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Dark Horse FCBD 2012: Buffy Season 9/The Guild flip-book [Review]

BUFFY SEASON 9

A year ago, I would have probably been thrilled with the Buffy story. As-is, I’ve not followed the Season 9 comics (even dropped the title from my pull list once I realized I hadn’t READ an issue in several months), and have yet to get to finish Season 8. So I don’t know what the deal is with Spike, which really made this issue quite surreal.

Visually, Buffy doesn’t look unlike what I’ve come to expect for the comics, and the art for this story is not bad at all.

Story-wise, I was a bit lost…but certainly appreciated the nods to the Aliens franchise here.

I assume this one’ll be of interest to Buffy fans, who are relatively current, or at least know what the heck’s going on with Spike at this point in the characters’ continuity.

Rating: 6.5/10

THE GUILD

I’ve had a mixed sorta relationship with The Guild. Namely, I tend to go long periods of time without it in my life, followed by short periods of catching up on it. I’ve recently watched what I believe is the most recent season (fifth) in one go, so this story is a real treat.

Torn on where to have their in-person monthly meetup, the Guild has their avatars battle to the death for who gets to decide the location. Clara wins, and opts to have a beach day. The way each reacts to/handles the beach is the height of the story, and keeps quite true to the characters.

Like the Serenity cover (on the other Dark Horse FCBD 2012 issue), this one is really well-done, and really “gets” the characters and the actors. And the interior art is a lot more cartooney…but given the nature of The Guild, it works quite well here.

The story would make a great setting for a partial season of the web series. As-is as a comic, this has me suddenly quite interested in getting the collected edition of the mini-series from several years back.

…Which I suppose is ultimately the goal of something like this: provide an entertaining story, AND send the reader to other existing material.

Rating: 8/10

ALABASTER: SHELTER part 2

This is another 2-pager that really doesn’t do much for me. Story, art…just too short to really be meaningful.

Rating: 3/10

Dark Horse FCBD 2012: Buffy Season 9/The Guild Overall Rating: 8/10

Dark Horse FCBD 2012: Serenity/Star Wars flip-book [Review]

SERENITY

From this issue’s cover, I was hooked. One look, and my first thought was “Awesome!” Daniel Dos Santos perfectly captures Nathan Fillion as Captain Mal Reynolds. The story itself sees the Serenity put down on a world for some business. While the others go into town, Mal remains with the ship…but quickly finds himself defending it against a local who has determined that he’s going to take the ship for himself.

The story is quite short, but for being a new, original story of the Serenity and her captain any length is quite welcome by me. I could “hear” Fillion‘s voice as I read, a definite credit to the consistency from the story being kept “in the family.”

The art was a bit less to my liking after the cover. While the cover image captures Fillion‘s image as the character, the interior art is very much its own thing. It’s not hard to follow the action or pick up on who’s who, but I would not immediately see the actors playing these characters if the adaptation went from comic to screen.

Ultimately, well worthwhile, and this should be quite a treat for Firefly/Serenity fans to get a little more Mal with a hint of the other characters still around in this series.

Rating: 8.5/10

STAR WARS

This flip-side’s cover is nowhere NEAR as appealing as the Serenity one. The image of Han and Chewie seems extremely familiar like I’ve seen it used elsewhere. But hey…the issue’s free, I already read the Serenity side, so might as well read this, right?

The basic story is rather sitcom-ish and follows Han and Chewie making a drop-off. They’re dealing with a rather unsavory character who not only refuses to fully pay the smugglers for their smuggled goods, but decides he wants the Millennium Falcon itself. Of course, that doesn’t go over well with Han or Chewie, and the buddies survive to meet Luke, Leia, etc. in A New Hope.

Story-wise, pretty simplistic, if a bit amusing. I’m not all that impressed, but reading the story wasn’t a complete waste of time. The art’s about the same…nothing impressive, but it’s not horrible.

All in all, this seems really standard fare, likely to appeal to others specifically interested generally in Star Wars. For me, it simply pales next to the enjoyment I found in the Serenity story.

Rating: 5/10

ALABASTER: SHELTER part 1

Squeezed in between Serenity and Star Wars, this issue gives us a two-page short from some title called Alabaster. The short text overview before the two-pager gave me more context than the story itself, which for a comic is a BAD thing. I only vaguely pick up any real concept, and to try to convey it in this review would be to render it pointless to read. Conceptually I’m mildly interested, to the point I’d probably look at the collected volume if I saw it, but there’s not enough here to truly “sell” me on it.

Rating: 3/10

Dark Horse FCBD 2012: Serenity/Star Wars Overall Rating: 7/10

The Rest of the Stack: Week of October 12, 2011

allofthestack

The Rest of the Stack is my general mini-review coverage of new comics for any given week. It’s in addition to (or in place of) full-size individual reviews. It’s far less formal, and more off-the-top-of-my head thoughts on the given comics than it is detailed reviews.

BATMAN AND ROBIN #2

batmanandrobin002I’m definitely enjoying seeing the dynamic between Bruce and Damian here. Somehow it doesn’t seem like it’s really been all that long–but I think it’s been about half a decade now–since Damian was introduced into Batman continuity. And even though this title is part of this new DCU, even the flashbacks in this issue speak to it being a continuation rather than something all-new. Just as Alfred’s been a father to Bruce, now Bruce is trying (albeit in a suspend-your-disbelief sorta way) to be a father to Damian. We get a confrontation between Bruce and an “old friend” that sets up some of the atmosphere the two have–and while I’m not often a huge fan of “hey, here’s yet another person from this character’s past we’ve never heard of, but he’s really a Big Deal” situations…it works here. Mostly, I think I’m just glad to see BRUCE WAYNE, to see that there actually is a man under the cowl, and that Bruce is a part of things as much as Batman. Story’s good; not entirely thrilled with the art, again…but it still comes off better here than it did in Green Lantern Corps last I’d read the title over a year ago. (8/10)

BUFFY THE VAMPIRE SLAYER SEASON 9 #2

buffyseasonnine002While the ending to the previous issue was a complete what-the-heck?!? sorta deal…this issue makes it quite plausible, and I think it made that cliffhanger that much more…something. I like it now, much more than I did then, since I didn’t have the context. I still have not read the final couple volumes of Season Eight, and I’m getting the feeling they were the most important–so I’m totally going to have to track ’em down in some form or another to read ’em. This issue, and probably this whole arc–would seem to be ‘the setup’ part of things, getting stuff together to propel us through the rest of the series. I like that this does not directly seem to tie to Angel & Faith, despite both these series being in the same universe. The story’s good here–though it’s now been long enough that I don’t quite hear the actors’ voices in my head anymore on reading the issues. This is definitely a different Buffy than what Gellar had played–this one’s older, and has been through a heckuva lot since Gellar portrayed Buffy. Art’s not bad; I definitely like that while the characters are recognizable, they’re not slavish look-alikes for the actors from the tv show. This title, and Angel & Faith made it through my recent cuts, and for the foreseeable future are part of my official pull list. (7.5/10)

DAILY BUGLE: AVENGING SPIDER-MAN

dailybugleavengingspiderman000Now, this is the kind of preview I don’t mind. Give it to me as its own separate thing, and quit padding out the single-issues of other series with the exact same stupid previews. Have a little substance to it, explain it, give the first few pages or whatever, give the sketch/back matter/etc. and make it like a comic on its own, something that I can read when I’m good ‘n ready. I’m far more receptive to such material in this format and thus a little more willing to consider buying what’s being sold–whereas I get totally turned-off to stuff when I get sick and tired of seeing the exact same preview issue after issue after issue, almost like I’m being ‘punished’ for reading numerous issues from a given publisher. That said…no, I won’t likely be buying Avenging Spider-Man…not for $3.99, and I don’t intend to hassle with the download codes and such. I’ve stated my feelings on digital and print elsewhere, and may do so in detail again soon. Still…if Marvel would put one of these out every couple weeks, these Daily Bugle preview things–or even every week–I’d actually be inclined to collect ’em, as they’d be their own series, and maybe something would come of it. Not an actual full comic, but as an individual item, I’ll rate this at a 5 for effort and potential. (5/10)

DEMON KNIGHTS #2

demonknights002Actually enjoying this…all the more since having the D&D analogy pointed out. While this is set in the distant past of the DCU, it’s still got that sword-and-sorcery/fantasy element (and yet, the dragons turned out to be other than what I thought, taking things at face value last issue). I’m not terribly familiar with all the characters, and can’t tell you much about them individually. But the issue was a fun enough read, and nothing to it particularly turned me off, so, that’s definitely a good thing. Story’s solid enough, and the art definitely fits the story–that’s a clear positive in my book. Unfortunately, this also has the feel of a limited series, like we’ll get this one adventure and that’ll be it–so I remain hesitant to invest overly so in the title. Still…I’ll be getting the next issue, to see where things go. (7.5/10)

FEAR ITSELF: HULK VS. DRACULA #3

fearitselfhulkvsdracula003This mini wraps up rather anti-climactically…and yet, it makes sense at the same time. By its end it seems to have given us a key part of the overall Fear Itself story, and with more detail and context than just going from the pages of one issue to a different status quo randomly showing up in another. I’m very glad this is a $2.99 series, though…yet I still had to check the price a couple times to make sure it wasn’t $3.99. Which, in gaining and maintaining my interest in a line of comics is not the best thing–as I tend to fixate on the price almost to detriment of the content. I suppose Gischler deserves congratulations–as the writer, it’s his work that prompted me to pick this series up at all, as I’d had no intention of buying any tie-in minis for Fear Itself. The Uncanny X-Force mini I bought for being UXF; this I bought for Gischler‘s prior work; and I’ve been getting Iron Man since I neglected to take it off my pull list before getting stuck in the midst of Fear Itself. So…story’s good. Art’s good. And I can’t help but wonder…will this be collected in a $9.99ish paperback, as part of a larger multi-mini volume, or what? (7/10)

GHOSTBUSTERS #2

Layout 1Almost seems too soon to have another issue already–but I am absolutely not complaining. Well, there IS that pesky $3.99 price…but with a recent slashing of my pull-list, this is one of very few $3.99s that survived the cut. This issue picks up with Peter and Winston battling Slimer (this is not your goofy Real Ghostbusters Slimer, but the far less cute movie-verse Slimer). There’s something to seeing this “fight” play out, and the way it ends…I found myself seeing the transition in my head much as it’d likely play out animated, which made it a bit humorous. Story’s quite good, and the art still works quite well for me. If you’re a Ghostbusters fan, this is well worth picking up. I may even dig out the Infestation mini-series, as I believe that’s set in-continuity a bit, and I now have some context to go with for that. This is only #2, so if you’re a fan…snag this and find the first issue and just enjoy the ride… (8/10)

GREEN LANTERN #2

greenlantern002This issue feels a little like a cop-out on what seemed to be a twist on status quo. Now rather than seeming status quo, it seems like more of a gimmick for the arc rather than anything particularly long-term. Still, we’ve got Hal and Sinestro, and Sinestro’s shown to be quite competent–far preferable to what he was before Johns got ahold of the character. There’s definitely potential here, and I do look forward to where things go. Hal’s new status being tied to Sinestro opens up a lot of possibilities for growth–for both characters. The mission the two now face also holds a lot of potential, and I’m glad to be along for this ride. Whatever comes of this arc, I have to say that a Sinestro-as-protagonist (villain or otherwise) could be very interesting, and especially after this summer’s film, would seem to be a lot more viable than ever before. Four lantern titles, but this is the one I’ve opted to stick with–and at least for this issue, I don’t regret it. Looking forward to seeing where #3 takes us. (8.5/10)

RESURRECTION MAN #2

resurrectionman002Not too much to this issue in a way…and yet there’s quite a bit. We get a glimpse into the Resurrection Man’s past, as an individual–with hints as to his origins (which may have been covered in the 1990s series, but I don’t know yay or nay). We also get more on the folks trying to kill him–or rather, secure him, and again–I don’t know if these characters are new or old, or new takes on old characters, or what. But there are a couple other details dropped in this issue–particularly about an old man helping Mitch that seem highly ripe for story development in the near future. This is one of those oddball series that somehow works in the DCU even though in some ways it has a sort of Vertigo feel to it. Even though I’m not yet heavily invested in the book and can barely tell characters here apart, this is another title that I’m glad I’ve stuck with, and looking forward to the next issue. (7.5/10)

THE SHADE #1

shade001I waffled on this–first it sounded interesting, then I figured it’s a limited series so I’d pass on it, then I figured it’s tied to the writer’s “classic” Starman run, so another reason to hold off at least for a collected volume. But then I found myself at a comic shop, one $2.99 comic in-hand and in need of meeting a $5 minimum to use my card. Since Shade had not been something I’d already bought nor planned to buy–it wasn’t something I’d cut. It’s also 12 issues, which is more than some ongoing series seem to get these days. And it’s $2.99 rather than some debut $3.99 issue, so it fit my criteria. Having only read the first volume of The Starman Omnibus and the Blackest Night issue of Starman from early 2010, I’m not exactly steeped in the Starman stuff. Still, I found this to be accessible enough, and really pretty enjoyable. There’s an added bonus that a new character appearing here seems at the very least to be an analogue to the Malibu/Ultraverse Firearm character Robinson was responsible for, and even as a background character, I’m intrigued enough in this character alone to probably come back for the next issue and see where things go. (8.5/10)

SUPER DINOSAUR #5

superdinosaur005I am incredibly used to the 6-issue arc. So this ending the first arc now caught me by surprise. But it makes sense–this issue here in October, then next month is the collected volume, and sometime later the series will resume with #6, I believe…but there’s a brief hiatus for the creative team to work ahead a bit, it seems. Kinda took a chance on this series, and on the whole it’s been pretty good. It’s on my pull list, anyway, and I’ll probably go at least one more arc, see how I feel on it. This issue wraps up a number of threads running so far in the series, and opens up some new stuff. I’m not as engaged in this as I am with Kirkman‘s other stuff–specifically The Walking Dead or Invincible–but this is still the beginning of Super Dinosaur. There’s a lot of potential for the various characters, and I do look forward to seeing where they go in the near future. If you’ve not checked this series out, I do recommend it. I’ve paid about $15 now (5 $2.99 issues and 1 Free Comic Book Day issue), but the collected volume coming next month will only set you back $10. This issue was fun, but not huge…we’ll see where the story goes. (8/10)

UNCANNY X-FORCE #16

uncannyxforce016So…X-Force fights back against Archangel and the various Age of Apocalypse characters that’ve crossed over. There’s something that just really bothers me in particular about seeing Weapon X as a villain, to say nothing of Iceman. Blob was quite disturbing simply in his depiction, period…and I am still trying to get used to these gray costumes. They definitely symbolize the “dark” side of things, but seem to set the characters off all the more from their otherwise quasi-colorful surroundings. Looks like we have at least one more chapter of this to go, and I think I’m near the end of my run with this series. It’s still been good in and of itself, the writing’s solid, and the art–stylistic though it is–fits the story quite well. But the Schism that this title will soon be joining may make for a decent enough break-off point…or maybe I’ll just take Wolverine’s side with X-Force. I’m ready for this arc to end–haven’t cared for the “modern” Age of Apocalypse, as it’s so vastly different from the AoA that I so enjoyed in the mid-1990s, and I’d like to see this wrap up so we can get on with things. (7/10)

The Rest of the Stack: Week of September 28, 2011

restofthestack01

The Rest of the Stack is my general mini-review coverage of new comics for any given week. It’s in addition to (or in place of) full-size individual reviews. It’s far less formal, and more off-the-top-of-my head thoughts on the given comics than it is detailed reviews.

ANGEL & FAITH #2

angelandfaith002Faith finds herself questioning Angel and his intended actions, as well as what effect her going along with him–or not–would have. While she does and as they battle some demons, we also get reference all the way back to early in Angel season 1, which I rather enjoyed because it’s a deep continuity reference that even I can “get” with my limited exposure to the tv series. This is one of those series that I think is going to take a bit of a concerted effort to get through. In a way, it’s not one I necessarily want to read in and of itself from the cover alone. Even now, just a couple days after having read the issue, I can’t even remember what the cliffhanger was. And it takes flipping back through the issue to refresh my memory of exactly what went on in the issue, at length. So on the surface, it’s not something that overly engages or interests me. And yet, when I actually read it, I enjoy it. (I also realize that I have got to read those final two volumes of Buffy Season Eight!). I won’t let many series go like this, but at least for now, I’m sticking with this. I didn’t follow the last Buffy series in singles because I hadn’t yet watched the tv series enough to want to (I’d watched 3/4 of season 1, and wasn’t interested in jumping clear across 7 full seasons). This definitely is a series for long-term fans of the tv series–Buffy and/or Angel. I do definitely like that this series allows us to follow Angel and Faith without taking up space in the main Buffy series, allowing all a better shot at the spotlight and character development and depth. (7.5/10)

FEAR ITSELF: HULK VS. DRACULA #2

fearitselfhulkvsdracula002This series is still building up to the actual battle that gives it its name. Normally I wouldn’t like this, but 1. it’s Gischler–whose writing I’ve come to quite enjoy–and 2. it’s only 3 issues at $2.99 per, which seems quite tame compared to the $3.99 monstrosities that abound with Marvel. On the whole, this is definitely a side-story, but I’m finding it interesting enough to be explored. I’m not particularly enjoying Fear Itself on the whole…but this at least does something with the concept, fleshing out the impact one of the hammer-carriers has simply by existing, simply by being present. Until Gischler‘s Curse of the Mutants arc last year in the new X-Men title, I knew only that Marvel‘s Dracula was a vampire, had had some dealings with Storm and had apparently interacted with Blade. Since then, with the development of the various vampire factions, I’ve come to realize that the vampires can be very much their own culture within the Marvel Universe, much as the Atlanteans or Inhumans or the Shi’ar. Still, 3 issues seems quite short and not a lot of room for intricate development…but it’s a darned sight better than some uber decompressed 6-issue arc. I’d’ve enjoyed something like this at its length being something like one of those Marvel Must Haves, as a triple-sized issue for $6-7. I daresay if such a thing was done, and they were of the quality of this, I’d buy more tie-ins. The art’s not bad, either. It’s sorta cartooney and over the top in a way, but not drastically so, and certainly works to the favorability of this issue. Probably the only drawback to me is that it doesn’t seem like it’s been a month since the previous issue, almost like the series was held and now being rushed out. This’ll be for more die-hard Hulk fans that want everything Hulk; but primarily for the vampire/Dracula fans, or fans of Gischler himself, I think. (8/10)

X-MEN LEGACY #256

xmenlegacy256OK…I think I’m officially–if I wasn’t already–following this book out of habit. I want this story to end. I’m interested in Rogue and Magneto, in their relationship…and I’m not opposed to the writer playing with the Rogue/Gambit/Magneto triangle. I’m interested in Havok, Polaris, and Rachel in terms of whether or not they’re coming back to Marvel Earth or to remain in the “Marvel Cosmic” realm of things. But this story in general just isn’t doing it for me. I’m trying to like the series, I’m trying to engage after enjoying Age of X. But right now, I’m pretty much ready to throw in the towel and keep up via Wikipedia. I don’t care for the “X-Men in Space” thing, and that holds just as true in this issue as earlier. The art’s pretty good overall, though doesn’t blow me away. It’s certainly not good enough to “carry” the book on its own. All in all, I’m pretty disappointed here–in the story not holding me, and in myself for continuing to buy this series despite rapidly-declined interest. (4/10)

Angel & Faith #1 [Review]


Full review posted to cxPulp.com
.

Story: 4/5
Art: 4/5
Overall: 4/5

Dr. Horrible #1 [Review]

Quick Rating: Good
Story Title: Dr. Horrible

When Captain Hammer foils Dr. Horrible’s plan to blow up parking meters, Horrible must find a way to balance things out to take on his noisy new nemesis.

drhorrible001 Story by: Zack Whedon
Art by: Joelle Jones
Colors by: Dan Jackson
Letters by: Nate Piekos
Cover art by: Kristian Donaldson
Published by: Dark Horse Comics

I’ve been a fan of Dr. Horrible’s Sing-Along Blog since the first time I saw it with a friend last year. It came across as a great "origin story" of sorts, introducing a number of characters, their relationships, and motivations…especially for Billy himself–what it was that changed him from a fairly cheesy wannabe-villain into a much darker figure able to run with the most evil group of villains known–the Evil League of Evil.

I’d read a really brief "short story" that was done for some online project (MySpace Comics?) featuring the good Doctor and his nemesis, Captain Hammer; it seemed like more of a tease than anything else, and it seemed such a shame that there wasn’t a "real" comic for the character.

Several months ago, I was quite pleased to learn that as part of a series of one-shots Dark Horse was putting out, there would be a Dr. Horrible issue, written by Zack Whedon, that would show some of Billy’s backstory, and things that led to the story we got in the musical.

So of course, there’s all this expectation driving the standard quite high, even before ever holding the issue in my hands. Normally this can be pretty disastrous for a comic, as expectation almost always outweighs actuality by a large margin.

However, this issue measured up quite well. We begin with a scene from Billy’s youth, as he’s bullied by a kid who doesn’t "get" that Billy is smarter than him. The young Billy also sees the fall of a hero to the genius of a scientific mind, and learns from that man’s failings (though he defeated the Hero, he was unable to unite people to his Cause). 20 years later, Billy is feeding explosives into the city’s parking meters–the destruction of which will disrupt funding and bring the government to its knees. This leads to the first meeting between Billy and Captain Hammer, and a cameo of Bad Horse (and the "terrible, death whinny"). There’s a brief interlude as Billy does his laundry, and "meets" Penny, the girl of his dreams who he has yet to connect with. Meanwhile–knowing he can’t match Hammer’s brawn on his own, Billy creates a potion to give him matching strength…but the potion has unintended side-effects…and from here we see the beginnings of the Freeze Ray.

Everything’s here, really…the personalities of Billy and Captain Hammer shine through nicely, the "minor" characters carry their own presence, and the general situations feel like they’d fit well into what we already know in the musical. The primary drawback of this comic is that it lacks audio.

Particularly as this is specifically a one-shot, and a "prequel" of sorts, this is a great piece for fans of Dr. Horrible. The story elements are a particular draw, getting what ought to be "canon" regarding the characters.

At the same time, the art plays a huge role, and Joelle Jones manages to bring a look to the characters that is both its own thing–they look and feel like comic characters–and yet captures a look that evokes the appearance of the actors that played the live-action versions.

All in all, I definitely would recommend this to any fans of Dr. Horrible’s Sing-Along Blog. It may be of some enjoyment to those unfamiliar with the original property, but much of the charm and "in-knowledge" that informs this issue would likely be lost. Then again, if one reads this and goes to the source material, it may make for a much different viewing experience.

Ratings:

Story: 4.5/5
Art: 4/5
Overall: 4/5

Aliens #1 [Review]

classicreviewlogowhite
Quick Rating:
Good

Archeologists find themselves on a planet that probably has more in store for them than they realize.

aliens001 Script: John Arcudi
Pencils: Zach Howard
Inks: Mark Irwin and Zach Howard
Colors: Wes Dzioba
Lettering: Blambot!
Covers: Zach Howard with Brad Anderson and Wes Dzioba
Publisher: Mike Richardson
Editor: Chris Warner
Associate Editor: Samantha Robertson
Art Director: Lia Ribacchi
Designer: Josh Elliott
Published by: Dark Horse Comics

One of the books I read most back in the 90s was Aliens: Earth Hive, a novel that I did not discover until years later was based on a comics mini-series. Turned out, most of the Aliens and Aliens vs. Predator novels I enjoyed during that time were based on comics, all from Dark Horse (and all collected across the various Dark Horse omnibi). That said, the idea of new, original content created for the property, also coming from Dark Horse, was something that grabbed my attention.

We open with a fairly "typical" sorta scene for the Aliens property–introducing us to a couple people who think they know what they’re doing, but quickly find that whatever preparation you have, the creatures are what they are for a reason. Transitioning from that scene, we meet some archeologists headed for Chirone–though they’re unable to establish contact immediately with those planetside. We’re soon introduced to those who live planetside, and a few things click into place propelling us to the cliffhanger toward the next issue.

While I’m really not blown away by it, this is still a good book. You can glean contextually what’s up–and those who are already familiar with the property will be in familiar territory. The story introduces several settings and a bunch of characters; there’s just enough to get a vague idea of what they’re all about. We don’t know what’s going on at Chirone, though issue’s end suggests more than initially meets the eye.

The art is good–no huge complaints here. The visual design of the Aliens is at once familiar and yet something slightly different. That really isn’t a problem, though, as it’s been established by prior stories that there are a number of different aliens–they do not look identical, though one can still recognize ’em instantly for what they are.

As the first quarter of a story, this does what it should–gives us some actual interaction with the creatures, introduces us to characters and gives a bit of motivation to things, and leaves one curious of what’s to come. If you’re a fan of the property, this is definitely worth a look-see. And if you’re wondering at accessibility, I think this is as accessible as any Aliens story. The beauty of ’em is that in many ways, they’re like the zombies in The Walking Dead. They’re there, they’re a definite menace…but the real story is the people and how they handle being around the monsters.

Recommended for Aliens fans new and old…all the more if you’ve enjoyed the Aliens material Dark Horse has put out in the past.

Ratings:

Story: 3.5/5
Art: 3.5/5
Overall: 3.5/5

Doctor Solar, Man of the Atom #2 [Review]

Full review posted to cxPulp.com.

Story: 3.5/5
Art: 4/5
Overall: 4/5

Doctor Solar, Man of the Atom #1 [Review]

Full review posted to cxPulp.com.

Story: 4/5
Art: 3.5/5
Overall: 4/5

AVP: Three World War #2 [Review]

Three World War

Script: Randy Stradley
Pencils: Rick Leonardi
Inks: Mark Pennington
Colors: Wes Dzioba
Lettering: Blambot!
Cover art: Raymond Swanland
Book Design: Lia Ribacchi
Associate Editor: Samantha Robertson
Editor: Chris Warner
Published by: Dark Horse Comics

I’ve read a lot of Dark Horse‘s Alien comics, and enjoyed those via the Omnibus volumes. I’ve yet to read much in the way of the Predator stuff, though I’m somewhat familiar with the Predator side of things from the first movie, and both of the AVP films…and a couple of novelizations of Aliens vs. Predator stories from the mid-1990s.

This issue picks up with a bunch of military people heading toward a world where Predators are present (and apparently Aliens as well), and as their guide/advisor, they have the woman who was for a time accepted amongst the Predators, who warns them of how to behave and react around the Predators if they want to stay alive. Where the title comes in–Three World War–seems to be the Aliens, the Predators, and Earthmen. Once the military arrives where the Predators are, the woman leaps into mortal combat with one, apparently following tradition by which one earns the right to speak to the Predators and be taken seriously.

The story itself seems fairly shallow, and one has to make a lot of leaps in following the action and plot, as there’s virtually no context or real sense of history given…if I wasn’t already familiar with the properties, this would seem entirely new and unconnected.

The art is where the strength of the issue lies, as the design and coloring blend for an end result that looks very much like a comic book–as it should, since this is one–and yet, also comes across as something like an adaptation of a screenplay, carrying a lot of weight of story by showing things rather than narration or exposition laying things out. The visuals seem fairly simple and not all that detailed…but these would work fairly well if this were to be an animated tv production.

As seems to be the case with most blends of these two properties, the story tends to be more about the Predators or otherwise those dealing with the Aliens, and the Aliens become a plot device…which I have no problem with. However, one really needs to either be a fan of or not mind reading about the Predators to enjoy this, as the Aliens get virtually zero presence here, and no real development…they’re just kinda there.

All in all, a solid enough issue. There seems to be more unrealized potential here than what’s already unfolded, and the book could do with a recap page (I couldn’t summarize the plot of the previous issue offhand without laying out some serious B.S.). But if you’re a fan of these properties, this is definitely worth a look-see, and if you don’t mind a highly visual-driven reading experience, this is a good series to check out. I do think this will ultimately read best as a collected volume, rather than in single issues with 6-some weeks between issues.

Story: 4/10
Art: 6/10
Overall: 5/10