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Booking Through Thursday: Cheating

imageDo you cheat and peek at the ends of books? (Come on, be honest.)

superman075For the most part, no. If I don’t already know the ending, I don’t want to know it ahead of time. The only reasons I really ever have to “peek at the end” of a book is to check the pagecount of the story itself (doing my darnedest to view the page number while forcing myself to NOT visually register the words on the page) or to see if there’s a “preview chapter” of some other book lumped at the end that’ll throw me off by a couple dozen pages with the true end of the book hitting too soon.

Now, the main exceptions come from graphic novels. At the bookstores or occasionally comic shops, if there’s tons of internet buzz and no one’s spoiling online, I might take a peek to see what the hype’s all about. I also have the problem occasionally with hardcovers, where I’ll remove the dust jacket so I can carry the book around and not worry about the DJ getting screwed up. Occasionally while pulling it away from the back side of the book, I’ll wind up catching a glimpse of a page or two at the back, which might grab my attention just enough to see what, exactly, is going on there.

The other primary exception comes if I’m trying to determine if I’ve already read something—such as a Star Trek novel I may or may not have read 15 years ago…I may look at the end to see if I remember it, as I have an easier time recalling endings than I do beginnings.

endersgamemmpbANECDOTE: If you’ve read Ender’s Game, you know that that has a doozy of an ending. It’s that ending that draws me back to the book on occasion (and partially influenced me on Ender’s Shadow a couple years back). Early in college, a friend was telling me about the book, and I convinced him to sum it up for me, as I didn’t see getting around to reading it. Sounded interesting, but having been told, I mentally filed it away as one of those things, and life went on.

A couple years later, for some reason or another, I happened to get a copy of the book, and got pulled in enough to read the whole thing. And I was blown away by the ending…only later realizing that this was THAT book my friend had told me about. And here I was “lucky” enough to not have made the connection, so I was still taken by surprise.

DragonsofAutumnTwilightIt’s this sort of phenomena that causes me to see re-reading books as a bit of an analogy for the time-travel experience, were it not fiction.

Having read the book, if you go back and re-read it…you’re traveling to the past, and re-joining characters who don’t yet know what’s going to happen…but as the reader…you DO know what’s going to happen. Or at least, have access to it. Of course, you can’t change what’s going to happen…but you’re aware of it.

Yet, there are details that slip away, and you might only remember the broad strokes and biggest players.

highlordskiesI’m near the end of Dragons of the Highlord Skies, and something’s just happened to a couple characters that has me on-edge, as I’d swear this isn’t something that happened to them, and I thought I remembered them doing something else. But this book delves back to a time between-pages of Dragons of Winter Night, which I haven’t actually read in a decade or more now…so I may be thinking of other characters.

Just as, if someone were to travel back 100 years…they might know big details, broad strokes…but not have any clue of what roles people play in the smaller stuff.

But I digress from the topic at hand.

Dragonlance: Chronicles #8 [Review]

Quick Rating: Above Average
Title: Dragons of Autumn Twilight

The Companions battle Verminaard and his minions in Pax Tharkas with many lives hanging in the balance…

dragonlancechronicles008Story: Margaret Weis & Tracy Hickman
Adaptation Script: Andrew Dabb
Pencils: Steve Kurth
Colors: Djoko Santiko of IFS
Letters: Brian J. Crowley
Editor: Mark Powers
Cover Art: A: Steve Kurth and IFS, B: Tyler Walpole
Publisher: Devil’s Due

This is the final issue of this particular Dragonlance mini-series, and as such, things can be generalized a bit more than in previous issues.

The art has maintained a pretty solid level of quality–though I’m not sure we’ve had the same artist for the entire series. We do have Kurth on art chores for this issue, which is a plus, regardless of previous issues. Kurth‘s art is definitely a departure from a lot of the "classic" Dragonlance art from the 1980s, and even a lot of what I recall from the 90s. And while it may not be definitive, exactly, it very certainly fits these characters and the story. It’s not perfect (what art is, though?) but one gets a sense that these are (physically) 3-dimensional characters interacting with each other. There’s a certain creepiness here that captures the dark nature of this part of the story–and it works well. Where it fails is in some of the details of the story, as it’s not always clear from the visuals exactly what’s going on panel-to-panel.

The story itself comes across as very choppy. Perhaps I’m too biased, having read the original Dragons of Autumn Twilight as many times as I have in the last decade. This issue feels like an extremely abridged retelling of that story, as if it has certain points that it hits on, but lacks the detail of the original–and as such, comes across choppy.

I felt like I had to keep thinking back to the book to fully "get" what was going on with these characters. While the art gives a sense that these could be real, 3-dimensional beings, the story comes off as shallow and 2-dimensional. The blame for this is shared, and it should be noted that the novel this mini is adapted from is itself possibly the weakest of the Weis/Hickman Dragonlance Chronicles volumes.

The story caps off the first volume of the trilogy as the companions battle Verminaard in Pax Tharkas, while a couple dragons tear it up in the background, and Verminaard’s slaves reunite with their families as they prepare to take their leave of the fortress–provided anyone survives the battle.

I suspect that the story on the whole comes across better if read as a whole–reading an adaptation in eight segments separated by several weeks likely takes away from the overall experience. Given that, I don’t recommend this single issue unless you have already been following the mini. However, in a few weeks when the collected volume (advertised adjacent to the final story-page in this issue) is released, consider checking it out.

On the whole, this series has been a solid jump-on point for anyone interested in the "classic" Dragonlance saga. It introduces the core/original characters, generally conveys some key aspects about them, and the art particularly gives a visual interpretation of the characters that is much more realistic and believable than earlier visual renditions.

Ratings:

Story: 3/5
Art: 4/5
Overall: 3.5/5

Dragonlance: Chronicles #6 [Review]

Quick Rating: Solid
Title: Dragons of Autumn Twilight (chapter 6)

Having been freed by elves from captivity, the companions find themselves witness to the decline of the Qualinesti elves; they also find their next quest in their journey toward saving the world of Krynn…

dragonlancechronicles006Story: Margaret Weis & Tracy Hickman
Adaptation Script: Andrew Dabb
Pencils: Stefano Raffaele
Colors: Djoko Santiko of IFS
Letters: Steve Seeley
Editor: Mark Powers
Cover Art: A: Steve Kurth and IFS, B: Tyler Walpole
Publisher: Devil’s Due

This is another good/standard issue of the series. It has been thankfully consistent–the story and art continue to work well together, to provide a true adaptation to the original novel (Dragons of Autumn Twilight). Perhaps in contradiction to that, this issue features art by someone other than Kurth. While a side-by-side comparison will undoubtedly reveal difference, taken by itself it works well here. In light of a certain other publisher often combining artists of late on a single issue, that the entirety of this issue is just one is refreshing.

This issue takes the story up with the companions having just been freed from Fewmaster Toede’s slave-train. Their elven rescuers lead them into Qualinost (one of the Elven homelands, but not the original Elven homeland–but that issue doesn’t rear its head til later and isn’t overly relevant here). Once in Qualinost, we view some of the past come back to haunt Tanis, and get to see Tasselhoff marvel at what must’ve been (in his eyes) quite the childhood for the half-elf. The companions then take on a task from the Speaker of the Sun and head for Pax Tharkas.

The story itself is faithful at its heart if not word-for-word to the source material. The only real gripe I have on that angle with this issue is that here we see Tanis deliberately acquire a particular sword, whereas the original novel had him fumble for a weapon, and belatedly realize what he’d acquired, which added a bit more wonder to the weapon as well as what the companions face. Ultimately it is a minor detail, one that works well in prose format, but like a movie, not every minute detail can be adapted, and it’s better that detail is cut than something more integral to the story.

This is a fantasy comic/story, and based on what Hickman himself considers the weakest of these original novels. As such, you will find aspects of the familiar here. The creature the companions face seems drastically out of place given the sort of story here (I can think of no other examples of such a creature encountered anywhere else in the Dragonlance mythos–if anyone else can, I’d be interested in having that noted). However, from a story that was based strongly on a new Dungeons & Dragons module at the time, such a creature is just another generic sort that gives an excuse for a fight. In this story, it serves to introduce a new aspect to a just-met character that will serve a much larger role later in the Chronicles saga, if not this specific arc.

We’re six issues in, and have covered a lot of ground. As I understand it, we’ve two chapters left to conclude this mini/arc. If you’ve not followed along thus far, this won’t be a particularly good point to jump in. If you’re following it, though, don’t bail now!

Ratings:

Story: 3/5
Art: 3/5
Overall: 3/5

Booking Through Thursday: Real Life

imageThe age-old “How am I going to use this in real life?” question. How would you answer it?

“How am I gonna use THIS?” That’s a pretty deep question, and certainly varies depending on the subject matter. Obviously, the context here would be “books” or “reading.” But then, it also varies on the sort of books or reading material.

untoldlegendofthebatmanThis is a comic reviews blog, so I’ll start with that—comics. There’s a Batman comic from the 1980s…The Untold Legend of the Batman (actually, 3 issues, or there’s a MMPB edition in black and white out there that I’d love to re-acquire as my copy disappeared probably 15 years ago). The first and 3rd issues have both had a profound effect on me.

In the first issue, we see a college-age Bruce attending a class on the Law. In it, a professor sets out a situation and asks what the resolution should be. Bruce disagrees with the answer and asks “But sir…is that justice?” To which the professor responds “No, Mr. Wayne—that is the Law!” And in that story, that was the moment that Bruce realized he could not simply become a police officer, but had to become something NOT bound by red tape—something that could enforce justice, even if not technically the law. And from that, I gained my own distinction between and recognition of the fact that there IS a significant difference between Justice and the Law (and there’s a whole lotta biblical stuff on that, but that’s for another discussion some other time).

In the third issue…well, there’s just a whole tone thing. Memories, how they affect someone, and how sometimes it just takes the right sort of friend or the right sort of encouragement to affect someone….and that, too, sticks with me.    (continued)

Continue reading

Booking Through Thursday: Heavy

imageWhat’s the largest, thickest, heaviest book you ever read? Was it because you had to? For pleasure? For school?

05montecristoOffhand, I’m trying to think of any large/thick/heavy books I’ve read that would particularly trump any others. Probably The Count of Monte Cristo, read in high school.  Though that’s got enough years between happening and now that I don’t even recall if what I read was the unabridged version or if we read some sort of abridged version.

I imagine the Bible (NIV) might count—that’s certainly THE most significant book I’ve ever read. After years and years of it being any part of my life, several years back 04harrypotterI decided to take part in a 90-day bible-reading challenge with a local radio station…one of few such challenges I’ve ever completed.

Stephen King’s It may be a top candidate for length, read for pleasure sometime during high school. The fifth Harry Potter book—The Order of the Phoenix—also comes to mind as particularly thick.

03lesmisBack in 2004, I bought a copy of Les Miserables after developing a fascination with the Broadway musical after seeing a high school production with one of my best friends at her alma mater. Not sure I made it 50 pages in before being distracted by other stuff, and have yet to go back and finish it.

01capomnibusComic-wise, I think the first Ed Brubaker Captain America Omnibus is easily the largest, thickest, heaviest comic/graphic novel/whatever that I own. Though the Bone One-Volume Edition rivals it…but sadly, I’ve yet to get all the way through Bone.

Springboarding away from the topic at hand a bit, though….if we’d take “heavy” to mean substance and impact on a person for having read the work….I’d have to list the first 6 Left Behind novels, a number of Magic: The Gathering novels (primarily The Brothers’ War), several Dragonlance novels 02bone(primarily Dragons of Winter Night and Dragons of Summer Flame), as well as The Death of Superman, Batman: A Death in the Family, and DC’s Kingdom Come.

Of course…there’s loads I’m sure I’m not thinking of at the moment. But when you read enough….eventually one loses the ability to recall each and every thing read off the top of the head.

Collected volume pricing

Disparate Pricing

marvelbooks20101211 While collected volumes of comics are priced based on their contents…I’m finding more and more lately that paper quality and format lend a different sort of visual perception to the mix.

Take The Heroic Age TPB. $24.99…yet, it’s about twice as thick as the $14.99 Deadpool: Secret Invasion volume. Twice the size, but $5 less than twice the price.

Compare that to Deadpool Classic vol. 1: The Heroic Age…roughly the same thickness is $24.99…yet Deadpool Classic is $29.99–$5 more.

hardvssoft Looking at Deadpool & Cable, there’s a similar thickness—a little more to it than the Classic volume, granted—but it’s $39.99…a $10 difference for not a lot of difference in size.

Those have different contents, though, by several issues at least. Bringing a hardcover into the mix…look at the Invincible Iron Man by Fraction and Larrocca vol. 1 OVERSIZED hardcover. 19 issues in this volume for $39.99…and 18 issues in Deadpool & Cable…which is a paperback, but also carrying that $39.99 price.

With all interests in characters/series (and consideration of quality) being equal…The Iron Man volume would seem to be a much better value for number of issues’ content and physical size/format for the price.

Of course, I do know there are reasons (which may not come to me off the top of my head or that I—in terms of simply purchasing books—don’t even care about) for the varying prices. Print runs, quality of paper, creator royalties, projected profits, and who knows what all.

While I lack a photo at present for the visual…another point of interest are the Vertigo $4.99 TPBs that collect the first issue of many of their popular series. (Additionally, Top Cow recently put out a $4.99 volume with the first issue of several of their soon-to-debut series). Of course, it’s a much different thing to have an “anthology” type volume with a single chapter from multiple series. These serve more as samplers, as opposed to a volume that collects an entire story.

Though Top Cow has recently hooked me with their bargain-priced premiere volumes of Witchblade, Witchblade: Redemption, and The Darkness, collecting an entire arc (5-6 issues) of each for only $4.99. That’s 4-5 “extra” issues compared to the $3.99 single-issue pricepoint of far too many comics out there these days.

Disparate Trade Dress/Editions

variededitions

On a much different note, but dealing with thick volumes and a little with pricing (getting more expensive through the years for successive reprints of the same content/volumes)…Knightfall, and Essentials.

I have all three Knightfall volumes…but each is a different printing. Vol. 1 is the original printing from the mid-1990s. Vol. 2 is from the later printing…maybe early 2000s or late-1990s. And the third volume is from the last few years, whenever it was reprinted after DC changed to their present version of the DC “star” and trade-dress.

The Essential Uncanny X-Men vol. 1 I bought the week before I went off to college, back in August 1999. After the Essentials’ trade dress was revamped, they continued reprinting those earliest X-men issues as Essential Classic X-Men, but numbered the volume as 2, picking up from Essential Uncanny. And finally, under the newest revamp of the trade dress (AND pricing), they put out a 3rd volume.

While the price that I paid was right—I got vols. 2 and 3 of both sets for at least half-off—I’m the sort of person who likes it when a series actually looks like it goes together…whether first editions, second prints, or 10th-print and beyond.

On The Shelf

dragonlanceshelfActually looking like a single series, my Weis/Hickman Dragonlance volumes sit together on a shelf. Ultimately, this is an ongoing series of core characters by these authors. The books all go together, and in this particular edition, they look like it.

Most of these books have seen numerous different editions in paperback with successive printings and even different publishers. Dragons of Autumn Twilight was originally published in the mid-1980s, while Dragons of the Dwarven Depths wasn’t published until about 20 years later.

I don’t collect books—or comics, or collected volumes/TPBs/graphic novels/whatever for value.

But I am very much a collector in wanting to read the stories (I prefer bookshelf editions to single issues these days, given choice and feasibility) and enjoying when the volumes that I get look good together, on the shelf.

Photos From Home #9

Another shelf of books. These are all of my Dragonlance hardcovers, as well as the hardcovers I have of the Harry Potter series. I had a hardcover of Harry Potter and the Goblet of Fire, but gave that to my sister a few years back. It was shortly AFTER that that I actually got into the series, and book 5–Order of the Phoenix–was the first I read while only available in hardback. For lack of space on other similar shelves, my two zombie novels share space here. The Zombie Survival Guide, and the excellent World War Z.