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Booking Through Thursday: Age-INappropriate

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In contrast to last week’s question–What do you think of censoring books BECAUSE of their intended age? Say, books too “old” for your kids to read?

I tend to be torn on the subject of censorship, especially when it comes to books. On one hand, there are subjects that I–as an individual with my own personal beliefs–am uncomfortable with and would “prefer” maybe to not see spread. On the other hand, I fully believe that everyone should have the freedom to choose what we read, just as we have a choice in what we DO with what we read.

I’m honestly disgusted when I hear about schools banning entire books for a single instance of a single word, or for the historically-accurate use of a particular word in-context in a piece of historical fiction. Or when adults would apply a one-size-fits-all directive to hand down without accounting for the fact that everyone is unique, and just because one 9-year old might be too immature or simply “not ready” to handle or deal with certain material does not mean that another 9-year old hasn’t already faced something in real life and its presence in a book might be cathartic. (and any combination of situations in-between, etc.)

Given all that, I believe very firmly in having a ratings system. Some might say that even giving something a “rating” such as “MA 17” or simply “MA” for “Mature Audiences/over-17/over-18” or “A” or “K” for “All-ages/Kids” or such is censoring…but really, ratings are a guide. Sure, kids may intentionally seek out something rated for adults out of curiosity or simply because the subject matter interests them. (While books are not movies, I always remember Alien3. I’d gotten my hands on the book, and read it, but had to convince my mom to let me see the movie (I think I was 12 at the time and the movie’s rated R).

By applying a ratings system, it serves as a guide. Readers can determine what they’re up for or interested in–if they’re interested based specifically on the rating or how “age-appropriate” the material is.

And I also believe very firmly that if parents or other adults are particularly concerned about the age appropriateness of material, it’s on them to voice exactly why, and to share that with others, and still allow them to make a choice.

If I had children and they were interested in, say, Harry Potter (to take an easy shot)…it would be my responsibility to share the experience with them, and to express my feelings about it. I mean…I greatly enjoyed the series in and of itself, but also saw plenty of stuff that would make for valuable conversations with young readers.

On the comics side of things, comics are not “just for kids.” DC Comics has their Vertigo line, comics generally intended as being for adults. I would not hand The Sandman, Preacher, Y: The Last Man, or Hellblazer to a young child blindly. But particularly in the case of The Sandman, if a young reader is particularly interested I do not believe they should be hindered.

I do find it acceptable to separate graphic novels between “adult” and “non-adult” in libraries. I’m uncomfortable with–in a library setting–shelving the likes of Bone and Owly in a kids or intended-for-young-teens section with Preacher and Hellblazer right alongside ’em.

BUT even if everything’s separated specifically by age groups…no one should be DIScouraged from reading, in my mind. Reading’s highly important. And if the 60-year-old wants to look at the picturebooks, he should be allowed; and if the 9-year-old is ready to read something traditionally aimed at adults, she should be allowed as well.

[I’ve run out of time for writing at present…surely this is a far deeper topic that I could write much longer and at length on…and which–if I were writing academically–would certainly benefit from better organization of thoughts, rather than this stream-of-consciousness freeform this morning. Thoughts/questions/etc? Please post in the comments…]

Booking Through Thursday: Coming Soon to a Theater Near You

 

btt buttonIf you could see one book turned into the perfect movie–one that would capture everything you love, the characters, the look, the feel, the story–what book would you choose?

deweyThis one’s easy for me: Dewey: The Small-Town Library Cat Who Touched the World. Perhaps with some material from the followup Dewey’s Nine Lives.

Sounds simple enough, right?

Maybe it’s odd that I’d want to see a non-fiction autobiographical piece turned into a movie. But see? They already did a movie of Marley & Me…and this is in–to me–the exact same vein, and so totally plausible. Except, of course, that filming a cat would be so much different than filming a dog. And kittens! You’d probably have to give someone an award for successfully filming kittens doing what you want (as not every random kitten would be like Dewey–they’re all so unique!)

Thing is…I never got to meet the real Dewey, the cat these books are about. I’ve never even been to Iowa.

deweyninelivesBut I remember seeing some blurb about the book coming out, and while I recall thinking along the lines of “Oh…interesting. A book about a cat in a library, and his name is Dewey.” Out of sight, out of mind, nothing deep.

But then I lost my cat, Christy. Dewey came out 5 days later. I bought it 3 days after it was out, and read it cover to cover in roughly 20 hours. It was cathartic–reading about another’s cat. What the cat meant to them, to so many people. Maybe Dewey didn’t touch my life during his own life…but he sure impacted mine by his story being told!

christyonchairThen I found the audiobook, and while I dislike the abridgement (whole other topic for some other post, abridgements) of it, the audio still fascinates me and I will randomly activate that playlist in iTunes to have something playing in the background…or when I’m finding myself particularly wistful for my cats.

kaylawithcomicsAfter I lost Kayla last May, I found myself using the audiobook again, seeking some of that catharsis. Of course, I did this at work, and when THAT scene came up, I had to leave the room to recollect myself.

I mean, such is the necessity in a way…whatever joy there is, sharing that story of a beloved animal, beloved pet, that special member of the family…

But as someone who spent 2 1/2 years in library school, who has family ties to libraries, who has always been someone who has had a library as part of his life…I never thought of having a cat live there. Until Dewey.

And ever since I found out they were making a movie of Marley and Me…I’ve been waiting for the movie of Dewey.

Maybe it’ll “just” be “made for tv.” I’d absolutely go see a theatrical release. But if I can count something like Tuesdays With Morrie as one of my all-time favorite films, and it was made for tv…so, too, I’d “settle” for a made-for-tv film for Dewey.

Kayla (age 13) in mirror

Booking Through Thursday: Cereal

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If you’re like me, you grew up reading everything under the sun, like the cereal boxes while you ate your breakfast, the newspapers held by strangers on the subway, the tabloid headlines at the grocery store.

What’s the oddest thing you’ve ever read? (You know, something NOT a book, magazine, short story, poem or article.)

Honestly, I’m not really sure how to answer this, off the top of my head. I don’t really think much about what I’m reading, except for this meme, or other occasional random/isolated moments. Like: for as few books as I really read anymore, I read a crapload of comics and graphic novels—which is still reading, just in much smaller chunks than full-length prose novels.

Reading headlines on magazines, tabloids, strangers’ newspapers, or random text on cereal boxes or signs in stores or posted on the door of the apartment building, or whatever….I’ve never really considered those as any particular reading material, nor as something odd TO read.

I suppose email or blogs could factor in here. Facebook statuses and Twitter posts. Subtitles in tv programs or films. But I don’t find it odd TO read any of those.

Maybe warning labels and disclaimers. Heck, even claims that I find to be outright ludicrous given experience.

Like this claim by Sprint regarding their Picturemail service.

I find it EXTREMELY odd that they claim that it’s easier to download stuff using a Flash-y interface, where you cannot simply download an entire album, and that is highly UNfriendly when one has over 5,000 photos they want to download and can’t reliably do it more than 21 photos at a time.

I guess I’m just being extremely wordy to not really say anything at all.

What do YOU think is the oddest thing you’ve read? (Besides any of my writing, that is). Feel free to comment on this post to share!

Books Read 2011: Q1

Though I’m keeping a Page with this tally, figured I’d throw up a post in the main feed, to touch on my “books read” for the first quarter of the year. Yeah, there are still 3 days left to the month, but other than a couple more Ultimate X-Men volumes, I don’t anticipate any other completed books.

So…here ya go. The books, audiobooks, and graphic novels/runs I’ve been through in the last three months:

  1. Usagi Yojimbo vol. 1: The Ronin by Stan Sakai / Fantagraphics [graphic novel]
  2. The Last Days of Krypton by Kevin J. Anderson
  3. Savage Dragon: Emperor Dragon by Erik Larson [Savage Dragon 163-168]
  4. The Summons by John Grisham [audiobook]
  5. The Inner Circle by Brad Meltzer
  6. Avengers & the Infinity Gauntlet by Brian Clevinger / Marvel [graphic novel]
  7. Dragons of the Highlord Skies by Margaret Weis & Tracy Hickman [audiobook]
  8. Ultimate X-Men vol. 9 – The Tempest by Brian K. Vaughan / Marvel [graphic novel]
  9. Ultimate X-Men vol. 10 – Cry Wolf by Brian K. Vaughan / Marvel [graphic novel]
  10. Ultimate X-Men vol. 11 – The Most Dangerous Game by Brian K. Vaughan / Marvel [graphic novel]
  11. Ultimate X-Men vol. 12 – Hard Lessons by Brian K. Vaughan / Marvel [graphic novel]
  12. Ultimate X-Men vol. 13 – Magnetic North by Brian K. Vaughan / Marvel [graphic novel]
  13. Ultimate X-Men vol. 14 – Phoenix? by Robert Kirkman / Marvel [graphic novel]
  14. Ultimate X-Men vol. 15 – Magical by Robert Kirkman / Marvel [graphic novel]
  15. Ultimate X-Men vol. 16 – Cable by Robert Kirkman / Marvel [graphic novel]
  16. Ultimate X-Men vol. 17 – Sentinels by Robert Kirkman / Marvel [graphic novel]
  17. Ultimate X-Men vol. 18 – Apocalypse by Robert Kirkman / Marvel [graphic novel]
  18. Ultimate X-Men vol. 19 – Absolute Power by Aron E. Coleite / Marvel [graphic novel]
  19. Ultimatum by Jeph Loeb / Marvel [graphic novel]
  20. Ultimatum: X-Men/Fantastic Four by Aron E. Coleite, Joe Pokaski / Marvel [graphic novel]
  21. Dragons of the Hourglass Mage by Margaret Weis & Tracy Hickman [audiobook]
  22. Ultimatum: Requiem by Brian Michael Bendis, Joe Pokaski, Aron E. Coleite / Marvel [graphic novel]
  23. Ultimate X-Men Ultimate Collection – Book One by Mark Millar / Marvel [graphic novel]
  24. Ultimate Comics Spider-Man vol. 1 – The World According to Peter Parker by Brian Bendis / Marvel [graphic novel]
  25. Brightest Day vol. 1 by Geoff Johns / DC Comics [graphic novel]

 

Booking Through Thursday: Serial

bookingthroughthursdaybuttonSeries? Or Stand-alone books?

 

When it comes to non-graphic books…I don’t think it really matters to me if the book is standalone or part of a series. At least, I don’t choose a book because it’s one or the other.

Most of the Stephen King, Brad Meltzer, and John Grisham books I’ve read have been standalone (even if they’re set in the same world/continuity, they aren’t necessarily part of a series). I look forward to their new books based on it being a new book by an author whose work I enjoy…not because it’s the next book in a series.

At the same time, in the last couple years, I’ve read the Twilight series, the Percy Jackson series, and I just finished listening to the latest two books in Weis/Hickman’s Lost Chronicles (Dragonlance) series. A few years back, I spent six weeks reading the entire original Left Behind series. A couple books on my to-be-read list for this year are the first books in new series—but they’re there due to the author, and not for kicking off new series.

When it comes to comics, though, I’m a bit more choosey.

I prefer series. If something is an “ongoing” series and has proven itself to last, I’m more likely to give it a shot. (a $2.99 or under price point certainly helps). Superman, Batman, X-Men, Green Lantern…there’s a history, there’s a reasonable expectation of the series continuing indefinitely, and so I’m more likely to be comfortable checking things out long-term.

For the most part, I tend to avoid “mini” or “limited” series as these will inevitably be collected into collected volumes/graphic novels, which I may pick up if my interest’s there by the time that edition is published.

Given the serial nature of comics, while there are the occasional great self-contained stories…overall, if it’s just a one-off short story (under 12 issues) I’m generally not going to check it out without much prior critical acclaim—I’ll feel cheated, as it’s a comic, I enjoy it, and I want more. V for Vendetta and Watchmen are a couple of notable exceptions on my own shelf.

Of course, as always…I’m sure there are plenty of exceptions to all this, holes to be poked in my thoughts that make sense before 9am. But hey…that’s the point of discussion. These are my stand-alone thoughts, for the moment…and they’re open to the changes/molding/evolution of a series of posts…

Booking Through Thursday: Headlines

bookingthroughthursdaybuttonHmm … I can’t quite come up with an outright question to ask, but thinking about the theory of fiction and how it can affect and be affected by real world events can act as a buffer between the horrific events on the news and having to actually face that horror. So … what happens when the line between fiction and reality becomes all-too slim? Discuss!

We often use fiction to escape reality, or at least visit something beyond “reality,” so when the huge events of fiction happen in real life…or something from real life pops up in our fiction, it really can be a bit jarring.

dckingdomcomeIn DC ComicsKingdom Come—the novelization of the graphic novel, at least—there’s a scene where the main character is going about his life, and comes to realize that everyone around him is focused on a giant tv screen—where news of a nuclear explosion that’s wiped out much of Kansas is coming through.

The morning of September 11, 2001 was eerily like that for me. I got out of an early morning class, to find the entire lobby filled with people, all focused on a  single tv on a cart someone had wheeled out of an office. It was a standing crowd, and people lined the stairs, no one really talking, everyone just taking in the shocking news.

I recall coming across a quote that I believe was attributed to Grant Morrison, then writer of New X-Men:

“How close is the real world coming to the comic world?  We were talking about crazy madmen launching attacks on the world years ago.”

bttexmachinaThen there’s Ex Machina by Brian K. Vaughan…whose premiere issue brought a huge surprise twist as its cliffhanger, providing a huge “what if..?” and setting itself in an “alternate reality” from our own, splintered off based on what happened that day.

In the last several weeks, I’ve been on an Ultimate X-Men tear, reading from early in the series right up to Ultimatum in barely a week…and then realizing that I actually now own Ultimatum, reading that as part of the experience…the whole thing also filling out my knowledge from the confusion I had last year when I read about half of the Ultimate Spider-Man series.

ultimatumIn Ultimatum, a huge tidal wave suddenly strikes Manhattan, destroying it. The various heroes rally to deal with the disaster—but many of their own are lost when the “Ultimatum Wave” first hits, and many others are lost in the aftermath.

There’s also reference to Europe freezing, as it seems Magneto managed to switch the magnetic poles of the planet, and the destruction caused is world-wide.

In the Magic: The Gathering novels, the early books in the series begun in 1998 with The Brothers’ War…we find all sorts of disaster, localized and global…all of which affect the local or global culture.mtgapocalypse

Additionally, this is seen in the Dragonlance novels, where an entire continent is devastated by a “fiery mountain from the sky” that completely destroys one city, and causes a huge upheaval that changes the terrain (another city famed for its sea and ships finds itself suddenly landlocked without a sea).

Given how I’m rambling a bit here…I would really suspect it possible to write a whole series of posts, each one focusing on and digging into any of these examples individually, and so many more. I’ll probably kick myself later today as more examples come to me.

Ah, yes: The Sum of All Fears. I don’t honestly recall if I’ve read the book, but I certainly saw the movie…and I recall that freaking me out.

The $40 perception of value

books for comparison

I posted on this subject a few weeks ago, but have noticed it again a couple times recently.

The pricing—all publishers are guilty, but I’ve mostly noticed it with Marvel books—just seems so out of proportion when books are compared to each other.

Where I’d thought it fairly standard that a six-issue “standard size” TPB would be $14.99 or so…I found that the first volume of Ultimate Comics Avengers, collecting the first six issues of that series, carries a PAPERBACK cover price of $19.99.

As shown to the left of this text, the huge, quasi-omnibus sized Civil War: Spider-Man volume carries a $39.99 cover price. Next to it, the SIGNIFICANTLY smaller in physical dimensions/thickness Deadpool & Cable volume…is also $39.99.

Granted, both volumes contain roughly 18 issues of content, from presumably regularly-sized issues of ongoing series (at the time the series were published). But that hardcover collection is made up of pages enlarged—taller and wider than “standard comic size”…and it’s a hardcover collection. And it’s got the same price as the scrawney-by-comparison paperback.

Really makes the paperback seem like not only an inferior product, but a bad value by comparison, phsyically.

I’ve gotta imagine it’s much cheaper to produce a paperback edition than hardcover. Factor in the extra paper involved by the larger physical dimensions, and honestly…I just don’t “get” it.

$40 is a lotta money…and it’s one thing to drop it on a huge, heavy hardcover. But to see it as the price on a thin little paperback…geez.

Of course, even within the line…the volume containing the only-7-issues Civil War main event itself is also $39.99…and much more comparably sized, at least physically.

These also put the $50 Starman Omnibus volume to shame.

And this is why I buy from Amazon or Half-Price Books, or wait for 33% and 40% coupons from Borders (not even getting into the developing fate of Borders).

books for comparison

Booking Through Thursday: Multi-Tasking

bookingthroughthursdaybuttonDo you multi-task when you read? Do other things like stirring things on the stove, brushing your teeth, watching television, knitting, walking, et cetera?

Or is it just me, and you sit and do nothing but focus on what you’re reading?

(Or, if you do both, why, when, and which do you prefer?)

Very rarely, I’ll physically multitask while reading. Sometimes while I’m waiting for water to come to a boil, or waiting for noodles to boil that proper amount of time, I’ll read a couple pages in a book as able. This tends to be if I’m toward the very end of a book, incredibly involved in the book, or particularly antsy or bored with the water/noodles.

On a slightly more passive note, I’ll often read while I wait for something that’s in the microwave for more than 5 minutes, or something in the oven for awhile.

I prefer to focus on my reading and ideally have time to read a significant chunk of something in one go. If I’m reading a comic, I want to read the whole issue at once—or at least the main story if the issue has more than one story in it (such as Specials, One-Shots, Annuals, Anniversary issues, etc). If I’m reading a graphic novel or collected edition, I like to also read at least a fully issue’s worth of pages. If I’m reading a book, I prefer to be able to read at least a full chapter.

Mostly, my “multi-tasking” with books is the fact that I rarely have one finished when I start another. And through the years, I’ve found myself with dozens of books that I’ve started, but to this day have not finished. I get distracted by life, or another book, or other books, or comics, and eventually a book that’s sitting around waiting to finished will get shelved, and for the most part forgotten.

Because of more than two decades of reading comics—typically this tiny chunk of a much larger story, with at least a month between issues—I usually have very little trouble with picking a book up after weeks or even months away and simply resuming where I left off…even if I’ve read another book since putting this one down.

This tends to be the primary reason I find myself BUYING most of the books I read, and rarely obtaining them from a library. Library books have an odd feel to them for me, as I see the “due date” as a “deadline,” and a deadline implies “forced” reading, and I have trouble trying to read something that may not be IMMEDIATELY engaging, AND/or that I feel like I’m being forced to read. The library’s due date comes and goes, and being just a few pages into the book or not yet fully engaged, I’ll return it with the best of intentions of checking it out again later.

Booking Through Thursday: Real Life

imageThe age-old “How am I going to use this in real life?” question. How would you answer it?

“How am I gonna use THIS?” That’s a pretty deep question, and certainly varies depending on the subject matter. Obviously, the context here would be “books” or “reading.” But then, it also varies on the sort of books or reading material.

untoldlegendofthebatmanThis is a comic reviews blog, so I’ll start with that—comics. There’s a Batman comic from the 1980s…The Untold Legend of the Batman (actually, 3 issues, or there’s a MMPB edition in black and white out there that I’d love to re-acquire as my copy disappeared probably 15 years ago). The first and 3rd issues have both had a profound effect on me.

In the first issue, we see a college-age Bruce attending a class on the Law. In it, a professor sets out a situation and asks what the resolution should be. Bruce disagrees with the answer and asks “But sir…is that justice?” To which the professor responds “No, Mr. Wayne—that is the Law!” And in that story, that was the moment that Bruce realized he could not simply become a police officer, but had to become something NOT bound by red tape—something that could enforce justice, even if not technically the law. And from that, I gained my own distinction between and recognition of the fact that there IS a significant difference between Justice and the Law (and there’s a whole lotta biblical stuff on that, but that’s for another discussion some other time).

In the third issue…well, there’s just a whole tone thing. Memories, how they affect someone, and how sometimes it just takes the right sort of friend or the right sort of encouragement to affect someone….and that, too, sticks with me.    (continued)

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Booking Through Thursday: Heavy

imageWhat’s the largest, thickest, heaviest book you ever read? Was it because you had to? For pleasure? For school?

05montecristoOffhand, I’m trying to think of any large/thick/heavy books I’ve read that would particularly trump any others. Probably The Count of Monte Cristo, read in high school.  Though that’s got enough years between happening and now that I don’t even recall if what I read was the unabridged version or if we read some sort of abridged version.

I imagine the Bible (NIV) might count—that’s certainly THE most significant book I’ve ever read. After years and years of it being any part of my life, several years back 04harrypotterI decided to take part in a 90-day bible-reading challenge with a local radio station…one of few such challenges I’ve ever completed.

Stephen King’s It may be a top candidate for length, read for pleasure sometime during high school. The fifth Harry Potter book—The Order of the Phoenix—also comes to mind as particularly thick.

03lesmisBack in 2004, I bought a copy of Les Miserables after developing a fascination with the Broadway musical after seeing a high school production with one of my best friends at her alma mater. Not sure I made it 50 pages in before being distracted by other stuff, and have yet to go back and finish it.

01capomnibusComic-wise, I think the first Ed Brubaker Captain America Omnibus is easily the largest, thickest, heaviest comic/graphic novel/whatever that I own. Though the Bone One-Volume Edition rivals it…but sadly, I’ve yet to get all the way through Bone.

Springboarding away from the topic at hand a bit, though….if we’d take “heavy” to mean substance and impact on a person for having read the work….I’d have to list the first 6 Left Behind novels, a number of Magic: The Gathering novels (primarily The Brothers’ War), several Dragonlance novels 02bone(primarily Dragons of Winter Night and Dragons of Summer Flame), as well as The Death of Superman, Batman: A Death in the Family, and DC’s Kingdom Come.

Of course…there’s loads I’m sure I’m not thinking of at the moment. But when you read enough….eventually one loses the ability to recall each and every thing read off the top of the head.