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Supergirl #44 [Review]

Codename: Patriot part 3

Writer: Sterling Gates
Penciller: Jamal Igle
Inker: Jon Sibal
Colorist: Nei Ruffino
Letterer: Jared K. Fletcher
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Fernando Dagnino & Raul Fernandez with Mazi
Publisher: DC Comics

Ral-Dar, the would-be-assassin of General Zod overhears conversation between General Lane and his people which sparks an outburst leading to his fighting Atlas (recent villain in the Superman title). We then move into seeing Superman, Supergirl, Lois, Mon-El, and the Guardian interacting with one another at the Science Police headquarters. Some tenseness plays out given Supergirl’s role in the recent apparent death of Lois’ sister. Supergirl and Mon-El set out to deal with Nightwing and Flamebird (Flamebird being a childhood friend of Kara’s). The confrontation doesn’t go well, and things escalate as everyone moves toward their places on the board for the final chapter of this story in the next issue of Superman.

The story feels a bit forced here…and yet, on the whole it works. This is the third chapter of a 4-part story with a tighter crossover than we’ve had for the last half-year or so in the Superman books. It feels forced in that certain things set in place by the other titles have to be acknowledged as well as the core in-title story elements. It’s interesting seeing so many of the characters interacting after the separation the last few months. I’m glad to see that some story elements from earlier issues are coming to fruition here, adding to a feeling of the story being more organically-generated than otherwise.

The art’s solid as usual. There are points where I think of Guedes’ style in this issue, but definitely prefer this visual presentation. The art does what it should, getting things across quite well. No real complaint there.

Overall, not a bad issue. It plays with elements from the ongoing story in this title, but mixes well with the “intruding” elements of this “crossover.” One would be lacking in context without the earlier chapters…but even if one hasn’t read those, enough ongoing elements are here that that story is not entirely derailed by the crossing of titles. Similarly, if one is following the Codename: Patriot arc, one may not “get” everything in this issue, but there’s plenty of context on the essential story elements.

Story: 7.5/10
Art: 7.5/10
Whole: 7.5/10

Supergirl #42 [Review]

Who is Superwoman? conclusion: epilogues & homecomings

Writer: Sterling Gates
Penciller: Fernando Dagnino
Inker: Jamal Igle
Colorist: Nei Ruffino
Letterer: Jared K. Fletcher
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Joshua Middleton
Publisher: DC Comics

We see more wrap-up on stuff from the Who Is Superwoman? arc here as Supergirl faces Lana and Lois–telling the latter about the death of her sister. Lana fills Supergirl in on the relationshp between Lois and Lucy, while we see General Lane dealing with the death of his daughter.

This issue worked a lot better for me than the previous issue–while I don’t totally “buy” Lucy’s military career and role as Superwoman, it’s a lot easier to “buy” the fact that something horrible happened (her death) and someone having to break the news to Lois. This also adds a bit of depth (cold as it is) to General Lane’s character as he comes to grips with what he’s lost.

Gates seems to hve a good handle on these characters and the relationships they have between one another–such as in Lois’ handling of the news she’s presented with. Though on the book less than a year now, Gates has turned this from an outer-rim sorta book almost embaressingly tied to the Superman family into one integral to the family of books, making Supergirl into a real-seeming teenage girl (albeit alien and with tremendous super-powers). Igle’s style continues to work very well with the stories–though my sole gripe continues to be the way ears are drawn, for whatever reason.

All in all, another strong issue of this title, well worth reading if you’ve been following the book. If you’ve not been following it, you’ll likely be fairly lost, as much of the action in this issue comes from what’s transpired in the last few issues.

Story: 7/10
Art: 7/10
Whole: 7/10

Batman #687 [Review]

A Battle Within: an epilogue to Battle for the Cowl

Writer: Judd Winick
Penciller: Ed Benes
Inker: Rob Hunter
Colors: Ian Hannin & JD Smith
Letterer: Jared K. Fletcher
Assistant Editor: Janelle Siegel
Editor: Mike Marts
Cover: Tony Daniel, Sandu Florea (variant by JG Jones)
Publisher: DC Comics

Though this issue boasts the Batman: Reborn banner at the top of its cover, it actually ought to be labelled with the Battle for the Cowl logo, the word “epilogue” clearly spelled out beneath. Though this issue takes place after the events of the Battle for the Cowl mini, it’s not all that firmly set into the territory of this new Batman: Reborn “era.”

We open on a flashback of Bruce and Dick, then move into Dick and Damian, juxtaposing the two relationships. We also see Alfred reacting to changes, as well as Dick and Tim having words over Damian’s new role as Robin (reminds me just a bit of things during the early issues of KnightQuest: The Crusade back in 1993). We also get to see Dick in action, having accepted the need for a Batman while still struggling to embrace the cowl. Damian shows his brashness, and Dick–as Batman–reveals himself to the city as he shows up to face the Scarecrow.

The story is fairly straightforward. It’s not all that moving exactly–I definitely wish that Final Crisis had not had the epilogue it did–better to have been left guessing at the truly definitively final fat of Bruce to make this stuff more moving and impactful. It is nice, however, to see some of these moments happening given how entirely RUSHED the ending of Battle for the Cowl felt.

The art’s quite high-end…it’s good to get Benes’ art again on something I’m reading; I’ve enjoyed his work pretty much since I first started recognizing it in particular.

As an epilogue story, this will probably be more enjoyable/fitting for longer-time readers (particularly those who followed the Battle for the Cowl stuff in any form). The next issue I believe will kick off the action within the new status quo, and so will probably be a better jumping-on point for new readers.

Not a bad issue, but nothing to get terribly excited over.

Story: 7.5/10
Art: 8.5/10
Whole: 8/10

Supergirl #41 [Review]

Who is Superwoman? part five: Daughters of Krypton

Writer: Sterling Gates
Pencillers: Fernando Dagnino
Inker: Raul Fernandez
Colorist: Nei Ruffino
Letterer: Jared K. Fletcher
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Joshua Middleton
Publisher: DC Comics

This issue “concludes” the “Who is Superwoman” arc. Basically it’s a drawn-out fight sequence between Supergirl and Superwoman, with some drama for Lana thrown in to round things out a bit. In a way I wouldn’t expect much else–the two have come to be enemies of sorts, especially given Superwoman’s role in the way things went down when Zor-El was killed during New Krypton.

The cover seems really flat and a bit stylized…definitely not an image that would “sell” me on a comic (the way Brave and the Bold #23’s did). Better than I could draw, but not all that appealing.

The art’s prett good for the issue–no real complaint from me on it. It fits the story, conveys what needs to be gotten across, and though largely seems like a darker/heavier color scheme, it feels like a story set in a world where Superman could exist.

The story isn’t nearly as enjoyable. I don’t for one second buy the identity of Superwoman (and even if I were to buy into it, it merely continues an unfortunate trend toward the unbelievable in comics that I can easily otherwise suspend my disbelief for).

On the whole, this isn’t all that enjoyable an issue–I’m hoping that now we’re past this silly “mystery” of Superwoman, we can get into more story and character exploration for Supergirl herself.

If you’ve followed the arc thus far, it’s worth snagging this issue as well. This is certainly not a good jumping-on point for new readers, and whatever your status, should not be taken as a representative issue for this series.

Story: 5/10
Art: 7/10
Whole: 6/10

Batman: Battle for the Cowl #3 [Review]

Full review posted to comixtreme.com.

Story: 2/5
Art: 3.5/5
Overall: 2.5/5

Detective Comics #853 [Review]

Whatever Happened to the Caped Crusader? part 2 of 2

Writer: Neil Gaiman
Penciller: Andy Kubert
Inker: Scott Williams
Colorist: Alex Sinclair
Letterer: Jared K. Fletcher
Assistant Editor: Janelle Siegel
Editor: Mike Marts
Covers: Andy Kubert
Publisher: DC Comics

There’s something to this story that makes it fit in quite well with the stuff that we’ve had from longtime writer Grant Morrison. The abstracts and symbolism, the nods to other eras of continuity and obscurities of the Bat-verse…these are all pretty much at home in my limited understanding of Morrison’s works. At the same time, where this sort of story wouldn’t work for me coming from Morrison, there’s something about the “history” that I have in reading Gaiman’s books and enjoying, understanding, and simply “getting” them that makes this story work very well.

The story is pretty simple, with not very much action here. A large chunk of story is Bruce talking to an image of his mother, sorting out where he is and what he is seeing. As the issue progresses (everything in the previous chapter having set up the foundation for what we get here, now) we begin to see a bit of a cyclical element to the story–one that actually reminds me just a little bit of Ragnarok, the final Thor story a few years ago from Marvel.

The art, though it doesn’t really jump out at me all that much this issue, is still extemely strong, capturing a classic feel without making me feel like this is actually a comic from decades past. Visually, there’s not much of anything I can think of that’d make it much better.

Gaiman references an old children’s book to great effect in this issue. It’s a reference that is fairly key to the whole thing, bringing a lot of stuff to a fitting close…and a reference that to me, makes this that much more a great story.

Though this doesn’t really serve as a hard bookend, closing the door on a version of the character, it still provides a nice breaking point, a send-off of sorts to characters well-known and loved in the Batman continuity. The story that began last year in RIP, continued through Final Crisis and Last Rites actually continues in the mini-event Battle for the Cowl and into some relaunch-type material in a couple months…perhaps the marketing or something else makes this feel like more of a side-story…a “What would happen if we DID decide to end things now?” kinda thing.

On my first read-through of this issue, I was not sold on the ending. Upon further reflection and asking a friend about the book I thought was being referenced, I realized the brilliance of this story. Whether you’ve been a longtime Batman reader or not, you should have no real trouble following this 2-part story. In fact, you might actually enjoy it all the more being aware only of characters’ existence and not being steeped in the history.

Whatever the case, if you can find the story now as single issues, it’s only two issues and so quite worth snagging that way…if you’re unable to get the story as singles, I very highly recommend picking up the collected volume when it comes out this summer.

Story: 9.5/10
Art: 9/10
Whole: 9.5/10

Batman: Battle for the Cowl #2 [Review]

Full review posted to comixtreme.com.

Story: 3/5
Art: 3.5/5
Overall: 3/5

Supergirl #39 [Review]

Who is Superwoman? part three: Ticking Clocks

Writer: Sterling Gates
Pencillers: Jamal Igle & Talent Caldwell
Inkers: John Sibal & Talent Caldwell
Colorists: Tom Chu & Nei Ruffino
Letterer: Jared K. Fletcher
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Joshua Middleton
Publisher: DC Comics

This issue picks up on and deals with the ramifications of the “reveal” regarding Superwoman’s point of origin last month. We see her retrieve Reactron (who was earlier menacing his ex), and leave a scene that shows Supergirl that the stakes are quite high in this conflict. Supergirl converses with her mother and with Lana as she ponders her current place in things, and we begin to see the reaction of those who expect Superman and “get” Supergirl instead. Finally, Agent Liberty’s killer seems to stand revealed, prompting Supergirl back into action.

I’m not a big fan of Reactron–newish character I’m not all that familiar with; I wasn’t reading this title when he was introduced. However, I am quite glad to see that we continue to have all parts of Kara’s series/continuity recognized and not simply discarded. Though not a fan of Reactron, I can see how this character can come to be quite the menace for Supergirl, perhaps even on an ongoing basis (depending on how all the New Krypton stuff shakes out, ultimately). It’s interesting to see the continuing relationship between Kara and Lana, as well as the development of Kara’s relationship with her mother of late. I have no real complaint in terms of the story itself.

The art for this issue comes from two sources, and while that’s often not a big deal with me, it was quite noticeable, which is something I’m not all that thrilled with. Neither batch of art is bad or anything; it’s just that each is different enough that it’s a bit of a distraction (especially in catching myself curiously looking to see how Caldwell draws characters’ ears, since ears are the only thing I’m not all that thrilled with from Igle’s art).

The issue’s story holds true to the characters involved, and continues to build on stuff not only from New Krypton but also from stuff going on in the other Superman books, and makes for a nice, satisfying read. You need not be following the other books to “get” this one as this series’ stories can work on their own. There’s a lot more to “get” and enjoy out of this with knowledge of the other books, and having this as just another part of the much larger ongoing story being told across all the Superman books.

Story: 7/10
Art: 6.5/10
Whole: 7/10

Batman: Battle for the Cowl #1 [Review]

Full review posted to comixtreme.com.

Batman: Cacophony #3 [Review]

Baffles

Writer: Kevin Smith
Penciller: Walt Flanagan
Inker: Sandra Hope
Colorist: Guy Major
Lettering: Jared K. Fletcher
Asst. Editor: Jann Jones
Editor: Dan Didio
Cover: Adam Kubert (variants by Bill Sienkiewicz)
Publisher: DC Comics

This is one of very few mini-series that I’ve actually bought in this day ‘n age of virtually guaranteed collected-volumes. I’m also largely avoiding $3.99 books, but have allowed this as an exception given that it has a full 30 pages of actual story rather than being standard-size. That said, I’m not convinced this was worth it.

This issue picks up with the Batman/Joker/Onomatopoeia standoff on the roof. The Joker behaves typically, and we see what steps Batman has taken for dealing with Onomatopoeia. The story then derails when that villain turns on the Joker, and Batman struggles with a decision that will affect both himself and the citizens of Gotham.

The art is very good, and I really found nothing to take issue with. The characters are shown rather iconically (or “generic,” if you prefer that term). This is a fairly timeless sort of story, with no apparent ties to main continuity–unless it can be found to tie to a version of the characters found in Superman/Batman and Brave and the Bold. Flanagan, Hope, and Major seem to make a great team for Batman visuals that carry a great deal of detail without being overly realistic.

The story wasn’t much to my liking, though I really wanted to like it, being a fan of much of Smith’s past work in the DCU. However, this issue felt like it was trying too hard to be THE “Batman/Joker” confrontation or “conversation.” Their conversation while the Joker was on anti-psychotic drugs felt forced and more than a little (much as I hate to use the term) “fanboyish.” I really didn’t buy the condition of the characters, and can’t help but compare this to The Killing Joke, which I feel sees the characters have it out in a much more satisfying way. Though typical Smith (injecting often crude, but realistic comments everyday people in certain conditions might make), I also did NOT buy Joker’s comment about what he saw, nor that Bruce would repeat it in conversation with Alfred.

All in all, this isn’t a bad issue, but it is a letdown from what I’d expected–whatever it was–from a Smith Batman story. If you’ve snagged the first couple issues, or are able to get all 3 in one go, it ought to be worthwhile as an out-of-continuity/stand-alone story (or if there’s a reasonably-priced collected volume). If you’re on a budget and trying only to stick to “essential” stuff right now, I can’t recommend this. Dinged a half-point as it was a letdown as a whole.

Story: 7/10
Art: 9/10
Whole: 7.5/10