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Superman…Full Circle

Last week, The New 52 has officially come “full circle” for me. I was introduced to comics in late 1988 by my grandpa, but it was Spring 1989 when I discovered “they still made comics,” and my Mom bought me my first few comics–including my first-ever issue of Superman…#31. Now the New 52 Superman series has hit #31, meaning that for me The New 52 DC universe is now as old as the previous DC Universe was, when I was introduced to it. Like it, love it, or hate it…

Superman31s

Doomed Week 1

A few months ago, partially due to DC‘s Villains Month as well as the recommendation of Michael Bailey, I picked up Superman/Wonder Woman, and have stuck with it for these past several months.

Then I found out about something called Doomed, and eventually, somehow, found myself looking forward to it.

Well, the story finally hit this week, and…hit HARD.

doomed_week_01

A $4.99 one-shot and two $3.99 issues…three parts of what I believe is “only” a 4-5 part thing…all out the same week.

Way to overload stuff instead of spacing these things out! Especially with the one-shot, which could have (presumably) shipped “whenever,” and the rest of the series shouldn’t have been too hard to “stagger.”

Now I look at stuff due out next week, and looks like there are NO new chapters to this Doomed (Infected?) arc.

Bummer.

Might get around to an actual review of these issues, or something more in-depth, this weekend.

This Week’s Comics Haul (Week of 2/12)

This was another large-ish week for me…

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My standing hold of “all $1 books” holds, and has now resulted in my actually owning a My Little Pony comic.

Letter 44 is on the chopping block for me…much as I enjoyed the first issue and the overall premise…I haven’t read the previous issue yet, and here’s the next, so…we’ll see.

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From the quarter-bin, I snagged a mere 4 issues this week. I believe I’m now just missing Hulk 2099 #1 to have a full set of the main 2099 #1s from the quarter bins. I snagged the Wolverine and the X-Men Annual cuz hey…25-cents for the digital code!

I’m all about seeing as many digital codes as I can NOT go to waste…and snagging issues like this then make future 99-cent Comixology sales that much more likely to hook me, as it’s that many fewer issues to buy, and at 25 cents rather than “even” 99 cents.

Justice League: War

justiceleaguewarboxcover_0206I (finally) read the entire Justice League: Origin 6-parter a few months ago, having taken advantage of one of Comixology‘s 99-cent sales. I don’t recall right now if I’d originally stuck with the book for 3 issues, or 4..but I know that I “let it go” before the arc was done, as I was bored with it and it seemed more flash than substance. Sure, it was pretty to look at for the most part, but the story was just lacking, and not up my alley of preference.

I’d like to think that I approached this film with little expectation and an open mind, but so recently off the JLA Adventures: Trapped in Time thing, biased against anything seeming truly long-term in the New 52 comics, and not particularly ENJOYING the comics this is based on I think I was predisposed to dislike Justice League: War.

Visually, with the animation, I liked this a good deal better than Trapped in Time. In particular, something about this Superman worked better for me than a lot of previous animated versions, though I could certainly do without the “collar.” Granted, I’ll take the collar over nearly-bare-shoulders and a sagging cape, gladly!

Nothing with the animation–in and of itself–ever grabbed my attention positive or negative. Which, technically, is a positive in my eyes. It just is what it is…neither calling attention to itself for revolutionarily spectacular style or effects nor being “off” in such a way that I noticed it or had a problem with it.

I’m far more used to Batman’s costume changing through the years, and am less familiar in general with the other characters’ costume specifics to have any particular opinion there. Superman’s costume worked well for me (or as well as it can)…I don’t mind the loss of the “trunks” and the darker blue to the suit is fairly subtle and doesn’t bother me, either.

My problems with this film come with the story…or as I felt, its lack thereof. This seemed to be little but one fight scene after another, alternating between hero-versus-hero, heroes-versus-generic-bad-guys and heroes-versus-boss-bad-guy. Basically, this might as well have been a video game, punctuated here or there with a few moments of mandated pre-provided plot.

While I “get” that these aren’t “my” versions of the characters–this IS based on the New 52, after all–there’s a certain “heart” missing from all of the characters in this. None of the heroes have any qualms about wading in to the slaughter of the parademons–there’s no hesitation, no questioning if they’re alive or should be rounded up rather than killed–by ANY of the characters. There’s also the admittedly nitpicky aspect of Shazam cursing (an obvious huge step away from the “holey moley!” exclamations often attributed to the character)…this was (for me) the most bothersome of the subtle things in this film.

Aside from a few touches of humanity–Batman and Superman acknowledging Clark and Bruce; Vic/Cyborg and Shazam/Billy’s secret; Batman sharing his identity with Green Lantern come to mind–these came off as two-dimensional archetypes rather than characters to actually care about. We’re just outside witnesses to the events that unfold, albeit with front-row seating. We don’t get into any of the characters’ heads, we get only–at best–hints to their pasts, we don’t actually see anything “personal” with them or any supporting cast/characters.

I didn’t note any of the voice actors going in, so rather than hearing so-and-so AS _______, I simply heard the characters speaking. By the end credits I realized Alan Tudyk voiced Superman, and having recently been on a Firefly/Serenity kick, that was a welcome surprise. (Of course, as said earlier: there’s not enough to the characters to really care, or for me to really get to where I’d recognize a single voice I’ve not previously associated with the animated character). All the voices seemed to work, none of them gave me any pause to hear THAT voice coming from the given character.

The extras aren’t particularly impressive. I always watch the featurettes as I’m interested in the content and refuse to watch video interviews online, and tend to find these of a higher production value than “just” some quick interview video posted online.

The Jim Lee featurettes seem just a “love fest” to Jim Lee. I would have preferred more of a documentary feature on the history of the Justice League and its varied incarnations through the years–from the original mash-up of “let’s throw all our characters into one book!” to the late-’80s “Bwa-ha-ha” and the ’97 Morrison “Big Seven” through Meltzer‘s Identity Crisis and post-Infinite Crisis reboot on to the current New 52 stuff.

I bought my copy from Best Buy specifically for the Superman figurine. I already had several figurines from previous releases and had missed a Superman one several years ago, so paying the $2 above Target and Walmart‘s $18ish opening-week price didn’t bother me on that end. That the film failed to truly entertain or really hold my interest is a sincere disappointment. Having now experienced this one for myself, I’m quite hesitant at the thought of any future Justice League New 52 films (such as one hinted at by a scene in the end credits).

All in all, if you already know these characters, if you like the New 52 incarnations of ’em and don’t mind the film’s “assumption” THAT you already know the characters (and want almost all-action and virtually no character development), you’ll probably dig this film. Alternatively, if you prefer deeper stories and well-rounded characters/character-interactions and the like, you’re about as well off here as you’d be watching friends play a videogame.

If anything, I’d recommend (if possible) a Redbox rental, and then if you happen to enjoy this, consider a purchase at that point.

justiceleaguewarwithfigurine

JLA Adventures: Trapped in Time [Review]

jlaadventurestrappedintimedvd_0129While I’m not thrilled at the idea of the “classic” (for me, this means 1986-2011) DC stories being scrapped in favor of New-52-centric stories being adapted for DC‘s line of direct-to-home-media release, I’ve been looking forward to Justice League: War for awhile, if only just to see how they adapt the story to the screen, given it seemed like basically a lengthy fight scene to me when I read it.

There was no Fall 2013 new release (instead, we got a “special edition” that combined Dark Knight Returns parts 1 & 2 into a single feature)…so I’ve been looking forward to the next NEW film for quite awhile.

Imagine, then, my surprise when I came across JLA Adventures: Trapped in Time while browsing a Target Sunday evening. At first I mistook it for another Superfriends release, yet it had the “classic” JLA logo I’m familiar with from the ’90s/early-2000s, so it got my curiosity up. Target‘s had that “exclusive” line of DC figures under the Justice League branding; so I may have partially wondered if this was a new line of “re-presenting” Superfriends episodes through Target.

But according to the box, it was an original animated movie, albeit Target-exclusive. I wrestled with leaving it–after all, I’d NOT been looking forward to THIS one, and I’ve never been a fan of the Superfriends stuff, so I put it back. Then I picked it up again. And ultimately bought it along with my groceries and such.

In broad strokes, this reminded me of those mini comics that came in boxes of cereal several years back…fun enough, familiar-looking characters, passable stuff that’s fun as something different, but by no means anything special.

I liked the animation well enough…it wasn’t anything phenomenal, but it wasn’t terrible. My primary “issue” with the animation has to do with the character designs themselves–what fault I may have found with the animation probably comes more from this aspect.

The costumes are a blend of preNew 52 and current…Superman’s lacks the ugly collar-and-armor look BUT has the red belt in place of the trunks. Truthfully–I have no issue here as I don’t know if I would have noticed if I’d not been looking for it.

Bizarro and Cheetah looked “off” a bit, while Black Manta, Grodd, and others looked ok enough. Luthor looks like a sleeker, higher quality rendition of something pre-1986 to me, or at least what I unconsciously associate with that earlier period.

Story-wise, this is fairly typical fare for superhero shenanigans. Heroes beat the villains, villains use time-travel to change a key moment in history and thus undo the heroes; “b-list” heroes not affected by the time change (um…wibbly-wobbly, time-wimey stuff) must emerge and put things right.

The use of the Time Trapper here is probably the most accessible version I’ve encountered of the character. Rather than being a known villain of the Legion of Super-Heroes or such, he’s just an entity released from an artifact in the LoS’ museum a la a genie from a bottle. Granted, this makes him/it more of a plot point than any sort of character with any depth, it works for the story. I’m sure my own lack of experience with the Legion–they’re a definite blind spot in my experiential DC knowledge–lends itself to my ready acceptance of this interpretation of the character, where those far more familiar with Legion stuff may well take issue with it.

I didn’t recognize any of the voice actors offhand…but this honestly doesn’t bother me at all. Perhaps largely for not even expecting this movie and having no vested interest in its particular version of the characters (it’s not based on/adapting anything I’m familiar with specifically nor is it a continuation of the ’90s Batman, Superman, or Justice League/Justice League Unlimited animated series or previous direct-to-home-media film).

Since I’m not expecting the “traditional” voice actors for Superman, Batman, or Luthor and had no expectations for any of the other characters, I took stuff at “face value,” wherein all voices fit if only for the fact that none of them particularly DIDN’T fit; no one “sounded weird” to me or had odd voices coming from an otherwise familiar appearance.

In the end, this is–to me–a rather mediocre thing, though. It’s not bad, but it’s not wonderful. Ultimately it’s rather forgettable. JLA Adventures: Trapped in Time is enjoyable in the moment, having watched it…but on the whole it doesn’t strike me as anything worth rushing out to buy. A rental would be an adequate way of scratching any “curiosity itch” one has regarding this for now.

Checking Out Superman/Wonder Woman

supermanwonderwomanissue03It’s kinda interesting at times, the way I’ll “bargain” or “make deals” with myself. Such as recently at JC’s in the Falls. I walked in looking for Amazing X-Men #2 and some 25-cent comics. Happened to see Superman/Wonder Woman #3. Remembered Michael Bailey posting something on facebook recently about it being a good title (in such a way that–to me–served as an endorsement if not outright or personal recommendation).

So I made a deal: ok, if BOTH issues 1 AND 2 are ALSO in-stock, withOUT my having to ask about ’em, I’ll give the series a try. And sure enough, both were, and so I did.

I’m pleasantly surprised. I don’t know how long I’ll stick around–I enjoyed reading these first three issues, having ALL THREE to read AT ONCE. But I certainly enjoyed even just the first issue a lot more than I did Batman/Superman #1. I can tell this is rooted within generalized current continuity, and I feel like I’m getting enough from what I’m reading to not be concerned about tracking down other issues.

I don’t feel lost or left out, I don’t feel like I’m missing out on something for lack of internet “research” or such. I’m just getting…a story.

And after all those Villains Month issues back in September?

Throw Doomsday and Zod into the mix, and not seem gratuitous or watered-down? Yeah, ok, Mr. Soule…you’ve got my attention.

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Ending the Year: A Quarter-Century Collection Unified

shelf00For the first time in several years, I actually have my comics “library” whole, in one space (outside of some Walking Dead books out “on loan” at the moment). I’ve attempted to arrange the collection in a number of ways over the years, but keep changing stuff here and there. This latest “reunification” was no exception.

Previously, I’d had my Marvel Oversized Hardcovers grouped together, separate from the “regular size” hardcovers and premiere edition hardcovers and paperbacks. Several months back when I reorganized my “last 2+ years” shelves I didn’t do that separation, and decided I liked having stuff together like this more than the sleek look of all the hardcovers lined up together.

I went with a quasi-alphabetical scheme, “grouping” stuff like Avengers, Captain America, Essentials, Spider-Man, Ultimate Universe, X-Men, and such with other stuff peppered throughout. Within these groups I put stuff mainly in story order or in the case of numbered volumes, numerical order with the entire cluster roughly where they’d begin in-story (with a few exceptions for appearances).

And now, showing off the collection in detail!

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Annihilation, Avengers, and Captain America. While I consider AvX more an X-story, the prominent titles on the spines and the AvX logo just made it totally fit better with the Avengers stuff, and keep my head from exploding at putting big A volumes in with the Xs…

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I decided to put my Essentials in the E range, as the word Essential is so prominent on the bulk of my editions (notice that it’s hardly noticeable on the third Classic X-Men volume/current trade dress, instead more closely resembling the Omnibus styleage. (Over on the DC side the Showcase Presents volumes are grouped by character as the “Showcase Presents” is rather small and the character/title far more prominent.)

shelf03

The Heroes Reborn and Infinity Gauntlet/etc. stuff are some of my favorite volumes and I wanted them together, so let the Hulk stuff jump the alphabet slightly (with the added excuse that Incredible DOES come before Infinity).I still am missing Infinity Crusade vol. 2, and intend to snag the new edition of Infinity Abyss soon, and likely Infinity next year sometime. As my only real Silver Surfer volume, the Rebirth of Thanos is shelved here as it was a definite prelude to Infinity Gauntlet, and the Thanos – Marvel Universe: The End is here as well as a continuation of the Thanos/Infinity stuff.

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My Spider-Man and Thor collections are relatively small. Spider-Man’s basically all from bargain bins. The oversized Ultimate Spider-Man and Ultimates collections are some of the more “premium” books in my collection. Ultimate Spider-Man vol. 1 and Ultimate Marvel Team-Up were–I believe–my first two Marvel hardcovers. Pretty high on my list to track down yet are Ultimate Spider-Man vols. 6 through 9 and the Death of Spider-Man Omnibus.

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The X-Men have largely dominated my hardcovers…the Grant Morrison New X-Men books starting things off; a bargain bin for Supernovas and Rise/Fall of the Shi’Ar Empire continuing things, and the “premium” Messiah Complex/Messiah War/Second Coming ‘trilogy’. Bargains yielded Fall of the Mutants, Mutant Massacre, X-Tinction Agenda and X-Cutioner’s Song; and I’ve had my eye on the Age of Apocalypse Omnibus and believe there’s an Age of Apocalypse Companion coming out next year, both of which would be cool to have, though likely a bit less physically readable than the five-volume paperback series.

shelf06

Stuff like Rogue, Longshot, and Magik (with only 1-2 volumes) got shelved elsewhere; but “general X-related” and Wolverine stuff fell here to be WITH the X-Men stuff, if a bit out of alphabetical order. Due to their size, the various digest-sized stuff got grouped here rather than get lost amidst the full-size/oversized volumes. I put the Crossgen books here as well since they’re now under Disney WITH Marvel; and size-wise they’re a good fit.

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And for the first time since returning to active publication, I finally have all my TMNT stuff together and all my Valiant stuff together.

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My Superman collection has continued to expand. While I could replace the Death/Funeral/Return of Superman volumes with the Omnibus…these paperbacks are my original editions from 1992-1993, so they remain with the 2013 Omnibus. I’m yet a couple volumes behind on the Man of Steel paperbacks, and there are a number of Silver/Bronze Age themed collections that I don’t have yet.

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With a bit of spillover from the Superman shelf, the bulk of the Batman stuff fits just below. I’ve had eyes on the newer Knightfall volumes, and do want to get those eventually, as they’re far superior to these original 3 editions (though vols. 1-3 are each from different printings/trade dresses prior). I’ve also had my eye on the new printings of No Man’s Land.

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Green Arrow and Green Lantern have always been a good fit together; especially as I’ve so few GA as to be negligible compared to the GL books. I need to catch  up on the first couple Green Lantern hardcovers in the New 52, plus the Wrath of the First Lantern and The End, (and perhaps paperbacks for GL Corps to that point) but I think I’m almost ready to close out my keeping up with having the entirety of the Johns GL saga/”era”…whether or not I track down any of the tie-in Blackest Night volumes I don’t yet have. For lack of better placement and keeping a few inches to ‘grow’ I also shelved Astro City here. I believe I’m missing a single volume from having the complete run in one edition or another, outside of any collected volumes of the current Vertigo incarnation.

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My ‘general DC’ stuff is a bit less organized; more a clustering. Somewhat alphabetical, but then I grouped the big events: Crisis on Infinite Earths, Zero Hour, Identity Crisis, Infinite Crisis, 52, Final Crisis, and Flashpoint. The Shazam books got stuck right after Flashpoint as a couple volumes are in the Superman books, and I didn’t get really “into” Shazam until the New 52 volume came out.

shelf12

Hellblazer, Sandman, and Y: The Last Man headline my Vertigo shelf. I do want to “upgrade” my Hellblazer volumes to the newer printings for the early stuff, except I think vol. 2 is already out of print while 1 and 3-5 may not be? I may also “downgrade” the All His Engines to the softcover just to “fit in” more. I’m looking at doing the same with the Sandman: Endless Nights volume. Watchmen sits alone without any Before Watchmen as it’s physically smaller and if I’m to ‘buy into” the Before Watchmen stuff, I want it to physically match with the original.

shelf13

I’m still missing a volume of Preacher, and am not happy that to get it I’ll likely have to get the new trade dress that may have some overlap due to the volumes’ issue counts being messed with. Alternatively I’ve considered just revisiting the series with the newest editions that seem likely to be fewer volumes but thicker all the way through. For lack of other placement, the zombies fit nicely here, as does my GI Joe.

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Since reading the novelizations of the comics in the ’90s, I’ve been quite a fan of Dark Horse‘s Aliens stuff…and the novelizations continued into the AvP stuff…so by extension I’m a fan of their Omnibus series, and hope to expand it, at least on the Aliens side. I then have other misc. Image and Image-type stuff, and while Marvel published the Ender’s stuff, that’s it’s own thing, so fell here.

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My DIsney, Archie, Usagi, and Bone stuff wound up down here, followed by Highlander and a true “mixture” of remaining stuff. Having the Death and Life of Superman novel (anniversary edition) on the shelf next to the hardcover didn’t work for me, but I’ve got both because of extra material in the paperback, so it’s relegated here. Several other volumes wound up here that I’m hanging onto but don’t otherwise fit with what they ought to, for me.

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Finally, my comics “reference” and novels wound up on the top of the bookcase. Thus they reside with the comics stuff, but there wasn’t otherwise room to give them their own shelf with the current arrangement.

While going through the entire collection, I did do a bit of “weeding,” pulling a number of volumes I’ve grabbed off $1 tables and such; or that I got years ago when I thought I just wanted “more volumes” “in the collection.” I’ll probably wind up “weeding out” some of the Essentials volumes.

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…and here again is the entire collection as “presented” last Friday, now with the closer-up shelf-by-shelf detail above.

21 Years Since the Death of Superman

superman075It was 21 years ago today (November 19, 1992) that Superman #75 was officially released.

Unrelatedly, I’d gotten sick at school, so didn’t get to go to the comic shop myself. HOWEVER, Dad went to the comic shop for me and picked it up (along with the previous few weeks’ issues). We both read the entire “Death of Superman” story that evening in the living room–I’d finish an issue and pass it to dad and he’d read. Started a couple-month thing, those weekly visits to the comic shop; getting the newest Superman comic; I’d read it, and he’d later read it.

Offhand, that day and the few weeks after while the Funeral for a Friend issues were coming out are the only time in my life I remember having that exact sort of shared experience, and it’s amazing what something like that can mean, looking back.

He’s always humoured me, with comics; and been quite the “enabler” through the years. But getting to share the actual reading experience of specific comics “in the now” like that stands out as a great childhood memory; and is something that–should I ever have any kids of my own–I would hope that I get to share with them.

The ’90s Revisited: Action Comics Annual #4

actioncomicsannual004Eclipso: The Darkness Within / Living Daylights

Written by: Dan Vado
Pencilled by: Chris Wozniak
Inked by: Karl Altstaetter, Trevor Scott, Karl Kesel, Steve Mitchell
Lettered by: Albert De Guzman
Colored by: Matt Hollingsworth
Assistant Edited by: Dan Thorslan
Edited by: Mike Carlin
Cover by: Joe Quesada and Jimmy Palmiotti
Published by: DC Comics
Cover Price: $2.50

Offhand, this issue is my earliest memory of the Captain Marvel character. If I was “aware of” him prior, it’s not a conscious memory. I wanted to re-read this issue given my recent foray (October 2013) into the Shazam/Captain Marvel character, as well as for the nostalgia. That, and while not from the 1970s or 1980s, I would have pegged this as a perfect issue for the Superman vs. Shazam collection…and this is certainly the issue that I think of when I think of the two characters fighting.

The issue’s cover is fairly iconic for me, showing an Eclipsed Superman struggling with Captain Marvel, captioned The Evil of Eclipso vs. the Power of Shazam! It’s rather interesting to realize the cover is by Joe Quesada and Jimmy Palmiotti, given Quesada‘s eventual and current involvement with Marvel. The 11-year-old Me certainly had found it engaging, igniting curiosity as to the Eclipsed Superman and who this other guy was that he was fighting.

The interior art, while not nearly as thrilling, gets the job done. Particularly on this re-read, I was more interested in the characters and interactions than the actual art, though nothing about it particularly screamed “go find more that matches this art!” Given this is an extra-sized issue produced simultaneous with the weekly ongoing saga in the main Superman books, and is from 21 years ago, it’s not a great concern and largely gets a pass as such.

The story itself is a bit mixed. On one hand, I’ve read this before, I know the overall bit of the Eclipso: The Darkness Within ‘event’ and where things go; I have a fuller context all these years later of the characters, situations, and so on, so it’s hardly as engaging as it was originally.

The story picks up with a town having been captured by Eclipso, and the heroes are unable to reclaim it. The only condition by which he’ll relinquish his hold is in trade for Superman’s body–which he has, thus far, been unable to possess. Given this is Superman, of course he agrees–willing to sacrifice himself for the good of others (regardless of all the potential harm that could be done by Eclipso controlling his body and powers). While he makes the deal with Eclipso, the other heroes begin a plan to combat an Eclipsed Superman, which involves bringing in Captain Marvel–the only one to truly have a chance of going toe to toe with the Man of Steel.

The story itself isn’t terribly deep…though it does provide reasonable motivation for what occurs…stuff doesn’t come outta nowhere (such as Captain Marvel just happening to “fly by” at the exact moment he’s needed…he actually has to be called in). We have broad, ongoing plot points of the Eclipso: The Darkness Within story in general, and this feels much more like a key point in the event rather than “just” the “encounter of the week” with a Black Diamond.

I actually paid $4 for this copy of the issue, for the immediate gratification of getting to re-read the thing without having to dig through umpteen longboxes or quintuple the issue’s cost paying for shipping, etc. Despite paying that kind of money for a 21-year-old comic that typically oughtta be 25 or 50 cent-bin fodder, it was worth it for the reading experience…especially given the cost matched virtually any current Marvel, many current DC, and anything presently on my pull list–yet this issue has more than twice the content of a current series (in some cases, nearly 3 times the content!).

If you can find this in a bargain bin or just have an interest in Superman and Captain Marvel/Shazam fighting, this is definitely a worthwhile issue. Ditto if you’re looking for just a handful of the Eclipso Annuals from 1992.

Superman: Dark Knight Over Metropolis (TPB) [Review]

supermandarkknightovermetropolistpbWriters: John Byrne, Dan Jurgens, Roger Stern, Jerry Ordway
Artists: Art Adams, Dick Giordano, Dan Jurgens, “Sludd” Giordano, Brett Breeding, Bob McLeod, Jerry Ordway, Dennis Janke, Kerry Gammill, John Kalisz
Reprints: Action Comics Annual #1, Adventures of Superman #466-467, Action Comics #653-654, Superman #44
Published by: DC Comics
Cover Price: $14.99

The Action Comics annual, while not bad, isn’t at all my favorite Superman/Batman story. It’s certainly an apt inclusion, being one of the earliest team-ups of the characters…I just don’t care for the vampires thing, and given the volume’s title and the “main” story of the volume, I was eager to get to that rather so quickly waded through the Annual.

Adventures of Superman #466 was the first appearance of Hank Henshaw, and a definite “nod” to Marvel‘s Fantastic Four, albeit with a much more tragic outcome. Three men and a woman are exposed to “cosmic radiation” and crash back to Earth, finding themselves changed–one into energy, one into a monstrous construct of shrapnel, rocks, and branches; one fading out of our plane of existence, one being eaten away by radiation that baffles even his intellect. This is a nice “one-shot” sort of issue, introducing the characters and seeing their apparent end all in one go…though Hank Henshaw would eventually return in Reign of the Supermen/The Return of Superman and go on to be a fairly recurring character throughout the 1990s’ Superman books. Though I can’t be certain of its accuracy, I seem to have a fond memory of having read this issue while it was still new, long before ever being referred back to it during Reign of the Supermen.

I can’t really put my finger on why this issue was included here except that it came out about the same time as the others and so perhaps “adds context,” but as a Superman/Batman-themed volume focusing on the characters’ early interactions, I really would have preferred to see Man of Steel #3 (One Night in Gotham City) included here (the issue/story is even referenced by the Action Comics annual!).

Action Comics #653 serves as a nice prologue to the “main event” of the volume, giving us the key point of the Kryptonite ring having been removed from Luthor’s possession, and how it winds up able to make its way to Gotham City.

Finally, we get to the three issues that are the actual Dark Knight over Metropolis story. Here, Batman comes across a radioactive ring that he traces back to Metropolis. Of course, Metropolis “belonging” to Superman, the two cross paths, and have to work together to uncover the source of the ring and deal with a threat from Intergang. At the story’s end, we see that although their methods differ, Superman realizes that he and Batman are truly on the same side with the same ultimate goals, and we get the key scene that would have ramifications for a decade or more in the DC Universe as Superman gives Batman the means to stop him should the need ever arise.

Overall–on all the issues–the story and art work well together. I can definitely tell these are from the late 1980s/early-1990s, though, visually…both stylistically (square, neat panels, virtually no full-splash-pages, no double-page spreads, etc) as well as the coloring…while the paper itself for this volume are not newsprint, some pages I could practically feel the newsprint, and some of the coloration “dots” are visible in panels from the original printing process.

The look and feel of this volume brings back fond memories for me, as–while different artists had different ways of depicting the characters–the whole seems consistent with nothing outlandish or particularly “off,” and I really had no complaints.

The stories as well are a nice blast from the past…and as I read this, I realized I may not actually have read all of these before this iteration, so it’s nice to know absolutely for certain that I’ve now read this story for myself as opposed to simply knowing it by references TO the story.

This is probably one of the most “bare-bones” volumes I’ve noticed as such in awhile…I was surprised to get to the end, and there aren’t even any ad pages or lists of OTHER Superman or Batman volumes that I usually ‘expect’ to see. Additionally, there’s no table of contents, introduction or anything…not terribly surprising since the “specialness” of collected volumes has gone away, though for such a specific story I’d almost expect some “extra” stuff to be included (since this isn’t “just” “the next” volume to contain several issues in a series).

All told, though…it’s quite gratifying that this volume now exists, and it’s well worthwhile for anyone interested in a quality glimpse into “early” Superman/Batman interaction from the post-Crisis on Infinite Earths DC Universe. This is a standard-size TPB, with the “standard” $14.99 cover price that one would expect for a 6-7 issue volume. In an age of collected volumes increasingly reflecting a greater-than-$3.99-per-issue price, this is a more than fair price point. I already own all of the single issues, and would really consider them to be quarter-bin/50-cent-bin issues, yet I still bought this, and consider it a very worthwhile purchase!