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Ultimate Black Panther #1 [Review]

ultimate_blackpanther_0001Writer: Bryan Hill
Artist: Stefano Caselli
Color Artist: David Curiel
Letterer: VC’s Cory Petit
Cover Artists: Stefano Caselli & David Curiel
Design: Jay Bowen
Assistant Editor: Michelle Marchese
Editor: Wil Moss
Editor in Chief: CB Cebulski
Cover Date: April 2024
Cover Price: $5.99
Published By: Marvel Comics

It seems like a long time since I reviewed any "current issue" of a comic, let alone a Marvel comic. I’m far more keen on facsimile editions and non-"current year" stories these days than current stuff coming out from most publishers. And then this issue is riding all sorts of hype and speculation, apparently, between skyrocketing prices of even the "A" cover of Ultimate Spider-Man #1 and a distributor reportedly losing thousands of copies of this issue’s "A" cover, and of course the USUAL (modern-day) speculation crap involving constant first issues and umpteen variant covers that exceed the number of story pages for a given issue, and so on.

I bought all four issues of Ultimate Invasion last year, though when the series was announced, I’d planned to stay away from it. I vaguely recall actually READING the first couple issues, but I’m not sure I read the latter ones, as yet. Based on what I was hearing about Ultimate Spider-Man just before its premiere issue came out, I snagged that one, and waffled on Black Panther…wavering still on whether or not to "embrace" this new Ultimate Universe, even if only for nostalgia of the original. Given the hype on this issue, I elected to visit a second shop when the first was sold out, and snagged a copy, leaving behind 2 copies.

I hate that it seems so many modern comics are "about" the speculation, variants, and pretty much anything but the story inside the covers; and I’m frequently reminded that even as a young teenager I had speculated that publishers could simply polybag a bundle of blank pages behind a cover and call it a day, and probably few would even notice. So let’s dig in here on the actual story.

The issue opens on the apparent slaughter of a village, while two shadowy figures prepare to report what they’ve seen to their king. We then cut to a just-awakened T’Challa conferring with his wife Okoye after a bad dream. Reflecting on how traditions must change, T’Challa visits with his father T’Chaka, former king, who counsels that he listen to what the Vodu-Khan have to say about things. T’Challa later meets with his sister Shuri (woman-at-arms) and the spies we saw at the beginning as T’Challa learns of the attack. Though Shuri and T’Challa clash on response, T’Challa elects not to leap into war based on reports…though he intends to act in some form. Elsewhere as another attack unfolds, a new figure–Killmonger–appears on the scene to defend against the Ra/Khonshu invasion. Finally, at an annual Celebration of Life gathering in Wakanda, suicide bombers appear, and T’Chaka shoves his son off the building just before the explosion. Arriving at the ground in Black Panther mode, T’Challa–The Black Panther–declares that the enemy is Moon Knight and Wakanda is at war.

I think the best part of this issue for me is the art. I really liked it, at least in and of itself. I don’t know that it’s such that I would have flipped this open and chosen to buy it due to the art if I wasn’t already interested in buying it…but for reading it, the art fit, I liked it, and in whatever subjective way I interpret "art," it worked for me.

That said, I’m less thrilled at the overall issue (and sure, the art gets as much blame as the writing, I’m sure) feeling so "cinematic." This came off very much like the adaptation of something from a tv show, to me, more than being its own original comic. Having barely a dozen words on a 2-page spread SCREAMS "cinematic" to me, and remains a "cheat" on pagecount/story in my eyes. Even though this was an extra-sized (and extra-priced) issue, it read very much as a standard-sized one, which isn’t horrible but isn’t good, either.

Much of what I take from characterization is a combination of interpreting this as an alternate reality, and drawing on what I recall of Priest’s 1998 Black Panther series from Marvel Knights, with a certain influence from the MCU films that had T’Challa, T’Chaka, Okoye, and Shuri.

With only this single issue to go on, I’m definitely inclined to pick up the next issue and perhaps keep on with the series, assuming it’s more than a "stealth mini-series" at this point. While I understand this to be in the same Ultimate Universe as Ultimate Spider-Man, I do hope the titles stay pretty much self-contained, and with that they should be good companion books free of loooooads of other continuity things making so many modern comics unappealing to me.

I’m glad I got this issue, particularly to READ, and that I enjoyed it juuuuust enough to "justify" the price. I have a hard time recommending someone spend $6 on a single-issue of a comic, but you could definitely do WORSE than this one…though it’s not exactly all that meaty. It’s some fresh air from main Marvel continuity stuff.

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A New Grail: Ultimate Spider-Man #1!

A couple weeks back, more or less on a whim, I decided to check mycomicshop.com to see what Ultimate Spider-Man #1 was going for these days. I remember at some point back in the early 2000s seeing it listed in some guide (probably Wizard) for something like $160!

Considering at the time I balked at $2.99 an issue…yeah.

But there was a copy listed for significantly less than that–and I decided that as an issue I was frustrated to miss out on back in 2000, and lamented umpteen sub-standard reprints and such, and yet otherwise stayed with the series for several years…I’d go ahead and order it.

I think I may also have had a bit of a "feeling" about not making it to the March 7th show, too…so this helped make up for that, for me.

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But for better or worse…this issue ALSO pushes me into new territory again. It is now THE single most expensive single-issue comic I have ever (to date) bought…especially factoring tax and shipping on top of the listed price. And having spent this much on an issue…it continues to push my willingness TO spend more on a single issue. All the more when I rationalize it against that price in arbitrary new comics, with basically everything except Spawn being $3.99 as a base price, but SO MANY comics being $4.99-$5.99…and more!

By the time I buy a week’s worth of "this week’s new comics" and spend whatever on 7-10 comics…by the time I realize that I have several weeks’ worth of unread comics…and eventually give up and file stuff away…I’d get much more enjoyment out of a singular issue–like this–that I display on a wall and IS a single, special, "key" issue that I appreciate far more than a bunch of already-forgotten single issues.

This one is definitely what I’m considering a "forgotten grail," in that it’s an issue I’ve wanted for more than 20 years, but really until the other week, had simply left as some issue I just was settling with cheap reprints on.

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Secret Wars (2015) #1 [Review]

secretwars(2015)001The End Times

Writer & Designer: Jonathan Hickman
Artist: Esad Ribic
Color Artist: Ive Svorcina
Letterer: Chris Eliopoulos
Production: Idette Winecoor
Cover by: Alex Ross
Assistant Editors:Jon Moisan & Alanna Smith
Editors: Tom Brevoort with Wil Moss
Published by: Marvel Comics
Cover Date: July 2015
Cover Price: $4.99

Despite a certain grumpiness toward Marvel stuff lately, and being almost entirely out of the loop having consciously AVOIDED most of their contemporary stuff…I couldn’t simply pass this up. I gave DC‘s Convergence a chance, for two $5 issues and a $4…so having been turned off to that, I decided I can at least give Marvel‘s Event a chance for a $5 issue or two.

It’s been a long time since I’ve bought an Alex Ross covered issue of anything, and seeing his work on a Marvel anything again is quite cool. The interior of the issue is about 33 pages of actual story, and additional pages serving as title, credits, character, divider, and memorial pages…with the final pages of story going to black with a few words of text. While that seems at first to be quite a waste of space and pages, I find myself allowing it some leeway as I enjoyed the fade to white effect in DC‘s Zero Hour, and hold to that twenty-some years later.

Story-wise, things are a bit choppy to me, jumping between the 616 Marvel Universe and the Ultimate Universe. I’m not at all caught up on current going-ons in the Marvel Universe, but for the most part was able to follow along and get the “core” stuff out of the issue. Much like recognizing a bunch of characters while yet lacking their recent backstory for stuff like Zero Hour back in the ’90s, or any other event, this is what it is for me–a throwing-together of a universe of characters and I didn’t expect to experience this the way I would something I had more familiarity and interest in.

I’ve rarely enjoyed Hickman‘s work, and consciously recognizing his name on this project left me a bit dismayed the other day. I could compare elements of his work to Priest–the non-sequential storytelling, the caption/header dividing of scenes, the overall sense of the story not just being some straight-forward thing–but where I enjoy it in Priest‘s work (particularly his classic Black Panther and Quantum and Woody runs) I don’t care for it with Hickman‘s…but that truly gets into a whole different thing than this issue. As such, I expected to have a real problem with the issue’s story. Fortunately, I believe my negative expectation ran deep enough that this failed to be that extreme and so I actually enjoyed the issue as much as I have much of anything from Marvel of late.

The art was solid, and while it does not have the “classic” look my mind wanted, it’s mostly clear and certainly modern and on the whole, works for this take on the various characters. There were a few panels where I honestly went cross-eyed trying to visually parse out what was actually going on (especially one with Rocket Raccoon) but the bulk of the thing was good.

This is definitely being billed as the END of the Marvel Universe AND the Ultimate Universe, with a page at the end citing their “lives.” In that regard, this really should have been a 0 issue or something else, as whatever the Secret Wars part is, that begins NEXT issue with a mashup of the various worlds/timelines/whatever. Still…you could do worse. I mostly enjoyed the reading experience, and realizing the next issue is already due out next week, I’m very much looking forward to it. I’m also looking forward to several of the tie-in minis.

As starts go, I think I like this better than any other recent Marvel event I can think of…and if only for the immediate present, it’s certainly got the weight behind it for once as something that does and will matter.

I find myself a bit surprised to say so, but…recommended!

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