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Superman: Secret Origin #2 [Review]

The Boy of Steel

Writer: Geoff Johns
Penciller: Gary Frank
Inker: Jon Sibal
Colorist: Brad Anderson
Letterer: Steve Wands
Assoc. Editor: Wil Moss
Editor: Matt Idelson
Covers: Frank w/ Anderson
Publisher: DC Comics

The silver age is apparently back. This issue–while including smaller moments of Clark and his parents, and of Luthor and his own life, as well as some of LUthor’s interaction with Clark (establishing them as acquaintances if not exactly best buds)–primarily focuses on the Legion of Super-Heroes and their first meeting with Clark, and allowing him to tag along “back to the future” with them. While in the future, recently-introduced elements (I believe from Superman and the Legion of Super-Heroes) are established as being present from the get-go of things. It’s also pretty easy to fit the original silver age story of the characters’ first meeting between the pages here. The issue’s finale introduces another character whose presence means the current Superman is all the more NOT the character I grew up on.

The story itself isn’t bad–Johns has a great handle on things. However, I’ve bristled for years now at elements being “snuck” back into the Superman mythos that I’ve thought make him too much “super” and not enough “man” and this story really puts aside any sneaking and is quite overt at putting things back into the mythos. At the same time, I imagine that going back to re-read Superman and the Legion will reveal references to what is shown in these pages.

I’ve been curious as to exactly what is and is not official cannon in the Superman books of late, so I’m glad to see his secret-since-Infinite-Crisis origin revealed at last. The execution seems to be working quite well, even if I don’t like the content all that much.

The art team provides fantastic visuals. Even Clark as “Superboy” comes across as pretty realistic–he looks rather awkward in the costume and it’s easy to see that he’s not entirely comfortable in it yet. At this point, Frank is pretty much my favorite Superman artist, and very certainly in the ranks of Dan Jurgens, Jim Lee, and Alex Ross.

Again, while far from enamored at the undoing of so much of the Superman I grew up with from 1989 to present…I can’t deny that in and of itself, the story and art are both of high quality, and taken apart from my preferred continuity, this issue has some of the best Superman work of the last decade.

Story: 8/10
Art: 9/10
Whole: 8.5/10

Blackest Night: Superman #3 [Review]

Full review posted to comixtreme.com.

Story: 4/5
Art: 4/5
Overall: 4/5

Adventure Comics #3 [Review]

Full review posted to comixtreme.com.

Superboy:
Story: 4/5
Art: 4/5

Legion of Super-Heroes:
Story: 2.5/5
Art: 3.5/5

Overall: 3.5/5

Superman: World of New Krypton #8 [Review]

Full review posted to comixtreme.com.

Story: 3/5
Art: 3/5
Overall: 3/5

The Rest of the Stack #3 – Superman/Batman: Public Enemies

T

Last week, I was able to redeem some “reward points” from Best Buy which I then applied to a purchase of the “Special Edition” of Superman/Batman: Public Enemies. That made for a darned good price…even though I had to go to TWO Best Buys to find the edition that came with the Batman figurine. I must admit to some disappointment that this Batman is NOT part of the Infinite Heroes line…unlike the Green Lantern figurine that came with Green Lantern: First Flight this past July.

I was really looking forward to this new animated movie…particularly for the fact that the characters–Superman, Batman, and Lex Luthor–would be voiced by their “classic” voices from the Batman, Superman, and Justice League/Unlimited animated series.

In anticipation of the movie, I read the graphic novel the day before it came out, which was both blessing and curse. It was a blessing in that I got a real kick out of things that were taken word-for-word from the source material…but it made changes and omissions that much more glaring, having the original so fresh in memory.

The basic plot of the movie is that Lex Luthor has been elected president (he ran on a promise of change/improvement to horrible economic conditions throughout the country). As president, he’s brought meta-humans under government supervision…and those that refuse to work FOR him personally (such as Superman and Batman) are outlaws. Luthor is then made aware of a huge kryptonite meteor heading toward earth, and seeks to manipulate things to set Superman and Batman in poor light while raising his own status in the public eye to even higher levels. When he puts a bounty on Superman’s head, the super-powered baddies come outta the woodwork, including villains not normally fitting in a story such as this.

The thing I noticed immediately with this film was the animation itself. It seemed really simplistic, with a lot of static backgrounds, and limited movement in the foreground as I watched. Something about it throughout the film seemed to be of lesser quality than the Green Lantern film from earlier this summer.

At the same time, I really dug the visual style of the characters–I liked their visualization, based on Ed McGuiness’ art from the source material. This combined with the classic voices is enough to almost overcome the animation limitations…at the least, I’m willing to let it go for my enjoyment of the visual design and the voices.

There are some minor omissions–the future-Superman doesn’t show up, and there’s no sign of nor mention of Green Lantern. The change that bothered me the most, though, was the ending…especially with a character’s role being swapped, when the character swapped out actually appears in this same movie (it’s not like it had to be changed because the character wasn’t used!). I get that the change was made presumably to keep this as much more of a “buddy flick” rather than the first arc of an ongoing series…but to me, the original ending would still have been perfectly valid here.

All in all, I was thoroughly entertained by this film, even though it’s incredibly short. I get that it takes time to create animation, and so an animated film will be shorter than live-action…but I’d rather wait a bit longer to get a film with a bit more to it.

The extras with the special edition make the package worth far more as a whole than just the film itself. There’s a Blackest Night documentary looking at the opening of the story–I’m pretty sure this is recycled from the Green Lantern: First Flight DVD. There’s also a nice documentary looking at the history of Superman and Batman as a team. This was quite interesting, and I tend to enjoy analyses of the characters, so this was right up my alley. It also allowed me to put a couple more faces with names I’m familiar with.

There are some other extras that–honestly–I haven’t gotten to yet.

Overall, I’m very glad I picked this up. It’s not quite up there with Green Lantern: First Flight and Justice League: New Frontier…but I enjoyed this more than Wonder Woman…and CERTAINLY far, far moreso than I did the Superman: Doomsday film (I hold to this day that the only worthwhile bit of having bought that one was the retrospective documentary about the original Death of Superman comics).

Even if you aren’t into buying dvds…this is well worth renting to just watch it once. It’s nothing deep, but makes for a little over an hour’s good entertainment.

Superman #692 [Review]

Down Time

Writer: James Robinson
Penciller: Fernando Dagnino
Inker: Raul Fernandez
Colorist: Blond
Letterer: John J. Hill
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Cafu, Santiago Arcas
Publisher: DC Comics

I feel like I missed an issue somewhere. The way this whole “Mon-El is dead, killed by the Kryptonians” plot thread is getting so much play-time seems somehow out of proportion. To me, the big reveal of Codename: Patriot was Sam Lane being what the story’s title was in reference to. Mon-El being killed, or SUPPOSEDLY killed just was not something that really jumped out to me…so I either missed an issue, or failed to “notice” something that would be played out as so significant.

This issue provides some context on the destruction of Metropolis’ sewer/water system and why it’s not simply being fixed by Earth’s metahumans; we also have some references to other characters of recent significance. We see the Guardian reacting to the apparent death of his new friend, as well as what is surely the premature announcement of Jon Kent’s death, though the in-story context speaks to its timeliness.

The art’s pretty good overall, though doesn’t really strike me as other art teams’ work has. It’s not bad, but it doesn’t stand out as wonderful in and of itself. It gets the story across and does what a comic’s art should, but doesn’t strike me as a “selling point” for this particular issue.

All told, not a bad issue in and of itself, but I didn’t enjoy it all that much. I think the New Krypton stuff is beginning to wear a bit thin for me, and I’m also waxing nostalgic for Byrne, Ordway, Jurgens, and other art teams from the late-1980s and early 1990s…so current artists aren’t measuring up to what I hold in memory and nostalgia.

A worthwhile issue if you’re following the title or the Superman family of books. Nothing really here to justify it as a jumping-on point.

Story: 3/10
Art: 5/10
Whole: 4/10

Photos From Home #10

DC Infinite Heroes
Captain Marvel/Shazam; Superman; Wonder Woman; Flash; Green Arrow; Green Lantern; Guy Gardner; Silver Age Supergirl; Dr. Fate; Spectre; Atom; Wildcat; Hawkman; Black Lightning; Jim Gordon; Sinestro; Joker; etc.

These two shelves are the larger part of what’s on a living-room wall. The other shelf has some of my Marvel 3.75″ figures, as well as some of my favorites from DC Direct. Other things fit nicely along with the shelves for further decoration of the area.

Superman: Secret Origin #1 [Review]

The Boy of Steel

Writer: Geoff Johns
Penciller: Gary Frank
Inker: Jon Sibal
Colorist: Brad Anderson
Letterer: Steve Wands
Assoc. Editor: Wil Moss
Editor: Matt Idelson
Covers: Frank w/ Anderson
Publisher: DC Comics

I don’t know how to describe it, really…but there’s something special just about the look of this issue. The cover’s fantastic–Gary Frank is by far one of my favorite Superman artists. The logo on the gradient-blue sky background stands out very nicely (and yet does not look out of place). This is the first issue of a mini-series…the Secret Origin part tells us we’re going back to the “beginning,” and seeing a young Clark on the cover, happy and with his parents, also both looking happy–speaks volumes to the characters. Perhaps it’s that this really gives credence to that saying about a picture being worth a thousand words–a thousand words to the positive thus hit before one’s even looked inside the issue.

Then again, perhaps it’s none of that, and simply the anticipation for this issue–after it was announced last year, and I thought it would be out by early summer and had to wait these extra months for it, and I just so enjoy finally getting to begin reading a definitive origin for the character since the Byrne stuff was chucked awhile back.

The story begins with Clark playing football in answer to challenge from classmates. Peter Ross breaks his arm tackling Clark, and guilty as Clark feels for that, he’s guilted further by facing Pa (in a scene that somehow put me VERY much in mind of that scene with Peter and Uncle Ben in the Spidey film as Uncle Ben lectures Peter on Responsibility). We see other elements introduced–Lana, and the school, Ma and Pa, Smallville itself, Lex Luthor, to name a few. These all come together as the issue progresses and we see first the discovery and solution to some newly-developed/discovered powers on Clark’s part (and how his parents play a strong role in that) and then the implementing of his powers as disaster strikes Smallville. Finally, we see the development of the costume.

The art–as I said above about the cover–is just fantastic. There’s a detail and realism to the visuals that works so well with the story and getting things across…and yet, it doesn’t feel like it’s being overtly realistic. It just captures a level of detail that makes it easy for the mind to fill in the blanks and set these static images to motion as you read.

For newer readers, this is simply an “origin” story–telling the beginnings and background/motivation to things we’re seeing play out in the current issues of the Superman books.

For long-time readers, it may be much more. This seems set to be THE origin, the definitive story of Superman’s background in the books’ current incarnations. Forget Man of Steel and Byrne…forget Birthright and Waid…for that matter, forget Smallville. This is none of those…and yet, it seems to be quite respectful to them all, acknowledging them subtlely and taking key elements from them as the story requires.

Though I’ve looked forward to this series–and yes, delivered extremely well, meeting (and maybe exceeding) my anticipation/expectation–I remained skeptical. I grew up on the 90s Superman, beginning while the “Byrne revamp” was yet FRESH…and there are several key moments to that interpretation of the character that have been done away with in recent years that I’ve greatly disliked. While this fails to RESTORE them…something about Johns’ crafting of the story puts other things in a light that begins to redeem the changes, making them sit much better with me.

The return of what I consider “silver age elements” is handled nicely, and in a modern way that makes things quite plausible in the present.

I don’t think I could’ve asked for a better opening chapter of this mini.

Even if you’re not following the current New Krypton stuff in the ongoing titles, or any Superman comic at all…this is a book to pick up. The writing, the art, the story as provided by the blending of both…makes for a great read, and I’m already eager for not just the entirety of the story, but to see this thing put into a single volume.

Highly, highly recommended.

Story: 8.5/10
Art: 9/10
Whole: 9.5/10

Blackest Night: Superman #2 [Review]

Full review posted to comixtreme.com.

Story: 4/5
Art: 4/5
Overall: 4.5/5

Photos From Home #2

DC Direct
Kingdom Come Superman; Hal Jordan; Kilowog
; Nightwing; Batman; Robin; Black Hand; Mongul