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Wonder Woman #32 [Review]

Rise of the Olympian part 7: Compound Fracture

Writer: Gail Simone
Artist: Aaron Lopresti
Inker: Matt Ryan
Letterer: Travis Lanham
Associate Editor: Sean Ryan
Editor: Elisabeth Gehrlein
Cover: Aaron Lopresti & Hi-Fi (variant by Francis Manapul & Jeremy Roberts)
Publisher: DC Comics

THere’s a lot going on in this issue, even though much if it is essentially just an extended fight sequence. With six prior issues of build, with fights showing both sides discovering the other’s limits, it comes down to this do-or-die battle as Wonder Woman must overcome Genocide or lose all she holds dear. We also see as other elements come together that will cause plenty of trouble down the road, beyond Genocide.

What initially interested me in this story–the thing that prompted me to see it out from the start–was that Genocide was compared to Doomsday, in terms of the role it would play for Diana. And I must say that the comparison’s a fair one, though obviously with much different characters and story beats and all that.

Simone has a great handle on the character–I’m actually interested in this incarnation of Diana/Wonder Woman; I’m interested in the supporting cast (even though I can’t even remember their names yet), and I’m interested in the Bigger Picture–what’s going on with Zeus and his Olympian(s), and in general find that while Genocide brought me to the table, it’s the writing–the story itself–that has me quite willing to stick around.

The art’s pretty, too–visually, this looks like a comic book, but there’s a quality to the thing that is beyond any “generic” art. One definitely gets a sense from the visuals just how brutal this battle is, and how much of a beating Diana’s already taken. A page toward the end of the battle is particularly gruesome, though due at least in part to not being overly graphic and leaving it to the individual to fill in the extra details.

This both feels like a story ending and yet doesn’t. Elements that have been seen throughout the arc are continuing and probably about to come to far more prominence than we’ve had with ’em so far. But the meat of the story–the battle with Genocide–has a definite ending, while keeping the door open to future stories that’ll certainly reference this.

Though I stuck around for a handful of Rucka’s issues a few years ago and enjoyed them at the time–this current arc is the most I’ve been interested in Wonder Woman and the most I’ve really enjoyed the story overall. If you didn’t follow this arc, I’d recommend considering it in collected volume format, and giving the series a chance with the next issue, whatever story officially kicks off.

Story: 9/10
Art: 8.5/10
Whole: 8.5/10

Action Comics #874 [Review]

Suspicion!

Writer: James Robinson
Penciller: Pablo Raimondi
Inkers: Pablo Raimondi & Walden Wong
Colorist: Hi-Fi
Letterer: Rob Leigh
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Aaron Lopresti & Hi-Fi
Publisher: DC Comics

This issue picks up with Superman having a bit of a tantrum on New Krypton at the fact that General Zod not only has been freed of the Phantom Zone but that he now lead’s New Krypton’s army. After fists fail, talking ensues, and Superman grudgingly seems to let things slide for now, though he makes known his misgivings.Back on Earth, Kryptonians–with a specific exception made for Superman–are banned, which sparks the new Flamebird and Nightwing into action as their clock is ticking (and a blurb informing readers to follow them into next month’s Action Comics). Superman and Lois visit his fortress while he ponders things, and then a voice from his past cries out, leading to the issue’s cliffhanger.

The story isn’t bad, but really lacks some “oomph!” I find myself actually bored by the New Krypton stuff, especially given the abrupt ending of the titled story while this still feels like it should fall under that heading. This story also feels like filler, just sorta moving pieces on the board around to force stuff into a new status quo for next month with the Superman family of books.

The art also is not bad, but doesn’t particularly thrill me. Not bad, but not spectacular. It gets stuff across that needs gotten across, but doesn’t begin to get in line to be art I’d specifically choose for Superman.

Origins & Omens

Writer: James Robinson
Penciller: Renato Guedes
Inker: Jose Wilson Magalhaes
Colorist: David Curiel
Letterer: Rob Leigh
Asst. Editor: Wil Moss
Editor: Matt Idelson

This backup stars The Guardian, and basically follows him through some (for him) relatively normal activities in his new job as head of the Science Police. Some of his history is touched upon–particularly recent developments/revelations, with some hints of what may be in store for him given.

Though I don’t particularly care for Guedes’ art style, it works for me pretty well here–perhaps because it’s not Superman/Clark himself depicted but other characters I don’t have so firm an idea in my head as to what they look like. The story is basic, but then, six pages is hardly room for any great storytelling for the most part.

If you’ve been following everything New Krypton, or the “triangle numbers,” this is worthwhile, This is probably also worthwhile as a bit of a prologue to the new status quo for Superman and Action Comics to come. That the main story is shorted for the backup doesn’t exactly make the issue all that enticing.

Story: 6/10
Art: 6/10
Whole: 6/10

Wonder Woman #28 [Review]

Rise of the Olympian part three: Blood of the Stag

Writer: Gail Simone
Penciller: Aaron Lopresti
Inker: Matt Ryan
Colorist: Brad Anderson
Letterer: Steve Wands
Associate Editor: Sean Ryan
Editor: Matt Idelson
Cover: Aaron Lopresti & Hi-Fi (variant by Cary Nord & Hi-Fi)
Publisher: DC Comics

Having been badly hurt in combat with Genocide, Wonder Woman–Diana–has to face Tom in her weakened state, armored up for a battle she feels she must face as her own responsibility. As the JLA doesn’t fare well against Genocide, Wonder Woman, Donna Troy, and Wonder Girl (re)join the battle. Meanwhile, Zeus & co. set their own plans into motion.

I’m still not all that familiar with Wonder Woman, having gotten in only at the very end of the last series, and not really jumping into this series until a month ago. However, I’m finding the basic story easy to follow, and the depiction of the characters to be quite well-done for what little I know of them–and at the least, they’re interesting and I’m still hooked, wanting to know more. Simone seems to be breathing life into a character that often has not seemed all that important nor complex…showing that she really is important and does have complexity.

The art is good, and I have no complaints with it, really. It has a classic sorta look to it, somehow reminding me just a bit of the late 1980s series, while maintaining its feel as a current, contemporary style.

This is only my third issue of this round of following the character, but I’m following along just fine. If you can locate the first couple chapters of this story, it’s well worth jumping on-board for! If you’ve read those issues, this issue gives no reason to stop. My only real complaint with the issue is a quibble at most–Cheetah doesn’t play a large role nor is she the focal point of the issue despite the Faces of Evil focus.

Very much recommended.

Story: 8/10
Art: 8.5/10
Whole: 8.5/10

Wonder Woman #27 [Review]

Rise of the Olympian part 2: A Sense of Loss

Writer: Gail Simone
Penciller: Aron Lopresti
Inker: Matt Ryan
Colorist: Brad Anderson
Letterer: Travis Lanham
Associate Editor: Sean Ryan
Editor: Matt Idelson
Cover: Aaron Lopresti & Hi-Fi (variant by Frank Quiety [sic])
Publisher: DC Comics

This issue opens on Donna Troy communicating with Wonder Girl about what she’s likely to find as she heads toward the scene of destruction Wonder Woman was last seen at. Warning Cassie about the need to mourn AFTER what needs done is done, we see the girl’s reaction as Donna continues toward her destination…where Wonder Woman is alive, but horribly beaten, anxious as her lasso’s been taken from her. We see others’ reaction to events, even as the creature that did this to Wonder Woman returns to the Secret Society [of Supervillains?] HQ. The creature is known as Genocide, and insists the lasso be made a part of it. Meanwhile, Zeus calls some of his people “home,” while Genocide faces the Justice League.

All told, I have no real problem with any of the art in this issue. In fact, it’s really quite good on the whole. There’s a slight bit of “shiny-ness” to certain parts that seem to me would probably work better without coming across that way–but then, I’m not the artist, and I assume there’s supposed to be something there that would reflect light that way. The characters are distinct and recognizeable, and you could do so much worse!

The story here is what surprises me. I can’t really put my finger on what it is exactly, only its effect: I’m actually interested in a Wonder Woman story. I was interested in the concept of a new character that was to be “Wonder Woman’s ‘Doomsday,'” and when I discovered I’d actually missed the first chapter, made a point of snagging issue 26 along with this one. For the first time in several years–moreso than merely enjoying an issue, I’m interested/engaged enough that I wish the next issue would be due out this coming week! Simone seems to have a good handle on this character and her supporting cast (and I’ll admit I think it’s cool that a woman is writing the character).

I’m unsure as to who the Olympian in the story’s title is–Diana? Genocide? Someone else?–but to be honest, that doesn’t bother me at all. If you’re not already picking this book up, and you can locate the first issue of the arc, this is a decent point to jump in.

Recommended–at least consider the collected volume if you’re not interested in the singles.

Story: 8.5/10
Art: 7/10
Whole: 8/10