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X-Men Legends #1 [Review]

xmen_legends_001The Burning Blood Part One: Shattered Crystal, Scattered Dreams

Writer: Fabian Nicieza
Penciler: Brett Booth
Inker: Adelso Corona
Colorist: Guru-EFX
Letterer: VC’s Joe Caramagna
Assistant Editor: Lauren Amaro
Editor: Mark Basso
X-Men Senior Editor: Jordan D. White
Cover Date: April 2021
Cover Price: $4.99

Possibly my earliest conscious memories of X-Men comics are the X-Cutioner’s Song event/crossover issues polybagged with a trading card…because a friend was collecting that crossover. It didn’t mean anything to me at the time, personally…though I wasn’t too far behind getting in thanks to the then-new XTAS, and Fatal Attractions event/crossover. There’s still the nostalgia for me for those ranges of issues as such. Two of the earliest issues I can remember owning for myself are Uncanny X-Men #300, and X-Men #24. I do NOT remember "Adam X" nor much of anything about a "third Summers brother" at the time despite whatever issues I was reading…anything I DID know or think surely came from trading cards and/or Wizard Magazine. When Brubaker got to tackle the definitive answer to the question of that brother in 2005’s Deadly Genesis it also didn’t mean too terribly much to me for not being all that invested in there being or who was "the third Summers brother."

Anyway…X-Men Legends #1:

We open on Erik the Red directing his minions–the Crystal Claws–to attack Providence Hospital in Anchorage, Alaska. After much destruction and death, they find the people they’re after: Philip and Deborah Summers. The scene then shifts to find Cyclops and Havok–Scott and Alex Summers–back to back opposing a different wave of these Crystal Claw folks. Once victorious, they seek out Xavier for answers, given his relationship with a certain Shi’Ar. Before they get any, the brothers are called to Alaska where they learn of their grandparents’ kidnapping and ransom. The scene changes again to some flashbacky stuff of the childhood of a character calling himself Adam. He’s meditating in a field and when confronted, gets to show off his abilities with throwing weapons by killing a snake. Cable shows up and talks before giving Adam’s location to the Summers Brothers. While Adam deals with more memories, he finds himself set upon by Hepzibah and Raza of the Starjammers. Their fight is interrupted by Cyclops and Havok, and Adam fights them as well. When the three find themselves at a questionable stalemate, a ship decloaks to reveal Corsair–father of Cyclops and Havok. While he notes the confusion on their faces, Corsair reveals that he knows more than they do, and fires his weapon at them. To Be Continued…

There’s something refreshing and yet challenging about this issue. It’s refreshing to have an issue that has so much packed into it…rather than the decompressed, semi-cinematic, un-captioned, un-narrated, dialogue-less nature of too many modern comics. It’s refreshing to have a first issue start out right into action, rather than being all setup for the next five issues or so, as a mere 1/6th of a singular story. It’s refreshing to have editor’s notes and footnotes. And it’s darned refreshing to this fan of ’90s comics and ’90s X-Men to see Cyclops, Havok, and Xavier in their early-’90s look, not to mention an adult/older Cable, and various other touches that feel very reminiscent of the ’90s. It’s a bit challenging, however, coming 26-27 years after the comics it’s meant to fit around, and though familiar with the general time-frame, I’m not steeped enough in conscious memory of 1994 continuity, "Adam X," and the finer details of that. I don’t feel like I knew Erik the Red prior to Uncanny X-Men #350 in 1998 or so, and I’ve never been a huge fan of the Shi’Ar and such. I’ve also been conditioned especially over the past 20+ years to the decompressed format of modern comics, so found it a bit jarring to have so much going on in this single issue, jumping all over the place. For a new-in-2021-comic, it feels very out of place and a bit choppy/clunky.

The art team manages to capture a ’90s feel in addition to simply depicting the consistency of a ’90s-era "house style" of the characters’ costumes and such. It’s by no means a perfect fit, as it is still a comic actually published in 2021 with seemingly contemporary art, carrying with it a modern aesthetic I can’t quite put to words. The visuals are clearly intended to evoke the colorful, dynamic, over-the-top-ish frenetic action that I, at least, tend to associate by reputation with ’90s comics. This isn’t Jim Lee art by any means, but I liked it and found it rather enjoyable, particularly in the moment as I read this issue. At the minimum, the visual style helps the issue to show us this is a ’90s-era-style story, rather than just telling us the fact.

Nicieza‘s name was a huge selling point for me–he was one of the main X-writers when I first got into the X-Men in 1993 or so. Getting a new story from him that’s meant to fit right into existing continuity and that is not further-ballooning out modern elements was extremely appealing to me. I mentioned earlier that this issue felt very out of place and choppy/clunky. That’s in the context of being a comic published in 2021, based on modern 2021 comics tropes, generalities, and conditioning over much of the past several decades to the fairly strict, rigid decompression of every 6 issues being a single story, rather than having multiple core stories and numerous plot threads woven across 6 issues. The Summers brothers’ interactions; the quick shift to Xavier for information, the convenience of plot elements falling into place within pages…it worked for me.

If this was a modern issue, I’d expect a multi-page sequence of a mysterious ship approaching a planet that turns out to be Earth followed by multiple pages of attack and double-page spread(s) of the devastation left behind and a cliffhanger of two people with the surname SUMMERS being found. Instead, that’s just several pages’ prologue. In that regard, this issue could pretty easily–by modern standards–be broken out into 3-4 issues. At 30 pages of story in a $4.99 comic…it (grudgingly) actually seems worth its price compared to most same-length/same-priced comics.

This felt like a much longer read than I expected, and I enjoyed the details and captions and such…it’s not that the reader is spoon-fed, but the reader gets to read a story–they don’t have to participate, they don’t have to nitpick and think-deeply and pick stuff apart from subtle visual clues that lack any sort of dialogue or caption reference for key parts of the story…and the only "homework" the reader would need to do–if so chosen–is follow the editor’s notes to check back to X-Men #39 (immediately prior to Legion Quest and the Age of Apocalypse) and a Captain Marvel (Genis-Vell, I presume) issue. There are no "infopages" nor "infographics" interrupting the flow of the story, and really what you see is what you get.

This is by no means a perfect issue, and it is $4.99. But it’s an issue that I was looking forward to for awhile, based primarily on the concept and the cover; and that $4.99 gets you 30 pages of story rather than merely 20ish for $3.99; an extra 50% of story for only an extra 25% of price. The cover sports the "classic" bold, blocky 3-D-ish X-MEN logo certainly associated with the ’90s comics (and then some!) with "Legends" and "#1" worked into it…much the way the ’90s Superman comics fit "Action Comics" and "The Man of Steel" in against "Superman." The cover image of the main/standard/non-variant cover (pictured above) strongly evokes the ’90s to me and lent itself strongly to my sense of nostalgia and thus interest in checking this out…as a series, and certainly as a first issue.

Given that this is a story by a prior writer, meant to fit into a point of continuity nearly half the property’s existence in the past, this certainly won’t be for "everyone," nor will it appeal to everyone. It absolutely appeals to someone like me that grew up with the ’90s X-Men and looks fondly upon that period of the property. While likely a curiosity to readers brought in by Hickman‘s House of X Powers of X, Dawn of X/Reign of X/X of Swords and such…this is absolutely non-essential to what I understand of the current books, and more a chance for older, lapsed readers to get something new. Or for newer readers to get a taste of something out of the past that is actually new.

I’m certainly not keen on a comic’s being $4.99, but I definitely feel I got my money’s worth out of this issue and am really looking forward to #2 and beyond. Honestly, a telling point should be that I so thoroughly enjoyed this issue that it prompted this review at all, marking my first review of a "current issue" in maybe a year or more!

xmen_legends_001_blogtrailer

Showing Off the Shelves: Kotobukiya X-Men ’92

Earlier in the year, I discovered the Kotobukiya line of X-Men ’92 figures/models/statues.Where I’d originally only intended to get Rogue and Gambit, that quickly expanded until finally, I wound up with the entire line (that I’m presently aware of)!

kotobukiya_xmen92a

Professor X and Phoenix/Jean Grey were the only figures to come as single-characters, all the rest came in packs of 2. Jubilee came with Wolverine, and Storm came with Bishop.

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Gambit and Rogue came together, which is what set me off on this entire line. Cyclops and Beast make up the final pair.

The Bishop/Storm set was the most expensive for me, and I paid more than I’d have preferred–still a bit of buyer’s remorse there–but after missing one heckuva sale price at Black Friday, I decided to splurge and order them from BigBadToyStore just to HAVE them and not have to worry about them becoming even MORE extremely-exspensive if they’re "out of print" or such.

Despite that/leaving the cost off to the side…I really dig the set, and would certainly prefer to see more releases for it.

Most immediately, a "regular" Jean Grey, perhaps paired with a Morph (possibly with an "extra" head for "Dark Morph"); and then of course, some villains.

Magneto and Mr. Sinister would be definites for me, along with Apocalypse, perhaps Mystique, Blob, Pyro, and Avalanche. Perhaps swap Juggernaut for Mr. Sinister if we’d keep to the first season, though Jean in her Phoenix form is from beyond the 2nd season, even, so…yeah.

It’d even be great to see a sentinel, perhaps…though for the price of these-sized figures, I hate to consider what a Sentinel would cost from Kotobukiya!

Despite wanting more…this present set pretty much perfectly fits on two "floating" wall shelves I bought on Amazon; it wasn’t until I was mounting the shelves to the wall that I realized they’d be good for these figures.

I may look into getting some more of these shelves in the new year when I do some re-arranging of the basement space; I have a number of ideas there (plus thoughts toward some alternate shelving as most of my shelves have bowed significantly, and I reconfigure the overall space a bit to accommodate the last couple of years).

Time will definitely tell, though…as always!

kotobukiya_xmen92_blogtrailer

The Weekly Haul: Weeks of January 16 & 23, 2019

Looks like these Weekly Haul posts are becoming more of a biweekly thing than weekly, despite best of intentions otherwise. And broken record as I feel on saying that.

Here are the previous couple of weeks’ worth of new comics…with another new week now just a couple days away!


Week of January 16, 2019

weeklyhaul_20190116a

Detective Comics is really ramping up toward the 1,000th issue! I was amazed at how quickly the first two chapters of this story read, and this one itself seemed a pretty fast read. Loving the art, but the story makes it seem like it’s going to be so much better as a singular "graphic novel" in collected form.

Superman finally–about nine months in–gives us the story of the "missing" time and we now have a mid to late teens Superboy in Jon…which really is not my cup of tea. Perhaps it’ll be undone by the end of this current arc, but I doubt it…we’ll see where it goes, though!

Then we have Supergirl and the TMNT issue of IDW‘s series of 20/20 special issues celebrating the publisher’s 20th anniversary. This TMNT 20/20 jumps forward 20 years, and proved a too-quick read with too little space to really do any justice to the story…and there’s loads of potential here!

weeklyhaul_20190116b

The DC Walmart-exclusive 100-page giants seem to have thrown the 2-every-2-weeks schedule out the window, and are landing all-4-at-once again…right about the 4 week mark since the #6s! And it turns out that #7 is the final issue for both the Justice League of America and Teen Titans iterations…they’re being replaced with Wonder Woman and Titans respectively, starting with new #1s while adding Swamp Thing and Flash to the lineup (apparently Batman and Superman get to continue with their existing numbering.


Week of January 23, 2019

weeklyhaul_20190123a

The most recent week of new comics brings us a non-Black-Label issue with Batman and Constantine; I need to catch up on reading this title, and really look forward to reading this issue! I snagged the second issue of Geoff JohnsShazam! title, even though it’s several weeks late. I have yet to read the first issue, and as my usual trap seems to be…I get a subsequent issue so when/if I finally get to reading one issue, I’m not "stuck" having to "hunt down" another issue.

I lucked out and the local Target had the DC Primal Age exclusive issue. I had a rude surprise in thinking it was going to be like the Walmart issues at $5, but this one was $10! Still, that’s in line with DC‘s own non-Walmart such issues, so…c’est la vie. At least it’s DC and not Marvel…

TMNT hits its 90th issue; and we get the third issue of GI Joe: A Real American Hero – Silent Option. And for the heckuvit, I opted to try the IDW 20/20 issue of Jem and the Holograms. It’s a one-shot, and given my own age, I figure it might be interesting to read about the characters 20 years older than "usual," as it puts them into my own real, current age range.

weeklyhaul_20190123b

Despite swearing off of the latest Uncanny X-Men iteration due to pricing, frequency, and event-orientation (with Age of X-Man and such) I couldn’t quite bring myself to pass up this Annual given the focus on–and return of–Cyclops. And I was firmly set on NO MORE DARK HORSE Aliens minis due to variants and the like…but when I recognized Tristan Jones‘ art on this variant…I gave in and got it, since it IS #1, so at least it’s not just another variant-on-any-old-issue-nothing-special. Maybe I’ll suck it up and buy the rest of the mini…especially or at least if he’s got variants on the whole thing.

I snagged this free Isola Prologue issue cuz hey…"free." And we have the weekly Comic Shop News, this one focusing on Age of X-Man: Alpha…something playing on nostalgia (1995’s X-Men: Alpha). If Marvel does some sort of omnibus for the event, has a single-volume of Uncanny X-Men 1-10 and such and I can get then for a decent price…I might snag ’em. Otherwise I’ll wait for conventions later in the year and see if the singles can be had for half price for standard covers…if reviews and word of mouth bear ’em out as worthwhile.

weeklyhaul_20190123c

I’m not actually sure anymore what IDW‘s schedule is for print and digital releases as it almost seems like they’re releasing stuff early digitally with print coming the following week. And I’m not sure how I feel about Spawn Kills Everyone 2 being $3.99 an issue for a 4-issue mini-series…but I threw in with Spawn several years ago, and have decided to at least "stick it out" through the 300th issue. And that includes this mini, given the original special a year or two ago, whenever it was.


All in all, not a huge haul for new comics for the couple weeks…though some other stuff I bought more than made up for the comics spending. Buuuut I’ll get into those as the week progresses!

And as usual…here’s to hoping the new week of new comics is small-ish…

weeklyhaul_20190123_blogtrailer

The ’90s Revisited: X-Men Series 1, Cards 10-18

Here we get into several of the characters I know a lot better, and definitely associate with the ’90s…though also one that I remember by name, but at a glance don’t even remember any details!

xmen_series1_full_010-018

We also see where this set seems to pre-date the "consciousness" of cards like this likely being stored in 9-pocket pages and the "use" of that structure. Given one page late in this series, they weren’t entirely without that, but having just one "landscape" card amidst eight "portrait" cards doesn’t exactly work well for the aesthetics of the "page"…

010a

Lockheed’s had a number of looks, and seems a bit malleable…at least to my conscious mind. This image makes him look a bit larger–so it’s the "conscious" knowledge of his being smaller that I can know that.

010b

I’d swear I’ve seen images of Lockheed on Kitty Pryde’s shoulder like a parrot…but 55 lbs? That definitely stretches stuff a bit. I don’t remember much detail of the character over the years, but this card’s info doesn’t seem to be contradictory to anything…just a bit outta date. And I knew how he got his name, but forgot til re-reading the card. I probably knew that originally from this card. Or Wikipedia.

011a

Given Xavier’s place in the X-Men story, I’m surprised he wasn’t the first card…but then, they’re not going alphabetically nor in order of first appearance and not even by team, so…yeah. This is a fairly typical image of the character, and though I have fond memories of the look (with the golden hover-chair) it seems so dated now, afer getting used to the character in actual wheelchairs or with his legs restored.

011b

Xavier’s description here is pretty generic…and certainly precedes Onslaught, the Illuminati stuff, and obviously the likes of AvX. Though I suppose as I think about it…those added a certain depth the character hadn’t had…even if retcons get old and stale fast.

012a

I’m sure I’ve seen this image–or at least the pose–a number of places other than this card. It’s typical Jim Lee, typical of this character (at least in this ’90s incarnation), etc.

012b

…but no mention on the card of her past, or that this (apparently) isn’t her original body and whatnot. I’m fuzzy on the details, not having read the "Siege Perilous" stuff first-hand as yet, even after all these years.

013a

While I’m sure I was aware of the character before then, I feel like most of my conscious memory of Domino came after the Age of Apocalypse stuff, in the Cable title. This image of her seems a bit harsher and more generic than what I picture in my mind when I think of the character.

013b

This card pretty much sums up what I’d be able to say about the character, despite remembering her from those issues of Cable. And I would not have been able to cite her first appearance or tell you offhand that she’d first appeared in New Mutants #98. This description seems "typical ’90s," as is fitting.

014a

My conscious introduction to Storm was the ’92 X-Men animated series…that look, and that voice are the definitive Storm for me. This card’s image is fairly typical for what I’d think of with the character, except I wouldn’t have recalled her cape having the purple tint or the gold trim.

014b

Nothing stands out much for this card (though I’m noticing the weights of characters seems rather questionable). Her "X-tra Fact" is something I don’t think I’d consciously realized until a recent-ish Nightcrawler series. I have the feeling by the time I’m done offering commentary on this series of cards, I’m gonna be thoroughly kicking myself for not (yet) having gotten to the bulk of the Claremont run.

015a

Meggan…ok. Blond Siryn? For all that my memory has on the character at a name and image.

015b

Huh. Ok, interesting–and here’s a character I’ve learned about by going through these cards. I also like the X-Tra Fact…that’s the sorta detail I definitely took to heart as a kid, and would hold as relatively "absolute" in terms of continuity.

016a

Feral! This is the character I previously couldn’t think of, that I always mix up with Wolfsbane! Two female were-wolf-like characters, X-characters at that, with association with X-Force…no wonder I’ve mixed them up!

016b

So, I probably mix up the names, but most often would think of Wolfsbane, when it comes to the two characters. More details here that I’d hold as certain and be disappointed to not see reflected in a generic, casual appearance of the character involving any kind of action or such.

017a

Now, Cyclops. Possibly my favorite X-character, and this is by far my favorite costume…though I’d swear I never consciously took in all the pouches in the early ’90s. I like the blue, and the gold; I’ll grant that the shorts are rather dated, but the contrast of yellow and blue–evoking prior costumes while becoming iconic for the ’90s–just works for me!

017b

This is another fairly generic description…and it’s quite interesting to see how MUCH the character has grown and changed since the early-1990s…though I really have NOT cared for what’s been done with him since AvX.

018a

I have a mixed bit of thought on Gambit…but he remains one of my definite favorites of the X-Men, for his role in the ’92 cartoon and the Fabian Nicieza series from ’99ish. This is a classic sort of look for the character, and the one I prefer…regardless of how dated or "’90s" it is.

018b

Interesting. Remy Lebeau. I just think of the name with the character…so to consider his name unrevealed (in any form) is a bit odd…but then, he was introduced at most two years before this card was printed, and I’ve been myself aware of the character for most of the last 25-ish years!

I’m more aware OF the "early" stuff with the character, not having actually read his first appearance as yet and "met" the character via the animated series, and he’d already undergone some development well before I realized how "new" a character he was at the time!


Here’s my last post, comments covering the first 9 cards of this series.

Comics and Valentines

Being sick over the past weekend significantly drained time that I’d intended to spend reading and writing, and getting a bit ahead with this blog. I’d had several thoughts for stuff to post for February 14th, but along with the aforementioned being sick, I face the day as I have every year–Han style.

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So, I’ll let that negativity out a bit. There’s a quote that a friend shared with me many years ago that just epitomized my feelings on the matter of love at the time…and actually inspired me to pull the trigger on finally seeking out Gaiman‘s The Sandman series.

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Then there’s John Constantine, the Hellblazer. When I first "met" the character–the first time I’d read any full story of the character–he was coming off losing a major love of his life. And his dealing with that was something I could identify with at the time (or at least so I thought, but that’s a different story).

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Then there are two comic marriages that probably have meant the most to me over the years: Clark Kent (Superman) and Lois…and Peter Parker (Spider-Man) and MJ.

superman_lois_marriage

In Superman, there was a hero figure, as well as the ease of identifying with someone (Clark Kent) who was from some town somewhere, not comfortable with a world’s attention, just trying to be the best he could be, as his parents raised him. And by just being himself, NOT some flashy super-figure, Clark Kent "got the girl" despite the "shadow of Superman." (Though he could not in good conscience hold the secret, so Lois knew long before the wedding…but again, more stuff for other times).

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And then in Peter Parker, there was that notion that hey…if he can get the girl, get that happy STEP in life (NOT necessarily ENDING)…perhaps something like that’d be a reality, right? People grow and change, mature, stuff happens that they never expect, yadda yadda yadda… I actually grew up on a married Peter & MJ. And to this day, I hold that I have no interest in reading an adult single Peter/Spider-Man story. Yet again, though…more for another post.

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Then, of course, there’s Cyclops and Phoenix…Scott Summers and Jean Grey. Though they’ve been split up longer than not in my conscious awareness of the characters…theirs is a relationship I still prefer (and miss).

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Finally, perhaps semi-forgotten by more contemporary creators and stories…Rogue and Gambit. As with the above…I could do an entire post just on them, but I’ll leave it that they’re–to me–a "classic comics couple," that I’d long rooted for eventually getting a happy/good ending.


I’m not even truly sure where I was going with this post. I guess just showcasing some examples of my favorite comics couples; that comics have touched on a number of different facets of my feelings on love, couples, and all that.

Call this a token cheesey post. Whatever.

Lately, I’m back to largely feeling Gaiman‘s quote quite close to home.

And other than composing this post the night before…I’ve every conscious intention of going head-in-the-sand for "the day," after which will mean we’re finally past "the holidays" for awhile (and heck, into epic-movie-season or such again).

The ’90s Revisited: Uncanny X-Men #308

uncanny_xmen_0308Mixed Blessings

Writer: Scott Lobdell
Penciler: John Romita Jr.
Inkers: Dan Green, Al Vey
Letterer: Chris Eliopoulos
Colorist: Steve Buccellato
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: January 1994
Cover Price: $1.25

This issue brought back a number of fond memories, as well as a new feeling as I “noticed” the art rather consciously this time. Having this issue relatively on-hand for this reading is something I must credit to fellow blogger Chris Sheehan, whose comments/discussion of the issue prompted the purchase and encouraged making the time for the re-read. It was his post that prompted me to re-purchase the issue (for the convenience of immediate availability in print without digging through umpteen unorganized longboxes to locate my original copy).

For a single issue, there’s a lot packed into so few pages. Essentially, though, we have Scott and Jean–Cyclops and Phoenix–walking the grounds outside the X-mansion. For once, there’s no overt threat, no villain interrupting, the world-at-large doesn’t need immediate saving, etc. Just a young man and woman spending time together, enjoying cool fall weather (well, Thanksgiving Day) and doing so amidst a larger group also living on the premises. So we get a bunch of “moments” between characters…and while the couple reminisces, they also come to a decision about their future.

This issue is one of a handful of X-Men comics I recall from the early/mid 1990s where we basically just have the characters hanging out at the mansion, interacting with each other in down-time withOUT having to deal with some villain or crossover or whatever. And reading this in 2016 where every story is written for the trade, and every trade is part of some big event and every event leads into the next with no time between…this issue is highly refresshing. There just aren’t issues like this anymore (at least not from Marvel/DC!).

The story itself is very much what I prefer in comics, giving us the characters, “quiet” “moments” and generally giving us a glimpse of what these characters do, how they might interact when not in the midst of fighting for their survival. We get to see them presented as actual people…which makes them that much more truly relatable (at least, to me!).

I remember thoroughly enjoying this issue over 20 years ago…and I enjoyed the story now. Unfortunately, while I don’t recall noticing the art–back then, if I did it didn’t throw me–but this read-through I REALLY consciously noted the art…and between this and bailing on a Superman story some time back for so disliking the art, I must conclude that as a general thing I dislike Romita Jr.’s visual style. There’s something to the style–sometimes a sense of sketchiness, other times something to faces and lips particularly that just doesn’t work for me and proved flat-out distracting to me, taking me out of the story itself. Which, while a complaint that I have, myself, is not to suggest the art is bad…it’s just definitely not to my taste, and it now being a conscious thing, it’s something I can watch out for.

And then, regardless of the linework and such itself, I had consciously forgotten (but hey, deja vu or such!) how much I dislike the flipping and flopping one must do to read certain ’90s comics, when the artists played fast ‘n loose with the “traditional” comic page and layouts. Some pages read fine, but rather than just varying panels across one or two pages, where one can just page through the issue with a single physical orientation and be fine…here, we’re given some instances with a double-page piece where you have to turn the comic sideways for a top-to-bottom experience with the issue physically turned sideways; others where the issue must be turned on its side for a then-typical left-to-right experience, and so on. Rather than being able to just lay the issue flat and page through, reading, while say, eating a bowl of cereal as breakfast it requires an active, physical experience of manipulating the book, which gets distracting and kicks one out of the story.

All in all, though…this is an excellent X-Men comic that I paid less than $4 for, and got so much more from it than any $3.99 new comic I can think of. If you know your X-Men and enjoy such stories, or have never read this, I’d urge you to give it a shot, if you can get the issue for (or less) that $4. If you find it in a 25-cent or 50-cent bin, all the better!

Uncanny X-Men #600 [Review]

uncannyxmen600Writer: Brian Michael Bendis
Art: Sara Pichelli, Mahmud Asrar, Stuart Immonen, Kris Anka, Chris Bachalo, David Marquez, Frazer Irving
Inks: Wade Von Grawbadger, Tim Townsend, Mark Irwin
Colors: Marte Gracia, Jason Keith, Chris Bachalo, Frazer Irving
Cover: Chris Bachalo
Lettering & Production: VC’s Joe Caramagna
Assistant Editors: Christina Harrington, Xander Jarowey
Editors: Mike Marts and Mark Paniccia
Published by: Marvel
Cover Date: January 2016
Cover Price: $5.99

Winter Carnival

Writer: Mary Jo Duffy
Penciler: George Perez
Inker: Alfredo Alcala
Letterer: Janice Chiang
Cover Art: Paul Gulacy
Associate Editor: Ralph Macchio
Editor: Dennis O’Neil

The first X-Men comic I clearly, consciously remember getting is Uncanny X-Men #300. The costumes, the characters, the cover–it fit the then-current animated series on tv that I was getting familiar with, and had a nice shiny cover to draw extra attention (to say nothing of being a thicker cover physically, making for a durable, high-quality issue to hold).

Several years later I picked up #400, and then years after that 500–though I hadn’t kept up with every issue of the title.

So again now, I bought #600 despite not being entirely current on the title (and overlooking the multiple reboots between the last legitimately-numbered issue and this) because of having bought the last several 100-issue round-number issues when they came up. Some 22 years after getting #300, here I am with #600.

My understanding is that this is Bendis‘ final X-Men issue, as far as being the driving force behind the main X-books. Despite catching up a fair bit on Uncanny X-Men and All-New X-Men recently via Marvel‘s Digital Unlimited, I’m still a bit out of the loop on whatever’s transpired between where I left off there and stuff immediately prior to Secret Wars and the Last Days stuff. But I do know the characters and the bulk of recent stuff in the most general of terms.

This issue finds Beast (Hank McCoy) experiencing an “intervention” by his teammates, forcing him to confront what he’s done of late–with emphasis on having time-traveled to bring the original X-Men into the present where they’re now stuck. Amidst the intervention/confrontation, we get some flashes to a number of smaller interactions–“original” Jean wants to leave the group for awhile; “original” Bobby confronts current Bobby on repressed feelings; Kitty, Colossus, and Illyana catch up with each other, and so on. Meanwhile, we also see Scott Summers’ recent dream to fruition…and it proves to be just a bit different than we’ve been led to believe.

We also get a lengthy “backup story” by Perez, a solo Iceman thing, that while it looks good does not feel particularly relevant nor current. It seems set in the early 1970s, though it feels like a more recent piece. The art is very good–I usually do enjoy Perez‘ art–though I don’t entirely appreciate the black-and-white instead of color. Perhaps it was intended this way, maybe it was a stylistic choice, but that contributes to it not feeling like it belongs in this issue.

The main feature’s story is solid enough, and though it doesn’t feel like an ongoing issue but more like a one-shot, it works decently enough as itself, as what it is. At the same time, I’m not thrilled at what appears to be Bendis trying to cement several key points just before taking off, like he has to solidify or shoehorn in some stuff to force subsequent writers to address things or leave Bendis‘ work to be an absolute character element. I do definitely approve of the supposed conclusion of the Cyclops arc, and hope to see stuff picked up on, that it’d “redeem” the villanous element applied to the character over the last several years.

Visually…while I appreciate the CONCEPT of letting a bunch of artists work on the issue as “the” big anniversary issue…I can really do without it. The shifting visual styles is distracting and draws attention to stuff in a way that takes away from the otherwise-natural shifting nature of the story, giving us some smaller character moments while addressing the larger overall confrontation with Beast.

I definitely enjoyed Perez‘ work on the Iceman story…but it’s such an unrelated thing that I’m honestly resentful at its inclusion, at this issue being over-priced at $6 over the “standard” $4 just for the story’s inclusion. Better a $3.99 issue without it than $5.99 WITH. That said, the story would work as some bonus/extra cheap attraction, as it really has nothing to do with current continuity, and has no likely/obvious ongoing elements to contribute to stuff, other than being a ’70s-looking/’70s-sounding story.

The main story’s art was distracting…and I was reminded how recognizable and unwelcome (to me) Bachalo‘s art is amidst it all…especially for the cover. It’s also very disappointing that the cover looks like it’s half of or one of several “panels” of a larger image, without even a wraparound…only a bunch of variants.

I bought this issue personally for being the anniversary issue, being the actual high-number or “legacy-numbered” issue. That’s for the personal element of having got #300 off the shelf, and each subsequent 100-numbered issue. In and of itself, if you have followed Bendis‘ X-work, you’ll want to pick this up. Otherwise, this is quite skippable for whatever will be ‘current” moving forward. Outside of whatever closure you’d get having followed this series, and/or All-New X-Men, I’d suggest skipping this and waiting for whatever nearest #1 most directly follows and grabs your attention.

Age of Apocalypse Revisited: Factor X #4

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factorx004Reckonings

Writer: John Francis Moore
Pencilers: Steve Epting w/ Terry Dodson
Inker: Al Milgrom
Lettering: Richard Starkings, Comicraft
Colorist: Glynis Oliver
Cover: Steve Epting
Editors: Kelly Corvese, Bob Harras
Published by: Marvel Comics
Cover Date: June 1995
Cover Price: $1.95

The order has been given–the pens of humans are to be culled. The newly "promoted" Alex Summers lords it over the others to enforce the order. Meanwhile, Cyclops and Jean are trying to save the humans, help them escape. This leads to the two having to fight through multiple obstacles (though they find unexpected allies). Things ultimately come down to brother vs. brother, and a new leader of the would-be-culled humans. Also meanwhile, Angel’s club is shut down, while Worthington himself ditches the place, essentially laying aside his neutrality in things.

This issue really does not offer any true finality or closure to what’s been set up throughout…more, it’s the fourth chapter of this side-trip following Alex, Scott, and (Dark) Beast and whatnot–our glimpse into things going on within Apocalypse’s ranks with characters we’re familiar with from the "regular" universe. To get finality for these characters and their arc within AoA, one definitely needs to follow this with X-Men: Omega.

The story, though, is good, and AS a story I don’t really have much to say on it; the writing is solid and consistent and not unexpected. I can’t quite put my finger on it, but there’s also something to Cyclops as written here that made me think he’s portrayed as a lot more interesting than I recall his being at the time in the regular Marvel universe. Perhaps the notion of his having served with Sinister and Apocalypse at all, or a number of other potential angles of the character that could be explored to answer "Why is he where and how he is now?"

My surprise with the issue’s creative side is just how much I really like the art. My one actual "problem" with the visuals is Jean’s hair–I’d swear she’s had much shorter hair in prior appearances, where Jean in this issue has the longer hair of her 616-counterpart of the time. I could be annoyed at the inconsistency…but I prefer long-haired Jean as depicted here, so I like it.

I’m not nearly as familiar with Havok in general, and it’s been rather strange seeing him as so thorough a villain in the Age of Apocalypse (same for Beast). Still, there’s a lot more than could be explored between just Alex and Scott’s relationship, that it’s sort of regrettable this four-issue journey is over.

I’ve enjoyed the series, and enjoyed this issue. Were it a self-contained mini-series I’d almost certainly be quite disappointed at the ending. As-is, it leads into X-Men: Omega, and I recall a definite end-point for Jean, Scott, and Alex as well as the fate of the Beast; looking ahead to that, it occurs to me that Omega serves in many ways as a #5 for the various minis, with Alpha having served as a #0.

Age of Apocalypse Revisited: Factor X #2

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factorx002Abandoned Children

Writer: John Francis Moore
Penciler: Steve Epting
Inker: Al Milgrom
Letters: Richard Starkings and Comicraft
Colors: Glynis Oliver
Cover: Steve Epting
Editors: Kelly Corvese, Bob Harras
Published by: Marvel Comics
Cover Date: March 1995
Cover Price: $1.95

Maybe it’s just the immediacy, but this issue–to me–is one of the better-looking interiors in awhile. I’m sure a large part of that is the faded, ghostly image of Magneto at the start of the issue…as well as the detail to Cyclops in the face and hair that somehow just works really well for me.

This issue opens with Lorna Dane seeing Magneto taking imprisoned mutants out, but leaving her behind…something she doesn’t understand (how her father could return but leave her seems beyond her comprehension). Alex Summers (Havok) investigates the escape and while the leader of the escape is not visible on surveillance video, the team realizes that the green-haired mutant saw everything, and so they approach her for interrogation. Her lack of cooperation gets her handed over to Dark Beast…though the beast’s functional torture is cut short by Cyclops, who orders the girl taken back to the pens without harm. Meanwhile we see Havok in compromising position as well as clues that things are getting ready to go seriously wrong for BOTH Summers brothers.

As said above, the art on this issue really stood out as top notch to me, which is definitely significant given my not being one with as much interest in the visuals as the story. I suppose I shouldn’t be surprised given Epting‘s the penciler. Suffice it to say that the details work well and I quite enjoyed the visual styling and layouts and such to the issue.

Another contributing factor to my enjoyment of the issue is surely the fact that Cyclops and Beast are a couple of my favorite characters in the X-Men books, particularly Cyclops. Seeing that despite the obvious differences there’s plenty of similarity is encouraging, and retrospectively may have been part of why the character came to be one of my favorites so early on for this time period.

I’d noted with the previous issue that this title is our glimpse into the "other side," seeing into Apocalypse’s side of things, and I definitely like that since we have characters who "changed sides" between the "real" reality and this, we get to explore their dynamics as well as that of "the good guys."

While Factor X would not have been top of my list before, I’m realizing that this title is definitely up there for me, on a similar level with Amazing X-Men and Astonishing X-Men for me on the upper side of the books involved with Age of Apocalypse. As with many of these books, I do remember some key moments in broad strokes but not all the details; while I look forward to seeing those play out with Scott and Alex, I’m also simply looking forward to the next couple issues given my enjoyment of this one.

The Black Vortex Checklist

An ancient artifact.
An unknown power.
The fate of billions.

February 2015
The Black Vortex Alpha #1
Guardians of the Galaxy #24
Legendary Star-Lord #9
All-New X-Men #38

March 2015
All-New X-Men #39
Guardians Team-Up #3
Guardians of the Galaxy #25
Nova #28
Legendary Star-Lord #10

April 2015
Cyclops #12
Captain Marvel #14
Legendary Star-Lord #11
The Black Vortex Omega #1

source: Promotional Bookmark (pictured below)

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