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Deadpool #16 [Review]

Want You to Want Me Part Two: No Man is an Island

Writer: Daniel Way
Penciller: Paco Medina
Inker: Juan Vlasco
Colorist: Marte Gracia
Letterer: VC’s Joe Sabino
Assistant Editor: Jody Leheup
Editor: Axel Alonso
Cover: Jason Pearson
Publisher: Marvel Comics

After the cliffhanger emphasis put on Deadpool’s decision last issue, this issue was rather abrubt to start out. Deadpool is flatly turned down and away. Upon further consideration, Cyclops sends Domino after him to bring Deadpool in to the team. This results in some misunderstanding between Deadpool and Domino, before Deadpool spills the beans on his plan to show the X-Men what “moves” he’s got to bring to the team.

This is my first new, bought-day-of-release issue of Deadpool in years. I vaguely recall picking up the final issue of Cable/Deadpool a few years back; prior to that, I don’t recall if I picked up the first issue of whatever the long-running solo Deadpool title became with that “reboot” back in 2001/2002ish. And before that, I’d picked up the first issue of the first 1990s mini-series (that came out the same summer as the first Sabretooth miniseries…guess which character’s ultimately had “legs”?).

The “previously” page lets one in on the bare essentials you need-to-know for this issue…I don’t even need to remember what happened in the previous issue (though I’ve enjoyed issues 15 and 12-14 [in that order]). This is one thing I definitely applaud Marvel on that I’ve long felt DC needs to do–especially the WAY Marvel does it, it’s something that adds to the single issue format, and is easily removed for the collected volume with zero loss of story or story pages. But it adds a lot to the issue itself…not to mention providing a consistent place to see which creator did what on a given issue.

Though there’s some dark, violent stuff to this series…there’s a warped sense of fun about it, too, that makes it simply an enjoyable book to read, with some amusing gags and pokes through the “fourth wall.” The art just plays right into this, as the visual style is very solid…and really quite good in and of itself. Cyclops, Domino, and of course, Deadpool all look quite good in this issue, and for that alone the art gets props from me. The visuals bring in contemporary looks for the various characters…and really makes ’em look about the best I’ve seen them in awhile–particularly Cyclops and Deadpool himself.

This issue and its story are grounded in the “Dark Reign” status quo the overall Marvel Universe is mired in…and yet thankfully keeps somewhat above it, in a way. There’s also the fact that the issue is a mere $2.99…which is QUITE a steal on a book from this publisher of late.

There’s plenty of backstory to be had in Deadpool as a character, even just from this current series. That context will add an extra layer of enjoyment to the reading of this issue. At the same time, short of another reboot or an issue specifically labeled on its cover or in solicitations as a jump-on point…this is about as good a jump-on point as one’s gonna get.

If you like the character and aren’t reading this book, I’d recommend giving it a shot. ALso, if you’re avoiding Marvel for all the $3.99 books and yet want a peek into the Marvel Universe of late…this seems an excellent title for peeking in on things at the already-high-enough $2.99 price point.

Story: 7/10
Art: 8.5/10
Whole: 8/10

Wolverine: Origins #30 [Review]

Original Sin: Conclusion

Writer: Daniel Way
Artist: Mike Deodato
Colorist: Rain Beredo
Letterist: VC’s Cory Petit
Production: Tom Van Cise
Assistant Editor: Jody Leheup
Editor: John Barber
Group Editor: Axel Alonso
Cover: Mike Deodto & Richard Isanove
Publisher: Marvel Comics

Daken is preparing to kill Xavier…and Wolverine provokes Daken’s rage, luring it to himself. After a bloody rumble with a glimpse into Wolverine’s memories of Daken’s mother, and the revelation of how Xavier survived the “psy-bomb” that he tripped when probing Daken’s mind, we are left with a Wolverine determined to head down a certain road.

The art is–by far–the best thing this issue offers. I definitely like the look of Wolverine’s costume here as depicted by Deodato (and colored by Beredo). Some panels are a bit unclear, and certain visual angles seem a bit strange and hard on the eyes in terms of actual clarity as to what’s going on. On the whole, though, not much of a complaint with the visuals.

The story on the other hand does nothing for me. Xavier’s condition seems a little too “convenient.” The interaction between Wolverine and Xavier seems forced, as does the revelation of their apparent past that after all these years of comics has just come to light. I still don’t care at all about Daken, and just don’t “buy” the reason of the character’s existence. I also have zero interest in whatever/whoever this “Romulus” is (I recall the name from the dreadful arc in Wolverine by Loeb, of course). I’m a bit confused by the issue’s ending–I’m not entirely sure what it’s supposed to mean in terms of Wolverine’s status quo and interaction with the X-teams and New Avengers and such.

Ultimately, at the end of this issue I actually asked out loud “That’s it?!?” This issue is far from satisfying, and while I initially enjoyed the idea of an Xavier/Wolverine story, the execution and final result is quite a disappointment, and I feel like neither character was particularly advanced story-wise…and that they may actually have been regressed or spoiled a bit by this story if it holds as any sort of defining point for either character or their relationship.

Recommended really only for anyone who has already bought the first four chapters…you’ve come this far, might as well see the trainwreck itself. If you’ve not followed the arc, I see no reason to get this issue–you can find much better Wolverine and/or Xavier stories to read.

Story: 4/10
Art: 7.5/10
Whole: 5/10