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R.E.B.E.L.S. #1 [Review]

Full review posted to comixtreme.com.

Supergirl: Cosmic Adventures in the 8th Grade #3 [Review]

Writer: Landry Q. Walker
Artist: Eric Jones
Letterer: Travis Lanham
Coloring: Joey Mason
Editor: Jann Jones
Cover: Eric Jones
Publisher: Johnny DC/DC Comics

This issue opens in the 8th-grade lunchroom as Linda and Lena are eating–“banished” from fellow students. Belinda moves in and pretends to be friends, actually stirring up trouble. Linda spots danger and zips into action as Supergirl, saving the city–but gets blindsided by a second asteroid. When she wakes, she finds that all her fellow students are now pretty super, and needs to adjust to this strange new status quo.

The art in the issue is quite good–sure, it’s not Perez or Ross–but it really gives this book its own visual and tone. Moreso than many other comics, that unique tone is necessary for the story to work; and here, it does. I’m put in mind of any of a number of animated series on tv, while this does not directly adapt any existing series. The familiarity sells it, while the uniqueness makes it work.

The writing is consistent with earlier issues, and pulls one in–providing at once a story that one can pick up and read without having read the first two issues…but if you’ve read those, you’ll start seeing where things have been set up to have continuing impact on the larger story.

I recall being lukewarm on the first issue, more interested with the second issue, and at this issue, I’m sold. We have an engaging title character, silver-age elements made to seem perfectly contemporary, and a story with stuff adults can enjoy without the issue being aimed for adults. Ridiculous as some of the “drama” is, I can’t imagine it being anything but realistic, particularly for the age-range this book’s aimed at.

Recommended.

Story: 8/10
Art: 7/10
Whole: 7.5/10

Final Crisis #7 [Review]

New Heaven, New Earth

Script: Grant Morrison
Pencils: Doug Mahnke
Inks: Tom Nguyen, Drew Geraci, Christian Alamy, Norm Rapmund, Rodney Ramos, Doug Mahnke & Walden Wong
Colors: Alex Sinclair w/Tony Avina & Pete Pantazis
Lettering: Travis Lanham
Associate Editor: Adam Schlagman
Editor: Eddie Berganza
Cover: JG Jones (sliver cover by Marco Rudy & Sinclair)
Publisher: DC Comics

So, this is it. This is the issue it’s all been building toward–the final chapter of this “final crisis” the characters are facing, this “event” capping off years of story…

Much like Marvel’s Secret Invasion final issue, this issue jumps ahead, and instead of us experiencing the story as it progresses, with the characters–instead we’re treated to a look-back from the present to a conclusion that’s already happened. We see characters rise against their Fifth-World gods and the intrusion of Mandrakk, and a multiverse’s army of Supermen, and…stuff happens.

The art in the issue isn’t all that bad. In fact, in and of itself it’s actually pretty good. Though there’s a whole bunch of inkers, the final result is a decent presentation. I went in with very low expectations, and what I got managed to stay a bit above my expectations–though I also found myself not really focusing terribly much on the art (didn’t expect to be impressed, so didn’t care to look for something to be impressed BY).

The story fits with the rest of the series in tone and feeling like it’s trying to come from somewhere above my reading level, and successfully makes me feel lost, whatever else it accomplishes there. While elements of this core series could be found in the tie-ins, on the whole, the entirety of the Final Crisis was told in 7 issues, this one mini-series. While that made it easier on the wallet, I feel like it did a large injustice to the scope of the story. Had it crossed into a large number of the DC books as Infinite Crisis did, this would have felt like a bigger deal. As it is, it felt like some apocalyptic (no pun intended) story with these characters with no real basis in ongoing continuity. That books are to make the “jump” to reflect what happened in Final Crisis later doesn’t really do much for me (but at least the story will be acknowledged).

I’m sure there’s “deep” stuff going on here with loads of potential for future exploration…but the feel just wasn’t there for me. I did not enjoy this issue, and the series as a whole has been bittersweet–I can’t see having skipped on it, but nor have I particularly enjoyed any of the issues. (The tie-in minis’ issues are another story).

Story: 5/10
Art: 7/10
Whole: 6/10

Justice League of America #28 [Review]

Welcome to Sundown Town Chapter 2: Shadow and Act

Writer: Dwayne McDuffie
Penciller: Jose Luis
Inks: JP Mayer
Color: Pete Pantazis
Letters: Travis Lanham
Associate Editor: Adam Schlagman
Editor: Eddie Berganza
Cover: Ed Benes w/Hi-Fi
Publisher: DC Comics

I wasn’t gonna pick this up. I was gonna content myself with waiting for a collected volume, or just waiting for the Milestone characters to pop up in other books. But curiosity got the better of me, and so I picked this up after all.

There’s not much of a plot here–the bulk of the issue is a lengthy fight scene between the League and the Shadow Cabinet. However, toward the end of the issue theres a slight bit of a twist that both bucks cliche and yet manages to play right in familiar old cliche none the less.

I find myself much more interested in finding out more about the Milestone characters than I am about the Justice League, and so am possibly more disappointed in this issue than I should be. I would gladly (and with enthusiasm) picked up a mini-series re-introducing these characters that guest-starred members of the Justice League; as it is, the Milestone characters don’t get enough focus-time in this issue (though they get far more than in the previous one). I’m also quite interested in the Icon/Superman interaction(s).

The art here–while not Benes–is quite good, and similar enough to Benes’ work that I thought nothing of the art until I looked at the credits, and realized that sure enough, this wasn’t Benes. I was particularly impressed with the final page–which also has me sufficiently hooked as to pick up the next issue more than likely.

All in all, not a bad issue. Worth getting if you want to see the Milestone characters that are appearing in this arc.

Story: 7/10
Art: 8.5/10
Whole: 8/10

Wonder Woman #27 [Review]

Rise of the Olympian part 2: A Sense of Loss

Writer: Gail Simone
Penciller: Aron Lopresti
Inker: Matt Ryan
Colorist: Brad Anderson
Letterer: Travis Lanham
Associate Editor: Sean Ryan
Editor: Matt Idelson
Cover: Aaron Lopresti & Hi-Fi (variant by Frank Quiety [sic])
Publisher: DC Comics

This issue opens on Donna Troy communicating with Wonder Girl about what she’s likely to find as she heads toward the scene of destruction Wonder Woman was last seen at. Warning Cassie about the need to mourn AFTER what needs done is done, we see the girl’s reaction as Donna continues toward her destination…where Wonder Woman is alive, but horribly beaten, anxious as her lasso’s been taken from her. We see others’ reaction to events, even as the creature that did this to Wonder Woman returns to the Secret Society [of Supervillains?] HQ. The creature is known as Genocide, and insists the lasso be made a part of it. Meanwhile, Zeus calls some of his people “home,” while Genocide faces the Justice League.

All told, I have no real problem with any of the art in this issue. In fact, it’s really quite good on the whole. There’s a slight bit of “shiny-ness” to certain parts that seem to me would probably work better without coming across that way–but then, I’m not the artist, and I assume there’s supposed to be something there that would reflect light that way. The characters are distinct and recognizeable, and you could do so much worse!

The story here is what surprises me. I can’t really put my finger on what it is exactly, only its effect: I’m actually interested in a Wonder Woman story. I was interested in the concept of a new character that was to be “Wonder Woman’s ‘Doomsday,'” and when I discovered I’d actually missed the first chapter, made a point of snagging issue 26 along with this one. For the first time in several years–moreso than merely enjoying an issue, I’m interested/engaged enough that I wish the next issue would be due out this coming week! Simone seems to have a good handle on this character and her supporting cast (and I’ll admit I think it’s cool that a woman is writing the character).

I’m unsure as to who the Olympian in the story’s title is–Diana? Genocide? Someone else?–but to be honest, that doesn’t bother me at all. If you’re not already picking this book up, and you can locate the first issue of the arc, this is a decent point to jump in.

Recommended–at least consider the collected volume if you’re not interested in the singles.

Story: 8.5/10
Art: 7/10
Whole: 8/10

Final Crisis #5 [Review]

Into Oblivion

Script: Grant Morrison
Art: J.G. Jones, Carlos Pacheco, Marco Rudy, Jesus Merino
Colors: Alex Sinclair
Lettering: Travis Lanham
Associate Editor: Adam Schlagman
Editor: Eddie Berganza
Cover: J.G. Jones (sliver by Pacheco, Merino & Sinclair)
Publisher: DC Comics

Green Lantern Hal Jordan is tried for apparent deicide, though it turns out someone has corrupted an Alpha Lantern–something that is not supposed to be able to happen. Meanwhile, as the dark gods revel in their victory and the nearly-awoken Darkseid, certain heroes band together to strike back as the world falls apart around them.

There’s a lot going on in this issue, which makes it feel somewhat choppy as we jump from point to point to point to point. This is going on, that’s also going on, this other thing’s happening, someone’s doing this other thing over here.

The art felt rather choppy as well with multiple artists covering different parts of the story. I’m hard-pressed to think offhand of an example of multiple artists detracting from a story for me, but this might be a first.

The story leaves me scratching my head–both for trying to get to an understanding of what’s actually going on in the bigger picture sense as well as the execution. As a “contained” story limited to just this mini and some tie-in minis, I don’t feel any great sense of urgency or crisis…this reads simply like some alternate unverse where Darkseid wins, and not the main DC Universe I’m supposed to actually care about.

This may read much better in a single volume when all the pieces are on the board to be read at once, and we actually see how events play out in the main DCU whenever the let this affect other books. Until then, it is a huge disappointment for me and is far less enjoyable than Rogues’ Revenge, Revelations, and Legion of 3 Worlds have been.

Worth getting if you’re following the event for the event’s sake, and if you’re enjoying this title thus far. If you’ve not been getting it so far, you’re probably better off catching up through wikipedia and if you’re so inclined, snag collected volume.

Story: 6/10
Art: 6/10
Whole: 6/10