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Favorite Superman Covers: Superman #75

I’m not much of an art person when it comes to comics–I tend to prefer story over art…but that’s not to say that art doesn’t play a huge factor! And through the years, there have been a number of Superman comics whose covers have particularly stood out to me, for one reason or another. Over the next week and a half or so, I plan to share 10 of my favorite covers from “my” Superman–that existed from 1986-2006 or so.

Starting things off, is an obvious one: Superman #75, from 1992…the Death of Superman issue. This story is one of THE Superman stories for me, and a huge part of my childhood relating to comics and such.

superman075

For me, this is one of the most “iconic” covers, period. It’s simple, but says so much with just that image of the tattered cape fluttering in the wind. I won’t get into much else on this, as I don’t intend this to be a review of the issue itself.

The Death and Return of Superman Omnibus

The ultimate comics story of my childhood is now the ultimate single volume in my entire collection.

deathandreturnofsupermanomnibus

I “passed” on the original “omnibus” released back in 2007 or so. It seemed expensive, and as I hadn’t pre-ordered it, I had time to learn that it wasn’t a “true” omnibus–the heart of the story (Funeral for a Friend) was gutted, and a number of other stuff was left out.

When I found out about this edition (I believe from Michael Bailey), it had my interest. Yet, the solicitation text seemed similar to the previous edition, listing material from the various issues, but not specifying if the issues were collected in their entirety, or just a handful of pages.

When this arrived in the mail this week and I opened it yesterday…I was quite impressed on a number of things. Firstly, in Amazon‘s “bargain” shipping. I’ve at least twice in the past half-year had to return stuff I deemed too damaged to keep, due to the way they packaged/shipped ’em. But this arrived in good shape, no random dings or dents in the covers or spine. The dustjacket has a little piece bent on the back, but that was UNDER the shrink wrap of the book itself–factory issue, and straightened right out enough that I’m not concerned.

Secondly, the weight and physical size of this thing. This is absolutely THE largest single comic volume of any sort that I have ever bought. I’ve posted in the past about how close some of Marvel‘s omnibus editions are to otherwise “regular”-ish hardbacks…but this one easily dwarfs the largest Captain America omnibus I own.

Thirdly, I paged through the volume last night, and it indeed seems to have the entirety of what I’d expect; each issue’s cover is also included at the start of each chapter, making this essentially a bound-without-the-ads sort of thing…you know exactly where the issue breaks are, and which issue you’re reading.

Fourthly, the Justice League tie-in issue to Doomsday is included in full, as is the Green Lantern tie-in issue to Reign of the Supermen; this also includes the entirety of the Legacy of Superman special. And rather than “short” us with a few pages of “immediately relevant” stuff from Adventures of Superman #505 and Action Comics #692, the entirety of both of those issues is reproduced here.

Finally, the extras–though not entirely impressive in and of themselves–proved a real treat to read through. I don’t tend to care for random sketch pages, but this volume is a certain exception given the subject matter. And while not quite annotations, the text comments from the various creators were enjoyable to read–confirming stuff I (mostly) already knew, and I also enjoyed seeing some of the promo artwork and such that I’d forgotten about or in the case of art for a couple t-shirts don’t think I ever knew existed.

I don’t think I’d consider this “worth” its full cover price at the moment–I have the original issues several times over; I have the original editions of the individual paperbacks, I have several of the issues digitally in my ComiXology account–but I snagged this for 45% off and free shipping from Amazon, and for that price, I am presently very happy with what I got.

I don’t know how well the binding will or won’t hold up–I flipped through carefully, but didn’t try to lay this out flat or actually READ any of the issues in this edition yet, and it was sorta awkward holding it to read the “extras” material without putting this out flat.

But overall, in the present moment…I’m loving this thing.

It Was Twenty Years Ago Today…

superman75baggedIt’s been 20 years since The Death of Superman. November 18/19/20–whatever the actual day was, we’re at the TWENTY-year mark!

Quite hard to believe it’s been that long, but then, I have longboxes of comics that came out after that kinda prove it.

I remember first learning of the Man of Steel’s impending doom some morning from CNN’s Headline News (Michael Bailey dug the clip up on YouTube last year as part of his extensive coverage of the Death/Return of Superman).

superman75I’d just been getting “back into comics” after a bit of a hiatus that year. As we got closer to the release of the “Death Issue,” my primary local comic shop (Capp’s Comics) was taking reservations for the issue(s). From what I recall, you could order specifically just Superman #75, or the whole 6-issue story, and whatever quantity. Dad let me reserve a set, and I vaguely recall that he reserved a second as well.

Since we’d opted to pick stuff up at the end of the story instead of as the earlier issues of the arc were coming out, I blissfully went along October and early November ’92 getting other comics. I recall seeing and passing on Batman: The Vengeance of Bane in favor of Batman: Sword of Azrael #1, and I’m pretty sure Spider-Man 2099 #1 came out around this time. I also spotted Justice League America #69 with Doomsday on the cover, so picked that up. I vaguely recall reading it but having no real context (given it’s effectively chapter 2 of 7 or so).

superman75collectorseditionFinally, the day Superman #75 actually came out, I got sick at school–something that would have been mortifying if not for the extreme disappointment: being sick, I wasn’t going to get to go to the comic shop to pick up the issues. Thankfully, Dad went by himself to pick them up. I dug out the JLA issue, and had the full set.

That night, Dad let me get a head start with Superman: The Man of Steel #18, and then he joined in the reading–he in his chair, me sprawled on the floor. We read through entire story that night, and opened one of the bagged Superman #75s. I was rather entertained with all the cool goodies included in the bag–a poster, a promo card, stamps, an obituary for Clark Kent, and a black memorial armband (which Mom did not let me wear to school the next day).

superman75unbagged

deathofsupermantpbfrontA couple days later, Mom, my friend Zack, and I were part of a lengthy line at another comic shop that was releasing the issue then. As I recall now, there was a limit of one copy per customer, and word was the store had a good 700 copies or so, so there should be plenty for those in the initial line, at least.

As we filed through the store (you really could only look through the store in-passing as the line inched through) we got word of some OTHER new comic that was ALSO supposed to be a big deal: something called Bloodshot, #1. So I snagged a copy of that as well…though I never actually read the issue until a couple months ago).

superman75ivDespite getting multiple copies of the bagged edition of Superman #75, I was only able to get a copy of the 4th printing of the “newsstand edition” (aka “the standard/regular edition” to the bagged “variant” edition). I found a copy of the 3rd printing, which was at least a step closer to the original. I think I’d had an opportunity to get the first print for $5, but thought that was outrageous to the $1.25 cover price.

In the last couple years, though, I’ve found several first print copies in bargain bins…despite these recent purchases, still haven’t topped the cover price for the first print itself, total.

deathofsupermantpbback

Though Zack and I had begun to frequent Capp’s Comics, Comics & Collectibles, and the comics spinner rack at the Waldenbooks in the mall, I don’t recall going to the shop every single week until this point: going every week for the newest chapter of Funeral for a Friend was the start of “the weekly comics habit” for me.

A final note: I found it oddly amusing that–when the tpb collecting the entire story INCLUDING Superman #75 came out a few weeks later–where it showed cover images on the back, apparently the publisher did not even have access to first printings of its own issues, as several of the covers shown had the Roman numerals denoting the non-first printings. (And different coloring to the logo of the title.)

I have plenty of other thoughts related to this, but they go along with the time period in general, and I’m planning on touching on stuff more generally in coming months.

With this 20th anniversary, though…the next several years will be one continuous series of 20th anniversaries of some of the most important comics/comic-related things in my life.

The Man in the [Man of Steel] Mask: Clark Kent vs. Superman as "Real"

supermanbookshelf

While going through some old stuff I recently uncovered, I found this old essay I wrote for a class in my undergrad days…probably 2002 or so. Figured I’d share it on this blog, as it’s at least some “new” content, and I’ve obviously not been posting much lately.

A lot has changed in the intervening years since this was written–including the fact that the Superman in the comics today is NOT the same Superman referenced throughout this essay (as of 2006 and the end of Infinite Crisis).

As I formatted this to post, I spotted a bunch of glaring errors and issues…but left ’em in here, to maintain the integrity of the original document. And…this could become a monster of a project if I were to play editor to my 8-9-years-younger self. 


In Superman comics since 1986, Superman’s identity has been changed—most notably in the portrayal of the Clark Kent portion as “true” while Superman is portrayed as a “mask.” Despite nearly sixteen years since the change, this portrayal of the character has had little impact on the way he is seen. Many people—fans, scholars, and the general public—see Superman as the “real” character while Clark is the fiction. “Superman differs from his predecessors in science fiction by being able to exist within society by disguising himself as the self-deprecating and mild-mannered Clark Kent. It is the Kent alter ego that is supposedly a fiction, while the Superman personality is taken as real.” (Thomas Andrae “From Menace to Messiah” 1987.) Using the Superman comics themselves, I will show Clark Kent as the primary character while Superman is the mask.

In the essay “The Good, the Bad, and the Oedipal” (1987), Lester Roebuck suggests that “The Man of Steel’s heroic stature depends on his ability to keep the Clark Kent portion of his psyche carefully segregated.” I believe that it is actually the maintaining of his Clark Kent psyche that allows for the heroic stature of Superman. Raised as Clark Kent from birth by adoptive parents Jonathan and Martha Kent, and instilled with a sense of American values inherited from them, Superman as a hero is merely Clark Kent in a costume. In The Death of Superman (1993), this is explicitly stated: “The raised him to be a hero…to know the value of sacrifice. To know the value of life.” In World Without a Superman (1993), the reader is shown a flashback to Jonathan talking with a young Clark, and Clark explains “You’re the one who taught me how to care!” Additionally, in 1986’s Man of Steel, after revealing to Clark the rocket that brought him to earth, Jonathan tells him “Whatever this thing really is, wherever you came from, you’re our son now. You’re an American citizen–and that means you’ve got responsibilities.” When Clark prepares to leave Smallville, he shows acceptance of parental guidance when he tells Martha “After all the times you and he have talked to me over the years . . . You told me all those times that I should never use my special abilities to make myself better than other people–to make other people feel useless . . . It’s time for me to face my responsibilities.” With that, Clark began several years of secretly helping others, before he was discovered. He worked in secret, seeking no glory or fame for himself, simply wanting to help his fellow man, as his parents had taught him to do.

After the world’s discovery of this super-man, Clark returned to his parents for advice. Explaining his concern:

“They were all over me! Like wild animals. Like maggots. Clawing. Pulling. Screaming at me. And it was all demands! Everybody had something they wanted me to do, to say, to sell! It was as if my first public appearance had unleashed the worst, the greediest, the most covetous part of everyone . . . They’d taken everything you’ve ever taught me and ripped it apart . . . I know I still have to use my powers to help people who really need me…but now they’re going to be looking for me. Expecting me. And I just don’t know how to deal with it!” (Man of Steel)

Working with his parents, the costume and identity of Superman is created. Years later, Jonathan reflects to Martha “I had the idea . . . The costume. The secret identity.” (World Without a Superman). After the costume is created, Clark proclaims “The whole thing works just fine! It’s got exactly the symbolic look I wanted. So, from now on, whenever there are people who need my very special kind of help, it won’t be a job for plain, ordinary Clark Kent…It’ll be a job for Superman!” (Man of Steel). This illustrates that Superman is intended as a “mask” to be worn in public. As Clark tells Lois in The Death of Clark Kent (1997): “I’m Clark Kent first and Superman second! Superman is the mask I’ve worn all along to have a private life!”

Continue reading

Steel #1 [Review]


Full review posted to cxPulp.com
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Story: 3.5/5
Art: 4/5
Overall: 3.5/5

My thoughts on ‘Justice League: Crisis on Two Earths’ part 3: The Extras

A “bonus” feature (as far as I can tell, included with the barebones DVD, the special edition DVD, and the BluRay) is an animated short starring The Spectre.

This is a bit of an unusual piece to me–I’ve really only known the character as the primal/cosmic/universal force-of-naturehe’s been for the last 10 1/2 years. This short focuses on the character with Jim Corrigan as his “host,” where Corrigan grounds the Spirit of Vengeance a bit.

This short delves into some dark, disturbing territory…whether intentionally going there or taking advantage of less restriction due to being packaged with a PG-13 animated film, I’m not sure.

Not being particularly familiar with a down-to-Earth Spectre, I found it to be less interesting than I’d prefer in and of itself…but it’s still fairly interesting being exposed to this version of the character.

There’s also a preview of the next DC Universe project…Batman: Under the Red Hood, which is based on the 2003/2004 Under the Hood arc in the Batman comics.

While I have never bought into the “Return of Jason Todd” and everything that’s been done with that character for more than half a decade…as an animated project, it looks like this one has potential…at the least, this preview/”First Look” sold me on the concept. A large part of that, I think, is that it looks like the film will include material taken from A Death in the Family, which will more closely tie the Under the Hood story to that prior one, making it work as a unified whole in the film where it still has not for me as a comic story that essentially undid a key story in the Batman history.

Finally, there’s a short documentary that looks at the recent history of DC Comics, with brief interviews with the likes of Paul Levitz, Dan DiDio, Geoff Johns, Brad Meltzer, and others discussing Identity Crisis, Infinite Crisis, and Final Crisis, and a lot about how the stories were crafted and made to build toward one another. The interviewees also discussed what got them into comics, and their influences…and in general, made for a very enjoyable piece.

Of course, it was also interesting to see several of their roles/titles, given changes announced last week for the organization at DC.

I’m a sucker for such documentaries/interview pieces…I enjoyed the Death of Superman retrospective, the Green Lantern/Blackest Night piece on the Green Lantern: First Flight release, and of course this one.

_____________________
My thoughts on Justice League: Crisis on Two Earths
part 1: What Came Before
part 2: The Movie Itself

My thoughts on ‘Justice League: Crisis on Two Earths’ part 2: The Movie Itself

Now we have the second Justice League movie. Though it is the second under the Justice League header, it’s really no sequel to New Frontier. This one is based on some classic Justice League stories known to me under their contemporary heading of Crisis on Multiple Earths.  These comics–as I understand my comics history–were largely regular team-ups between the Justice League and the Justice Society…then situated on different Earths in DC‘s multiverse.

Though the multiverse has long since perished and recently been reborn, those stories still hold quite a bit of weight.

And so we have this movie, in which a Luthor crosses from his Earth to that of “our Earth”–that is, the Earth in which we find the DC super-heroes–and reveals this multiverse. He convinces the Justice League to help him on his world, to “free” it from the evil that terrorizes it. Whereas on our Earth, the most powrful beings are heroes, on Luthor’s Earth, they’re villains.

There’s a LOT to like about this movie.  The animation is nice and clean–plenty of detail for what it is, without being overly detailed or trying to be some sort of “animated live-action.” The visual style doesn’t seem to imitate silver age comics that I’m aware of, nor does it exactly imitate contemporary comics. There’s something to it that reminds me very much of the Batman, Superman, and Justice League animated series–probably in part that Bruce Timm is heavily involved in this movie as he was with those series.

I was initially disappointed that we had more new voices for familiar characters…but as the movie kicked into gear, I didn’t really even think about it, other than to note that the characters all sounded perfectly fine and no one seemed out of place…I heard the characters, and not the actors…which for me is an important thing for any animated project.

To me, The Flash had several of the greatest moments–a comment about Luthor’s state when they meet him; a Star Wars reference, and a nice play on things when rushing out of the Crime Syndicate’s place after his teammates. Owlman had a great Harrison Ford moment, which I’m not sure was intentional, though it almost seems it had to have been. And toward the end, Wonder Woman’s “spoils of war” is just about my favorite silver age reference ever–legitimizing a concept I always saw as ludicrous.

The “meat” of the movie was solid stuff, as well. Granted, with a team movie, there’s not a lot of room for character development, especially in the relatively limited timespan for these animated movies. The only thing that really felt forced to me involved a romantic interest for the Martian Manhunter (even if there was a bit of payoff in his final comment on the matter).

This isn’t a character study on any single character…it’s an action/adventure pitting many familiar characters against many similar/opposite characters. There seems to be plenty drawn from the original 1960s comics…and yet, a strong dose of contemporary story-telling.

These DC Universe dvd movies just keep getting better and better, and though I haven’t yet digested this one long enough to decide if it surpasses the previous ones…it certainly keeps up with the best of ’em.

_____________________
My thoughts on Justice League: Crisis on Two Earths
part 1: What Came Before
part 3: The Extras

My thoughts on ‘Justice League: Crisis on Two Earths’ part 1: What Came Before

While in many ways, an animated/movie adaptation of ‘The Death of Superman REALLY gets to my core as a comic person–it was largely that story that fully submerged me long-term into the world of comics, and so it has a special place in my memories–that first movie from DC Universe is probably my least-favorite. To this day, several years after-the-fact, I tend to hold that its only redeeming quality is the retrospective documentary on the Death of Superman in the comics. (It doesn’t help that they LATER released a special edition, while subsequent movies have had simultaneous “bare bones” dvd release and a Special Edition release).

Batman: Gotham Knight was an interesting piece, giving a taste of Batman with the anime style…I actually enjoyed it for the most part, and while that is not a style I’d care for long-term for Batman, it definitely worked.

Justice League: A New Frontier became an instant favorite for me. There was something to its story–and perhaps the fact that I had not read the comics first (and yet, had had them repeatedly recommended to me). I read a one-shot DC put out around the time of the movie’s release and enjoyed it, and shortly after bought the TPBs of the comics, and greatly enjoyed those, such that as a whole, the New Frontier is a definite DC classic to me.

A combination of things led to my NOT picking up the Wonder Woman movie, though I Netflixed it, enjoyed it, and numerous times now would have bought it, if any stores would stock the “Special Edition” WITH the stupid cardboard box/slipcase thing. (Petty, sure…but that’s a story for another time).

Green Lantern: First Flight sorta crept up on me, but with Blackest Night then just barely kicked off, I was on a Green Lantern high, and was very excited for the movie. Though it was kinda strange in its depiction of Abin Sur and others, in and of itself I recall really enjoying it–especially the use of Sinestro, AND his Sinestro Corps costume…as well as the way it was left open for “sequels.” That it came with an exclusive Hal Jordan DC Infinite Heroes figure (well, if one bought the boxed version at Best Buy, anyway) was an added bonus. I’ll also always remember buying a new DVD player the same day in order to watch the movie, as the old DVD player my roommate and I had been using refused to recognize the new disc.

A little over two months later we got Superman/Batman: Public Enemies, and in anticipation of that one, I re-read the original comics, and thus both enjoyed and yet nitpicked it a bit more than I may have otherwise. I particularly enjoyed the voice casting, getting the “original” actors from the Batman: The Animated Series and Superman: The Animated Series to voice Superman, Batman, and Luthor. That the art was so similar to the original made it even more of a treat.

_____________________
My thoughts on Justice League: Crisis on Two Earths
part 2: The Movie Itself
part 3: The Extras

‘The Death of Superman’ was 17 years ago

It’s been 17 years since the death of Superman. I was a couple weeks shy of my 12th birthday at the time. The story’s little more than a footnote in the character’s existence now, despite how all-consuming the event was when it was still new and ongoing.

Like weary boxers who have gone the distance, the combatants collide in one last, explosive effort. In the years to come a few witnesses will tell of the power of these final punches…that they could literally FEEL the shockwaves. Others will remember the enormous crater that resulted from the sheer force of the blows. But most will remember this sad day–

–as the day the proudest, most noble man they ever knew–finally fell. FOr those who loved him–one who would call him husband–one who would be his pal–

–or those who would call him son–this is the darkest day they could ever imagine. They raised him to be a hero…to know the value of sacrifice. To know the value of life.

And for those who served with Superman in the protection of all life–comes the shock of failure. The weight of being too late to help. For a city to live, a man had given his all and more.

Lois: Please hang on! The paramedics will be here any second! PLEASE!
Superman: Doomsday…is he…is he…
Lois: You stopped him! You saved us all! Now relax until–

But it’s too late. For this is the day–

–that a Superman died.

~ Excerpt (Dan Jurgens, Superman #75. November 19, 1992)

Superman (vol. 2) #75 [Back-Issue Review]

Doomsday!

Words & Pictures: Dan Jurgens
Finished Art: Brett Breeding
Colors: Glenn Whitmore
Letters: John Costanza
Assistant Editor: Jennifer Frank
Editor: Mike Carlin
Cover: Jurgens & Breeding
Triangle #: 1993/2

This is it: this is THE comic that most affected me in my youth as a young, new comic reader. The issue that promised “The Death of Superman.”

Opening with Superman locked in a savage combative embrace with Doomsday, the issue moves us quickly through the final blows of the fight, while allowing Superman a last moment with Lois as he explains that he must match Doomsday down to seeking the death of his opponent–something Superman once swore never to do. We move into a “silent” scene as narration takes an outside-of-things tone, describing the nature of the final blows of the battle, of the feelings experienced by those near and far, related and unrelated, all watching as Superman and Doomsday both fall.

The art throughout this entire issue is superb–it is eye-catching, character-defining, and allows us a much more personal view to the desperate nature of the battle. Images from this issue have often been used either directly or as inspiration for moments seen for years in flashbacks to Superman’s battle with Doomsday; other images from the issue have been reprinted on trading cards, used in ads by various comic retailers and mail-order companies of the time; and on the whole, these images have all been extremely memorable to me, personally, having been an impressional eleven-year-old at the time these saw print.

The story is at once minimal yet phenomenal. It’s easy to lay the kind words for the issue at writer/artist Jurgens’ feet, but the praise is due the entire team, as well as those of the other Superman books that brought the story to this issue. The ending of the issue–the “voiceover narration”–is particularly touching and powerful…and memorable. The issue closes with a final moment between Superman and Lois…and then Superman is dead.

It’s hard to find words to do this issue justice, particularly on the “meta-textual” level. This single issue–and the entire story arc–can be pointed to as sparking a number of things known in comics through the 1990s through the present. It’s also the single issue I have read more than any other comic I own, in all its formats. For whatever its objective weaknesses/problems, I cannot fully separate myself from this comic.

From cover to cover, every part pertaining to the story itself proves memorable and meaningful, as this issue has gone down as one of my absolute favorite single comic books of my lifetime…and provided one has dared to actually read it, this might be one of the most widely-read single comics out there, carrying much impact regardless of continuity and context from previous chapters.

My favorite cover, my favorite moments, and my favorite issue of the story…the issue is greater than the sum of its parts in the eyes of this now-a-late-20-something adult.

Story: 7/10
Art: 8.5/10
Whole: 9.5/10