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Superman #692 [Review]

Down Time

Writer: James Robinson
Penciller: Fernando Dagnino
Inker: Raul Fernandez
Colorist: Blond
Letterer: John J. Hill
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Cafu, Santiago Arcas
Publisher: DC Comics

I feel like I missed an issue somewhere. The way this whole “Mon-El is dead, killed by the Kryptonians” plot thread is getting so much play-time seems somehow out of proportion. To me, the big reveal of Codename: Patriot was Sam Lane being what the story’s title was in reference to. Mon-El being killed, or SUPPOSEDLY killed just was not something that really jumped out to me…so I either missed an issue, or failed to “notice” something that would be played out as so significant.

This issue provides some context on the destruction of Metropolis’ sewer/water system and why it’s not simply being fixed by Earth’s metahumans; we also have some references to other characters of recent significance. We see the Guardian reacting to the apparent death of his new friend, as well as what is surely the premature announcement of Jon Kent’s death, though the in-story context speaks to its timeliness.

The art’s pretty good overall, though doesn’t really strike me as other art teams’ work has. It’s not bad, but it doesn’t stand out as wonderful in and of itself. It gets the story across and does what a comic’s art should, but doesn’t strike me as a “selling point” for this particular issue.

All told, not a bad issue in and of itself, but I didn’t enjoy it all that much. I think the New Krypton stuff is beginning to wear a bit thin for me, and I’m also waxing nostalgic for Byrne, Ordway, Jurgens, and other art teams from the late-1980s and early 1990s…so current artists aren’t measuring up to what I hold in memory and nostalgia.

A worthwhile issue if you’re following the title or the Superman family of books. Nothing really here to justify it as a jumping-on point.

Story: 3/10
Art: 5/10
Whole: 4/10

Supergirl Annual #1 [Review]

Secret Identities / Second Born: The Secret Origin of Superwoman

Writer: Sterling Gates
Penciller: Fernando Dagnino
Inker: Raul Fernandez
Colorist: Blond
Letterer: Travis Lanham
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Renato Guedes
Publisher: DC Comics

This issue functions much as I would expect of an annual “special” issue. We have a couple of stories by the main series writer–stories that are directly relevant to current ongoing plots, but I wouldn’t necessarily want to see the regular issues slowed by inclusion of these stories in chunks nor taking a whole issue.

Essentially, we finally get to actually see Supergirl in her new civilian guise of Linda Lang (the introduction of the concept having been interrupted by the start of the whole New Krypton affair last spring). We see that she’s not nearly as experienced as her cousin, but it’s her learning curve and differnces that make the character more interesting–she’s not just some “clone” of her cousin–we see some real depth to her here. While we see development of Supergirl sorting out elements of her own secret ID we also see continuation of the anti-Kryptonian sentiment present in the current DCU.

The second story of the issue gives us a background story/origin of Superwoman, and how it was that Lucy Lane wound up in that role. While it technically “fits,” it’s not a story that I particularly “buy,” and it leaves a sour taste for me much like the “Supermen of America” story did in the 90s taking a character that has no business with Superpowers or such being given them as anything more than a one-off situational thing. Within the already-set bounds of belief-suspension, Lucy Lane having any sort of super-powers (provided by a costume or otherwise) doesn’t fit for me. We also see where the character is being further subjected to fantastical elements that just seem really out of place to this reader.

The art throughout the issue–for both stories–is not bad, nor is it anything spectacular. It holds its own, but I could take it or leave it.

If you’re following events in the main Supergirl book, you’ll want to snag this annual–its stories are certain to play into major plot points in the main book in the coming months. This mostly deals with plot threads prevalent in the main book, so I wouldn’t particularly recommend this issue as a jumping-on point.

Story: 6/10
Art: 6.5/10
Whole: 6/10