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Batman and Robin #1 [Review]

Quick Rating: Good!
Story Title: Batman Reborn Part One: Domino Effect

The new Batman and Robin make their debut, with new villains, a new ride, and a lot of potential.

batmanandrobin001Writer: Grant Morrison
Artist: Frank Quitely
Colorist: Alex Sinclair
Letterer: Patrick Brosseau
Assistant Editor: Janelle Siegel
Editor: Mike Marts
Covers: Frank Quitely and J.G. Jones
Publisher: DC Comics

The cover has a certain iconic look to it…though there’s also every chance that’s partially because it’s one of the images that’s been around for awhile now for this month’s new status quo amidst the Bat-books. Batman has a confident, amused look about him, with a Robin who looks like he’s itchin’ for action…and this is the image that initially convinced me that I would actually like to see Damian as Robin. There’s something to the potential dynamic here that really interests me.

We open the issue on a new villain (a Mr. Toad? They wouldn’t give us a character too similar to the X-Men villain The Toad, would they?) being pursued by Batman and Robin…who have a flying Batmobile (which seems just like Morrison to throw in there). Outlandish though it is, when it comes to the DCU and the Bat-corner and whatnot…I suppose a flying car isn’t so far out there as to be entirely unbelievable. We get a few pages of them interacting with Alfred (where we see both Dick’s and Damian’s personalities come through a bit, especially in the way they talk to Alfred…this also shows how different the two are).

We get the obligatory scene with Gordon and his officers, the obligatory here’s-what-the-villains-are-up-to-since-they’ve-not-yet-been-found-out-by-Batman scene…and as has become fairly standard for new books and new directions with DC, we even get the obligatory page with several panels "previewing" what is to come over the next year in the book.

The story feels like a Morrison book…but this time, in a good way…at least for this issue. We see the main characters in action; there’s no question of who they are. We get the "updated"/current takes on other classic elements associated with Batman; we get a new villain–several, actually–who could be sorta interesting if only for an arc. However, unlike the last Batman arc I read by Morrison, I don’t feel like I’m "lost" going in; if there’s more than the surface story, then hey–that’s cool; but I don’t feel like I’m missing out on some in-joke here.

The art is pretty good overall–I enjoy the visual style on the whole. I just don’t like the way the faces come across–it seems like everyone is "lumpy" in a not-so-good sorta way, almost for the sake of having that kinda detail on the faces. In addition to the cover as I mentioned at the start of this review, there’s also a page of the title duo disembarking from their flying vehicle that I would love to have as a poster, and that is loaded with potential (it remains to be seen what the reaction to them is, if we even see it next issue).

Honestly, I feel like this is what that All-Star book should’ve been…and with a simple sentence like "Bruce is gone, Dick has taken over" one wouldn’t even have needed to slog through the last year or so of stuff to get to this status quo.

I like it. There’s loads of potential here–especially if this book keeps to its own sandbox while sharing the status quo with the other books for the "general DCU" stuff. This won’t be for everyone, but as first issues go, as really debuting the new Batman status quo, and all that kinda stuff….this is an issue well worth checking out…the bigger question will be whether it can live up to its potential and expectation.

Ratings:

Story: 4/5
Art: 4/5
Overall: 4.5/5

Faces of Evil: Deathstroke #1 [Review]

Quick Rating: Very Good
Story Title: Faces of Evil: Deathstroke

After suffering a humiliating defeat, Deathstroke takes stock of his life and makes plans for moving forward.

facesofevildeathstroke001 Writer: David Hine
Penciller: Georges Jeanty
Inker: Mark McKenna
Colorist: Jo Smith
Letterer: Pat Brosseau
Assistant Editor: Janelle Siegel
Editor: Michael Marts
Cover: Ladronn
Publisher: DC Comics

Last I recall seeing Deathstroke was in the Last Will and Testament special last Fall, when Deathstroke was defeated in combat by Geoforce. After that humiliating defeat, Deathstroke has had some time to recover, and to take stock of his life. This issue opens with him in the hospital–where those attending to him marvel at his very survival. Once he’s awake, Deathstroke arranges a meeting with his daughter, and the two deal with "family issues" they have with one another. Finally, we see Deathstroke beginning to set up what may be his new status quo.

Hine seems to get this character quite well. The story here is believeable and well within what I’d expect of the character despite my limited exposure to him. We have a man who’s been pushed to his limit and forced to reassess what he is going to do with his life. We get to see him contemplative and in action, see what makes him very dangerous.

The art is solid, too. No complaints here–everything’s nice and clear, with no problems following the action. There’s a slight change in the coloring for a flashback scene that sets that sequence apart from the rest of the issue–gives it a bit of a surreal effect without going hokey or cheesey on us.

Next to Meltzer‘s writing of this character in Identity Crisis and Last Will, this has to be the best depiction I’ve seen of Deathstroke. This issue is–at standard cover price, even!–well worth snagging if you’ve any interest in Deathstroke. And if you’ve never dealt with the character before, you could probably still quite enjoy this issue, as it deals with the here-and-now of the title character as he prepares for what he is going to do moving forward from here.

Ratings:

Story: 4/5
Art: 3.5/5
Overall: 4/5

Red Robin #9 [Review]

Quick Rating: Solid
Story Title: Collision (part one of four)

Beginning with apprehending a Killer Moth, Tim reacquaints himself with Gotham before retribution from Ra’s al Ghul begins…

redrobin009 Writer: Christopher Yost
Penciller: Marcus To
Inker: Ray McCarthy
Colorist: Guy Major
Letterer: Sal Cipriano
Assistant Editor: Janelle Siegel
Editor: Mike Marts
Cover: To & McCarthy
Published by: DC Comics

I’ve long been a fan of Tim Drake, and until the One Year Later break and price hike several years ago had followed the character since long before he even had his own series. And though I read a handful of issues toward the end of that series, and the previous 8 in this series…Red Robin #9 is maybe the first issue that has felt like there’s still that same character to be read that was in Robin.

We begin a new 4-parter in this issue. Tim reacquaints himself with Gotham, takes down someone in a Firefly costume (as the costume and person behind the name changes so much), has a moment with Connor (Superboy), catches up with new love-interest Tam Fox, and we see Vicki Vale prying into "Bruce"’s life. When Ra’s al Ghul ruins Tim’s good moment, Tim puts everything else aside to turn for help–pride be darned–and finds someone in the Batcave he had not at all expected.

The art for the issue’s good…my main complaint is that I still don’t like the Red Robin cowl–but I do like the way Tim himself is depicted. The visuals actually look like I’d expect for a comic, which is a definite plus; nothing that’ll blow one away with awesomeness, but significantly better than a lot of art in comics out there.

The story is decent–something about it leaves me wondering how firm a direction there is for this book. In a way, we have Tim–less than a year in–feeling much like the star of the 180-some issue Robin series, and quite unlike the dark, brooding character that began this current Red Robin series…almost like the primary difference is the costume instead of an attitude or specific story/character direction.

At the same time, it’s refreshing to see that a story doesn’t have to be exactly stretched or compressed to six issues for a "graphic novel" collected format–four-parters are ok, too. What’s rather frustrating, is that the four-parter this issue begins appears to continue directly into Batgirl #8…which is, for me, an entirely unplanned-for purchase, to say nothing of the fact that Batgirl #7 isn’t even out yet, I’m told. The cover has zero indication of any crossover…just a fairly "generic" or "iconic" shot of Red Robin, where I would expect a story continuing into another title would have something on the cover to indicate the crossover.

While one would not have the context of the "Eurotrip" and the setup of things from Tim getting on the bad side of Ra’s al Ghul and his League of Assassins, this isn’t the most horrible point to jump on the title. Still, the issue’s fairly standard, and not much here to truly draw someone in outta nowhere if they’ve not already been "on the fence."

Ratings:

Story: 3/5
Art: 3.5/5
Overall: 3/5

Batman: The Dark Knight #1 [Review]


Full review posted to cxPulp.com
.

Story: 3/5
Art: 4.5/5
Overall: 3.5/5

Joker’s Asylum II: Killer Croc #1 [Review]

Full review posted to cxPulp.com.

Story: 3.5/5
Art: 4/5
Overall: 4/5

Batman #700 [Review]

Full review posted to cxPulp.com.

Story: 3/5
Art: 4.5/5
Overall: 3.5/5

Red Robin #9 [Review]

Full review posted to comixtreme.com.

Story: 3/5
Art: 3.5/5
Overall: 3.5/5

Batman and Robin #5 [Review]

Full review posted to comixtreme.com.

Story: 2/5
Art: 3/5
Overall: 2.5/5

Batman #690 [Review]

Long Shadows Part Three: Tripwires

Writer: Judd Winick
Penciller: Mark Bagley
Inker: Rob Hunter
Colors: Jack Purcell
Letterer: Jared K. Fletcher
Assistant Editor: Janelle Siegel
Editor: Mike Marts
Cover: Tony Daniel
Publisher: DC Comics

Even though the status quo of Dick being Batman is still pretty new–not even half a year yet–this just feels right. From the character’s depiction on the cover, to the “inner voice” we’re allowed inside the issue, even though he’s not Bruce, this simply feels like Batman.

We see Dick facing Clayface and a new partner; noting places he can improve should he survive the villains’ attack. Alfred proves a considerable ally in a way I don’t recall seeing with Bruce in contemporary continuity…and yet, it works very well to me seeing his role unfold. We also see the Penguin confront Black Mask and find a new lesson taught. Two-Face’s plan seems to bear some fruit as the issue’s clifhanger gives a familiar visual but new situational dynamic for the characters.

I’m not entirely sure what to make of Clayface here, though. This is a classic Batman rogue, of course–teamed with some character I’m not familiar with. Between the various DC Crises, reboots, retcons, and Silver-Age-Returneth, I’ve lost track of what version/which Clayface this is. The way he’s depicted here, I’m put in mind of a number of things: a version of The Thing I’m not thrilled with; something belonging to the cover of the original Fantastic Four #1; and even some generic demon. I’m not really put in mind of the visual we were given in Batman: The Animated Series, nor what I think I recall from the original Hush arc back in 2003.

Additionally, I found myself taken out of the story entirely at the inclusion of the movie version of the “batarang”–the Bat-shuriken, if you will. I have no real complaint with that in and of itself–it makes sense, really–but the exactness of it caused me pause as I contemplated its inclusion as such. Specific, personal nitpicks aside…Bagley provides a good Batman visual throughout the issue. Two-Face is recognizeable, but as usual looks slightly different depending on which artist’s work we have on-hand…but really, such is the nature of the character.

On the story side of things, this is a solid issue. I’m not totally impressed in it being any great work of writing…but I’m firmly satisfied at the depiction of the characters. I’m really liking the interaction between Dick and Alfred…as we’re seeing a different interaction than what we had with Bruce and Alfred.

I really don’t care for Black Mask as a “Kingpin” figure, so the scene with the Penguin facing Black Mask’s show of power is just another point in the ongoing Batman story. The last page of the issue was a bit of a surprise–I’d forgotten about the Battle for the Cowl teaser image…and it seems that elements from that teaser are yet to really play out beyond the Battle for the Cowl minis/specials.

All in all, a solid issue…nothing terribly remarkable in and of itself, but certainly worth getting if you’re a Batman fan, a Winick fan, or just following this new season in the Bat-books.

Story: 7/10
Art: 7/10
Whole: 7/10

Batman and Robin #3 [Review]

Full review posted to comixtreme.com.

Story: 4/5
Art: 3.5/5
Overall: 3.5/5