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Deadpool #31 [Review]

I Rule, You Suck (Conclusion)

Writer: Daniel Way
Pencils: Bong Dazo
Inks: Jose Pimentel
Colorist: Andres Mossa
Letterer: VC’s Joe Sabino
Cover Artist: Dave Johnson
Assistant Editor: Jody Leheup
Editor: Axel Alonso
Published by: Marvel Comics

Story-wise, there’s not a whole lot to this issue. Deadpool’s trapped in a hospital, trying to keep a young doctor alive while killing vampires of the Claw Sect (who have infiltrated the hospital). Amidst the fighting, we get an extremely amusing moment in one of Deadpool’s hallucinations, riffing on Twilight. We also get to see Deadpool spring a couple of traps that are really quite smart–and the flashback to seeing him setting the first struck me as funny in its own way, even while thinking what an awesome moment of planning ahead it was…I’m surprised I’ve never seen that solution used in anything else with vampires before. The issue ends on a bit of a sad note…one can’t help but feel for Deadpool here.

The art by Dazo continues to impress me. There’s something to the visual style Dazo brings to the book that works really well for me, and there was nothing that jumped out at me as complaint-worthy. This looks and feels like the Deadpool I’ve come to enjoy the last couple years, and remains a great-looking comic.

I’d not been following Deadpool for a few months–waiting instead to pick up collected volumes–but the cover of the previous issue drew me in; and especially for discovering this would be only a 2-part story, there was no way I wasn’t going to get this issue. This series continues to surprise me at how much I enjoy it. The enjoyment this time is as much in the story as it is in that the cover price seems to be holding–for present–at “only” $2.99. as well as the fact that this was a highly-enjoyable Deadpool arc of only 2 issues rather than being drawn out across six issues.

The cover shows this as a tie-in to the recently-concluded Curse of the Mutants arc from X-Men…this is a thematic tie-in, but can be read and enjoyed entirely without that story, and vice-versa. This–along with the previous issue–make a great little set for Deadpool fans unwilling to commit to six issues but who want to read a well-done Deadpool story set inside current continuity, interacting with the goings-on of the Marvel Universe.

All in all…this is my favorite issue of the week for sheer enjoyment. Definitely recommended.

Story: 8/10
Art: 9/10
Whole: 8.5/10

What If..? Age of Apocalypse #1 [Review]

classicreviewlogowhite

Quick Rating: Above Average
Story Title: What If…Legion had Killed Xavier and Magneto?

Summary: Here we’re shown what might have happened had neither Xavier nor Magneto lived to oppose the rise of an age in which the evil mutant Apocalypse rose to rule the world…

whatifageofapocalypse001 Writer: Rick Remender
Artist: Dave Wilkins
Colorist: Anthony Washington
Letterer: Nate Piekos
Production: Brad Johansen
Asst. Editor: Nathan Cosby
Editor: Mark Paniccia
Editor-In-Chief: Joe Quesada
Cover Art: Marko Djurdievic
Publisher: Marvel Comics

This holds a lot of potential–the original Age of Apocalypse remains one of my absolute favorite X-sagas, period. And seeing that world played with could be quite cool, taking the concept and pushing in another direction while remaining in the spirit of the original.

Unfortunately, while ripe with potential, this issue lacks the space to truly execute a high-level story re-doing that saga in the space of a single regular-sized comic.

We open with the Watcher informing us that in this reality that we are shown, both Xavier AND Magneto were killed by Legion (the original story saw only Xavier killed, with Magneto’s X-men opposing Apocalypse). The absence of both characters ushers in a different age of Apocalypse; we get a re-imagining of re-imagined characters. When the story kicks off, we see a band of mutants AND other heroes (Captain America, Thing, the "current" Dr. Strange, and so on) mount a final attack to preserve their haven–though one of them has ambition to go beyond merely surviving and seeks to change the whole of reality, despite warnings against messing with such business.

The story’s heart is in the right place, showing this alternate version of an alternate universe. It’s jam-packed with a lot of characters that, for lack of space to truly flesh them out, seem rather contrived and present for the "coolness factor" of showing them; there’s no room to really flesh them out and show where they came from, what brought them to this point.

The art seems rather sketchy, and at points characters seem to be out-of-proportion…This is no standard, clean-lined interpretation of the characters. While this would normally be a complaint with me, something about the context makes it work. The story takes place in a mucked-up world with little to BE bright, sun-shiny/happy about, and the characters can’t afford to be clean-cut "super-heroes" or such, and the visual style lends a certain edge that just works for the tone, allowing a bit of abstractness to get things across.

As with the Onslaught Reborn issue, the quantity of ads managed to annoy me and take me out of the story, and makes me wish all the more that I’d simply waited for the inevitable TPB of all this year’s What If..? issues to read without ads.

Given that this particular story delves back to the core of the Age of Apocalypse, it seems almost out-of-place amidst the others in this batch, taking on stories from the last 3 or so years. In and of itself, it’s an enjoyable enough read, though it feels like a pilot missing a series: I think something like this would have made for an interesting mini-series, giving more detail to the changes brought into the concept and setting things up; all the moreso for the "twist" ending.

You could certainly do better than this issue…but there’s a lot you could find that’s worse. If you’ve followed most of the stories this batch of What Ifs spring from, you might enjoy a collected version more than the singles.

Ratings:

Story: 3/5
Art: 3.5/5
Overall: 3/5

X-Factor #2 [Review]

classicreviewlogowhiteQuick Rating: Good
Title: Star Power

Summary: The fate of Rictor, Madrox confronts his dupe, Layla makes herself useful, and things progress on their course…

xfactor002 Writer:
Peter David
Pencils: Ryan Sook & Dennis Callero
Inks: Wade Von Grawbadger & Dennis Callero
Colors: Jose Villarrubia
Letters: VC’s Cory Petit
Production: Brad Johansen
Asst. Editors: Molly Lazer & Aubrey Sitterson
Editor: Andy Schmidt
Cover Art: Ryan Sook
Publisher: Marvel Comics

Marvel‘s recap page works particularly well here, as it not only recaps the previous issue, but shows (I think full-sized) the central point of the final page of # 1…and though we cut immediately to a "meanwhile," it brings the reader back in enough to have that bit of tension necessary for when we get to the fate of Rictor, who was unceremoniously shoved off the edge of a building by one of Jamie’s dupes in the previous issue.

Layla Miller integrates herself into the team, proving some immediate usefulness, though her explanation for knowing things seems to get on Guido’s nerves. We get a glimpse at the "bad guys" orchestrating some behind-the-scenes events, and a mysterious figure that I’m not even going to try guessing at the identity.

Overall, this issue picks up the threads of the previous issue, and advances the story a bit–resolving a key point of that issue, as well as introducing new elements to the main story, and setting things up for future issues. If the issue seems a bit choppy, it’s from juggling Rictor’s fate, X-Factor HQ, Jamie and confronting his dupe, and other elements of the story in the confines of a single, regular-sized comic. Despite that, fans of these characters–and present writer Peter David–will likely find little complaint other than the next issue not being out yet.

The art works well with the story, keeping a visual/stylistic difference from "standard fare" X-stuff, as well as the noir tone the story carries.

A brief exchange between a couple characters provides an interesting meta-textual commentary on the tile of the "Decimation" event this title is a part of, both addressing reader concerns of no thought going to it as well as providing a jab at the media.

On the whole, this is another fine issue of a fairly distinctive title. If you don’t care about any of the characters or the writer (or the art team), then don’t expect to like it. However, if you enjoy PAD‘s writing, and/or the characters, or even just the art on these particular characters, you will very likely enjoy the issue.
If you’re just curious about things, this is just the second issue–shouldn’t be too hard to locate a copy of the first issue (in whatever print edition) and jump on the ride. Recommended.

Story: 3.5/5
Art: 3.5/5
Overall: 3.5/5

Marvel.1 Checklist

February 2011
Amazing Spider-Man #654.1
Invincible Iron Man #500.1
Wolverine #5.1

March 2011
Captain America #615.1
Deadpool #32.1
Hulk #30.1
Thor #620.1
Uncanny X-Force #5.1

April 2011
Avengers #12.1
Secret Avengers #11.1
Uncanny X-Men #534.1

marvel.1amarvel.1b

Another comic I won’t be buying due to pricing

Preview: The Thanos Imperative: Devastation #1 – Comic Book Resources.

This preview is up over at CBR. And y’know…I kinda want to catch up on the Marvel Cosmic stuff. I’d even be willing to dive in at this late point in things, post-Annihilation.

But, Marvel…c’mon.

I’m so incredibly sick of $3.99!

And so…yet again…I’ll wait and maybe–eventually, someday–obtain the collected volume.

A quick 2nd-to-last week of 2010 comics rundown

deadpool30 While making my usual trip to the comic shop during lunch on Wednesday, I–along with my pull-list books–bought a small stack of old Archies to give coworkers in place of Christmas cards.

The next day, I wound up at another comic shop in search of Vertigo Resurrected: Shoot (which I should have picked up several weeks ago when I saw it at a friend’s local shop in Michigan). After rejecting several cool/interesting-looking Marvel books due to the $3.99 price (I’ve lost track of how many sales Marvel has missed out from me on impulse sales alone, for that $3.99 point killing any impulse). I spotted Deadpool #30 and saw that it was a tie-in to the just-wrapped Curse of the Mutants story from X-Men.

Seeing the cover—DP’s grin and the label “Vampire Hickey”—was sufficiently amusing as to draw me in. And the book remaining at the $2.99 price point was enough to get an impulse sale there. (Not too thrilled that this 2-parter begins the same week the main story ended, though).

Continue reading

Two decades since ‘Infinity Gauntlet’…

Well…2011 IS the 20-year mark since the original Infinity Gauntlet event. I’ve been wondering what (if anything) would be done to ‘celebrate’. Lo ‘n behold, I look at the Marvel solicits for March and find a solicit for Avengers #11 and a story involving it.

I just wish the title wasn’t $3.99/issue. I’ll keep an eye out for the inevitable collected edition, though.


AVENGERS #11

Written by BRIAN MICHAEL BENDIS
Pencils & Cover by JOHN ROMITA JR.
Captain America 70th Anniversary
Variant Cover by ALAN DAVIS

The Infinity Gauntlet is in the hands of the most dangerous human being on the planet. But what can the Avengers do against a power greater than anything known on Earth? Another explosive chapter in this epic Avengers event by Bendis and Romita Jr. featuring the debut of a brand-new cosmic character that you won’t want to miss!! Plus: another illustrated chapter of the oral history of the Avengers!

32 PGS./Rated A…$3.99

via Newsarama.com : Marvel Comics’ MARCH 2011 SOLICITATIONS.

Captain America: Patriot #1 [Review]

Full review posted to cxPulp.com.

Story: 4/5
Art: 3.5/5
Overall: 3.5/5

Invincible Iron Man #30 [Review]

Stark Resilient Part 6: Tony, We Don’t Want to Destroy You

Writer: Matt Fraction
Artist: Salvador Larroca
Colorist: Frank D’Armata
Letterer: VC’s Joe Caramagna
Production: Randall Miller
Assistant Editor: Alejandro Arbona
Editor: Stephen Wacker
Published by: Marvel Comics

While one might expect to see someone like Tony Stark cruisin’ the freeway in a fancy car with a beautiful woman, the situation we see Tony in isn’t exactly normal. Tony and Sasha have it out, first through a sort of “dangerous” conversation that explodes into action as the two clash first via wits and then via high technology. While this is going on, Pepper Potts and the others in the startup Stark Resilient have their new car prototype to show investors, and things take an interesting twist for the fledgling company when Pepper leaps into action as Rescue.

Though the excitement has worn off for me with this title–it’s not longer the “shiny, new” thing as the Dark Reign closed out, and it’s not the immediate near-continuation of an epic hardback volume read in under a week–this is still a great read.

The art–while sometimes seeming slightly “off” in a way (lips especially seem awkward, somehow, in particular)–is great stuff, and I really do enjoy the realism of it. The characters don’t exactly look like their movie counterparts…but they have a great blend that is certainly close enough to the movies to be familiar that way, while maintaining a certain bit of the traditional so as to not be entirely new. I normally don’t care for characters looking like their live-action counterparts, but in this case, I don’t mind.

The story itself seems to be bucking the norm–I’d’ve sworn it should have had a bit of a “hard break” with either the previous issue or this one, but the story continues on without a clear conclusion. Having grown used to the “standard” 6-issue arc, this is a bit off-putting…but on the whole, I’m quite pleased to see a story continue in and of itself without having to have that hard break just because this is the 6th issue since the last major arc. Fraction seems to really get these characters, though in some ways it’s easier to see them as closer to the movies’ continuity than long-time, mainstream Marvel…and yet, this is rooted within the main Marvel continuity.

This issue deals with a lot of what’s been developing over the past few issues, so is not in and of itself a specific jumping on point, so this wouldn’t be one for new readers looking for such a point. This issue will primarily be of interest to the ongoing reader.

Even though I keep telling myself that I’m gonna let this title go and wait for the collected edition(s), every time I read an issue I find myself interested in the next issue, and as such, for present I’m hooked on the singles…and in the current comics climate…that’s quite an accomplishment.

Story: 8/10
Art: 8/10
Overall: 8/10

Wolverine #1 [Review]

Full review posted to cxPulp.com.

Story: 2/5
Art: 3.5/5
Overall: 3/5