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The ’00s Revisited: Captain Marvel #17

captainmarvel017Cheating Death

Writer: Peter David
Pencils: Jim Starlin
Inks: Al Milgrom
Colors: Steve Oliff
Letters: RS/Comicraft’s Wes Abbot
Assistant Editor: Marc Sumerak
Editor: Tom Brevoort
Published by: Marvel Comics
Cover Price: 2.50
Cover Date: May, 2001

This issue grabbed my attention because of Thanos on the cover. Besides Thanos himself, there’s just something to the cover’s colors that I really dig…it’s so colorful without being gaudy or even all that bright…it’s just really nicely drawn and colored; the generic background sets Thanos, Thor, and Genis off quite well; and the coloring of the logo and such even fit nicely…though I might’ve gone with more of a gold for Captain Marvel to better match Thanos’s gold coloring.

This was another quarter-bin discovery, at least this copy of the actual issue–I’d bought and read it as a new issue back in 2001, and still have that copy…somewhere. So I do vaguely recall some context, both prior and subsequent to this issue, once I got to reading. But even sticking solely to this one issue by itself, I rather enjoyed the Thor/Thanos bickering, and even the dynamic with Rick and Genis and having to be aware of the environments they’re in when the swap places. And of course, the now-iconic “Klang” that I’ve come to appreciate in context of Quantum & Woody from Valiant.

We find Thanos recruiting Thor for some part of a larger plan…of course, Thor is not at all a happy camper, given his recent tussles with Thanos. But he’s convinced of his necessity in things, and goes along grudgingly. Meanwhile, Marlo (Rick’s wife) is being haunted by the ghost of…a friend, or coworker, I don’t recall exactly, she’s just here (the details were in earlier issues of this run). Rick finds himself in a bit of trouble, as the entity that has Thanos recruiting Thor to begin with makes his appearance, and the “big guns” duke it out.

Visually, I very much enjoyed the interior art. Starlin has–for me–defined these characters to the extent that just seeing his name on the cover would have drawn me in. As far as I’m concerned, “Marvel cosmic” doesn’t get much better than sharing involvement from Starlin.

Story-wise, David always did have a great feel for the characters he involved in this series, making them his own, and giving them quite a memorable voice. There are elements from this series that settled into the core of my thinking about comics, and this take on Captain Marvel remains my absolute favorite.

This issue reminds me of how much I’d enjoyed this run on the series, and has me remembering rather fondly other issues, and a bit of a rekindled interest in re-reading the entire run…and certainly wishing Marvel would put out an omnibus collecting this entire first run of PAD‘s Captain Marvel.

What If..? Fallen Son #1 [Review]

What If? Fallen Son: What If… Iron Man Had Died?

Writers: Marc Sumerak
Artist: Trevor Goring
Colorist: Elizabeth Breitweiser
Letterer: Dave Sharpe
Production: Joe Sabino
Assistant Editor: Jordan D. White
Editor: Mark Paniccia
Cover: Ed McGuinness
Publisher: Marvel Comics

This issue derives its story from the intent of answering the question “What if Iron Man had died [instead of Captain America]?” Opening with a recap of events we already know–the heroes’ Civil War, Captain America’s surrender, the bullets on the courthouse stairs–we see the outcome of the trial and where events could have gone had Cap not been assassinated. It is then that Tony Stark falls to events also tied back to the heroes’ war, and we see the world deal with Stark’s death, with snippets we get to check in on tied to the stages of grief. Without Stark to keep things moving as he’d tried, we see that certain more recent events are likely to have played out much differently.

While an interesting concept, I found this issue to be rather weak. I don’t know if that is the writing, or simply the amount of space to play with. We lose several pages to moving events forward without Cap’s death to get to Tony’s…and THEN cram in elements to tie to each of the grief stages, which makes things feel rather forced. Additionally, it seems that one ought to be up to date on subsequent Marvel events to fully appreciate certain moments here to fully appreciate the depth of this story’s events.

The art’s not bad, though not wonderful; it does the job and fits the story.

In addition to the main story, we’re treated to a brief story segment detailing the answer to the question “What if the Runaways became the Young Avengers?” (Written by C.B. Cebulski, Penciled by Patrick Spaziante, Inks by Victor Olazaba, Colors by John Rauch, Letters by Jeff Powell, Production by Joe Sabino, Assistant Editor Michael Horwitz, Associate Editor Chris Allo and Editor Justin Gabrie)

This is a four-page story segment; I don’t have the context nor the interest in it, and would have preferred the few extra pages to have been available to the main story. The art here is not bad, but the story seems a complete waste without having the earlier chapter and not having (nor intending to get) the later chapters. If this story is really worth telling, it should have gotten its own issue and not simply be broken across however many of the What If? issues we have this year.

For me, this issue was a real disappointment, only really redeemed by the fact that against general trend, it is a mere $2.99 cover price, so at least I didn’t waste my money on the new “in” price of $3.99.

Story: 5/10
Art: 6/10
Whole: 5.5/10