Full review posted to comixtreme.com.
Story: 2.5/5
Art: 2.5/5
Overall: 2.5/5
Filed under: cxPulp.com, DC, DC Universe, Superman: World of New Krypton | Tagged: Adam Strange, Blond, Brad Anderson, DC, DC Comics, Gary Frank, Greg Rucka, James Robinson, Krypton, Matt Idelson, Nei Ruffino, New Krypton, Pete Woods, Ron Randall, Steve Wands, Superman, Wil Moss, World Against Superman, World of New Krypton | Leave a comment »
Full review posted to comixtreme.com.
Story: 3/5
Art: 3/5
Overall: 3/5
Filed under: cxPulp.com, DC, DC Universe, Superman: World of New Krypton | Tagged: Adam Strange, Comic Reviews, cxPulp.com, DC, DC Comics, Greg Rucka, James Robinson, Krypton, Matt Idelson, Nei Ruffino, New Krypton, Pete Woods, Ron Randall, Superman, Superman: World of New Krypton, Wil Moss, World Against Superman, World of New Krypton | Leave a comment »
Due to hitting the busy season at work, I basically took a week off from reviewing. With the Thanksgiving holiday, I’ve had a chance to catch up a bit. As usual, these are mini/”capsule” reviews of books I picked up but am not writing out a full review for. This post is double-sized due to covering TWO weeks’ worth of books.
Teenage Mutant Ninja Turtles Color Special #1
This issue’s a real treat. For the same price as a black-and-white issue of Tales of the TMNT, the issue is full-color. Best of all, it’s the classic #1 issue, now in color for the first time as a comic. (It’s been colorized at least once before, in the First graphic novel Teenage Mutant Ninja Turtles Book I). The coloring looks quite natural, and it would have been awesome to see the original series re-issued in color…or at least, the first ten issues, the one-shots for each turtle, and Return to New York. For that matter, City at War as well. As-is, at the very least, this is a nice version of #1 to add to one’s collection without breaking the bank. Highly recommended for any TMNT fan, or anyone curious as to how the turtles’ story got started.
Deadpool: Merc With a Mouth #5
This issue continues the story of Deadpool, Zombie-head Deadpool and Dr. Betty facing Hydra agents trying to kill them to get the head themselves. A bit of cheesecake art to the issue, but that can be overlooked for an excellent scene in which Deadpool and Bill (not Bob–he insists he’s Bill, though Deadpool can’t seem to really tell the difference from his old buddy) have an exchange over the Star Wars series of movies. Suffice to say that reading this, one knows exactly where Deadpool stands regarding the trilogies. Overall another fun issue. I’m pretty sure the story wraps with issue 6, so at this point if you aren’t already following the book or able to get the first few issues, you’re probably just as well to wait for a collected edition. The story so far definitely seems well worthwhile for Deadpool fans, whichever way the story’s read.
Supergirl #47
This issue provides a good deal of backstory to Alura, and her courtship by Zor-El. We also see the character FINALLY acting out of real motivation that can be understood, instead of just coming off as a near-villainous witch of a character. Reactron is put on trial, and Alura is determined that he will be tried justly and not simply killed out of vengeance-seeking. Unfortunately, her fellow New Kryptonians don’t all share the sentiment, leading to some interesting character development. Though Supergirl is present in these pages, this is very much Alura’s story, with her daughter playing a minor role. The end of the issue has an interesting (in a way) revelation that does seem par for the course. Not a bad issue, but not wonderful. If you’re already following the title and/or the over-arching story in the Super-books, this’ll be just fine. It’s not really an issue to entice new readers, I don’t think. Not sure if it’s significant or just an oversight on someone’s part, but the cover lacks the “World Against Superman” banner the titles have been carrying lately, though this retains the red-shield numbering begun with August’s Codename: Patriot arc.
Flash: Rebirth #5
I’m pretty sure this started out as a 5-issue mini-series…I recall it seeming slightly “off” as I recalled Green Lantern: Rebirth being 6, and thinking the two ought to be pretty much the same length. This issue sees all the various speedsters team up, as well as a development that presumably “solves” whatever issue it was Wally’s kids were having with their powers…and we seem to have a new Impulse (given Bart gave up the identity to become Kid Flash back in 2003). This continues the “legacy” aspect of the Flash line. There’s a revelation that affects Barry’s past…as well as a very specific threat to his past. This is a sorta interesting issue, but on the whole, continues to be more “miss” than “hit” for me. GL: Rebirth dispelled my unease toward returning a long-dead character to an old status quo and really set up a great new status quo that worked everyone into the mix. This Flash: Rebirth has not at all sold me on any “WHY” Barry needs to be back, and simply puts things logically into place to ALLOW for the character being back, and incorporating pretty much everything else involving the Flash family of characters. Recommended if you’ve already invested in the first 4 issues of the series.
Uncle Scrooge #385
It’s great to be able to pick up this series now. I’d bought maybe 3 issues several years ago while it was being put out by Gemstone, but simply could not justify the $8 per issue, even if it was squarebound and double-ish-sized. This issue is fairly low-key, picking up from the previous issue. Scrooge, Donald, and the nephews continue to deal with Magica as she tries for Scrooge’s Number One Dime. Once things are wrapped up at the mine, Scrooge & Co. wind up looking for sunken treasure, and dealing with Magica AND the Beagle Boys. While not the greatest of comics, this is still a good, fun issue, and well worth getting if you’ve any interest in these characters.
Archie #603
The “Wedding Story” has taken a twist I didn’t expect: rather than being a 6-part exploration of Archie marrying Veronica, after 3 issues of that the story has switched to give us the story of what would happen if Archie married Betty instead. I’m really enjoying this “longform” story that not only takes more than a page to tell, but multiple issues. I’ve picked up the occasional Archie book through the years…but with stories like this, I might just stick around on a monthly basis.
Superman #694
This issue sees Mon-El’s “official” return to action as he re-reveals himself to the people who’ve thought him dead for awhile. This also debuts the “new” costume…which honestly seems a non-issue to me, despite the big deal being made of it. On the whole, it looks to me like the only difference is that Mon-El is now sporting a small “S-shield,” as he’s holding Superman’s place…and Blue shorts to contrast with the red costume (sort of a reverse-Superman color scheme). Probably the best part of the issue is the interaction with Connor and Ma, showing that Mon has a place within the Superman family of characters.
Image United #1
I have mixed feelings on this book. For one thing, something of this scale ought to have a huge multi-panel fold-out cover, such that all the primary characters are spotlighted…instead of one having to choose one of six segments of the picture as the cover to purchase. I chose the Savage Dragon segment, that character long being one of my favorite characters that I rarely read, though the Spawn cover was cool, too. The “jam session” of having each character’s creator doing that character’s visuals is a very cool thing, and a different take on doing a crossover project. The story itself seems to be a slow build and full of little but action (presumably to show off the blending of the different art styles). Being familiar with these characters for the past 16-17 years, the blended style worked well, and nothing really seemed all that jarring. Since this will surely be collected into a single volume eventually and my proclivity toward this type of variant/alternate covers…I’ll probably pass on the subsequent issues and snag the collected volume when that comes out, if I still have enough interest.
Son of Marvel Reading Chronology
This is one of those freebies that Marvel puts out on occasion, to try to hook one on buying more product. While I prefer the “Saga” issues (they’re free, and take far, far longer to read than any other single comics, and fill me in on stuff so I know what’s up overall without having to keep up on Marvel’s output in general), this guide is rather informative, showing what volumes are out there, in-print…and what they collect. As well as, of course, the order to read them for a chronological reading experience in-continuity. If nothing else, this has informed me that there are currently 10 hardcovers collecting Ultimate Spider-Man, so I know there are only 5 left that I want to try to track down. This is definitely a worthwhile guide if you can find it and not have to pay for it…or at least, please don’t pay much for it, as It is SUPPOSED to be FREE.
Filed under: The Rest of the Stack | Tagged: archie, Archie Marries Betty, Betty, DC, DC Comics, Deadpool, donald duck, Flash, Flash: Rebirth, Image United, MARVEL, Marvel Comics, Marvel Reading Chronology, Merc With a Mouth, Mirage, Mirage Publishing, Mon-El, Savage Dragon, Scrooge McDuck, Son of Marvel Reading Chronology, Supergirl, Superman, Teenage Mutant Ninja Turtles, TMNT, Uncle Scrooge, Valor, Veronica | Leave a comment »
Mild-Mannered Reporter
Writer: Geoff Johns
Penciller: Gary Frank
Inker: Jon Sibal
Colorist: Brad Anderson
Letterer: Steve Wands
Assoc. Editor: Wil Moss
Editor: Matt Idelson
Covers: Frank w/ Anderson
Publisher: DC Comics
While I generally enjoy stuff Johns does, my feelings toward this series have been trending toward the negative. Initially, I thought it was sorta cool that elements from the various versions of Superman were being incorporated into this. But as this series has progressed and I consider it further, it seems more of an amalgamation than something definitive. It’s like a “PC” version of Superman intended to offer these little bones to as many readers as possible, without giving any one group a clear Superman.
This issue picks up with Clark’s (or should I say Kal’s?) early days in Metropolis, with a sinking Daily Planet where he’s been hired to replace someone else. From the country-boy-in-the-city bit to getting his briefcase stuck in the door to sliding into the parasitic elevator man, this is a Clark Kent far too much like the silver age “Clark-is-the-mask” persona put forth than I care for. There’s also a distinct feeling of Christopher Reeve’s presence here…it’s easy to hear his voice in the character.
Arriving in the office itself of the Daily Planet, Clark meets Jimmy, Ron, Steve, Perry, and of course Lois. Cat Grant is present, looking very much like she does in the current “present-day” story, which seems to do away with all the great characterization from her introduction through the mid/late 1990s–as if that version of the character never even existed.
Lois takes to clark just fine from the get-go…just another reporter for her to break in. The two head to a Lexcorp technology demonstration, where Lois uses Clark as “bait” to distract the guards while she slips by (apparently anyone from the Daily Planet are expressly not welcome around Lexcorp). Lois winds up falling of the building in an attempt to avoid getting squished by a helicopter that malfunctions, leading to a duplication of that scene from 1978’s Superman film in which Superman arrives on the scene, catching the falling Lois and a helicopter as his first public act. (Though people surrounding him and Lois demanding favors and askins salvation is kept, to give him something to go home and think about).
The art, truly, is the best part of this book. It’s just a bit much, though, that it’s so easy to see Christopher Reeve…that’s the primary problem I have with the visuals. It’s not that one shouldn’t be able to see Reeve, but that this Superman is then tied to that vision of the character, anchored in a past rather than freed to grow into the future.
The writing in and of itself is not bad, by any means. Johns certainly knows his stuff, working in subtle elements of the various Superman origins/backstory through the years–the films, the silver age comics, Byrne’s revamp, and presumably a bit of Birthright and Smallville (though if so, the latter two are over my head at present). It’s great that recognition is given to all the different visions…but it’d be better if there’s just one definitive version, rather than this bastardization of so many takes on the character.
Ultimately, this is a good issue in and of itself…just that the reworking of the character to bring so much of the silver age and films into the comics seem to rob the character of so much development that was accomplished over the past 20-some years.
Story: 7/10
Art: 9/10
Whole: 8/10
Filed under: Comic Reviews 2009, DC, DC Universe, Superman: Secret Origin | Tagged: Brad Anderson, Clark Kent, Comic Reviews, DC, DC Comics, Gary Frank, Geoff Johns, Jon Sibal, Matt Idelson, Metropolis, Mild-Mannered Reporter, Secret Origin, Steve Wands, Superman, Superman: Secret Origin, Wil Moss | 1 Comment »
Night of the Cure
Story, Art & Cover: Scott Kolins
Letters: Sal Cipriano
Colors: Michael Atiyeh
Associate Editor: Adam Schlagman
Editor: Eddie Berganza
Publisher: DC Comics
There’s not really a whole lot to this issue, when you get right down to it. Black ring commands Solomon Grundy to Rise; Grundy goes off to kill. Meanwhile, Kirk Langstrom is yet again fighting the whole Manbat thing, and has a run in with Bizarro. And by issue’s end, they’re both facing Black Lantern Solomon Grundy.
Needless to say, I’m not too fond of this issue. Kolins’ art isn’t bad…it’s got a distinctive style that I like for the most part. Plus, I’ve gotten used to Bizarro’s appearance coming off differently with practically every artist who does the character lately. So no real complaint with the visuals.
The story itself, though just doesn’t do anything for me. I’m rather tired of the over-use of Bizarro the last few years; I’ve never been particularly fond of the character, and especially not when he/it shows up every other month or so. The Manbat bit is also rather tiresome and seems like any other Manbat story I can think of; there’s nothing new added to my understanding of the character, and nothing to show the character has moved forward at all; just the standard “every knows this basic original status quo” sort of take on the character, as I read this. Solomon Grundy being chosen by the Black Ring makes sense–he dies and comes back to ‘life’ all the time, so is one of the major offenders of Death.
As an issue of Superman/Batman, this issue is certainly mistitled: neither Superman nor Batman make any appearance here. The logo on the cover is more Manbat-ish and the S is backwards to represent Bizarro, so that part at least shows the difference…but this seems like it ought to have been its own special or mini-series.
As Blackest Night goes, this is one of the weaker tie-ins, and I’m confident the only reason for me to pick up the next issue is that I decided before Blackest Night began that I was going to follow the ENTIRE event/story. (Of course, I had no idea how huge it would become as it’s gone on!)
This is definitely one of those ancillary books that doesn’t seem to have any real bearing on the main story, and ties in due to the Black ring raising Grundy. If you’re interested in Grundy, Bizarro, or Manbat…you’ll probably enjoy this issue much more than I did. Otherwise, the only reason to get this is if you’re determined to follow Blackest Night into every last tie-in.
Story: 5/10
Art: 8/10
Whole: 6.5/10
Filed under: Blackest Night (Event), Comic Reviews 2009, DC, DC Universe, Superman/Batman | Tagged: Adam Schlagman, Batman, Bizarro, Black Rings, Blackest Night, Comic Reviews, comics, DC, DC Comics, Eddie Berganza, Man-Bat, Manbat, Michael Atiyeh, Night of the Cure, Sal Cipriano, Scott Kolins, Solomon Grundy, Superman, Superman/Batman | Leave a comment »
It’s been 17 years since the death of Superman. I was a couple weeks shy of my 12th birthday at the time. The story’s little more than a footnote in the character’s existence now, despite how all-consuming the event was when it was still new and ongoing.
Like weary boxers who have gone the distance, the combatants collide in one last, explosive effort. In the years to come a few witnesses will tell of the power of these final punches…that they could literally FEEL the shockwaves. Others will remember the enormous crater that resulted from the sheer force of the blows. But most will remember this sad day–
–as the day the proudest, most noble man they ever knew–finally fell. FOr those who loved him–one who would call him husband–one who would be his pal–
–or those who would call him son–this is the darkest day they could ever imagine. They raised him to be a hero…to know the value of sacrifice. To know the value of life.
And for those who served with Superman in the protection of all life–comes the shock of failure. The weight of being too late to help. For a city to live, a man had given his all and more.
Lois: Please hang on! The paramedics will be here any second! PLEASE!
Superman: Doomsday…is he…is he…
Lois: You stopped him! You saved us all! Now relax until–
But it’s too late. For this is the day–
–that a Superman died.
~ Excerpt (Dan Jurgens, Superman #75. November 19, 1992)
Filed under: NON-REVIEW CONTENT | Tagged: Dan Jurgens, Death of Superman, Doomsday, Superman, Superman #75 | Leave a comment »
Full review posted to comixtreme.com.
Story: 3/5
Art: 2.5/5
Overall: 2.5/5
Filed under: cxPulp.com, DC, DC Universe, Superman: World of New Krypton | Tagged: Comic Reviews, cxPulp.com, DC, DC Comics, Greg Rucka, James Robinson, Krypton, Matt Idelson, Nei Ruffino, New Krypton, Pete Woods, Ron Randall, Superman, Superman: World of New Krypton, Wil Moss, World Against Superman, World of New Krypton | Leave a comment »
This may or may not become a regular feature with this blog, but I thought it’d be interesting to try in the short-term. This probably-weekly piece will be brief thoughts I have regarding the comics I’m looking at purchasing, based on the week’s shipping list from Diamond. If nothing else, I’ll be interested in seeing for myself how my expectations, sight-unseen, hold up to what I think of the books after I’ve read and thought on them for a bit.
Now, for the week of November 4th, 2009…
DOOM PATROL #4 (BLACKEST NIGHT)
Only reason I’m planning on getting this issue is that it’s an official Blackest Night tie-in. Also admittedly looking forward the the plastic ring that I’m hoping I’ll be able to get–they may be cheap hunks of plastic, but honestly…they’re just about the coolest promotion I can recall.
SUPERMAN WORLD OF NEW KRYPTON #9 (OF 12)
Been getting this series, as with the other Superman titles. Almost seems a shame that it’s “only” 12 issues…but at the same time, better a finite-from-the-get-go series than yet ANOTHER supposedly ongoing series getting chopped hardly a year into its run. If anything of New Krypton (the planet) survives the arc, I hope they keep the numbering of this, even if they drop Superman’s name from the title…
HAUNT #2
Picked up the first issue thanks to blatent online promotion of the book. Wasn’t horrible, wasn’t wonderful. But given the “star power” behind it, I want to give it a couple more issues to grow on me…it’s got plenty of potential, and all that.
DEADPOOL TEAM-UP #899
Though I tend to complain a lot about Marvel’s numbering (among many other things), I take the numbering of this as tongue-in-cheek, and given it’s Deadpool (and the nature of the character) I actually find this series’ numbering fairly amusing. The sheer audacity of the “countdown” numbering (as if it’s gonna last the next 5 years, let alone 75-some) fits nicely. The absurdly-high number will also keep this at a higher number than any other of the longest-running and recently-renumbered Marvel books out there.
DONALD DUCK AND FRIENDS #347
Speaking of numbering, I love the fact that even though they could simply start the numbering from scratch on these books/concepts, Boom is keeping the old numbering and CONTINUING these Disney books. However, I certainly hope this does NOT have some 2-part cover split across editions of the same issue. I don’t like variants to begin with, but so long as I can get a copy with the cover I prefer of what’s out there, I’ll simmer in relative silence.
All in all, looks to be a decently-small week for me. Also one of the most diverse weeks, with 2 DC books, an Image book, a Marvel book, and a Boom book. Most weeks I seem to be all-DC with maybe one exception, if any.
Filed under: NON-REVIEW CONTENT | Tagged: Blackest Night, DC Comics, Deadpool Team-Up, diamond, donald duck, doom patrol, Haunt, new comics day, ring promotion, Superman, World of New Krypton | Leave a comment »
World’s Finest Book One: Nightwing & Red Robin
Writer: Sterling Gates
Penciller: Julian Lopez
Inker: Bit
Colorist: Hi-Fi
Letterer: Jared K. Fletcher
Assistant Editor: Harvey Richards
Associate Editor: Sean Ryan
Editors: Elisabeth V. Gehrlein & Michael Siglain
Cover: Phil Noto
Publisher: DC Comics
Granted, Tim Drake/Wayne lives in a world of the fantastic, where men and women with powers and abilities beyond those of Mortal Man abound. But in the half-year of comics (presumably far, far less than 6 months’ in-continuity time), this is AT LEAST the second time he’s up and jetted back home for one crisis (Black Lanterns) or another (helping Chris Kent in this issue). Seems somehow a bit disjointed to me.
This issue sees Red Robin dealing with a motorcycle gang, with a last-minute assist from who he assumes to be Connor (Superboy), but turns out to be Chris (Nightwing). Chris convinces Tim to return with him to Gotham to free Flamebird from Penguin’s captivity. The two have to work together to deal with this foe, who is aided by the Kryptonite Man (I do long for the days when Kryptonite was rare and precious commodity in the DCU!).
This is but the first issue of four, spotlighting interactions between the various characters that make up the “Superman family” and the “Batman family.” It’s a bit early (too soon, really) to know for sure where the overall story is going to go. As-is, I can’t help but wonder if this will read more as a series of one-shots than a single direct narrative.
The writing itself is quite solid, though–Gates seems to have a good feel for the characters of BOTH “families,” within the current status quo (though it’s beginning to seem like Flamebird and Nightwing are spending almost as much time being knocked out and one, the other or both being taken prisoner as Adam West and Burt Ward’s Batman and Robin did in the 60s tv show!)
The art’s good stuff here, and captures much of the feel of the characters involved as I’d tend to expect them based on reading them in their respective series of late. I do like the art, and find it a good fit for these characters in and of itself. Really no complaint there.
Since World’s Finest is here purpoted to be a mini-series–and thus one should be able to assume self-contained to the mini’s run–this would seem to be a good point to jump aboard and get a look at the various characters in the status quo of late, without having to invest in multiple lengthy, over-arching stories. Just four issues, peek in, get a feel, and go from there.
Based on that, this is worth giving a look-see. The creative team is strong, and we are given a glimpse at the potential held in bringin the characters from both “families” together. In some ways, this might just be “Superman/Batman Lite,” teaming the characters up without hijacking the individual titles.r
Story: 6/10
Art: 8.5/10
Whole: 7/10
Filed under: Comic Reviews 2009, DC, DC Universe, World's Finest | Tagged: Batman, Bit, Chris Kent, Christopher Kent, Comic Reviews, DC, DC Comics, Elisabeth V. Gehrlein, Flamebird, Harvey RIchards, Hi-Fi, Jared K. Fletcher, Julian Lopez, Michael Siglain, Nightwing, Phil Noto, Red Robin, Robin, Sean Ryan, Sterling Gates, Superman, Tim Drake, World's Finest | Leave a comment »
7734
Writer: James Robinson
Penciller: Fernando Dagnino
Inker: Raul Fernandez
Colorist: Blond
Letterer: John J. Hill
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Cafu, Santiago Arcas
Publisher: DC Comics
There’s a tone about the Superman family of titles lately. A lot of it’s visual–or at least, the visual that is associated with the unfolding story. More and more, I find my surface opinion, my initial thoughts toward these books colored by a disinclination TO like them in the first place. DC set out to do something that would drastically affect the feel or tone of the Superman books, and in that, they’ve succeeded. Whatever my feelings about the individual writers and/or artists, I’m beginning to feel like it’s a bit of a chore, following the main books.
This issue sees General Lane confronting Mon-El, trying to recruit him into the group made up of Metallo, Major Force, the Parasite, some magical character newly-introduced, and Atlas. When a plan to rebel is executed, a more “human” (or would that be “humane”?) side of General Lane is seen, with words exchanged between the two (and an editorial note indicating that Adventure Comics #2 takes place between the pages of this issue).
I have to admit I’m gladdened at the tighter continuity in the Superman books; the fact that while it’s not the same sort of direct continuation we had for over a decade with the triangle-numbering we’re still getting a larger well-connected narrative. At the same time, there’s a lot that I’m just not buying into. Chief among these elements is the “ressurrection” or “retcon” of General Lane’s being alive now, after the character’s fitting end in Our Worlds at War a few years ago. Though we see some of his human-ness here in this issue, it doesn’t do much to round him out, make him more than a caricature at present. To a large degree, this reads as “What If… General “Thunderbolt” Ross opposed Superman instead of The Hulk?” And while there’s no overt reign of darkness, the gathering of these “supervillains” as a military unit/black ops squad just reads as fairly ridiculous.
The art of the issue is not bad–it’s got its own style that sets it apart quite distinctly from others, and maintains a definite consistency with prior art teams on this book. While it admittedly not bad art by any means…the style just is not to my liking, which continues to taint the story as I have a hard time really getting into it, for noticing the art. If the visual style doesn’t bother you, or you’re a fan of the specific style, it may well be a great selling point. To the creative credit, I found myself quite surprised to discover that the creator credits on this issue seem to match those of the previous issue: something that seems quite rare in contemporary times, and as such, worth noting toward the positive.
This issue’s cliffhanger felt entirely out of nowhere–after an issue full of Mon-El dealing with Lane and 7734, we’re suddenly taken back to Metropolis and the Guardian leading the Science Police to engage the randomly-just-now-showed-up character likely to be the focus of the next issue. (We couldn’t get another couple pages of of Mon-El dealing with his place in the current status quo and end on that sort of note, with these last couple pages serving as a jumping-right-into-the-story kickoff for the next issue?)
Whatever the case, I find that it is presently the recollection of the last couple times I’ve tried to drop the Superman books that keeps me coming back–the idea that since it’s gotten GOOD within about 6 issues of my dropping the titles, hopefully I have but to wait out a few more issues.
As-is, if you’re not particularly invested in the current status quo flowing through the Superman books, this issue’s probably going to do nothing to “sell” you on the status quo nor to hook you into this title, to say nothing of the whole family of books.
Story: 3/10
Art: 5/10
Whole: 4/10
Filed under: Comic Reviews 2009, DC, DC Universe, Superman, World Without Superman (event) | Tagged: 7734, Blond, Cafu, Comic Reviews, DC, DC Comics, Fernando Dagnino, James Robinson, John J. Hill, Matt Idelson, New Krypton, Raul Fernandez, Santiago Arcas, Superman, Wil Moss, World of New Krypton, World Without Superman | Leave a comment »
Comic Reviews by Walt 