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The Weekly Haul: Week of April 4, 2018

Well, this proved to be a small week for new comics!

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New issues each of Superman and Batman; sadly, I believe this run of Superman is being cut off in another issue or two, not EVEN making it to #50; and who knows on Batman?

While I’m highly annoyed at the early-release at a convention, and at the constant variant covers…I decided to check out the first issue of IDW‘s Sonic the Hedgehog series. I passed over 20 years ago on the Archie-published premiere, so here I am with a likely-near-"worthless" one now. But hey…nostalgia. (Sonic the Hedgehog was the first videogame I ever "beat" with no cheat codes or "Game Genie" and so on!)

Then we have the second-to-last issue of the Rogue & Gambit mini…I’m pretty sure as "regular" "full price" issues go, that leaves me with only 2 more "planned" Marvel issues (#5 of this series, and the final issue/epilogue of Mighty Thor since I already have the 6 chapters I do, might as well finish out the last issue before Yet. Another. Renumbering). And while I was aware of a Kickstarter thing, I’m verrrrry glad to see Demi-God get a regular, actual, real release…and I’m happy to support it this way, having access to the "A" cover vs. a variant, and it actually having regular distribution and not being limited just to some Kickstarter thing!

And finally, the first of another wave of True Believers issues, this time featuring Thanos…because hey, there’s a movie coming out in just a few short weeks! I do definitely prefer when these True Believers issues are basically a straight up "reprint" of a particular issue–a True Believers Edition–rather than being made out to be a whole other thing–Thanos: The First is a reprint of Iron Man #55–the first appearance of Thanos (and another short/early story from an issue of Logan’s Run). I’d much rather a True Believers Iron Man #55. For a less-iconic singular issue like the Thanos vs. the Avengers I’m ok with it as it’s not the same sort of "key" issue like a first appearance, "death," or "return."

Overall, a nice small-ish week that didn’t leave me with "sticker shock" or such!

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Ultraverse Revisited: Prime #1

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prime_0001Prime Time!

Writers: Len Strazewski, Gerard Jones
Artist: Norm Breyfogle
Letterer: Tim Eldred
Color Design: Paul Mounts
Editor: Chris Ulm
Published by: Malibu Comics
Cover Date: June 1993
Cover Price: $1.95

While I don’t recall offhand if all three books shipped the same week, or what order they came out in…to me, Prime #1 is where it all began…I remember it from that first month–June 1993–and I followed the series itself to its conclusion in late 1996 or so around #15 in its second volume. Whatever the original order, to me, it just feels "fitting" to dive in with Prime #1 to start my journey back into the Ultraverse.

Another thing going for this issue is that it has an audio-drama of sorts, from a one-issue "CD-Romix-Comix" thing where the first issue was chopped up into panels to display on-screen with some quasi-animation–think early "Motion Comics" or such–along with a cast audio track with sound effects and such. Having the AUDIO from that which often makes its way onto my iPod, this issue is one that I simply cannot read at a normal pace–I read it with the voices in my head, the vocal pace of the audio piece unfolding in my head. I can also virtually recite the entirety of the issue from memory, so there are no surprises revisiting THIS issue.

The comic is a lot "bigger," brighter, and "’90s" than I sometimes remember…but that’s something that makes sense, as this came out in 1993–as "the ’90s" were getting into gear–and that was a time with "big" art, non-traditional page layouts, and of course, the (infamous?) rise of computer coloring techniques. Though I know Breyfogle had a significant run with Batman in Detective Comics (including my own first-ever issue!), this series doesn’t look like what I remember of Batman…helping show a range as an artist, being able to tackle different types of material. Prime as a character is big, bold, and really very over-the-top with the huge muscles, and outlandish physique…take your mental image of the biggest, buffest super-hero (other than Prime!), amp that up, and you may well HAVE Prime. This comes into play with the character’s origin, but also helps the character stand out in its own way.

The cover is one of the more "iconic" covers out there, to me…certainly for my own experience with it, as well as being a generic/"iconic" sort of cover before that was totally "standard." I also have long REALLY dug the trade dress for these early Ultraverse issues–with the 3-D-stylized "U" and the issue number/price, publisher (Malibu Comics) in "corner boxes," with the Ultraverse logo as a banner across the top, and a border line framing the entire image, though said image breaks free of any constraint offered by this.

Story-wise, in some ways, this issue goes against my own sensibilities in feeling strongly that first issues need to introduce not only the main character, but also a supporting cast and antagonist, who/what they are and at least hints of motivation, and all that. I suppose this issue gets a "pass" on that for being 25 years old (twice as old as I was when it saw publication), and long since knowing where stuff goes, and all that…so it’s impossible to TRULY judge this by the same standard as I would a new #1 issue released in 2018. But this also comes from 1993, when collected editions were still pretty rare overall, and ongoing comic series issued in monthly form did not have (essentially) companion "graphic novel editions" trailing relatively close behind. So while this first issue doesn’t reveal everything, it’s by no means playing up to some "graphic novel" version.

We open on the first of several main scenes, as we learn a bit about this Prime character by way of others telling of their experiences encountering him. First, a disgraced gym teacher, attacked by Prime and accused of inappropriate interaction with young female students (this was 1993, but still right at home in a way with headlines 25 years later). Then we learn of Prime demolishing a drug house. Finally, he takes on terrorists in Somalia…thousands of miles away! Amidst a shadowy figure interviewing the first two and learning of the latter via tv news reports, we get further world-building and exposition via the tv news/entertainment reports–stuff about Hardcase (who had his own #1 the same month as Prime), a character called Prototype (who would come back into play later), as well as a slight sense of the way the public views these ultra-humans.

As said above, there’s no surprise for me in reading this issue, outside of reminder of how colorful it is, how ’90s it is. I see this issue frequently in bargain bins…I see many of the early Ultraverse #1s in such bins…but especially for 25 cents to 50 cents, I recommend checking it out, whether as an artifact from its time, or to get started on an Ultraverse journey of your own.

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Ultraverse Revisited: Early House Ads

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Here are several early "house ads" for the first few Ultraverse titles, plus the "Ultratorials" from Prime, Hardcase, and The Strangers #1s.

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For me, one of the most noticeable differences from ad to print with Prime was the title logo–the lower portion was removed, and the cover of the first issue features only the full, heroic Prime–not the two-stage transformative part next to it.

The text description sorta fits what I remember, in the "hype" sense, but doesn’t feel entirely accurate on the first issue in particular.

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This Strangers ad is the image for the first issue’s cover, and offhand seems like what was printed, albeit with some different coloring, perhaps. And with Malibu‘s coloring department (long-rumoured to have been why Marvel bought the company) it makes plenty of sense to me offhand that that would make for some simple changes, and the coloring (of the background) can make an image look at once familiar yet suitably different like this.

The text definitely fits, though sorta "gives away" the "lost city" bit…but had you asked me before looking at/reading this ad, I would have been able to tell you essentially the rest of it, just not "…with a sorceress from a lost city…"

ads_0001_hardcase

I feel like Hardcase was another logo that changed between ad and print, with a more "basic" and bigger/blockier design. This logo is familiar enough that I want to say it got used on later issues of the series.

This image is completely different from the first issue’s cover, though 25 years later, this would simply be a case of "I didn’t get the variant cover." I like the image in terms of the ad, but it would seem rather boring and "off" to me for what I recall of the first issue itself.

The text piece mostly gives the premise of the series, but I wonder (now) about the timing of stuff for what I recall of the character only having a year "off" from super heroics–is that really time to build a huge film career?

ads_0001_freex

I like this Freex ad–it’s the image I associate with the first issue, and I think I even have a poster of this. I prefer the text being part of the image, rather than a Microsoft Word "text box" dropped onto the image…it feels a lot more dynamic…and memorable!

I do notice a small "text box" but even that seems a bit fancier than the first three ads, and actually does NOT stand out so much. "Life’s tough when you’re a super-power freak."

ads_0001_mantra

Mantra is another where the image from the first issue’s cover is used, which I definitely like!

The text box seems a bit much, with two ‘paragraphs’ of premise given…it makes it look a bit more complicated. Of course, I like that this info is provided, as it beats the heck outta just simply giving the image and saying "blindly buy me!" It also somewhat spoils developments in the first couple issues, and as I recall, technically "spoils" the first issue’s cliffhanger.

Additionally, for a "solo title," the cover makes it look like a bit of a team-up book, with Mantra and Warstrike fighting together, and possibly for the shadowy guy in the background (the villain Boneyard). The main character is the smallest figure on the image!

ultrafiles_prime0001

Here’s the "Ultrafiles" page from Prime #1. While I the first part is the same across the several issues, the latter part is changed up to fit the specific issue, with small quotes from the creators of the specific issue.

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Here’s the page from Hardcase #1…

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…and here’s the page from Strangers #1.

Though I’ve been almost certain that Strangers had been the first of the titles out (granted, this was 25 years ago and I was a 12-year-old kid at the time), that its page showed the covers of the next month’s new #1s has me slightly doubtful.

Regardless, I appreciate that these pages were changed to fit the specific issue–they were not just a one-size-fits-all static thing inserted into each issue.

This is also from a time when the "primary" cover was what was marketed–not the variants. Variants existed–specifically full-cover holographic covers, and versions with silver foil logos–but they were not the marketed versions. They were special "additional" versions! The hologram images I’ve come to learn were actually different from the printed art; but the foil editions are the same exact cover, just with the bulk of the logo as silver foil. The hologram covers are extremely distinctive–you’d know EXACTLY what you’re looking at to see one; and otherwise, the marketing (like these pages and most of the house ads) show you exactly the cover image you’re looking for, on whichever series!

Two and one half decades later, and going through back-issue bins, one can immediately tell what issues are what and the (series) reading order and all that.

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The ’80s Revisited: Myth Adventures #10

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myth_adventures_0010(I’m In With) The Inn Crowd!

Created and Co-Written by: Robert Asprin
Co-Written and Pencilled by: Valentino
Inked by: Art Thibert
Lettered by: Diane Valentino
Edited by: Richard Pini
Assoc. Editor: Joellyn Dorkin
Published by: Apple Press Inc. / WaRP Graphics
Cover Date: 1986
Cover Price: $1.50

I picked this issue up at a recent dollar-sale at a nearby shop…it caught my attention for the title itself and the cover, putting me in mind of recent posts over at The Crapbox of Son Of Cthulhu for Magical March. And with some recent discussions with others, I was in the mood for something I’d never heard of before specifically (at least in conscious recollection) and decided of the issues of this present, #10 looked the most interesting.

The cover shows a goblin-like creature apparently rather happy and ready to party (the caption says Let’s Party!). I "assumed" that the issue was black and white given it looks like something from the 1980s. It turned out I was correct–1986 and indeed black and white. As I had assumed that, it certainly met expectation and is not at all a negative factor!

We open with a "party" walking into an inn, where the proprietor(s) don’t quite know what to make of them. It quickly becomes apparent that they’re basically rich snobs looking for an "exxxxxxclusive" hangout, and they’re willing to pay top dollar for it. This leads to some ‘discussion’ between the goblin Aahz (who can assume human form) and his apprentice, Skeeve–over money and some things being more important than money. We then see the two trying to entertain their guests and the various mis–or rather myth–adventures they get into, including a pet(?) dragon Gleep trying to join in some skinny-dipping fun in the lake. Eventually, even Aahz has had enough of the group and decides to convince them to leave by lowering prices and welcoming conventions–though this gets results far faster than expected, startling all involved as a convention heads their way (to be continued!).

I like that we get names for all the guests quickly on (Goldie, Hunk, Kitten, Zap, Stella, and Rock). Aahz I figured out pretty quick, and while he refers to his apprentice mostly as "Kid," I was able to figure out he’s Skeeve, and found acceptable-to-me-confirmation of that in the letters page. This is a TENTH issue, after all–not a first issue, not some special issue or jumping-on-point, not a giant-size issue, etc…so while it COULD have done with a DC or Marvel "cliche" of headshots/names or such at the start of the issue, I didn’t really expect much of that, or to get to know much about main characters for just one issue. That I was able to pick up on stuff as I did is a very definite positive to me!

The art is quite good in and of itself…I can’t quite think if it’s that this is a black and white book or what, but I did notice the lack of backgrounds in a lot of panels. Lacking the much larger visual diversity that color can bring, though…too much detail without quite the right style would merely muddy the appearance. So while I NOTICED the lack of backgrounds…as one reading much more for the story than anything else, that was not a problem to me; and there ARE plenty of panels that DO have backgrounds, so it probably balances out where I just don’t notice as much in color comics because a background could be conveyed by solid color where it’s whitespace on a non color comic.

Reading this issue by itself, I enjoyed it as a one-off. I got the sense of there being some details I was missing (how Skeeve and Aahz met and more specifics of their relationship, the background of Gleep the dragon, and Duke Pinchpini (pinch-penny/penny-pincher?) to name a few). But coming in "cold" on the tenth issue, that’s nine other issues preceding this to check out and see what’s what and when and all that. Further curiosity has led me to realizing there were at least a dozen or so issues, and that these are based on a series of novels, which casts the series in a different sort of light for me.

All in all, though, this was simply a fun issue, and i’m glad that I got it, and read it…and I actually regret not picking up more (there were at least three other issues I left behind). I believe there have been several collected editions; I can’t speak to their availability in print, but if I see any other single issues in bargain bins or such, I’ll definitely be picking them up…and may even be looking into at least trying the first of the novels!

If you’re looking for light fantasy fun that plays with various tropes and such, and the humor that can go with (and something to this puts me in mind of Terry Pratchett‘s sort of humor), this would be a good issue, and if you find any of the other issues, I can guess that they’d be similarly fun. The way this one ended…I definitely want to get the next issue at minimum! I paid $1 for this–a bit more than most of my bargain-bin digging, but it’s worth the $1, and for not being something I’d come across before, I’d say any of the issues in this series will certainly be worth at least $1 to ME to pick up moving forward.

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The Weekly Haul: Week of March 28, 2018

This was another interesting week for new comics. Small-ish, but some high prices making it feel like a slightly bigger week. And I totally forgot to look for a certain back-issue that I’d missed last week, so I may be back out this weekend hunting.

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We have the $4.99 conclusion to Metal; the $4.99 next issue of Doomsday Clock (that I’m about ready to jump off and just wait for the eventual collected edition); and the $4.99 250th issue of GI Joe: A Real American Hero (the numbering goes back to the original Marvel-published #1 from the early 1980s!).

On the idea that I’ll catch up on reading TMNT before I make it back to the shop with the pull-list, snagged the "B" cover since IF I’m gonna have two copies of the issue, might as well get a different image. PLUS the TMNT stuff is my core "exception" where I’ll let a LOT more go than I will with any other property. The second issue of The Terrifics; the new Detective Comics (which is no longer going to sync necessarily with Action Comics the way it has for most of the past 22 or so months).

The latest issue of The Demon: Hell is Earth; and then the booklets that go along with the latest issue of Previews.

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And there’s the issue of Previews itself, along with image+; these kinda just are what they are.


Next week starts the April books; and also puts us into the month in which we should be getting Action Comics #1,000. While by regular scheduling that should have been this week, it’s being "held" for 3 weeks so its release coincides with the 80th anniversary of Superman. And based on the understanding that it’s otherwise done…I’m pretty much ok with it for said anniversary status.

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Dollar Sale Haul: Comics & Friends March 25th, 2018

This past Sunday, Comics & Friends (a comic shop in the Great Lakes Mall in Mentor, Ohio) had a $1 sale, with a bunch of longboxes of books for $1 each! I almost didn’t go, but figured I hadn’t been there in awhile, it was an excuse to "get out" for a bit, and maybe I’d luck into something especially cool.

dollar_sale_haul_03252018a

I ended up snagging a number of #1 issues. I’d usually "feel bad" about just grabbing a #1…but these were basically "orphans," where it was just the #1, if not multiple copies of the #1. And where I saw the X comic on its own for $1, the entire issue of Hero Illustrated that had a copy bagged with it was available, so I went that route. And though I have an intense dislike of contemporary Valiant, I still enjoy the classic ’90s stuff… and a Rai paperback for $1 is well worthwhile!

I don’t think I ever snagged The Demon #1 before; I’m all about Batman: Shadow of the Bat #1’s "Collector’s Set" for the posters and such; Elfquest #1 here is in better shape, I think, than a previous copy I’d gotten at one point. Amidst a bunch of other Image #1s, I’m not certain if I already had Youngblood #1, and while several of the other early-Image #1s seem pretty common in bargain bins, I don’t often see this. I’ve long been aware of the Dinosaurs for Hire series, but pretty sure I never had this #1. I’m also not certain off the top of my head with The Ferret #1…though I would not be surprised either way (having or not already having) it.

And just because I remember Wizard magazine overhyping Gen13 #1 and claiming it into the $40 range at one point, I take a certain satisfaction in continuing to acquire copies of this issue and still not being anywhere near that sort of price range as a total.

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I snagged a random Myth Adventures issue (it caught my eye as something right outta The Crapbox of Son of Cthulhu!); a Hero Illustrated promo comic of Concrete (I don’t recognize or remember it offhand…it may be from an issue I have yet to acquire); a "spare" copy of the promo Zero issue from DC (from its original Zero Month that followed the Zero Hour event). And then several "special" Marvel issues in Iron Man #300, Incredible Hulk #400, Avengers #375, The Secret Defenders #12, Incredible Hulk #418, and Fantastic Four #381. Anniversary issues, oversized and fancy foil/shiny covers or die-cut, and the "death" of Mr. Fantastic for a couple years. I’d typically consider these all to be 25-cent bin stuff, but I’m occasionally willing to go up to $1 or so like this "in the moment" and such.

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$1 each for "recent" New 52 issues with $5.99 and $4.99 cover prices is not bad. I didn’t buy into the blind-polybag-cover crap for the #50s at the time…but for $1, snagged Batman #50 and Batgirl #50; neither of which I owned before Sunday, offhand. And knowing I’ll eventually be wanting to fill in the ancillary Superman titles (Superman/Wonder Woman, Superman/Batman, Batman/Superman, etc.) snagged the first Batman/Superman Annual. I also snagged several "classic" ’90s Valiant issues that I think I probably already own, but they’re still in my phone as ones I was looking for, so I figured I’d get ’em just to be sure.


All in all, it was a bit more of an expensive purchase than I’d planned…but still kept it under $30. And a lot of these are ripe for potential/imminent The ’90s Revisited posts, so there’s that as well!

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Token Photo Post: My Manga Collection

I almost had daily posts this week, for the weekdays! With some personal stuff going on that took up my Thursday and then exhausted me further on Friday…to get the (week)daily posts for this week…here’s a "token" photo post!

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I’m presently (still) reworking my basement space with bookshelves and such. I’ll certainly do a mega-post at some point once I’m done, to show off the entire space AND the specific shelves and collection and such.

But for now, I’ll stick to showing off some of the shelves in somewhat isolation.

Here? My manga collection.

On top of the bookcase I have the complete Dark Horse run of Lone Wolf and Cub. No clue when I’ll get around to actually reading the things; though I think back in 2001 or 2002 I got through the first 3-4 books. That far back, though, I’ll surely have to restart from volume 1.

Then there’s the complete run of Naoki Urasawa‘s Monster; I still have the final four volumes or so to read.

Next is the entire 8-volume run of Chobits, which I had bought and read in its entirety in less than a week back in 2004; partly as self-distraction with losing Grandpa and amidst the funeral and such.

I tried getting into Fruits Basket thanks to the friend that introduced me to Chobits as well as a "promo dvd" that I’d had with an episode of Fruits Basket and Dragonball GT or whatever. But I only made it a few volumes into the series before falling way behind.

Yu-Gi-Oh! I only ever got the first volume…I read it at the time, but never got around to the later volumes.

The first three Pokemon books there are "digest-sized" collections of single issues that were published (I believe) by Viz; whatever the case, I have the single issues for the first couple volumes. Then there are the first three volumes of Pokemon Adventures that I snagged for a buy-2-get-1-free sale a few months back; I’m about halfway through the first, but shelved it to make sure I knew what I was doing with spacing for the shelving.

As always…I own and continue to buy way more than I can possibly read right now…but hey: someday!

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The ’90s Revisited: Dr. Strange #36

90s_revisited

dr_strange_0036Footnote to Infinity

Writers: Roy & Dann Thomas
Penciler: Dan Lawlis
Inker: Andrew Pepoy
Letterer: R. Parker
Colorist: George Roussos
Editor: Mike Rockwitz
Editor in Chief: Tom Defalco
With Special Thanks To: Jim Starlin, Advisor
Published by: Marvel Comics
Cover Date: December 1991
Cover Price: $1.50

I bought this issue completely outside of any kind of context for the Dr. Strange: Sorcerer Supreme series. It initially caught my attention specifically for the presence of Adam Warlock on the cover with the Infinity Gauntlet. The corner blurb that this is an Infinity Gauntlet "Epilogue" solidified it for me. I’ve read The Infinity Gauntlet a couple times (though it’s been a number of years now and I’m due for a re-read–as if I’m not extremely far behind on all my NEW reading) and early issues of Warlock and the Infinity Watch. But I’d never read this issue, and I was curious as to exactly how it was addressing Infinity Gauntlet, its place in the timeline. I’m glad to say that my curiosity was satisfied.

We open on Dr. Strange arriving back home, reuniting with his supporting cast. It’s an impromptu party, and among other reunions we see Strange and Clea (who is the only other person in the room that remembers what happened). As they dance around the subject and share the joy of everyone being present, Wong announces that he’s engaged…and moments later, Pip the troll and Gamora appear, disrupting things–they’re here for Dr. Strange, hoping he might aid them in dealing with a driven-mad-with-power Warlock. Strange confronts Warlock, and winds up having to use every resource available to him, basically, just to hold his ground. After he’s "survived" attacks involving the other Infinity Gems (yes, this is back when they were GEMS, not STONES), he turns the tide by going after the Soul Gem–the one most closely linked to Warlock…and manages to get through to him, helping him see what’s happening, and stand down. After thanks, a friendly handshake, and promises to see things stay on the right path, everyone parts ways…though Strange gets a brief encounter with Eternity…the cosmic being representing the universe itself. Eternity intends to claim the Infinity Gems, by bringing Warlock to some cosmic trial…but that’s not for Strange to deal with, and he finishes his return journey home.

I’m sure I would have enjoyed this issue more if I was "up" on contextual continuity for this series at the point this issue falls. I basically remember THAT Strange was involved early on, being maybe the first Silver Surfer made contact with of the Earth heroes regarding Thanos having assembled all the Gems; and then with Warlock and the "behind the scenes" crew in taking on Thanos. I also vaguely remember that Wong was one of the "half the living entities in the universe" that were blinked out of existence at the start of Infinity Gauntlet. I’m not invested in any of the supporting cast or cameo appearances. And I felt like Warlock was extremely out of character, given the out and out attacks directed at Dr. Strange…and it all rang as the old cliché "hero vs. hero" and such that I really don’t care about. At least here, though, the situation is resolved within the same issue, it does NOT take up the ENTIRE issue, and certainly does not become an entire story arc for a mini-series or title. I was glad to see stuff resolved here, and where I was curious going in as to WHERE exactly this took place in "the timeline," the end of the issue with Eternity suggests to me that this essentially led into Warlock and the Infinity Watch #1.

Story-wise, this felt like "the next issue" of the title. That is, it didn’t waste time trying to retell that which is told elsewhere, nor did this feel like just some "middle chapter" or such of a serialized graphic novel. There are details that are obviously "subplots" being moved along, while the main focus of the issue is an encounter that is begun, run, and resolved within this issue. For a reader perhaps checking this out BECAUSE of seeing Strange in Infinity Gauntlet, it seems to have him pulling out all the stops, and in a way "showing off" for the newer readers, while perhaps reminding older readers of what he can do on his own, as more than just a single character of a huge ensemble cast in a Marvel Universe event.

Visually, I liked the art for this issue overall. For one thing, I felt like I recognized everyone I would expect to–particularly Dr. Strange himself, Pip, Gamora, and Warlock. I attribute this to a "house style" that I feel like I recall being prevalent in the early ’90s; at the least, everyone looks familiar enough that I had no problem with their appearances and nothing messed with my memory of how they "should have" looked or whatever.

As a single issue, this isn’t enough to "sell" me on Dr. Strange’s series…I’m in no particular hurry to find out what happens with the next issue (though I’m "curious" at the tease of "Frankensurfer" and wouldn’t be entirely opposed to keeping an eye out for the issue in a passive sense) nor do I feel any great need to rush out and get previous issues. That said…this seemed a solid issue, a decent follow-up to Infinity Gauntlet, and probably not the worst thing one could read from Marvel for the early 1990s. I enjoyed it enough to have more than justified the 25 cents I spent for it, and I’m glad to have read this.

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Oblivion Song #1 [Review]

oblivion_song_0001Writer/Creator: Robert Kirkman
Artist/Creator: Lorenzo De Felici
Colorist: Annalisa Leoni
Letterer: Rus Wooton
Associate Editor: Arielle Basich
Editor: Sean Mackiewicz
Cover: Lorenzo De Felici
Published by: Skybound Entertainment/Image Comics
Cover Date: March 2018
Cover Price: $3.99

Seeing some hype on this book ahead of time, when I saw it was "finally" out, I grabbed it to give this #1 a chance. I’m far from "wowed" with this, though there’s a bit of potential to it.

For the first 11 pages of the issue, the whole thing is basically some alien world with creatures that we have no idea what they are, some people that we don’t know who they are, we don’t know what’s going on, and as a comic book, I would expect a fair bit of dialogue or narration/captions to provide some exposition. Instead, it’s like something trying to be a storyboard or some other cinematic thing INSTEAD OF being a comic book.

Agh! Wha–?! Where?!

Huff! Huff! Huff!

Oh, crap.

No, no, no!

Oh, God!

Piece of junk…

C’mon… c’mon…

Work–damn you…

AHHH!

That would be sparse dialogue/word balloons for one page…but for 11 pages, that’s an average of a mere TWO words. Per PAGE.

Now, I count 23 more pages (several of which have similar quantities of dialogue), but that does put this issue at 34 pages, for "only" $3.99 compared to say, Marvel giving 20 pages for $3.99. So I suppose that makes up for this 11-page near-silent "prologue," though I’d almost expect something like that to have been a preview or prologue ISSUE or such with some other content–interview with the creators, some sketch pages, etc. and then the opening of a "regular" #1 to refer to it to remind a person there was content immediately preceding story-wise.

Essentially, over the course of this issue, we learn that some event happened in the past that shifted part of a city into some other dimension. While most have considered those people to be dead, there’s been cause for hope in some returning. We meet Nathan Crenshaw–who has some personally-developed tech allowing him to cross into that other dimension and with some sort of injection, return himself–and/or others–to Earth proper. He needs funding to be able to do this on a large scale, to thoroughly cover ground in the other dimension and rescue those that can be. He’s denied said funding, as we also come to learn that his primary motivation is rescuing his own brother. When he goes back for another go at finding him, we’re then introduced to some inhabitants/survivors of "Oblivion" including an individual certain to be crucial to the situation presented throughout the issue.

Story-wise, this issue does a fair bit of world-building, set-up, and introduction to the concept of the series. It definitely comes off as the pilot episode to a new series…even having the aforementioned cinematic feel that came off to me as counter to the purpose/point of being depicted on the page of a comic book. The scene might play well as live action, but for a comic book, I did not care for it at all–ESPECIALLY as THE opening sequence of a brand-new series.

That said, this is Robert Kirkman, who brings us The Walking Dead, and seeing as that series has run over 150 issues, there’s a lot more to go on from that series than this for now. Everything has to "start somewhere" and this being a whole different story, whole different world, and so on, there’s no context for "shorthanding" anything to convey more than what’s actually given. We’re only able to go on exactly what Kirkman gives us to figure out this world.

Visually, I have no complaint outside of just having zero context for the creatures of Oblivion and being tossed in to try to interpret what I’m seeing with no idea what I’m supposed to be looking at. The art in and of itself is good, and for the depiction of the people in the story and no point of comparison, it just works for me as "a comic book’s art." I imagine I’d have more to say for a subsequent issue, at least in terms of whether or not it stays consistent or such. I’m also glad that as short as much of the issue is on dialogue/words, at least there weren’t double-page "splash pages" to breeze by with but a glance.

This is an extra-length issue, based on assumption of 20-22 pages being a standard-length issue for $3.99; I would not expect so many pages in later issues (though would not mind them!) and would expect the extra pages made up for and allowed for the extended "silent" scenes. I’m curious to see what/how this develops, and on the strength of The Walking Dead would be inclined to give this series a shot. Of course, as with most comics and virtually all "indy" titles, I suspect I’d personally enjoy this more by waiting for a collected edition.

If you can find this for cover price (and not some jacked-up "speculator price") and enjoy Kirkman‘s work in general, I’d encourage picking this up to try for yourself and see how it comes off to you. As long as I’m not duped or otherwise vexed by a variant cover in the meantime or at point of sale, I’ll probably check out the next issue before I decide for sure if I’ll pass on the single issues and wait for a trade. Assuming this would get a "$9.99 Volume One," even getting the first couple issues AND a trade, it’ll cost about the same. That said, I’m not particularly "impressed" with this, and leave it as a more "passive" recommendation than anything "active."

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The Weekly Haul: Week of March 7, 2018

This week ended up being a relatively small, simple week for me as far as new comics go.

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New Superman issue, new Batman issue, 10th issue of Bane: Conquest (of 12). I nearly missed noticing Rogue & Gambit. I gave in on “hype” for trying Kirman‘s new title Oblivion Song. Having quite enjoyed the animated series in the ’90s, I’ve been getting The Tick‘s new series.

And seems we’ve got a new wave of True Believers issues this month for Spider-Man and Venom. I snagged the re-purposed reprint of Amazing Spider-Man #300, billed here as Venom vs. Spider-Man. I was pleasantly surprised at the thickness of the issue, especially for “only” $1! (and for better or worse, this is probably the ONLY way that I’m gonna own a single-issue edition of Amazing Spider-Man #300!)


Fresh Start: No More Marvel

I did notice that X-Men: Red #2 was out…after so-so feelings from the first issue, I was considering getting #2 and giving the series a chance. The same goes for Avengers: No Surrender. After pointedly getting the issues for 6ish weeks running, I stopped cold-turkey. I am so incredibly sick and tired of Marvel‘s absolute unwillingness to stick with ANYTHING for more than a few months. In this case, they announced yet another mass renumbering to start in May, with a new Avengers #1, and Venom is renumbering, and a bunch of other titles. Rogue & Gambit is a 5-issue mini-series to my knowledge, and I’m treating it as its own thing, being a definite fan of the characters…and a definite “sentimental value” to it. And I’m willing to buy reprints like the 300, because it IS a reprint, is an issue I do not own, it’s an issue I have not read, and it’s “only” $1! Best of all, these reprints do not themselves have variant covers on release (and as reprints themselves I do not consider them variants, given the True Believers banner).

I feel like I should have totally, completely stuck to my guns regarding Marvel, but opted to sorta “buy into” a little bit with Legacy and had some now-obviously highly-misplaced “faith” that they MIGHT ACTUALLY “stick with” the “legacy numbering” even if they did other stunts and such.

However interesting stuff may look, however appealing, I’m trying to force myself to just be DONE with them. No Infinity Countdown, no Hunt for Wolverine, no X-Men: Red, no Avengers: No Surrender, no Astonshing X-Men. No Fresh Start for me. I’ll finish out Rogue & Gambit, I’ll perhaps snag reprint editions in True Believers, but as far as new/current stuff with Marvel…I intend to be done!

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