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X-Men Legends #1 [Review]

xmen_legends_001The Burning Blood Part One: Shattered Crystal, Scattered Dreams

Writer: Fabian Nicieza
Penciler: Brett Booth
Inker: Adelso Corona
Colorist: Guru-EFX
Letterer: VC’s Joe Caramagna
Assistant Editor: Lauren Amaro
Editor: Mark Basso
X-Men Senior Editor: Jordan D. White
Cover Date: April 2021
Cover Price: $4.99

Possibly my earliest conscious memories of X-Men comics are the X-Cutioner’s Song event/crossover issues polybagged with a trading card…because a friend was collecting that crossover. It didn’t mean anything to me at the time, personally…though I wasn’t too far behind getting in thanks to the then-new XTAS, and Fatal Attractions event/crossover. There’s still the nostalgia for me for those ranges of issues as such. Two of the earliest issues I can remember owning for myself are Uncanny X-Men #300, and X-Men #24. I do NOT remember "Adam X" nor much of anything about a "third Summers brother" at the time despite whatever issues I was reading…anything I DID know or think surely came from trading cards and/or Wizard Magazine. When Brubaker got to tackle the definitive answer to the question of that brother in 2005’s Deadly Genesis it also didn’t mean too terribly much to me for not being all that invested in there being or who was "the third Summers brother."

Anyway…X-Men Legends #1:

We open on Erik the Red directing his minions–the Crystal Claws–to attack Providence Hospital in Anchorage, Alaska. After much destruction and death, they find the people they’re after: Philip and Deborah Summers. The scene then shifts to find Cyclops and Havok–Scott and Alex Summers–back to back opposing a different wave of these Crystal Claw folks. Once victorious, they seek out Xavier for answers, given his relationship with a certain Shi’Ar. Before they get any, the brothers are called to Alaska where they learn of their grandparents’ kidnapping and ransom. The scene changes again to some flashbacky stuff of the childhood of a character calling himself Adam. He’s meditating in a field and when confronted, gets to show off his abilities with throwing weapons by killing a snake. Cable shows up and talks before giving Adam’s location to the Summers Brothers. While Adam deals with more memories, he finds himself set upon by Hepzibah and Raza of the Starjammers. Their fight is interrupted by Cyclops and Havok, and Adam fights them as well. When the three find themselves at a questionable stalemate, a ship decloaks to reveal Corsair–father of Cyclops and Havok. While he notes the confusion on their faces, Corsair reveals that he knows more than they do, and fires his weapon at them. To Be Continued…

There’s something refreshing and yet challenging about this issue. It’s refreshing to have an issue that has so much packed into it…rather than the decompressed, semi-cinematic, un-captioned, un-narrated, dialogue-less nature of too many modern comics. It’s refreshing to have a first issue start out right into action, rather than being all setup for the next five issues or so, as a mere 1/6th of a singular story. It’s refreshing to have editor’s notes and footnotes. And it’s darned refreshing to this fan of ’90s comics and ’90s X-Men to see Cyclops, Havok, and Xavier in their early-’90s look, not to mention an adult/older Cable, and various other touches that feel very reminiscent of the ’90s. It’s a bit challenging, however, coming 26-27 years after the comics it’s meant to fit around, and though familiar with the general time-frame, I’m not steeped enough in conscious memory of 1994 continuity, "Adam X," and the finer details of that. I don’t feel like I knew Erik the Red prior to Uncanny X-Men #350 in 1998 or so, and I’ve never been a huge fan of the Shi’Ar and such. I’ve also been conditioned especially over the past 20+ years to the decompressed format of modern comics, so found it a bit jarring to have so much going on in this single issue, jumping all over the place. For a new-in-2021-comic, it feels very out of place and a bit choppy/clunky.

The art team manages to capture a ’90s feel in addition to simply depicting the consistency of a ’90s-era "house style" of the characters’ costumes and such. It’s by no means a perfect fit, as it is still a comic actually published in 2021 with seemingly contemporary art, carrying with it a modern aesthetic I can’t quite put to words. The visuals are clearly intended to evoke the colorful, dynamic, over-the-top-ish frenetic action that I, at least, tend to associate by reputation with ’90s comics. This isn’t Jim Lee art by any means, but I liked it and found it rather enjoyable, particularly in the moment as I read this issue. At the minimum, the visual style helps the issue to show us this is a ’90s-era-style story, rather than just telling us the fact.

Nicieza‘s name was a huge selling point for me–he was one of the main X-writers when I first got into the X-Men in 1993 or so. Getting a new story from him that’s meant to fit right into existing continuity and that is not further-ballooning out modern elements was extremely appealing to me. I mentioned earlier that this issue felt very out of place and choppy/clunky. That’s in the context of being a comic published in 2021, based on modern 2021 comics tropes, generalities, and conditioning over much of the past several decades to the fairly strict, rigid decompression of every 6 issues being a single story, rather than having multiple core stories and numerous plot threads woven across 6 issues. The Summers brothers’ interactions; the quick shift to Xavier for information, the convenience of plot elements falling into place within pages…it worked for me.

If this was a modern issue, I’d expect a multi-page sequence of a mysterious ship approaching a planet that turns out to be Earth followed by multiple pages of attack and double-page spread(s) of the devastation left behind and a cliffhanger of two people with the surname SUMMERS being found. Instead, that’s just several pages’ prologue. In that regard, this issue could pretty easily–by modern standards–be broken out into 3-4 issues. At 30 pages of story in a $4.99 comic…it (grudgingly) actually seems worth its price compared to most same-length/same-priced comics.

This felt like a much longer read than I expected, and I enjoyed the details and captions and such…it’s not that the reader is spoon-fed, but the reader gets to read a story–they don’t have to participate, they don’t have to nitpick and think-deeply and pick stuff apart from subtle visual clues that lack any sort of dialogue or caption reference for key parts of the story…and the only "homework" the reader would need to do–if so chosen–is follow the editor’s notes to check back to X-Men #39 (immediately prior to Legion Quest and the Age of Apocalypse) and a Captain Marvel (Genis-Vell, I presume) issue. There are no "infopages" nor "infographics" interrupting the flow of the story, and really what you see is what you get.

This is by no means a perfect issue, and it is $4.99. But it’s an issue that I was looking forward to for awhile, based primarily on the concept and the cover; and that $4.99 gets you 30 pages of story rather than merely 20ish for $3.99; an extra 50% of story for only an extra 25% of price. The cover sports the "classic" bold, blocky 3-D-ish X-MEN logo certainly associated with the ’90s comics (and then some!) with "Legends" and "#1" worked into it…much the way the ’90s Superman comics fit "Action Comics" and "The Man of Steel" in against "Superman." The cover image of the main/standard/non-variant cover (pictured above) strongly evokes the ’90s to me and lent itself strongly to my sense of nostalgia and thus interest in checking this out…as a series, and certainly as a first issue.

Given that this is a story by a prior writer, meant to fit into a point of continuity nearly half the property’s existence in the past, this certainly won’t be for "everyone," nor will it appeal to everyone. It absolutely appeals to someone like me that grew up with the ’90s X-Men and looks fondly upon that period of the property. While likely a curiosity to readers brought in by Hickman‘s House of X Powers of X, Dawn of X/Reign of X/X of Swords and such…this is absolutely non-essential to what I understand of the current books, and more a chance for older, lapsed readers to get something new. Or for newer readers to get a taste of something out of the past that is actually new.

I’m certainly not keen on a comic’s being $4.99, but I definitely feel I got my money’s worth out of this issue and am really looking forward to #2 and beyond. Honestly, a telling point should be that I so thoroughly enjoyed this issue that it prompted this review at all, marking my first review of a "current issue" in maybe a year or more!

xmen_legends_001_blogtrailer

The ’90s Revisited: X-Men Series 1, Cards 1-9

Several years back, I started covering this card set, one "page" at a time. (You know, those 9-pocket pages that fit in standard binders and are commonly used for storing trading cards and gaming cards and whatnot).

Life got in the way at the time and I’m pretty sure that was one of the points that I trailed off and let this blog go for awhile.

I’m almost curious myself what I wrote about these back then and how my thoughts/perceptions/memory may have changed since then. But now I’m going to give it another shot, and see if I can get through the entire set this time…and perhaps get a bit more detailed than I had that time.

What I intend for now is to show the entire "page" of cards, and then I’ll offer some sort of comment(s) on the individual cards, which I’ll show further below.

I scanned every one of these myself and did all the editing to make ’em pretty for these posts. If this goes well, I may cover a couple other sets. I suppose time will tell!


It’s interesting-ish to note the mix of "wide" vs "tall" images and the rather arbitrary placement/use of them. As I believe these are all Jim Lee pieces, perhaps it’s just what he felt like drawing, or whoever was working on the card set felt like cropping.

As I think this was one of the "earlier" such card sets (and pre-dates Magic: The Gathering and the whole "collectible card game" thing by a few years) so perhaps they were "learning" what/how to do a card set. C’est la vie.

xmen_series1_full_001-009

Beast and Wolverine I can see as some of the top X-Men…I’m a little surprised at Havok’s place here (but then, I’m typing this in 2017, and these were published in 1992–a quarter-century ago!) Similar goes for the others. I wouldn’t tend to associate Siryn or Wolfsbane with top-level, premiere X-Men…I associate them more with stuff like X-Force or X-Factor. Same for Cannonball.

I’ve noticed, though, that the "X" icon on the cards changes color depending on the character–this seems to correspond a bit to their specific team/title affiliation. I guess we’ll see as we go through the cards!

001a

Typical Beast…and very much a classic rendition of the character. I far prefer this version to the more modern takes.

001b

I don’t care at all, really, for the "stat graph". I do find the description basic and to the point, and the sort of thing that would definitely "informed" my knowledge of the character. I also like the brief info for name, affiliation, and first appearance…though Beast is a character that (now) that’s all information I take for granted.

002a

I’ve always preferred the yellow costume on Wolverine…though I appreciate this one. I’m sure part of that is the ’92 animated series, and that the character had "gone back to" the yellow by the time I was actually getting "into" the X-Men.

002b

Would it be wrong to suggest that this card’s text is "cute," given all the additional info that’s been added to the character in 25 years? In a way, it’s almost laughable how dated the card is for the character as he’s evolved…PARTICULARLY the bit about his "first recorded mission!" First? Pretty sure that’s long since been retconned…and/or I just take for granted how MUCH the character did long before that.

003a

This image of Havok reminds me a BIT of the holographic image from X-Factor #92…though this predates that issue by a year or so at least.

003b

I don’t think I ever realized Havok "absorbed cosmic energy," I just thought his power was some sort of bio-energy projection. Sorta interesting that there’s no mention on the card of Havok being the brother of Cyclops–Scott Summers. I know it, obviously, but you’d only be able to "guess" from the info provided here.

004a

Not really sure what I think of Iceman at this point. This is one of the more boring sort of looks for the character, even if it’s good art. I remember enjoying some of the stuff in the early/mid ’90s with them building the character a bit after Emma Frost got inside his head and utilized aspects of his powers that he himself hadn’t used. There’s also his role in LegionQuest and attempting to freeze Legion solid.

004b

I don’t recall the story this card mentions, of his being unable to control his powers. That strikes me a bit like Rogue’s, perhaps–though I can’t be certain (since I haven’t read the story!). I’ve also never "gotten" the ice-slides as travel…the LOOK is cool (no pun intended) but the physics and such behind it seems questionable. Still…suspension of disbelief and all that, right?

005a

While I don’t consciously recall reading much involving this version of Phoenix, I do recall seeing the character here and there and not being quite sure what to make of the character. That said, that fact and this sort of imagery is part of where I had a real problem with AvX–if the Phoenix was manifesting regularly like this, it was a bit more suspending of disbelief to buy into it as such a rare entity needing to "return," but that’s a bunch of thinking for another time.

005b

Well there’s another thing I’d forgotten–Rachel using her powers to hide the tattoos. I’m sure I knew that along the way because her being shown with OR without them rarely phases me or gives me much pause over the different appearances.

It’s interesting to note the language here–rather than going into the more complex aspects of her history, they say "an alternate reality." Days of Future Past

006a

Nightcrawler’s one of my favorites, yet I rarely think of the character when put on the spot or trying to think of favorites off the top of my head. I guess that’d make him a "forgotten favorite."

006b

Another "X-tra Fact" that I didn’t/don’t recall about the character. Perhaps that’s further push that I need to read the entirety of the Claremont run one of these years. Like Wolverine, definitely interesting-ish to see the character’s background as presented here, compared to what would come over the subsequent 25 years.

009a

Cannonball is a character I remember primarily for "graduating to" the main X-Men team during the ’90s. Something to this costume is a bit off, so I’m thinking I’m more familiar with a different look…I just can’t recall it off the top of my head.

009b

I often "forget" that the New Mutants got their start in a "pilot" of sorts in the graphic novel, and that it was the first appearance of a number of characters. It’s further interesting to consider that that was 1982–maybe 11-12 years before I would have learned much of anything about the character. And that it’s been well over 2 decades SINCE learning of the character!

When I see the character’s last name–Guthrie–I often think of Age of Apocalypse and the character and his family as used there.

008a

I feel like I often mix Wolfsbane up with another character…yet, as I type this, now I can’t think OF the other character! Perhaps it’s more that the character changed over the years and wasn’t restricted just to New Mutants or X-Factor?

008b

And of course, part of the above association with the character is not clarified by the card text. I do recall the character being unable to shift back into a human form, though. And really have gotta get around to reading some of these other key stories from pre-1991/92 that had so much impact on characters as they were in the ’90s when I was actually reading their ongoing stories!

007a

I remember Siryn primarily because of her being in the Spider-Man/X-Force crossover that I initially read in its tpb form (when such things were relatively rare). Her costume is rather recognizable, so she’s one of the more distinct characters for me visually…at least with this costume.

007b

Here’s another case where I’m actually learning about the character NOW from the card–I did not know about her first appearance (and would have pegged it as X-Force #1 or thereabouts…not Spider-Woman…and at LEAST would have thought she was a more recent character than early-’80s! I also don’t recall much of anything about Banshee lamenting a lost child…but then, haven’t read much with Banshee, period, so…yeah.


Perhaps a bit disjointed/random…but that’s my stream-of-conscious commentary on looking through these first 9 cards!

Age of Apocalypse Revisited: Factor X #4

aoa_revisited_logo

factorx004Reckonings

Writer: John Francis Moore
Pencilers: Steve Epting w/ Terry Dodson
Inker: Al Milgrom
Lettering: Richard Starkings, Comicraft
Colorist: Glynis Oliver
Cover: Steve Epting
Editors: Kelly Corvese, Bob Harras
Published by: Marvel Comics
Cover Date: June 1995
Cover Price: $1.95

The order has been given–the pens of humans are to be culled. The newly "promoted" Alex Summers lords it over the others to enforce the order. Meanwhile, Cyclops and Jean are trying to save the humans, help them escape. This leads to the two having to fight through multiple obstacles (though they find unexpected allies). Things ultimately come down to brother vs. brother, and a new leader of the would-be-culled humans. Also meanwhile, Angel’s club is shut down, while Worthington himself ditches the place, essentially laying aside his neutrality in things.

This issue really does not offer any true finality or closure to what’s been set up throughout…more, it’s the fourth chapter of this side-trip following Alex, Scott, and (Dark) Beast and whatnot–our glimpse into things going on within Apocalypse’s ranks with characters we’re familiar with from the "regular" universe. To get finality for these characters and their arc within AoA, one definitely needs to follow this with X-Men: Omega.

The story, though, is good, and AS a story I don’t really have much to say on it; the writing is solid and consistent and not unexpected. I can’t quite put my finger on it, but there’s also something to Cyclops as written here that made me think he’s portrayed as a lot more interesting than I recall his being at the time in the regular Marvel universe. Perhaps the notion of his having served with Sinister and Apocalypse at all, or a number of other potential angles of the character that could be explored to answer "Why is he where and how he is now?"

My surprise with the issue’s creative side is just how much I really like the art. My one actual "problem" with the visuals is Jean’s hair–I’d swear she’s had much shorter hair in prior appearances, where Jean in this issue has the longer hair of her 616-counterpart of the time. I could be annoyed at the inconsistency…but I prefer long-haired Jean as depicted here, so I like it.

I’m not nearly as familiar with Havok in general, and it’s been rather strange seeing him as so thorough a villain in the Age of Apocalypse (same for Beast). Still, there’s a lot more than could be explored between just Alex and Scott’s relationship, that it’s sort of regrettable this four-issue journey is over.

I’ve enjoyed the series, and enjoyed this issue. Were it a self-contained mini-series I’d almost certainly be quite disappointed at the ending. As-is, it leads into X-Men: Omega, and I recall a definite end-point for Jean, Scott, and Alex as well as the fate of the Beast; looking ahead to that, it occurs to me that Omega serves in many ways as a #5 for the various minis, with Alpha having served as a #0.

Age of Apocalypse Revisited: Factor X #2

aoa_revisited_logo

factorx002Abandoned Children

Writer: John Francis Moore
Penciler: Steve Epting
Inker: Al Milgrom
Letters: Richard Starkings and Comicraft
Colors: Glynis Oliver
Cover: Steve Epting
Editors: Kelly Corvese, Bob Harras
Published by: Marvel Comics
Cover Date: March 1995
Cover Price: $1.95

Maybe it’s just the immediacy, but this issue–to me–is one of the better-looking interiors in awhile. I’m sure a large part of that is the faded, ghostly image of Magneto at the start of the issue…as well as the detail to Cyclops in the face and hair that somehow just works really well for me.

This issue opens with Lorna Dane seeing Magneto taking imprisoned mutants out, but leaving her behind…something she doesn’t understand (how her father could return but leave her seems beyond her comprehension). Alex Summers (Havok) investigates the escape and while the leader of the escape is not visible on surveillance video, the team realizes that the green-haired mutant saw everything, and so they approach her for interrogation. Her lack of cooperation gets her handed over to Dark Beast…though the beast’s functional torture is cut short by Cyclops, who orders the girl taken back to the pens without harm. Meanwhile we see Havok in compromising position as well as clues that things are getting ready to go seriously wrong for BOTH Summers brothers.

As said above, the art on this issue really stood out as top notch to me, which is definitely significant given my not being one with as much interest in the visuals as the story. I suppose I shouldn’t be surprised given Epting‘s the penciler. Suffice it to say that the details work well and I quite enjoyed the visual styling and layouts and such to the issue.

Another contributing factor to my enjoyment of the issue is surely the fact that Cyclops and Beast are a couple of my favorite characters in the X-Men books, particularly Cyclops. Seeing that despite the obvious differences there’s plenty of similarity is encouraging, and retrospectively may have been part of why the character came to be one of my favorites so early on for this time period.

I’d noted with the previous issue that this title is our glimpse into the "other side," seeing into Apocalypse’s side of things, and I definitely like that since we have characters who "changed sides" between the "real" reality and this, we get to explore their dynamics as well as that of "the good guys."

While Factor X would not have been top of my list before, I’m realizing that this title is definitely up there for me, on a similar level with Amazing X-Men and Astonishing X-Men for me on the upper side of the books involved with Age of Apocalypse. As with many of these books, I do remember some key moments in broad strokes but not all the details; while I look forward to seeing those play out with Scott and Alex, I’m also simply looking forward to the next couple issues given my enjoyment of this one.

Age of Apocalypse Revisited: Factor X #1

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factorx001Sinister Neglect

Writer: John Francis Moore
Penciler: Steve Epting
Inker: Al Milgrom
Lettering: Starkings/Comicraft
Colorist: Glynis Oliver
Cover: Steve Epting
Editor: Kelly Corvese
Published by: Marvel Comics
Cover Date: March 1995
Cover Price: $1.95

I’m beginning to consciously realize that some of my trepidation approaching these various Age of Apocalypse minis is that I apparently think of Astonishing X-Men, Amazing X-Men, and X-Men Chronicles as my favorites (along with the bookend Alpha/Omega issues). Any of these others are simply "other" and so part of me just isn’t as interested in the "idea" of them. Yet, that’s added to some relative surprise at enjoying these, thinking I’ve "forgotten" how much I enjoyed them…but if I didn’t enjoy them as a kid, there’d be no reason for Age of Apocalypse to reign as one of my all-time favorite X-stories.

The issue’s cover shows us Cyclops, Havok, (Dark) Beast, Northstar, and Aurora…Sinister’s "Elite" group of enforcers. Not a bad image, and certainly conveys the menace they exude…this definitely shows a group one would PROBABLY not want to mess with. Sort of generic, kinda iconic if forgettably so, but it works.

The story is a blend of Sinister’s narration as he prepares to fully set into motion his own plan against Apocalypse while we follow Cyclops, Havok, and the others about their business in the early days of Sinister’s disappearance. We’re shown the tense/adversarial relationship between Cyclops and Havok, and the latter’s jealousy/ambition; more of the atrocity from Beast, and that Angel’s "Heaven" is definitely neutral ground for anyone who can pay.

Showing the change in myself and the notion of picking up on new things each time through even a familiar story–there’s a snippet of conversation in the bar scene with reference to Lazlo and letters of transit that made me grin, picking up the obvious-to-me-now reference to Casablanca.

I rather liked the juxtaposition of Sinister’s narrative with the unfolding events–there’s something rather identifyable in the narration, in branching off on one’s own and wondering what others are doing without us after a period together.

The issue’s visuals are quite good, and aside from some slight weirdness to me in Cannonball’s appearance in a couple panels, everything else worked well and only stood out to me in appreciating how much I liked the way things looked.

In some ways, I want to judge this issue simply as another #1, but it (as the other titles also do) draws heavily on the events of X-Men: Alpha which in some ways makes this a #2 issue. We’re (re) introduced to several characters, others are furthered, and we’re introduced to still others, while things are set up for what’s to come: Beast and what he’s doing, Havok and his romance with a human, Cyclops being basically good despite currently working for Sinister and Apocalypse, and Sinister having something major up his sleeve in going against Apocalypse.

This title and the main group of characters it focuses on being "villains" adds another "side" to the overall story and rounds things out, giving some depth to even the "bad guys," rather than leaving them as two-dimensional strawmen to throw the X-Men against. I enjoyed this issue, and look forward to others…as well as the alluded-to reference to Havok’s incident in Weapon X #1.

That footnote reminded me that these issues don’t have an exact reading order printed in them…this is Factor X #1 with characters who appear in the general AoA continuity and thus other titles as well, and more is happening than is necessarily focused on for any given character in only one series…particularly high-ranking characters such as Havok and Cyclops. Which is part of the fun of continuity–for me–and the appreciation of footnotes in issues I read.

X-Men Series 1 Revisited, Part 1

This is definitely a strange set to look back to, having come out in 1992…22 years ago! At the same time, it’s rather cool to look back this far, as this is the X-Men just shy of my discovering them originally, and it’s cool to revisit what these characters’ status quo was then, given everything that’s come about SINCE.

It’s also a bit odd to consider the publisher of these cards–Impel–as I am almost certain they aren’t even around anymore, and that they passed the torch (so to speak) for the next series of X-Men cards that was published in 1993.

Especially compared to the Marvel Universe Series IV set, this seems rather amateurish in a way…with some of the cards being landscape oriented, others portrait, and seemingly not organized within the set with an awareness of the standard 9-pocket card pages these would often be stored in.

All of these first 9 are oriented the same way, but as we’ll see next week, the next 9 switch to virtually all portrait orientation, where much of the set remains before a switch back. The coloring on some of the cards–as we’ll see in later posts–also does not all go together for single pages. And yet the final 9-card grouping does make a single larger image.

This first grouping introduces us to a mix of characters from several of the then-current teams: the X-Men themselves, as well as X-Factor, X-Force, and Excalibur.

I don’t much care for the power grid on the backs of the cards–I’ve never cared for this sort of stat with characters, as stories are constantly changing things and these never seem–to me–to remain accurate. All the more for comparing the characters.

The short snippets are nice as a bit of introduction to the characters, and I like the note of their first appearance…a rather handy piece of information to have, even these 20-odd years later. The “X-tra Fact” is also a neat piece of info to have…particularly to help set these cards within the time they came out, as I’m looking back on them now.

I actually hadn’t realized until going through these for this post that Siryn first appeared in Spider-Woman and not a “regular” X-book somewhere.

Nothing too spectacular about these, though I do rather like the Jim Lee art, as well as the use of DIFFERENT art on the backs of the cards rather than a re-use of the front…showing that there was a bit of thought put into these.

[Click below to see the individual cards…]

Continue reading

Marvel Universe Series IV Revisited, Part 5

Here we have some tangential X-characters that I’ve come to know MUCH more about in intervening years than I knew at the time these cards came out!

To this day I’m not entirely clear on the Guardian character, and outside of these cards know nothing of Micromax or Wildheart (though I wonder at the Wild Child connection, and am obviously missing plenty of context there, even after Age of Apocalypse).

I certainly didn’t appreciate the Phoenix character at the time–though particularly after last year’s AvX, I’ve come to appreciate the enormity of the Phoenix Force…which seems a bit shoe-horned in given its regularity here in the early-’90s.

While I associate most of these characters with Excalibur, Havok and Strong Guy I strongly associate with X-Factor, particularly from this time-period; in Fatal Attractions and at least on up to just before Age of Apocalypse.

I’ve become most familiar with Captain Britain in the first Uncanny X-Force run, and certainly miss Nightcrawler, given his fate a few years ago.

This image these 9 cards make up would make for a cool (or hot?) poster, I think– nicely showcasing the characters.

Continue reading

X-Men: Legacy #254 [Review]


Full review posted to cxPulp.com
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Rating: 3/5

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