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Quarter-Bin Awesomeness

As you can see by the photo here, we’ve got Batman #497 (the issue where Bane broke Batman (Bruce Wayne)’s back during 1993’s Knightfall arc. That midddle issue is Wolverine #1, from the original ongoing series from Marvel in the late-1980s. And rounding things out is Spawn #1 (FIRST printing, even!).

Going back 16 years, we’d have the April-1994-cover-date’s issue of Wizard Magazine.  The price guide in that issue lists these as:

Batman #497 – $9.50
Wolverine
#1
– $30.00
Spawn
#1
– $12.50

Did I pay $52, you wonder?

Nope…I paid a mere $.75 for the lot of ’em.

Speaking of price differences…compare these two stacks of comics:


On the left is a stack of 88 issues of Wolverine, Batman #497, and Spawn #s 1-2.

On the right…is a stack of 8 issues, new this week.

That huge stack?

$6 less than the tiny stack of this week’s new issues.

Superman/Batman #68 [Review]

The Big Noise, part one: Rumble Face

Writer: Joe Casey
Pencils: Ardian Syaf
Inks: Vicente Cifuentes & David Enebral
Color: Ulises Arreola
Letters: Rob Leigh
Cover: Syaf, Cifuentes and Arreola
Assistant Editor: Rex Ogle
Editor: Eddie Berganza

I wanted to like this issue. I was even looking forward to it, on hearing the book would come back into continuity with stories revisiting previous events. In this case, Summer 2001’s “Our Worlds at War” crossover event. I couldn’t remember which issue would begin this new “format” or “focus” of the series, but when I saw the Our Worlds at War banner across the top, I was excited. A bit of nostalgia flooded in seeing the tag “Casualties of War!” included–several of those Casualties of War issues back in 2001 were among the most powerful comics I read that year. So to say that I had high hopes for this issue would probably be an understatement.

And as one might expect from my phrasing…this issue was extremely disappointing in its execution. Other than the time-frame it’s supposed to be set in, and references to the world having just been through a war, there’s not much that seems to solidly place this issue’s events as coming on the heels of Our Worlds at War itself.

I suspect this is another “standard” story arc…that is, six-issues and well-paced for the eventual “graphic novel,” which might even have some sales crossover with the 2-volume collected edition of the event, or the large “omnibus” TPB. As a single issue, though…this is entirely forgettable.

The story doesn’t even begin to hook me–the “hook” was the OWAW tie-in. The hope that I’d see something that would make this feel like a long-lost chapter of that story. That expectation never did deliver. I’m confident that once all 6 issues are assembled, and read in one-go, possibly following a re-reading of the original event…the OVERALL story is likely to come across much better.

The art is very solid throughout, and not at all a bad depiction of Superman nor Batman. I really have no complaint with the visuals…they’re actually quite good overall. Nothing memorable, exactly…just good, clean work.

Unless you don’t mind a slow build, and an issue that’s nothing more than introduction to a standardized-arc format, I’m highly disinclined to recommend this issue.

Story: 4/10
Art: 8/10
Overall: 5/10

Superman/Batman #66 [Review]

Night of the Cure

Story, Art & Cover: Scott Kolins
Letters: Sal Cipriano
Colors: Michael Atiyeh
Associate Editor: Adam Schlagman
Editor: Eddie Berganza
Publisher: DC Comics

There’s not really a whole lot to this issue, when you get right down to it. Black ring commands Solomon Grundy to Rise; Grundy goes off to kill. Meanwhile, Kirk Langstrom is yet again fighting the whole Manbat thing, and has a run in with Bizarro. And by issue’s end, they’re both facing Black Lantern Solomon Grundy.

Needless to say, I’m not too fond of this issue. Kolins’ art isn’t bad…it’s got a distinctive style that I like for the most part. Plus, I’ve gotten used to Bizarro’s appearance coming off differently with practically every artist who does the character lately. So no real complaint with the visuals.

The story itself, though just doesn’t do anything for me. I’m rather tired of the over-use of Bizarro the last few years; I’ve never been particularly fond of the character, and especially not when he/it shows up every other month or so. The Manbat bit is also rather tiresome and seems like any other Manbat story I can think of; there’s nothing new added to my understanding of the character, and nothing to show the character has moved forward at all; just the standard “every knows this basic original status quo” sort of take on the character, as I read this. Solomon Grundy being chosen by the Black Ring makes sense–he dies and comes back to ‘life’ all the time, so is one of the major offenders of Death.

As an issue of Superman/Batman, this issue is certainly mistitled: neither Superman nor Batman make any appearance here. The logo on the cover is more Manbat-ish and the S is backwards to represent Bizarro, so that part at least shows the difference…but this seems like it ought to have been its own special or mini-series.

As Blackest Night goes, this is one of the weaker tie-ins, and I’m confident the only reason for me to pick up the next issue is that I decided before Blackest Night began that I was going to follow the ENTIRE event/story. (Of course, I had no idea how huge it would become as it’s gone on!)

This is definitely one of those ancillary books that doesn’t seem to have any real bearing on the main story, and ties in due to the Black ring raising Grundy. If you’re interested in Grundy, Bizarro, or Manbat…you’ll probably enjoy this issue much more than I did. Otherwise, the only reason to get this is if you’re determined to follow Blackest Night into every last tie-in.

Story: 5/10
Art: 8/10
Whole: 6.5/10

World’s Finest (2009) #1 [Review]

World’s Finest Book One: Nightwing & Red Robin

Writer: Sterling Gates
Penciller: Julian Lopez
Inker: Bit
Colorist: Hi-Fi
Letterer: Jared K. Fletcher
Assistant Editor: Harvey Richards
Associate Editor: Sean Ryan
Editors: Elisabeth V. Gehrlein & Michael Siglain
Cover: Phil Noto
Publisher: DC Comics

Granted, Tim Drake/Wayne lives in a world of the fantastic, where men and women with powers and abilities beyond those of Mortal Man abound. But in the half-year of comics (presumably far, far less than 6 months’ in-continuity time), this is AT LEAST the second time he’s up and jetted back home for one crisis (Black Lanterns) or another (helping Chris Kent in this issue). Seems somehow a bit disjointed to me.

This issue sees Red Robin dealing with a motorcycle gang, with a last-minute assist from who he assumes to be Connor (Superboy), but turns out to be Chris (Nightwing). Chris convinces Tim to return with him to Gotham to free Flamebird from Penguin’s captivity. The two have to work together to deal with this foe, who is aided by the Kryptonite Man (I do long for the days when Kryptonite was rare and precious commodity in the DCU!).

This is but the first issue of four, spotlighting interactions between the various characters that make up the “Superman family” and the “Batman family.” It’s a bit early (too soon, really) to know for sure where the overall story is going to go. As-is, I can’t help but wonder if this will read more as a series of one-shots than a single direct narrative.

The writing itself is quite solid, though–Gates seems to have a good feel for the characters of BOTH “families,” within the current status quo (though it’s beginning to seem like Flamebird and Nightwing are spending almost as much time being knocked out and one, the other or both being taken prisoner as Adam West and Burt Ward’s Batman and Robin did in the 60s tv show!)

The art’s good stuff here, and captures much of the feel of the characters involved as I’d tend to expect them based on reading them in their respective series of late. I do like the art, and find it a good fit for these characters in and of itself. Really no complaint there.

Since World’s Finest is here purpoted to be a mini-series–and thus one should be able to assume self-contained to the mini’s run–this would seem to be a good point to jump aboard and get a look at the various characters in the status quo of late, without having to invest in multiple lengthy, over-arching stories. Just four issues, peek in, get a feel, and go from there.

Based on that, this is worth giving a look-see. The creative team is strong, and we are given a glimpse at the potential held in bringin the characters from both “families” together. In some ways, this might just be “Superman/Batman Lite,” teaming the characters up without hijacking the individual titles.r

Story: 6/10
Art: 8.5/10
Whole: 7/10

Blackest Night: Batman #3 [Review]

Full review posted to comixtreme.com.

Story: 4.5/5
Art: 4.5/5
Overall: 4.5/5

Batman and Robin #5 [Review]

Full review posted to comixtreme.com.

Story: 2/5
Art: 3/5
Overall: 2.5/5

The Rest of the Stack #3 – Superman/Batman: Public Enemies

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Last week, I was able to redeem some “reward points” from Best Buy which I then applied to a purchase of the “Special Edition” of Superman/Batman: Public Enemies. That made for a darned good price…even though I had to go to TWO Best Buys to find the edition that came with the Batman figurine. I must admit to some disappointment that this Batman is NOT part of the Infinite Heroes line…unlike the Green Lantern figurine that came with Green Lantern: First Flight this past July.

I was really looking forward to this new animated movie…particularly for the fact that the characters–Superman, Batman, and Lex Luthor–would be voiced by their “classic” voices from the Batman, Superman, and Justice League/Unlimited animated series.

In anticipation of the movie, I read the graphic novel the day before it came out, which was both blessing and curse. It was a blessing in that I got a real kick out of things that were taken word-for-word from the source material…but it made changes and omissions that much more glaring, having the original so fresh in memory.

The basic plot of the movie is that Lex Luthor has been elected president (he ran on a promise of change/improvement to horrible economic conditions throughout the country). As president, he’s brought meta-humans under government supervision…and those that refuse to work FOR him personally (such as Superman and Batman) are outlaws. Luthor is then made aware of a huge kryptonite meteor heading toward earth, and seeks to manipulate things to set Superman and Batman in poor light while raising his own status in the public eye to even higher levels. When he puts a bounty on Superman’s head, the super-powered baddies come outta the woodwork, including villains not normally fitting in a story such as this.

The thing I noticed immediately with this film was the animation itself. It seemed really simplistic, with a lot of static backgrounds, and limited movement in the foreground as I watched. Something about it throughout the film seemed to be of lesser quality than the Green Lantern film from earlier this summer.

At the same time, I really dug the visual style of the characters–I liked their visualization, based on Ed McGuiness’ art from the source material. This combined with the classic voices is enough to almost overcome the animation limitations…at the least, I’m willing to let it go for my enjoyment of the visual design and the voices.

There are some minor omissions–the future-Superman doesn’t show up, and there’s no sign of nor mention of Green Lantern. The change that bothered me the most, though, was the ending…especially with a character’s role being swapped, when the character swapped out actually appears in this same movie (it’s not like it had to be changed because the character wasn’t used!). I get that the change was made presumably to keep this as much more of a “buddy flick” rather than the first arc of an ongoing series…but to me, the original ending would still have been perfectly valid here.

All in all, I was thoroughly entertained by this film, even though it’s incredibly short. I get that it takes time to create animation, and so an animated film will be shorter than live-action…but I’d rather wait a bit longer to get a film with a bit more to it.

The extras with the special edition make the package worth far more as a whole than just the film itself. There’s a Blackest Night documentary looking at the opening of the story–I’m pretty sure this is recycled from the Green Lantern: First Flight DVD. There’s also a nice documentary looking at the history of Superman and Batman as a team. This was quite interesting, and I tend to enjoy analyses of the characters, so this was right up my alley. It also allowed me to put a couple more faces with names I’m familiar with.

There are some other extras that–honestly–I haven’t gotten to yet.

Overall, I’m very glad I picked this up. It’s not quite up there with Green Lantern: First Flight and Justice League: New Frontier…but I enjoyed this more than Wonder Woman…and CERTAINLY far, far moreso than I did the Superman: Doomsday film (I hold to this day that the only worthwhile bit of having bought that one was the retrospective documentary about the original Death of Superman comics).

Even if you aren’t into buying dvds…this is well worth renting to just watch it once. It’s nothing deep, but makes for a little over an hour’s good entertainment.

Blackest Night: Batman #2 [Review]

Full review posted to comixtreme.com.

Story: 4.5/5
Art: 4/5
Overall: 4.5/5

Photos From Home #2

DC Direct
Kingdom Come Superman; Hal Jordan; Kilowog
; Nightwing; Batman; Robin; Black Hand; Mongul

Batman #690 [Review]

Long Shadows Part Three: Tripwires

Writer: Judd Winick
Penciller: Mark Bagley
Inker: Rob Hunter
Colors: Jack Purcell
Letterer: Jared K. Fletcher
Assistant Editor: Janelle Siegel
Editor: Mike Marts
Cover: Tony Daniel
Publisher: DC Comics

Even though the status quo of Dick being Batman is still pretty new–not even half a year yet–this just feels right. From the character’s depiction on the cover, to the “inner voice” we’re allowed inside the issue, even though he’s not Bruce, this simply feels like Batman.

We see Dick facing Clayface and a new partner; noting places he can improve should he survive the villains’ attack. Alfred proves a considerable ally in a way I don’t recall seeing with Bruce in contemporary continuity…and yet, it works very well to me seeing his role unfold. We also see the Penguin confront Black Mask and find a new lesson taught. Two-Face’s plan seems to bear some fruit as the issue’s clifhanger gives a familiar visual but new situational dynamic for the characters.

I’m not entirely sure what to make of Clayface here, though. This is a classic Batman rogue, of course–teamed with some character I’m not familiar with. Between the various DC Crises, reboots, retcons, and Silver-Age-Returneth, I’ve lost track of what version/which Clayface this is. The way he’s depicted here, I’m put in mind of a number of things: a version of The Thing I’m not thrilled with; something belonging to the cover of the original Fantastic Four #1; and even some generic demon. I’m not really put in mind of the visual we were given in Batman: The Animated Series, nor what I think I recall from the original Hush arc back in 2003.

Additionally, I found myself taken out of the story entirely at the inclusion of the movie version of the “batarang”–the Bat-shuriken, if you will. I have no real complaint with that in and of itself–it makes sense, really–but the exactness of it caused me pause as I contemplated its inclusion as such. Specific, personal nitpicks aside…Bagley provides a good Batman visual throughout the issue. Two-Face is recognizeable, but as usual looks slightly different depending on which artist’s work we have on-hand…but really, such is the nature of the character.

On the story side of things, this is a solid issue. I’m not totally impressed in it being any great work of writing…but I’m firmly satisfied at the depiction of the characters. I’m really liking the interaction between Dick and Alfred…as we’re seeing a different interaction than what we had with Bruce and Alfred.

I really don’t care for Black Mask as a “Kingpin” figure, so the scene with the Penguin facing Black Mask’s show of power is just another point in the ongoing Batman story. The last page of the issue was a bit of a surprise–I’d forgotten about the Battle for the Cowl teaser image…and it seems that elements from that teaser are yet to really play out beyond the Battle for the Cowl minis/specials.

All in all, a solid issue…nothing terribly remarkable in and of itself, but certainly worth getting if you’re a Batman fan, a Winick fan, or just following this new season in the Bat-books.

Story: 7/10
Art: 7/10
Whole: 7/10