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Green Lantern #43 [Review]

Full review posted to comixtreme.com.

Story: 4.5/5
Art: 4.5/5
Overall: 4.5/5

Nostalgia: Superman, Batman, Avengers, and Thor

Like many things that become a big part of one’s life, there are numerous elements that lead us toward something. We can tell of the same thing with different amounts of detail, leaving some things out or adding more detail, resulting in what–out of context–can seem to be different stories, while really all being parts of the same story.

For me, there were several things that got me into comics, and the roles each played may seem more or less important depending on where in the story we pick up.

There’s “Mr. S” of The Letter People, with his Super Socks that turned him into a “super sonic streak in the sky.” There’s my grandfather. There’s my sister and mom that day some 20+ years ago at the bookstore in the mall. There’s my friend Zack that spring/summer 17 years ago.

But whatever part of the story one gets into, for me it’s my grandfather who directly and indirectly played the largest role–the others were all lead-ups and supports. My grandfather provided the FOUNDATION. And I wonder if that is THE reason I simply like DC characters better than I do Marvel, whatever the great stories from either or other companies.

I remember talking about Superman with my grandfather. I remember all those comics he shared with me. All those visits where I’d get to raid “the comic cabinet” and read whatever looked interesting (mostly Superman or Batman, but there were some other characters…most of whom I didn’t really recognize at the time, but am now QUITE familiar with).

I once noted that he and I had different views on Superman, in particular.  To him, Superman was the primary character, and Clark Kent was “the mask.”  Yet to me–growing up on new comics from 1989-present–Clark Kent was the primary character, and Superman was “the mask.” Yet, we both greatly enjoyed the character, even with our expertise lying in two different versions of the character.

I remember about 5 1/2 years ago reading Superman: Secret Identity by Kurt Busiek when it shipped as single prestige volumes. I read the fourth/final chapter, and couldn’t wait to share this story with him. This was a version of the character–and a great story–that I found to be instantly one of my favorite Superman stories. And it was one that I KNEW my grandfather would enjoy, as well. Unfortunately, I never got a chance to share this story with him–he died maybe a week or two after that final chapter came out. (That, perhaps, is a huge factor in why I so hated the perversion of “Superboy Prime” in Infinite Crisis through to the present…it was a perversion of something that spawned this story.)

Years before all this, when my family visited my grandparents, I remember Grandpa excitedly showing me a new Batman comic.  He was working part-time at that point–I believe as a janitor or some such function at a local K-Mart (this was before I’d even heard of “Wal-Mart,” I’m pretty certain). He’d happened across one of those old 3-packs of “collector’s item comics.”  This one had Batman Beyond #1. (I don’t recall if it was a one-shot or first issue of a mini-series…and I don’t recall if there even WAS an ongoing at any point).

But Grandpa thought this was a fantastic comic. He loved the way it introduced this new character who was THE Batman, and yet had Bruce Wayne–the original Batman–in a mentor role. And the art…he seemed to think that was one of the best parts. The package, the concept…quite the exciting thing.  To me, it wasn’t all that special at the time. But looking back…that was definitely “a moment.” And more recently…it jumps out not just for nostalgia, but as an example of someone who had–maybe “grown up with” isn’t quite the phrase, but to that point “had always known” Batman to be Bruce Wayne–and had NO PROBLEM WHATEVER with accepting a comic showing someone DIFFERENT as the starring Batman.

Grandpa was never a comics academic. He (to my knowledge) never read a magazine about comics, and the only “advance” knowledge he had of any given comic story was what was published as an ad in one of the comics that he bought…or if something made the newspaper (Death of Superman, Broken Batman, etc). He simply enjoyed the stories that he read when he’d buy an issue.

I remember one time that he and my uncle found out about a huge Avengers story. Between the two of them, they got the entirety of Operation: Galactic Storm in singles.  It was years later that I read that story, borrowing their copy of the issues.

And finally (for now)…I remember back in late spring/early summer of 1998 or so, when the new post-Heroes Reborn Thor series made its debut. Grandpa was here visiting for a golf tournament with Dad, and we got to talking about comics, and I showed him these new Thor comics. Now, Grandpa knew Thor–both the version starring in the title during Operation Galactic Storm, as well as the classic. This was a much different take on the character.  But he read it, and enjoyed it.

It was such a cool thing at the time…comics that *I* bought, that were new things to ME…and I got to share them with HIM.

My parents gave me a love of reading. My grandfather provided me foundation of comics my own acquisitions expanded upon.

Here I am 20 years later. A degree in Popular Culture because someone once asked me–in context of discussing college majors–WHAT did I have a PASSION for?  And nearly every Wednesday, I’m at the comic store getting my new comics.

And Wednesday Comics?

I think Grandpa would’ve LOVED it.

Green Lantern #42 [Review]

Full review posted to comixtreme.com.

Story: 3.5/5
Art: 4/5
Overall: 4/5

Unwritten #2 [Review]

Tommy Taylor and the Bogus Identity: Chapter Two

Writer: Mike Carey
Artist: Peter Gross
Colors: Chris Chuckry, Jeanne McGee
Letters: Todd Klein
Editor: Pornsak Pichetshote
Cover: Yuko Shimizu
Publisher: Vertigo / DC Comics

This issue continues to show us Tom Taylor and his quest for the truth–of himself, his dad, and what’s going on around him. He seeks out the woman his father had an affair with while he was a boy to ask her about his real mother. He’s referred to where his father was last seen, and heads there. The present-day story is interspersed with excerpts from the Tommy Taylor books, adding an extra layer to the story.

The art continues to work very well for the story, taking on the appropriate visual style for showing the ‘real world’ or the world within the Tommy Taylor books. No complaints from me there.

The story also continues to impress–there’s definite development of Tom, and forward movement to the story; between the pages showing excerpts from the books as well as “web activity” related to “current events” in the present-day part of the story, there’s a lot going on within these pages that help to make it feel like a longer read than it is–one cannot simply flip through the pages skimming the words as one can with some comics these days.

I’m not as blown away with this issue as I was with the first, having extremely high expectations after enjoying the premiere issue so thoroughly (plus, this issue managed to sneak out two weeks ago and I didn’t even notice it the week it was released).

While certainly not a done-in-one story, I do feel like I’m getting a decent value following this as single issues (for all two issues out so far)–I hope it continues that way, making the collected volume feel like less of a necessity for enjoyment of the story at hand.

If you can find that first issue still, I highly recommend snagging both issues–especially if you’re a fan of Harry Potter or have any interest (even academically) in the nature of the “phenomenon” surrounding the Harry Potter books.

Story: 8.5/10
Art: 8/10
Whole: 8/10

Wonder Woman #33 [Review]

Rise of the Olympian part 8 (Finale): Monarch of the Dead

Writer: Gail Simone
Artist: Aaron Lopresti
Inker: Brad Anderson
Letterer: Travis Lanham
Associate Editor: Sean Ryan
Editor: Elisabeth Gehrlein
Cover: Aaron Lopresti & Hi-Fi (variant by Bernard Chang)
Publisher: DC Comics

In a time where the standard story arc wraps in six issues, this arc has taken eight issues. As such, it’s seemed a little long…but at the same time, it’s made up the entirety of my Wonder Woman purchasing of the last few years. It’s also–at 8 issues–made up probably the single longest stretch of my buying a Wonder Woman title, ever. All that being credit to Simone’s writing and grasp of the character, presenting both character and goings-on in an interesting light sufficient to keep me coming back month after month.

This issue opens with the Amazons finding the broken/battered body of their champion and then entering battle with Zeus’ male warriors. Wonder Woman–Diana–enters the fray, and takes on Ares–the god of war–who has long plagued her and her sisters. By her actions, the status quo for Diana as well as her mother and sisters is changed, as we clearly see what gave this arc its title.

The story in this issue is quite good–though some parts seemed a bit forced, and I didn’t enjoy it in and of itself as much as I would have hoped. Nothing seems to come out of nowhere, everything having basis in what’s been established in earlier issues. I do feel almost like I missed an issue, and nearly didn’t even READ this issue, thinking that I really HAD missed an issue. The visuals continue to hold up very well, and I have no complaint on that aspect of the book.

If you’ve not followed this story in single issues, I would definitely recommend the collected volume, as this seems likely be one of THE Wonder Woman stories…and certainly is poised to be integral to the character moving forward in the near future.

Story: 8/10
Art: 8.5/10
Whole: 8/10

Superman #689 [Review]

The Tourist

Writer: James Robinson
Penciler: Renato Guedes
Inker: Jose Wilson Magalhaes
Colorist: David Curiel
Letterer: John J. Hill
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Andrew Robinson
Publisher: DC Comics

This issue focuses primarily on Mon-El exploring the world and encountering trouble all across the globe. He tries to visit one place, and winds up in the middle of a metahuman conflict; he goes to help with a conflict and gets to visit something significant. Meanwhile, the Guardian deals with Morgan Edge calling out the public on Mon-El’s presence…something which Edge then spins back into his own favor once again. We also see General Lane interacting with the Prankster about getting another hero out of town…and preparing for yet another of Metropolis’ heroes to take the big dirt nap.

The art as usual isn’t much to my taste, not really enjoying Guedes’ style, nor that of the rest of the art team surrounding his pencils…though that’s personal taste, and is not to say that the art is horrible: it just doesn’t suit me, and thus detracts from my enjoyment of the book. It still gets across what it needs to–and does so effectively.

The story itself gives me mixed things: on the one hand, it’s doing a good job of keeping me interested in Mon-El’s development as well as the Guardian, especially as the two outright take the place of Superman in his own title for the fourth or fifth issue of at least a year’s worth. On the other hand, I find myself more and more skeptical of the General Lane subplot–whatever the character was depicted as prior to Our Worlds at War, now he seems like a derivitive rip-off of General Ross from the Hulk book(s)…and by his associations in this issue, begins to feel like he’s being shoehorned into the role of a new Lex Luthor quasi-archetype…the primary human enemy of Superman/Kryptonians, including having metahuman “lackeys.” We also get a return of a character at the very end that I didn’t care for the first time around.

If you’ve been following the title, may as well stick on with it–this shows Mon-El experiencing the world he’s sworn to protect as he avoids facing the fact of his mortality. If you’ve not been following things…well, you may not really care for this.

Story: 5/10
Art: 4/10
Whole: 4.5/10

Action Comics Annual #12 [Review]

Writer: Greg Rucka
Artist: Pere Perez
Colorist: Mazi
Letterer: Rob Leigh
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Renato Guedes
Publisher: DC Comics

I bought this comic out of a combination of “habit” and the fact that it is part of the ongoing narrative of the Superman family of books these days (even though it sports a black “S” in place of a number for this issue’s place in the overall sequence of things).

This issue’s story details how Chris Kent went from the kid we saw in “Last Son” to where we saw him during the initial New Krypton event as the new Nightwing. It also details how Flamebird got to be what/where she is. Since the point of this annual IS the filling in of those gaps in info, I’m not going to dance around the plot being all vague and such beyond what I’ve already said.

The art works quite well on the whole here–I especially liked the depiction of the Phantom Zone as compared to the 3-D crap foisted on us with the Last Son arc. The way it was depicted here gets the same effect across without resorting to the stupid stunt of needing 3-D glasses to see panels clearly and such. I’m not a fan of the newer costumes for Nightwing & Flamebird…something about the looks just doesn’t work for me, regardless of the in-story explanation for them. Despite that complaint, the way they’re depicted is about as good as I suppose I can expect of these costumes.

While this story sheds further light on the characters (even adding a bit to Non, which I liked) it doesn’t seem entirely essential. One could almost see it as one of those guides to a new DVD player’s remote: the buttons on the device are fairly intuitive and you can get by without the guide…but the guide fills in that much more and does give you a different overall experience for having read it than not.

However, I do think the $5 price tag on this issue was just a bit steep–even just the difference to $4.50 would be preferable, steep as that is as well. If the price doesn’t bother you too much, this is a good issue to pick up.

Story: 7.50/10
Art: 8/10
Whole: 7.5/10

Brave and the Bold #24 [Review]

Last Time I Saw Paris

Writer: Matt Wayne
Artist: Howard Porter
Colorist: Tom Chu
Letterer: Rob Leigh
Assistant Editor: Chris Conroy
Editor: Joey Cavalieri
Cover: Howard Porter
Publisher: DC Comics

Though I’ve “heard” that Static’s been appearing in the Teen Titans book, I’ve not been reading that corner of the DCU…so this is one of the first times I’ve seen the character interact directly with the other DCU characters. Offhand, the only other instance I’ve seen of Static in the mainline DCU was a reference somewhere by Black Lightning about being asked about his relation TO Static. So seeing the two teamed up for this issue was something that seemed interesting enough to check out.

Story-wise, some super-powered villain called Holocaust bursts onto the scene, and both Black Lightning and Static are present and leap into action to protect those around them and deal with the threat. The relationship between the two changes during the issue, winding up with a mutual respect.

The visuals aren’t bad–at some points, they seem a bit “off” to me ever so slightly–but on the whole make for a solid visual experience. The story itself is ok, if a bit cliched. However, given that this is essentially a one-off issue–we have a complete “story” told in this one issue that does not require one to have bought the previous issue nor a need to buy the next issue for continuation/conclusion. Your $2.99 cover price investment nets you the entirety of this particular Black Lightning/Static story.

On the whole given all that, this was a nice fun issue and well worth its cover price. I’d been under the impression that this title was still doing ongoing arcs, just with different pairings of characters taking the lead/spotlight. As a book that gives complete done-in-ones spotlighting such pairings, I’d totally be on-board. After the Booster Gold/Magaog issue last month and now this, I’ll be keeping my eye on the book.

Well worth picking up if you’re a fan of either/both characters.

Story: 8/10
Art: 8/10
Whole: 8/10

Supergirl #42 [Review]

Who is Superwoman? conclusion: epilogues & homecomings

Writer: Sterling Gates
Penciller: Fernando Dagnino
Inker: Jamal Igle
Colorist: Nei Ruffino
Letterer: Jared K. Fletcher
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Joshua Middleton
Publisher: DC Comics

We see more wrap-up on stuff from the Who Is Superwoman? arc here as Supergirl faces Lana and Lois–telling the latter about the death of her sister. Lana fills Supergirl in on the relationshp between Lois and Lucy, while we see General Lane dealing with the death of his daughter.

This issue worked a lot better for me than the previous issue–while I don’t totally “buy” Lucy’s military career and role as Superwoman, it’s a lot easier to “buy” the fact that something horrible happened (her death) and someone having to break the news to Lois. This also adds a bit of depth (cold as it is) to General Lane’s character as he comes to grips with what he’s lost.

Gates seems to hve a good handle on these characters and the relationships they have between one another–such as in Lois’ handling of the news she’s presented with. Though on the book less than a year now, Gates has turned this from an outer-rim sorta book almost embaressingly tied to the Superman family into one integral to the family of books, making Supergirl into a real-seeming teenage girl (albeit alien and with tremendous super-powers). Igle’s style continues to work very well with the stories–though my sole gripe continues to be the way ears are drawn, for whatever reason.

All in all, another strong issue of this title, well worth reading if you’ve been following the book. If you’ve not been following it, you’ll likely be fairly lost, as much of the action in this issue comes from what’s transpired in the last few issues.

Story: 7/10
Art: 7/10
Whole: 7/10

Batman: Streets of Gotham #1 [Review]

Full review posted to comixtreme.com.

Batman: Streets of Gotham
Story: 4/5
Art: 4/5

Manhunter
Story: 3.5/5
Art: 3.5/5

Overall: 4/5