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Flashpoint #5 [Review]

Flashpoint part 5 of 5

Writer: Geoff Johns
Penciler: Andy Kubert
Inkers: Sandra Hope and Jesse Delperdang
Colorist: Alex Sinclair
Letterer: Nick J. Napolitano
Cover: Andy Kubert, Sandra Hope, Alex Sinclair
Asst. Editor: Kate Stewart
Assoc. Editor: Rex Ogle
Executive Editor: Eddie Berganza
Published by: DC Comics

Flashpoint #5 was a rather quick read for me. For now, not much in the way of emotional investment: I read #1 a few months back, but that was the last I’d read. I picked this issue up solely for the promise of it “explaining” the transition to the New 52. In and of itself in that regard…I probably could have done just as well to not bother buying this.

The story moved pretty fast, and was mostly this epic final battle between Barry and Thawne (Flash and Reverse-Flash). Thawne had screwed with Time–killing Barry’s mother–and Barry had tried to set things right, resulting in a the screwed-up “present” of the Flashpoint universe. When Barry realizes what he has to do to TRULY put things right (at great personal cost), he gives it a shot–and seems to succeed. Of course, what he doesn’t know is that there are minor differences–while some things are as they should be, others are drastically different…as will be discovered throughout the New 52.

That the story feels like primarily one huge fight scene, an ambiguous “emotional moment” with Barry and his mother, followed by an ambiguous epilogue scene doesn’t give it much to go on in and of itself as a single issue. That hurt my enjoyment of it–and my rating of it–but I’m sure it’s got much more resonance with someone who has read the entire series.

The art on this book looks great overall, and I really enjoyed it. Of course, as with the writing, most nuances were lost on me at this point, not having read issues 2-4 nor any of the tie-ins. I do intend to read the full story when the collected volume comes out, and perhaps the tie-ins as well. I just wasn’t going to follow this entire event as single issues with numerous issues to buy at full price every single week for months. (I also hadn’t initially realized the significance of this particular event until things were underway, or I MIGHT have considered otherwise).

My core quibble with the art is “the” 2-page spread that’s supposed to explain things: there’s reference to 3 timelines, though I feel like I saw 4…not sure which was doubled, or if there were 3 timelines PLUS the Flashpoint line (which may be, but not having read the core of Flashpoint, I can’t quite tell visually).

If one were to read this issue “in a vacuum,” that is, without knowing about the New 52 and such, the ending would seem on the one hand to be pretty much a non-issue: Time gets screwed up and put back, Barry remembers, and the main thing beyond that is to impact Batman. on the other hand, it would seem to be rather open: with multiple timelines instead of just changing one line back to another, there seems to be a new timeline formed, ripe for exploration.

Unfortunately, I must leave it to others for now to determine if this was a good ending to Flashpoint as a whole. As an ending to the DC Universe I’ve spent the last 23 years with, it’s not a horrible ending, but it’s almost unneeded. Probably the main thing for me about having this issue is to have it–to be in on the end and the beginning this week, having also grabbed Justice League #1.

If you followed Flashpoint, obviously this’d be an issue to get. If you’re just jumping into things for the relaunch, you’d be just as well-served to find the image of “the” spread online rather than buy this issue out of context.

Story: 5/10
Art: 8/10
Whole: 6/10

Justice League #1 [Review]


Full review posted to cxPulp.com
.

Story: 3.5/5
Art: 4.5/5
Overall: 4/5

Flashpoint #1 [Review]

Flashpoint Chapter One of Five

Writer: Geoff Johns
Penciller: Andy Kubert
Inker: Sandra Hope
Colorist: Alex Sinclair
Letterer: Nick J. Napolitano
Cover: Andy Kubert, Sandra Hope & Alex Sinclair
Editors: Adam Schlagman & Rex Ogle
Executive Editor: Eddie Berganza
Published by: DC Comics

Narration opens the issue–we don’t know who it is, initially–telling us of Barry and having been inspired by him. Then Barry’s woken up in the forensics lab, but finds himself confused by the world around him–something’s not right. Racing out, he finds the ring with his costume is missing…a surprise that sends him tripping down a flight of stairs to meet his mom. The scene shifts to Batman in Gotham has he hunts information on the Joker, and is confronted by Cyborg. Cyborg and the heroic community need Batman’s help. Following plenty of exposition to ideally psyche one up for the 15+ mini-series and specials attached to this event, we find Barry later entering the Batcave from an un-tended-to Wayne Manor, to voice the “big shock” of this issue and set some of the tone for what’s to come. Continue reading

Old vs. New: Quarter Bins vs. New Comics Rack

This week was another where I managed to score some cool stuff from the quarter bin of my local comic shop. Sad thing is, it also continues to pound home just how EXPENSIVE current comics are. 2/3 of my final cost was the tiny stack of new issues, dwarfed by a huge stack of almost 60 issues that totaled roughly HALF the cost of the other 7 issues (one of which was a $1 comic).

Sharing the awesomeness…

Picked up where I left off a couple months ago, adding to my Silver Surfer run:

2011.03.23.001

And getting a great start on my early post-Crisis Flash run (no pun intended):

2011.03.23.002

Some early 1990s X-Men issues (two editions of Bishop’s first appearance…not sure if the one is the first print or 3rd or later; the gold cover is the 2nd print:

2011.03.23.003

The GI Joe/Transformers full 4-issue mini, and 4 of the first 5 issues of GI Joe Special Missions:

2011.03.23.004

Couple shiny issues, Infinity Gauntlet #1, and the first issue of the “new” X-Factor:

2011.03.23.005

The entire stack of quarter-bin awesomeness compared to the new issues:

2011.03.23.006

The new issues:

2011.03.23.007

‘Because we CAN’ vs. ‘Because we SHOULD’

Though this is primarily a comics blog, I’m taking off the comics-guy hat for a few moments of venting.

I went to Kent State University for 2 1/2 years of graduate school in Library and Information Science. While there, I attended classes with and interacted with students and professors involved in a “usability” program which would—to my understanding—study the “usability” of web sites and other user interfaces. Basically, “how does the end user use this” or “how easy is this to use for the end user,” which is a step beyond the folks designing something. When you’re the one designing something, of course it’s going to be intuitive and easy to use—you’re the one thinking about how you want to use it, and your will be done.

Anyway…I have long been frustrated and annoyed with use of Flash and other “technology” to FORCE a user to use one particular “way” or “path” through something—particularly websites. I’m a multi-tasker/multi-tabber…if you have multiple links/bits of information I’m interested in, I want to keep one page open in a tab, and be able to simply go down the line and open numerous links in new tabs—then I can go through and read what I want, and branch new series of tabs off of that…and it is NOT uncommon for me to find myself with 30-50 tabs open after an hour of using Wikipedia to look something up.

Sprint is my extreme example right now, though, of something that goes against anything I can think of for “usability.”

A number of years ago—late 2005 or so—I decided I wanted a backup of all the photos I had taken on my Sprint cameraphone. So I went to the Sprint Picturemail site, and after logging in was able to select an existing folder, and simply download that folder to my computer as a huge .zip file, that contained all of the photos, at full size.

However, those photos—that download/backup—that was all lost over a year ago now when the computer I had them on crashed the weekend I’d planned to do a proper backup of the machine.

Now, I again find myself trying to get those photos, which now span 7 years and number above 5,000…and in the years since that old download, Sprint has changed their site and interface.

They’ve implemented an interface far more reliant on Flash, and tried to make themselves like some other social network site or photo site, promoting features that—for someone like me—are totally useless or redundant or just uninteresting.

Their promo screen also—to ME—is a blatant LIE (though technically true, but that’s all relative to your purpose).

easiermyfoot

They’ve made it HARDER to download ALL your media and albums to your PC.

Just drag and drop them—“them” being INDIVIDUAL PHOTOS. One at a time, you can download these. A multi-step process—select the photo, drag it to the PC, wait for the download dialogue box to pop up, hit ok, wait for the download, then hit ok on a popup telling you how to download multiple files, and then you can go to your next photo to download and repeat the process.

OR—get this—you can hold down the Control key, and select multiple items…UP TO 21, because there is NO option to display more than 21 items at once. But if the Flash interface “hangs” or otherwise delays, your smooth mouse-pointer movement from one photo to the next will be affected, and register as you NOT holding down Control…and you have to start ALL OVER AGAIN selecting photos.

Sure, this interface is fine if you’re visiting someone ELSE’s collection of photos—you want a handful of photos, cool, select ‘em and go. You’re the owner of the photos, and you want a few select photos to upload your best to facebook or twitter of flickr or whatever—great.

But you’re the owner of the photos and you want to download everything to your own machine, to use in software on your own computer and not just the limited set of options on the Sprint site…

Well, there’s NO provision for THAT.

So as a result…I’m dedicating a big chunk of my day to going through, using this crappy, UN-friendly interface, attempting to download over 5,000 photos 21 at a time…and will then still have to go through over 240 such .zip files and unzip these photos, just to have a usable photo archive.

And maybe sometimes soon I’ll get into my feelings about numerous sites all trying to emulate facebook, and/or sites and services trying to make it easy for you to use them as your CENTRAL, core, prime “homepage” or home site by allowing you to import content from other sites/services…and yet making it impossible or extremely difficult to take data from this one to one of those others.

Plastic ring quest VI: White Lantern (or, “Almost Complete”)

With Brightest Day #1 out this week, we also get the White Lantern ring…the TENTH in the series of rings that DC Comics has produced as promotional tie-ins to its comics over the past 10 months.

As with all the other Lantern Corps rings, this is pretty standard…it’s just the symbol on the ring, and the color of the plastic that differentiates this from the others. Nothing wrong with that, though…not at all. (I was surprised several weeks ago when the Flash Ring was an entirely different shape and was two-colored instead of one solid color).

And now, the Ring Collection is again complete for the moment.

But there’s still one more totally obvious ring that I’ve NOT seen solicited yet.

The Legion of Super-Heroes flight ring.

Seems so obvious a promotion for Legion of Super-Heroes #1…but to my knowledge at present, there are no plans for that at the moment.

I’ll hold out, though…I can’t see them doing 9 Lantern Corps rings and not doing a Legion ring now. Especially as I’d be perfectly happy with the Legion ring simply being the same as these Lantern Corps rings, but gold and sporting the Legion symbol.

Just…if you’re listening, DC…please don’t make it some “Con Exclusive.”

Plastic Ring Quest V: The Flash & Green Lantern

Last November, DC put out a bunch of different-colored plastic rings, each bearing the symbol of a different Lantern Corps, and each tied to an issue of a Blackest Night tie-in comic; in my experience, stores passed along the tie in that if you bought the comic the rings were provided with, you got a ring. One store I know of offered the rings by themselves for $3.99–presumably to suggest you might as well take the comic, which was $3.99 and then get the ring “free.”

Back in January, DC had posted about a follow-up to the “Rainbow Corps” ring promotion: a Flash ring would be available with The Flash #1.

A Green Lantern ring was also announced, which I’d assumed would be identical to what was available before.

And here they are. As I understand, there will be a White ring available when Brightest Day #1 ships next month. Still no word about that Legion ring I’ve said I’d love to see…but with all this bling so far, I can’t see there not being one. Eventually.

Brightest Day #0 [Review]

Full review posted to comixtreme.com.

Story: 4.5/5
Art: 4.5/5
Overall: 4.5/5

The Flash: Rebirth #6 [Review]

Fastest Man Alive

Writer: Geoff Johns
Penciller: Ethan Van Sciver
Inkers: Ethan Van Sciver & Scott Hanna
Letterer: Rob Leigh
Colorist: Brian Miller of Hi-Fi
Colored by: Brian Miller of Hi-Fi
Cover by: Ethan Van Sciver
Assistant Editor: Chris Conroy
Editor: Joey Cavalieri
Published by: DC Comics

This mini started out billed as a 5-issue series. Then it got expanded to 6 issues. This sixth/final issue comes basically 10 months after #1 shipped. Frankly, the issue–while something I’d like to…well, like…seems to be something that ought to have been wrapped up long before now.

Story-wise, we open on Barry and Wally chasing Zoom through time–the latter has vowed to kill Iris, the former are trying to stop him. Of course, the duo catch the villain and ensure he won’t threaten anyone ever again (well, for the rest of THIS issue, at least…it’s a comic. He’s gonna come back!). Then they return home where there’s a parade for Barry…I believe the one he was nervous about way back in issue #1. And what would a re-insertion of a classic character into contemporary continuity be without the “validation” of the Justice League affirming the return and his place with them?

The art for this issue–while good–lacks a certain sense of greatness, and isn’t nearly as appealing as I’d’ve hoped. Perhaps the lateness of the issue would suggest time was taken to really make it pop, or something. Even on a couple of the huge full-page/double-spread shots, I’m not entirely clear what’s being shown, though they make a little more sense when I take time to go back and “study” them, looking for what they COULD be, beyond what simply looking at them AS I read the story gives me. There’s one that I’m not sure if it’s being suggested that this chase through time IS the lightning that gave Barry his powers in the first place (which would seem to be a time paradox), or if they’re just viewing it, or if it’s just there to fill out the page and clue us in that they’ve reached the earliest time OF Barry’s time as The Flash.

The story itself mostly ties up the broadest of loose ends, but already sets the stage for not only the return of Zoom to active status, but also someone called “Doctor Alchemy,” who I presume is some largely un-used silver-age Flash villain that’s gonna be raised up to show us how awesome he can be, much as was done with Black Hand in Green Lantern (though I’m not expecting lightning to strike twice, in this case). Johns seems to have a definite love for the character, which I applaud…but this series in itself has done far too little to “sell” me on Barry as the primary Flash character (seems if anything, it’s been Johns using Barry to such good effect with Hal in Green Lantern and the core Blackest Night book that’s sold me at all on the merit of having Barry around.

Obviously, if you’ve already bought the first five issues, this issue’s one that you might as well consider picking up for the sake of completing the series. It’s in no way a selling point in itself though for the series, and based on this issue alone I’d suggest ignoring it. The collected volume will probably read much better, with the wait between issues stretching a mere turning of a page or two rather than months, and the whole of the story will be fresher in one’s head and thus probably feel more coherent.

As a whole, this issue’s quite a disappointment, a lukewarm ending to what should’ve been a hot series.

Story: 4/10
Art: 7/10
Overall: 5.5/10

My thoughts on ‘Justice League: Crisis on Two Earths’ part 2: The Movie Itself

Now we have the second Justice League movie. Though it is the second under the Justice League header, it’s really no sequel to New Frontier. This one is based on some classic Justice League stories known to me under their contemporary heading of Crisis on Multiple Earths.  These comics–as I understand my comics history–were largely regular team-ups between the Justice League and the Justice Society…then situated on different Earths in DC‘s multiverse.

Though the multiverse has long since perished and recently been reborn, those stories still hold quite a bit of weight.

And so we have this movie, in which a Luthor crosses from his Earth to that of “our Earth”–that is, the Earth in which we find the DC super-heroes–and reveals this multiverse. He convinces the Justice League to help him on his world, to “free” it from the evil that terrorizes it. Whereas on our Earth, the most powrful beings are heroes, on Luthor’s Earth, they’re villains.

There’s a LOT to like about this movie.  The animation is nice and clean–plenty of detail for what it is, without being overly detailed or trying to be some sort of “animated live-action.” The visual style doesn’t seem to imitate silver age comics that I’m aware of, nor does it exactly imitate contemporary comics. There’s something to it that reminds me very much of the Batman, Superman, and Justice League animated series–probably in part that Bruce Timm is heavily involved in this movie as he was with those series.

I was initially disappointed that we had more new voices for familiar characters…but as the movie kicked into gear, I didn’t really even think about it, other than to note that the characters all sounded perfectly fine and no one seemed out of place…I heard the characters, and not the actors…which for me is an important thing for any animated project.

To me, The Flash had several of the greatest moments–a comment about Luthor’s state when they meet him; a Star Wars reference, and a nice play on things when rushing out of the Crime Syndicate’s place after his teammates. Owlman had a great Harrison Ford moment, which I’m not sure was intentional, though it almost seems it had to have been. And toward the end, Wonder Woman’s “spoils of war” is just about my favorite silver age reference ever–legitimizing a concept I always saw as ludicrous.

The “meat” of the movie was solid stuff, as well. Granted, with a team movie, there’s not a lot of room for character development, especially in the relatively limited timespan for these animated movies. The only thing that really felt forced to me involved a romantic interest for the Martian Manhunter (even if there was a bit of payoff in his final comment on the matter).

This isn’t a character study on any single character…it’s an action/adventure pitting many familiar characters against many similar/opposite characters. There seems to be plenty drawn from the original 1960s comics…and yet, a strong dose of contemporary story-telling.

These DC Universe dvd movies just keep getting better and better, and though I haven’t yet digested this one long enough to decide if it surpasses the previous ones…it certainly keeps up with the best of ’em.

_____________________
My thoughts on Justice League: Crisis on Two Earths
part 1: What Came Before
part 3: The Extras