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Yet More December Acquisitions: The Complete Onslaught Epic

Thanks to a Black Friday sale (online), I was able to get vols. 0, 1, 2, and 3 of The Complete Onslaught Epic for well under the price of two volumes. I paid full price for vol. 4 at a local shop, as it was not available, and seemed (based on searches online) to be out of print and people asking WAYYYY above cover price.

xmencompleteonslaughtepic0to4

This set adds to my Complete Age of Apocalypse Epic as well as the Heroes Reborn and Heroes Return sets. I suppose next up–if I can find ’em cheap (say, $20 or less per volume) and be able to get the entire set in one go–is Spider-Man: The Complete Clone Saga.

Of course, I have a bunch of other volumes also on my “wish list” and I might actually use that as a topic of a later post before the year is out.

The ’90s Revisited: X-Men #41

90srevisited

xmen041Dreams Die!

Writer: Fabian Nicieza
Art: Ron Garney, Andy Kubert, Matt Ryan
Color: Kevin Somers/Digital Chameleon
Letterers: Oakley / NJQ
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: February 1995
Cover Price: $1.95

This issue is one of THE iconic issues of my youth. I’ve read and reread the issue countless times. It sticks in my head, and is one of the key issues I think of when considering X-Men stories. The cover image is iconic, as is the silver-ink coloring on the cover (shockingly enough in a way, there’s no foil to the cover.) I have a number of copies of this issue in my collection, as I often buy it from quarter bins for the nostalgic factor. And if only "mentally," the cover combined with my recollection of the issue really lends a bit of finality to the thing, like this really could be a "final issue." (Perhaps that’s also helped by the fact that Marvel doesn’t seem to like any of their titles getting much past 30 these days).

We open this issue with the four time-lost X-Men staring in disbelief at the scene that surrounds them–of Legion and Magneto trading blows in the skies over Haifa, their memories having finally returned (for all the good it does them). They seek out young Xavier, and take turns taking on Legion themselves, before Iceman finally manages to freeze him solid. Meanwhile, in the present, everyone comes to accept that despite their best efforts–of the several X-Men "tagging along" to the past as well as the attempt with Cable to contact them–they’ve failed and the finality of their universe rapidly approaches.

In the past, things come to a head as Legion pounces on Magneto, planning to kill him with a psionic blade…but young Xavier throws himself at them, and is the one killed. But with a dead Xavier, there never would be a David Haller. No David Haller means no X-Men-in-the-past. For that matter, no X-Men. No X-Men, no world where the X-Men have been around to save it umpteen times. Etc. Reality ends. With only moments to react, everyone faces the crystallization wave, taking their final moments in their own ways.

The world ends with neither bang nor whimper…but in an eerie, silent, shimmering shroud of glass. A world, which like one man’s dreams–proved to be such a delicate thing. And when not handled with enough care…is so easily…shattered…

I’d forgotten or not really noticed before how much the art of this issue was broken up. I REMEMBER it as a cohesive whole…and this time through, even, just reading through, I didn’t consciously note any particular "breaks" in one penciler over the other. I just kept right on going, and would actually have to go back through very specifically to pick out which pages were by which team. Which is the way it SHOULD be, for this sort of thing. Garney and Kubert certainly complement each other with a similar enough style–whether one veered toward the other or not, I don’t know.

That goes into the story side as well…namely, that this was such a monumental thing for me back in the day, that even reading it now, it simply IS. I flew through the reading, remembering all these little parts as I went along, as I came to them. Yet the art never jumped out at me or turned me off for anything…it was just there, consistent enough that it definitely worked for me.

Huge as this issue is for what happens, it’s a quick read, and reeks of a foregone conclusion. The cover itself proclaims To All Things–An ENDING!" and we see a beaten Magneto holding the body of Xavier (not entirely accurate as Erik wasn’t yet Magneto and all that, but the cover gets plenty across symbolically with the costume’s presence).

The issue’s narration is particularly poignant to me even if it is a bit heavy on the "telling instead of showing" thing. By the final couple pages we see bits showing how fully in-continuity this is for the X-Books (though it didn’t affect the non-X books of the time).

It strikes me that for a contemporary comic of this magnitude, this would have been a foil-enhanced cover for sure, probably $4.99 to $5.99 and a Very Big Deal despite "only" ending the "prologue" to the main event it’s setting up: the massive Age of Apocalypse, with the entirety of the X-books going on hiatus for a third of the year, replaced by four-issue mini-series on a one-for-one basis.

This issue ends Legion Quest, and as an ending to that story, and as an issue taken by itself, it works well for me. With modern comics it seems like story endings are merely backdoor prologues for the Next Big Event. While, yes, this "leads into" Age of Apocalypse in general, the issue itself ends, with finality. Legion Quest is the story of Legion going back in time to kill Magneto, with several X-Men hitching a ride back to stop him, while the rest gather and try to "help" as they can from present-day…but as a whole, the entire thing fails–including Legion himself…which ends their reality.

So far as we see and "know" within the story, everything ends. No broken timestream–just an ending. No revelation of some alternate timeline, no popping-in of some hero from another timeline to save things at the last second, no deux ex machina resolving things in the final panel, no crap ending to an otherwise decent story…this could very well have simply been THE end.

And for the kid I was, this was exciting stuff, and took me "all in" for Age of Apocalypse, and combined with Superman and Batman stuff in the couple years prior made for a massive touchstone in my experiences as a comics reader that holds over into the present.

As my rambling on this issue shows…I’m hardly unbiased, and have loads of thoughts and memories associated with this. But having now covered this issue…next week, I look at X-Men: Alpha and then on into the Age of Apocalypse itself!

The ’90s Revisited: X-Factor #109

90srevisited_thumb[2]

xfactor109The Waking

Plot: John Francis Moore
Script: Todd Dezago
Pencils: Jan Duursema
Inks: Al Milgrom
Lettering: Starkings/Comicraft
Colors: Glynis Oliver
Editor: Kelly Corvese
Group Editor: Bob Harras
Published by: Marvel Comics
Cover Date: December 1994
Cover Price: $1.95

While this issue’s cover proclaims itself the start of Legion Quest, it’s still more of a prologue/lead-in than an official chapter…at least in my reading of it. The issue seems to be happening pretty much alongside Uncanny X-Men #319, though its labeling marks an official starting point from back in an age where stories were not “written for the trade” and neatly grouped in 4, 5, or 6 issue arcs with the eye on the collected volume.

The issue opens with Mystique in a hospital room being confronted by a couple members of X-Factor, where David Haller (Legion) has just awoken from a lengthy coma (I believe he’d been in the coma since the final pre-“adjectiveless” X-Men #1 launch). She’s there to kill him for (apparently) having killed Destiny, and X-Factor is there to stop her from murdering the boy. Finding herself outmatched, she makes to escape, vowing to return; and X-Factor pursues. The situation doesn’t go well, and eventually we’re left with Legion leaving the hospital and passing a message from Destiny (or *a* Destiny in his head) to Mystique. Legion then zaps X-Factor away, and leaves, talking about making things better.

The art’s a bit iffy for me–not bad, but there were parts (especially panels of Legion himself) that just look weird and exaggerated to me. Overall, no huge issue with the art, but it did distract me at a couple points, taking me out of the story.

The story itself isn’t entirely helpful–to me, it’s a “slice of life” sort of thing, with no “previously” page and not a LOT of context on stuff. At the same time…it’s not really needed…especially not for MY purposes here of reading the issue. This read-through is specifically for the issue being part of the Legion Quest stuff, and not for any specific story otherwise going on in the pages of X-Factor. But there’s plenty to give some context–Legion having killed Destiny, she and Mystique had History together, Forge was there when Destiny was killed, he and Mystique have some recent history, etc.

I really like that there’s some dialogue from Legion that I believe lines up with dialogue in Uncanny X-Men #319…this is the height of what I love about continuity in comics. In that issue, we see Xavier’s side as he dreams he’s interacting with Legion, and here we see Legion’s side, through the eyes of those around him at the time. This does not seem like anything that would truly fly in contemporary comics, from separate series not necessarily intended for collection in the same volume.

I also like that there’s lead-in to a story and it’s not just some sudden last-page reveal or epilogue sequence to something: we have at LEAST UXM 319 and this issue showing characters going about their business, the story unfolding in general but we get to key in on the specific “event” of Legion’s awakening and talking about changing the world for the better…which the main Legion Quest story itself is focused on as he actually executes his intentions.

The cover is a BIT misleading, showing a gleeful Legion standing over the unconscious (?) bodies of Mystique and X-Factor. But it fits the issue as we DO have Legion vs. Mystique and Legion vs. X-Factor, and Legion emerges victorious in both conflicts. Combined with the proclamation of Legion Quest beginning here, it’s a rather key image suggesting (among other things) that Legion’s taken out X-Factor before the X-Men even become involved…upping the threat-factor for the start of the main story itself.

Despite that, this issue is hardly essential to the core of that story, as I remember (not yet having read/re-read it recently). But this gives some good context, and alongside UXM 319 pads thing out pleasantly prior to jumping into the heart of the main story itself.

While not quite as enjoyable as last week’s UXM issue, I liked revisiting the X-Factor of this era, and getting a renewed sense of where things were at the time. Of course, even moreso I’m all the more eager to get into Legion Quest itself, and one of my all-time favorite single issues of a comic, as well as my all-time favorite X-Men story!

X-Termination [Checklist]

xterminationchecklistfrontMARCH 2013
Prologue: Age of Apocalypse #13
Prologue: X-Treme X-Men #12
Part One: X-Termination #1
Part Two: Astonishing X-Men #60

APRIL 2013
Part Three: Age of Apocalypse #14
Part Four: X-Treme X-Men #13
Part Five: Astonishing X-Men #61
Part Six: X-Termination #2

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Age of Apocalypse #1 [Review]

Writer: David Lapham
Artist: Roberto De La Torre
Colorist: Lee Loughridge
Letterer: Chris Eliopoulos
Cover: Humberto Ramos and Dean White
Assistant Editors: Sebastian Girner and Jordan D. White
Editors: Jody LeHeup and Nick Lowe
Published by: Marvel Comics

I was looking forward to this title. Of course, the last time I was looking forward to an Age of Apocalypse title was back in 2005 when Marvel did the 10th anniversary stuff. Enjoyed the one-shot, hated the mini-series. To this day I’ve refused to–even for “free” through a library–read that mini. Yet last year when it was announced that the Uncanny X-Force would revisit the Age of Apocalypse, I was excited. I was looking forward to it. And in the Dark Angel Saga, it was put to some use. Later I discovered that the AoA Nightcrawler would be part of the team, and decided to continue giving that title a chance. When the 2nd .1 issue in less than 2 years hit, I was suckered in with the classic Enter Now: The Age of Apocalypse logo, as Uncanny X-Force #19.1 was essentially Age of Apocalypse #0, or heck, what should have been #1.

This finally came out, and I very nearly quit reading the issue partway in. For me, Age of Apocalypse is a misnomer. Apocalypse’s “Age” ended in 1995, some 17 years ago. This new series, using that name, does so to “cash in on” the name of this classic X-Men story. I would be of more open mind with this series had it been given some other title, and just made it known WHERE it takes place.

This issue picks up where Uncanny X-Force 19.1 left off–the last human stronghold has been destroyed, the bulk of the remaining human population has been slaughtered. Jean and Sabretooth escape and join up with their allies. Having been stripped of their mutant powers, they’re just as human (or moreso) as these allies, who call themselves the X-Terminated. After a fight with this world’s Daredevil, we’re introduced to a man from Marvel’s 616-universe as well as a surprise player who may change things up a bit for all involved, just by being alive.

The art doesn’t sit well with me here. It’s rather stylistic, and reminds me of the visual feel I got from the AoA mini back in ’05. There were points that I was basically reading the dialogue balloons, with no true sense of what was happening in the panel. There’s something clunky, and sketchy, and perhaps semi-abstract to it, and while it gives this a vastly different tone than some “classic super-hero book,” it’s not in a way that draws me in or leaves me interested–visually–in ANY of the characters or setting.

Story-wise, I came into this assuming there’d be plenty I’ve missed since X-Men: Omega back in 1995 and whatever transpired in the 2005 mini-series. But between that series and the death toll in Uncanny X-Force #19.1 to set this one up…this seems a wholly different world, and at least in this issue, I don’t feel like there’s any TRUE connection to the fondly-remembered world built in my youth. As I read this issue, I simply did not CARE. There seems to be no particular redeeming quality to this world or its few remaining inhabitants. Stripping Jean and Sabretooth of their powers is not a concept that interests me in anything more than perhaps a What If..? one-shot at most. The X-Terminated likewise does not grab my interest, though I recognize a couple character names. I don’t care for the mixed tense of the narration–the last page in particular feels like it’s trying to show the present as someone speaking from the future looking back, which really takes something away.

All in all…it would seem that I’m the antithesis of a target audience for this book. I was honestly shocked when I realized this was NOT a $2.99 book–and though that gives it a slight bit of redemption (I’d’ve been incensed to have paid $3.99 for this!), it’s far from being enough.

If you’re a fan of what’s been done with the Age of Apocalypse “universe” over the years since the original “event” where what was simply an alternate reality became just another world in Marvel‘s multiverse, you may find more interest here than I did. If you like the idea of Logan–formerly Weapon X, now “Weapon Omega” as the Apocalypse-level big bad…yeah, pick this up. Along those lines, if you enjoyed the story set up in the Uncanny X-Force .1 issue, you may enjoy this.

On the whole, though…I gave this an issue, and while the final page reveal was a surprise I did not see coming, it actually disgusts me more than not, and was the nail in the coffin for this title for me, at least for now.

Story: 3/10
Art: 3/10
Overall: 3/10

A little on a lot: digital comics and pricing

As I’ve not been blogging regularly lately, there are a number of things I’ve been thinking about, had thoughts about, and generally considered blogging about/retreading, but haven’t. I sat down Saturday morning for awhile and typed a lot more than I intended. So I’ve broken that into several posts (this is one of those posts).

DIGITAL COMICS & PRICING

digicomicsI’ve bought a few issues of Batwing digitally a month “late” for the discounted price DC offers. However, I think I’ve only actually READ through issue 2, so I may look for some other series to try this way. Where DC’s got it right is that these are rather new issues, BUT I’m not paying the full identical price as the PRINT EDITION. Marvel doesn’t seem to do this discount only a month later. They have the Netflix-style subscription to “stream” comics (not actually buying/downloading them) or full price matching the print edition (or paying $3.99 for the print and getting a code to ALSO get a digital edition, but that’s a different thing). 1502Marvels are more expensive ANYway, which has put me off more of their books than I could probably list.

I cannot justify paying the same exact price for an electronic file as I’d pay for a physical comic. I’ve caved and see it moreso with ebooks, for convenience: but the primary reason for me for buying a digital comic WOULD be that it’s cheaper than the print, so I’m sacrificing convenience (of size/etc) in favor of a savings from DC. If the digital price is the same, I’m simply sacrificing convenience for the digital experience.

MARVEL $3.99 STANDARD PRICING

threeninetynineA couple years ago, I was all set to jump in on all the new Avengers books for the Heroic Age “relaunch.” BUT…I refused then and continue to refuse to pay $3.99 as a standard price. 4 Avengers titles at $3.99 each was NOT an investment I was willing to make. $2.99 each ($12/month) was within my tolerance…$3.99 each ($16/month) was beyond my tolerance.

regenesisMore recently, I picked up X-Men: Regenesis and Uncanny X-Men #1 and Wolverine & the X-Men #1, just to try ’em (and because I’d spent a half hour in a comic shop that didn’t have whatever I’d walked in looking for, and I wanted to justify to myself the time/effort of going). But while I probably would’ve given both series (and some of the other X-books) more of a chance, I refuse to pay $3.99/issue (especially as I believe Uncanny was $2.99 before the renumbering). I enjoyed Gischler’s X-Men series, uncannyxforce19point1but even that I finally gave up on because it just didn’t seem worth $3.99/issue.

I dropped Iron Man for the same reason: at $2.99, it was a solid enough title (down from my loving it after reading the 19-issue hardcover). But $3.99 is more than I’m willing to pay.

I’m somewhat “grudgingly” continuing with Uncanny X-Force, because it hooked me with the Age of Apocalypse stuff, and scratching the X-itch as well as Deadpool. But I’m looking for an excuse to drop it, and may just as soon drop it spur-of-the-moment sometime as not.

Uncanny X-Force #13 [Review]

Full review posted to cxPulp.com.

Rating: 3/5

Uncanny X-Force #11 [Review]

Full review posted to cxPulp.com.

Story: 4/5
Art: 4/5
Overall: 4.5/5

What If..? Age of Apocalypse #1 [Review]

classicreviewlogowhite

Quick Rating: Above Average
Story Title: What If…Legion had Killed Xavier and Magneto?

Summary: Here we’re shown what might have happened had neither Xavier nor Magneto lived to oppose the rise of an age in which the evil mutant Apocalypse rose to rule the world…

whatifageofapocalypse001 Writer: Rick Remender
Artist: Dave Wilkins
Colorist: Anthony Washington
Letterer: Nate Piekos
Production: Brad Johansen
Asst. Editor: Nathan Cosby
Editor: Mark Paniccia
Editor-In-Chief: Joe Quesada
Cover Art: Marko Djurdievic
Publisher: Marvel Comics

This holds a lot of potential–the original Age of Apocalypse remains one of my absolute favorite X-sagas, period. And seeing that world played with could be quite cool, taking the concept and pushing in another direction while remaining in the spirit of the original.

Unfortunately, while ripe with potential, this issue lacks the space to truly execute a high-level story re-doing that saga in the space of a single regular-sized comic.

We open with the Watcher informing us that in this reality that we are shown, both Xavier AND Magneto were killed by Legion (the original story saw only Xavier killed, with Magneto’s X-men opposing Apocalypse). The absence of both characters ushers in a different age of Apocalypse; we get a re-imagining of re-imagined characters. When the story kicks off, we see a band of mutants AND other heroes (Captain America, Thing, the "current" Dr. Strange, and so on) mount a final attack to preserve their haven–though one of them has ambition to go beyond merely surviving and seeks to change the whole of reality, despite warnings against messing with such business.

The story’s heart is in the right place, showing this alternate version of an alternate universe. It’s jam-packed with a lot of characters that, for lack of space to truly flesh them out, seem rather contrived and present for the "coolness factor" of showing them; there’s no room to really flesh them out and show where they came from, what brought them to this point.

The art seems rather sketchy, and at points characters seem to be out-of-proportion…This is no standard, clean-lined interpretation of the characters. While this would normally be a complaint with me, something about the context makes it work. The story takes place in a mucked-up world with little to BE bright, sun-shiny/happy about, and the characters can’t afford to be clean-cut "super-heroes" or such, and the visual style lends a certain edge that just works for the tone, allowing a bit of abstractness to get things across.

As with the Onslaught Reborn issue, the quantity of ads managed to annoy me and take me out of the story, and makes me wish all the more that I’d simply waited for the inevitable TPB of all this year’s What If..? issues to read without ads.

Given that this particular story delves back to the core of the Age of Apocalypse, it seems almost out-of-place amidst the others in this batch, taking on stories from the last 3 or so years. In and of itself, it’s an enjoyable enough read, though it feels like a pilot missing a series: I think something like this would have made for an interesting mini-series, giving more detail to the changes brought into the concept and setting things up; all the moreso for the "twist" ending.

You could certainly do better than this issue…but there’s a lot you could find that’s worse. If you’ve followed most of the stories this batch of What Ifs spring from, you might enjoy a collected version more than the singles.

Ratings:

Story: 3/5
Art: 3.5/5
Overall: 3/5