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Superman #688 [Review]

The Fall and Rise of Jonathan Kent

Writer: James Robinson
Penciler: Renato Guedes
Inker: Jose Wilson Magalhaes
Colorist: David Curiel
Letterer: John J. Hill
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Andrew Robinson
Publisher: DC Comics

The first thing to note is this issue’s story title, which is a reversal of the “traditional” phrasing, as one would usually expect to read of the Rise and THEN Fall of someone, rather than the fall and then rise. It also puts me in mind of The Death and Life of Superman for the same reason–the title reversing the order. In the case of this issue, the title is quite literal, as we begin with Mon-El sans powers in free-fall. Though he survives, he is not sure what caused his powers to cut out. Joined by the Guardian, answers are sought, and in a typical comics sorta fashion, an answer is found that is not to the liking of the protagonists.

I’m not a fan of the art style in this issue. It’s just not to my liking, so much so that it does actually take me out of the story as I notice panel after panel the visual style I’m not thrilled with. That’s not to say the art’s bad or anything–for one thing, it’s far better than anything I myself could accomplish–but it is such that I don’t engage with the story as I would one with art I enjoyed a good deal more.

The story itself feels rather cliched here. The revelation of what’s affecting Mon-El’s powers goes a good way toward explaining recent events and accounting for his current status quo. But it’s also not all that original, and left me mentally groaning at just how cliche it feels, whatever original elements are yet present.

I have no problem with this book essentially starring a couple of characters who are NOT Superman himself, with stories that show a world that does not have Superman present, but rather others trying to fill the man’s role while he’s off-planet. It’s just that the story itself here just feels rather weak…especially when held against something like Starman, also by this writer.

Aside from simply being one chapter in an ongoing narrative….this is not an issue I’d recommend in general.

Story: 5/10
Art: 4/10
Whole: 4.5/10

Superman: World of New Krypton #3 [Review]

Full review posted to comixtreme.com.

Story: 3/5
Art: 3/5
Overall: 3/5

Superman: World of New Krypton #2 [Review]

Full review posted to comixtreme.com.

Story: 3.5/5
Art: 3/5
Overall: 3.5/5

Superman: World of New Krypton #1 [Review]

Superman: World of New Krypton #1 CoverFull review posted to comixtreme.com.

Action Comics #874 [Review]

Suspicion!

Writer: James Robinson
Penciller: Pablo Raimondi
Inkers: Pablo Raimondi & Walden Wong
Colorist: Hi-Fi
Letterer: Rob Leigh
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Aaron Lopresti & Hi-Fi
Publisher: DC Comics

This issue picks up with Superman having a bit of a tantrum on New Krypton at the fact that General Zod not only has been freed of the Phantom Zone but that he now lead’s New Krypton’s army. After fists fail, talking ensues, and Superman grudgingly seems to let things slide for now, though he makes known his misgivings.Back on Earth, Kryptonians–with a specific exception made for Superman–are banned, which sparks the new Flamebird and Nightwing into action as their clock is ticking (and a blurb informing readers to follow them into next month’s Action Comics). Superman and Lois visit his fortress while he ponders things, and then a voice from his past cries out, leading to the issue’s cliffhanger.

The story isn’t bad, but really lacks some “oomph!” I find myself actually bored by the New Krypton stuff, especially given the abrupt ending of the titled story while this still feels like it should fall under that heading. This story also feels like filler, just sorta moving pieces on the board around to force stuff into a new status quo for next month with the Superman family of books.

The art also is not bad, but doesn’t particularly thrill me. Not bad, but not spectacular. It gets stuff across that needs gotten across, but doesn’t begin to get in line to be art I’d specifically choose for Superman.

Origins & Omens

Writer: James Robinson
Penciller: Renato Guedes
Inker: Jose Wilson Magalhaes
Colorist: David Curiel
Letterer: Rob Leigh
Asst. Editor: Wil Moss
Editor: Matt Idelson

This backup stars The Guardian, and basically follows him through some (for him) relatively normal activities in his new job as head of the Science Police. Some of his history is touched upon–particularly recent developments/revelations, with some hints of what may be in store for him given.

Though I don’t particularly care for Guedes’ art style, it works for me pretty well here–perhaps because it’s not Superman/Clark himself depicted but other characters I don’t have so firm an idea in my head as to what they look like. The story is basic, but then, six pages is hardly room for any great storytelling for the most part.

If you’ve been following everything New Krypton, or the “triangle numbers,” this is worthwhile, This is probably also worthwhile as a bit of a prologue to the new status quo for Superman and Action Comics to come. That the main story is shorted for the backup doesn’t exactly make the issue all that enticing.

Story: 6/10
Art: 6/10
Whole: 6/10

Superman #684 [Review]

The Mind of Rudy Jones

Writer: James Robinson
Artist: Jesus Merino
Colorist: David Curiel
Letterer: John J. Hill
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Alex Ross
Publisher: DC Comics

This issue works quite well with DC’s Faces of Evil concept. The Parasite is the focal point going in, and we see how much trouble he causes upon release from the Phantom Zone. After that battle, we see the Guardian unmask to his coworkers with the Science Police, Nightwing and Flamebird share a moment with Jay Garrick, and finally Superman visits New Krypton where his aunt reveals something quite disturbing to him.

I’m not quite sure about the green “triangle number” 12 on this cover (I don’t remember an 11, and thought New Krypton was over with as far as the official titled story). That said, this story provides some nice epilogue-type material to that story, showing that just because the official arc is over, the events unleashed don’t tie up so nice-and-neat. Given that, I have no real problem with the story, and it’s really actually nice seeing stuff continue/build from the previous story instead of simply starting fresh as if everything’s always simply been the way it is and no reference to a previous arc.

The art is pretty good, though nothing spectacular. I realize here that compared to the previous issue’s artist, I really like this art, and it depicts the characters in a style that fits what I expect visually.

This issue seems to be a middle-ground issue, not really kicking off a new arc, but not completely belonging with the previous. While much of its content would be far more appreciated with having read New Krypton already, one could probably enjoy this issue fairly well without that context.

All in all a good issue, worth reading if you’re interested in current goings-on in the Superman family of books.

Story: 8/10
Art: 7/10
Whole: 7.5/10

Superman #683 [Review]

New Krypton part nine: Hard Times!

Writer: James Robinson
Pencillers: Renato Guedes & Jorge Correa Jr.
Inker: Wilson Magalhares & Jorge Correa Jr.
Colorist: David Curiel
Letterer: John J. Hill
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Alex Ross (variant by Chris Sprouse, Karl Story & Laura Martin)
Publisher: DC Comics

Superman faces a number of Earth super-heroes in this issue’s opening sequence–asking that they leave and let him attend to locating the Kryptonians who were responsible for a number of police deaths. They in turn give Supes an ultimatum–a half-hour before they’ll go into action. Superman confronts his aunt, and begins to realize things are beyond his control. As the battle is joined, we have Kryptonians vs. super-heroes, and then a moment between Superman and Supergirl that takes me back to a 1992 issue of Action Comics. The issue concludes with a certain “cavalry” arriving.

I’m still not the biggest fan of the art for this title–the style just seems a bit “off” to me; as probably stated before, the visual is shared by the entire art team–sometimes it’s the coloring that seems most “off” to me. I actually think I’d prefer to see Guedes’ linework inked and left uncolored–that might give me a different perception.

The story is decent if lacking complexity. Then again, given that we’re into the ninth chapter of this crossover story, it’s goot to get to action and not be bogged down with overly-complex layering and whatnot. The characters and situations are quite believable and make sense contextually. This certainly isn’t the best issue of this title–nor the “New Krypton” story–but it’s a solid chapter (and didn’t seem like some plot device forced into it for the sake of re-introducing old characters).

Not one to skip if you’re following the story; by this point in the story I assume one’s probably going to pick issues up whatever complaints they have, and doubt my recommendation would do much here. I’d recommend picking up earlier chapters before just grabbing this and wading in, of course.

Story: 7.5/10
Art: 6/10
Whole: 6.5/10

Superman #682 [Review]

New Krypton part six: Invasive Surgery

Writer: James Robinson
Penciller: Renato Guedes
Inker: Wilson Magalhares
Colorist: David Curiel
Letterer: John J. Hill
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Alex Ross (variant by Rodolfo Migliari)
Publisher: DC Comics

Including the Jimmy Olsen special, this is the seventh straight week of an ongoing Superman narrative…in that sense, it’s definitely like the good ol’ days of the 90s ongoing story. Being a decade older and more knowledgeable at things like “creative teams” and in general knowing more than “just” the “character” I’m reading, I see a lot more–like while this is an ongoing story overall, we keep shifting focus from one character to another, as each creative team really gets to step up and tell their own story within the larger whole.

In part 6 of New Krypton, we begin with Clark and Martha visiting Jonathan’s grave–a fairly touching scene, though I don’t feel like I’ve seen Clark and Martha interact quite this way before. Martha seems a bit sharper…though given what the characters have been through, it’s still believable. After the two find an extremely unexpected “guest” already visiting the grave, we launch into the meat of the issue, as Kryptonians–led by Zor-El, Alura, and Supergirl–embark on a campaign of ridding the world of Superman’s old foes in a less than polite manor. Whatever their good intentions, they succeed mainly in provoking Superman to anger, and Earth’s populace to fear.

The art still hasn’t captured me–it’s got a style that somehow just doesn’t come across all that well, and I can’t quite tell how much it’s the pencils and how much it’s the colors. The look it gets for Bizarro works very well, though. There’s far, far more talent in the art than I’m capable of–but compared to the likes of Jim Lee, Gary Frank, Dan Jurgens, and others, this art just doesn’t do it for me.

The story makes perfect sense, and gets to deal with the question of how effective Superman really is, as well as the different perspectives held by the Kryptonians. It also continues to show that if Superman can do what he does, and a handful of Kryptonians do what they do, the world has justification for its fear and worry. This issue plays very well within the overall narrative of late, moving the story forward and setting up the next chapter(s) as well.

I like the cover–the image here reminds me of the cover to 1998’s Superman Forever, and it’s that much easier to imagine the motion in the depicted moment and that immediately following.

Overall, perhaps not the best point to start with on jumping in–but definitely worth getting if you’re already following the story or determined to get this title despite the crossover.

Story: 8/10
Art: 7/10
Whole: 7.5/10

Adventure Comics Special featuring The Guardian #1 [Review]

New Krypton part three: The Worst Night of His Life

Writer: James Robinson
Artist: Pere Perez
Colorist: David Baron
Letterer: John J. Hill
Editor: Matt Idelson
Cover: Aaron Lopresti (variant by Victor Ibanez)
Published by: DC Comics

This issue takes place between-pages of the Superman’s Pal Jimmy Olsen Special from several weeks ago. In short, it details exactly what the Guardian Jimmy tracked down told him, and brings readers up to speed on further details hinted at or sped through in that special.

First off, I think I’m thrilled to see the return of classic characters to the Superman continuity. Agent Liberty last week, more Guardian this week, the revelation that Cadmus’ impact is still being felt after largely being ignored for so many years…

Robinson seems to be quite good at digging into comics’ past and dredging up old characters, working them into the present, and making the whole thing just simply work. This seems to be no exception. Unfortunately, there’s something to this issue that doesn’t quite ring true, and seems like characters have been dealt with as they have for shock value more than anything else…though there’s definitely potential here. The main drawback is in the ambiguity of elements of Superman since Infinite Crisis, and I honestly do not know if this Guardian is the one I remember reading in the Superman books from the early to mid/late 1990s…or if the identity of that character is being mucked with. As it seems there is a lot of mucking about going on lately I fear the latter, and am thus a bit skeptical here.

The art doesn’t blow me away–but it is quite solid, and serves the story very well. I have no real complaint with it, nor any out of the ordinary praise.

What actually makes this issue stand out–and ups the enjoyment factor–is that it is actually part of the New Krypton story going on in the Superman family of books right now. I’d have to look to see if there are any more of these specials lined up…but for now, this issue marks the FIFTH week in a row with a new comic in the Superman corner of the DC Universe…essentially, the fifth week of an ongoing Superman story that continues from one book into the next. I may not be entirely sure the status of certain characters…but the fact that I’m getting so much of a single, ongoing narrative of Superman and his supporting cast–elements all playing into a single, ongoing story…that takes me back to the 1990s and the sheer enjoyment of a new “episode” in the Superman mythos each and every week.

If you’re following New Krypton, you’ll probably want to pick this up given it’s got the trade dress and “triangle number” making it part 3 of the story. If you read that Jimmy Olsen special, this will flesh it out more for you. And of course…if you’re a fan of The Guardian, again…you’ll probably want to check this out.

Story: 7/10
Art: 8/10
Whole: 7.5/10

Superman #681 [Review]

New Krypton, Part Two: Strange Meetings and Chance Encounters
Writer: James Robinson
Penciller: Renato Guedes
Inker: Wilson Magalhaes
Colorist: David Curiel
Letterer: John J. Hill
Editor: Matt Idelson
Cover: Alex Ross (variant by Bernard Chang)

We open amidst numerous news reports all over the world in varying languages, announcing to the world the arrival of a hundred-thousand Kryptonians. Breaking to the Daily Planet, Perry has determined that on this day, there IS no other news story. The only sports, the only juicy gossip, the only anything–is this Arrival. Superman is confronted by the Justice League about bringing the Kryptonians to Earth, especially after what happened the last time Kryptonians came to earth (Superman: Last Son). Superman flies on to meet his aunt and uncle to lead them to Metropolis for a meeting with the President of the United States. A brief interlude shows us Ma Kent and the arrival of a possible comfort. Lois confronts Agent Liberty, questioning him on being back after having been gone so long. Finally, the Kryptonian delegation arrives…but before long, an extremely unwelcome intruder arrives, throwing things into chaos by its mere presence.

This entire package–from cover and a “triangle number” to a direct continuance of a story that feels more like a single story than a chapter of a cross-over–serves as a fine example of why I can never stay away from the Superman books. Now more than ever since partway through my college years, it is an awesome time to be reading not only this book, but the entire family of titles.

The art here is–for me–the only weakness. Yet, if it’s a weakness, this book is still far above many other titles out there. I’m not a huge fan of the art. Something about it just doesn’t seem entirely consistent…some panels seem to almost be painted, while others seem much less detailed and slightly differently stylized. Still, it more than gets the job done–everyone is totally recognizeable, and I’m never lost visually with what’s going on.

The writing is just fine, as well. For the moment it seems hard to separate Robinson as the sole mind behind this, as this is but one chapter of a larger three-title saga involving other writers and a nice, close continuity. I suppose that’s a strength–at the moment, I love that I’m more engaged with the story and characters than with noticing any particular writer out of a group/over another.

To me, this is how the Superman books work best: a single, ongoing story that flows from one issue to the next, regardless of the title or creative team…while allowing the individual creators to insert their marks within the overall story.

I’m chomping at the bit for the next installment of this story. This is hitting so positively on multiple levels…and while elements of the story are rich with continuity, if you’ve ever considered checking in on the Superman comics…now is the time to do so. This story looks to play with elements from all throughout Superman’s history, impact the entire Superman mythos…and give you the important information you need as you go along.

Highly recommended.

Story: 8.5/10
Art: 7/10
Whole: 8/10