take a chance anyway. And given I’m not buying current New-52 Superman…well, Man of Steel #1 is just sheer awesomeness I couldn’t bring myself to pass up.

kenmore20121114c

And finally, for a mere 75-cents, almost $13 in 1990s sparkly-shiny-foil-chromium cover goodness:

kenmore20121114d

11 comics and a magazine for $3–still came out $1 less than any other single issue new this week. What’s it gonna take for me to give up the new and settle in with “just” the old?

The Intentional Valiant Haul

A couple weeks ago, I found quite a few Valiant comics as I rooted out my various X-Men comics and searched out a couple Magic: The Gathering issues.

I thought it was rather cool that I had a bit of a start on a couple Valiant titles.

Last week, I took advantage of a sale my local comic shop had going, and wound up buying significant runs of Bloodshot, X-O Manowar, Ninjak, and the 2nd series each for X-O and Ninjak…the majority of the issues for 90%-off sticker price.

The floodgate’s been opened…I could probably keep busy in 2013 reading and acquiring nothing but 1990s Valiant and 1990s X-titles.

bloodshotseriesone20120919

ninjakseriesone20120919

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xomanowarseriestwo20120919