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On This Valiant Journey

xomanowar001.jpgIt’s occurred to me that, at last, I may have found a ‘winner’ outside of Marvel or DC.

See, it seems like more often than not, I’ll give new series a try…but eventually (like, within a year) I lose interest and let the title go. Or whether I’m digging the book or not, it gets cancelled. Or I simply switch to following it in collected volumes. So outside my various stints of following certain books/families of books to one degree or another from Marvel and/or DC, it seems anything else is merely a short dalliance.

Valiant has broken that mold. X-O Manowar #20 is due out in the next week or so. I’ve bought every single issue since #1 hit the stands back in May 2012, a couple days before Free Comic Book Day. I’ve also bought every issue thus far of subsequent series: Harbinger, Bloodshot, Archer & Armstrong, Shadowman, Harbinger Wars, Quantum and Woody, Eternal Warrior, Unity. With the #0 issues, that’s about 100 issues combined now, across the board.

xomanowar019.jpgAnd things are still going strong. None of the initial books have been cancelled. There’ve been some creative shifts, but nothing’s been rebooted or renumbered. Bloodshot was retitled Bloodshot and the H.A.R.D.Corps, but maintains original numbering. Shadowman just got a new creative team and new direction, yet maintains original numbering. As far as I noticed, when there was a #0 issue it made sense in that point of the continuity and served as a fill-in issue of sorts rather than forcing a double-purchase for that title for the month.

The Harbinger Wars stuff made sense, seemed organic, and gave us the core story by itself, with tie-ins between only two titles. Now with Unity, we’re getting tie-ins with X-O Manowar, but while things affect a lot of characters, it’s not some line-wide crossover.  And though with Unity we’re up to 8 books, that’s it. That’s the ENTIRE VALIANT UNIVERSE. With only 8 books, I get to read EVERYTHING. I get my monthly X-O story, my monthly chapter of Harbinger, etc. And I can enjoy them by themselves, but I also get to enjoy that ultimately they all fit together. (Granted, I haven’t quite figured out where Quantum and Woody fit, but whatever).

20120904valiant02.jpgI could certainly do without all the constant variant covers. But since they tend to advertise the “regular” cover on house ads and promotional posters and such, I’m quite happy to strictly stick to those “regular” covers. And I could do without the “clumping” of books: typically there are 4 New Comic Days in a month, so I would “expect” at 8 titles’ output, 2 per week, and if there’s a 5th week, maybe a couple weeks with only 1. But new Valiant every single week. Unfortunately, it seems there’ll be a couple weeks with 3 books, a skip week, then another cluster. Now that there ARE 8 titles, my main complaint is when there’s a skip week and then a cluster, as it seems to me there oughtta easily be able to be 1-3 in a given week.

But I don’t find the frustration that I do with other publishers. I gave DC‘s New 52 about 2-3 months on most of the titles I tried, a couple I stuck with for 7-8 issues, and I think Animal Man and Swamp thing made it a little further. I’ve dipped back in here and there for a random issue or two, but haven’t actually followed a regular, non-digital-first DC book at any length in awhile (and even Legends of the Dark Knight and Injustice: Gods Among Us are a few months “younger” than several of these Valiant books).

allnewxmen004.jpgLast year I jumped in on a handful of the Marvel Now titles, settling for a couple months on All-New X-Men, X-Men Legacy, and Thunderbolts. I found new excitement in the dawn of the Superior Spider-Man. But within a few months I’d dropped ’em all. All-New X-Men and Superior Spider-Man were $3.99 apiece and it seemed there was another issue every time I went to the comic shop, often one of each, adding a quick $8 on top of whatever else I was looking to get that week.

Part of the appeal–to me–of Valiant is that, sure, there are 8 titles (and I’m hoping a Rai title makes 9 sometime earlier than later in 2014), but they only come out once a month. And while they work together, fit together, they’re each their own thing. They have their own feel.

But the point of all this–20 months! 20 months I’ve kept up with an entire line, a “family” of titles, a publisher. And I’m still enjoying the output. I’m appreciating what they’re doing that other publishers aren’t…and what they’re not doing that others are. And I feel like there’s finally some staying power, that this universe isn’t just gonna disappear overnight.

Though even if it did…I’ve still got that “’90s Valiant” collection I’m working on and have yet to read, that I plan to.

xomanowarseriesone20120919_thumb.jpg

Valiant’s Comixology Ads: Easily My Favorite Ads at Present

valiantpastandpresentadsI typically ignore ads in comics as much as I can, finding that more often than not they’re just not relevant or interesting to me. Sometimes an ad will really stick out to me, though–such as the ad for the Deadpool Corps series a few years back with the “Deadpool Corps Oath.” I’ve also posted before about quite liking the way Valiant was doing its back-cover house-ads; though the last few months they’ve shifted to a full-cover ad for Unity and such, with a two-page spread inside to advertise a month’s books.

I’ve also noticed–pretty much since the Valiant launch back in May 2012–the recurring Comixology ads in the various books. The ads are pretty much the same, except for the showcased covers. For each title, the ad changes to show the first issue of the original ’90s valiant series next to the (non-variant) cover of the first issue in the current series.

I’ve found myself enjoying these ads, and the sense of history they impart. If you’re a fan of the classic books “trying” the current stuff, they show that the classic stuff is available simply, through Comixology. If you’re just a fan of the current stuff, it shows what the original cover was, and offers a “way in” if you want to check out the original take on the character(s). Plus, to me, there’s just something about seeing the two covers next to each other that I like in each ad. (Though it also drives home my frustration at the abundance of variant covers from the current Valiant and solidifies my preference for the “standard” or “iconic” cover of a given book).

These also remind me THAT so much classic Valiant is now available digitally, and will certainly facilitate some of my reading soon, as I’m likely to grab the digital editions of early issues rather than wait til I can find the print editions (for stuff like Harbinger, X-O Manowar, and Rai in particular). It’s already allowed me to read what I believe is the entirety of the original Quantum and Woody stuff.

Anyway, as recurring ads go, or quasi “house” ads, these have gotta be my favorite since the various Superman house ads in the ’90s in the DC books.

valiantpastandpresentad_xomanowar

valiantpastandpresentad_harbinger

valiantpastandpresentad_bloodshot

valiantpastandpresentad_archerandarmstrong

valiantpastandpresentad_shadowman

valiantpastandpresentad_quantumandwoody

valiantpastandpresentad_eternalwarrior

Thoughts on Last Week’s Comics: Week of November 20, 2013

X-O MANOWAR #19

xomanowar019I’ve said before–right now, I’m “all in” with the current Valiant. As such, I quite enjoyed that this is a tie-in to Unity. PLUS, it just makes sense: since Aric–X-O–is the inciting factor OF the events of Unity, it would be rather weird for this book to NOT touch on that. Where I’d thought Unity seemed like a slightly more epic issue of X-O Manowar, with a more expanded cast…this issue does a great job of re-humanizing Aric, keeping him relatable and not being some god-like faceless alien bent on conquering a country. Yet, after Unity #1, Nord‘s art here seems out of place and rather weird to me. The story continues on from earlier issues, and events have built rather organically, so nothing seems forced. I like the cover’s symbolism, as well as the design: the Unity Tie-In blurb is at the bottom of the cover, so looking at the cover, the info is there…but it does not take away from the Valiant trade-dress at the top, and in a typical comics-racking format, it’s probably not even going to be seen, and thus the book sells itself on its own merits without RELYING on being a tie-in.

BLOODSHOT AND H.A.R.D. CORPS #16

bloodshot016I continue to be impressed with this “new direction” and re-titling of the Bloodshot book. While I remember anticipating the supporting cast that I’d thought was being built to, the H.A.R.D. Corps angle is working really well for me. It feels like an organic development and mixing, and the characters seem to fit together quite nicely. Perhaps most of all I greatly appreciate that despite adding H.A.R.D. Corps to the title–literally–the numbering continues onward…Valiant clearly recognizes that the series doesn’t need to re-start to #1 again every few months. Seeing Bloodshot himself amped up with the tech H.A.R.D. Corps sports–albeit more powerful since he can survive stuff normal humans can’t–is an additional treat in finding out what the character can, can’t, and will/won’t do. I’m also liking the ongoing interactions with Harada, as it makes sense that someone like Harada would be involved in far more than just chasing down some kids. I’m hoping the H.A.R.D. Corps crew is around for quite awhile, and that this title keeps up with the quality. I’m certainly around for awhile yet!

ETERNAL WARRIOR #3

eternalwarrior003I noticed an “editor’s note” in this issue, placing the events of the issue/story before the events of Archer and Armstrong #5…and that one little note made me suddenly enjoy this story all the more. Instead of being just some random story, knowing it takes place before the other appearances of Gilad in the pages of Archer and Armstrong, X-O Manowar, and now Unity gives me more context to appreciate. This is in its own way an origin story for the Eternal Warrior…not so much how he came to be (that’s touched on in A&A) but how he goes from one status quo to the “present day” status quo of Valiant in general. I’m also quite appreciating the character interactions, and laughed out loud at the old lady trying to shush Gilad and his daughter for their arguing in public. I’m interested in the conclusion of this arc, but admittedly even MORE interested in #5, seeing the Eternal Warrior of the future…which is kind of a shame, given advance solicitations and “convention announcements” and such, as I’d have more preference on just anticipating the current arc.

TMNT NEW ANIMATED ADVENTURES #5

tmntnewanimatedadventures005I’m finding myself growing to PREFER Brizuela‘s visual style to the actual cartoon itself. The turtles look great in this issue–as they have in the previous issues. While Fishface is one of the more ridiculous concepts of the series, this issue shows what a threat he can be, and is maybe the first time I’ve come this close to enjoying the character at all. I’m drawing obvious parallels between this series and Archie‘s TMNT Adventures; both developing from tv series, both serving as an alternative for fans of the cartoon vs. just the comics. This series has yet to straight up adapt any episodes, yet it’s set in the same continuity, rather than developing its own universe. It works, I’m going to continue on with this title if only for the art…but unfortunately, some of the shininess has worn off for me, and I find myself preferring the regular ongoing IDW continuity. Still, fans of the show will appreciate this most likely, and it’s a good title of one-off/one-issue stories if you want to read something with the TMNT but not have to deal with a lot of continuity or related/tie-in issues.

BEN10 #1

ben10001I was originally drawn to Ben10 upon discovering Dwayne McDuffie‘s involvement, and watched a handful of episodes from a DVD I snagged sometime last year. I never managed to get very far into the series (and I think what I saw was the equivalent of a second or third season), so I’m not all that steeped in Ben10 continuity to know if this is a tie-in or continuation of the cartoon’s continuity, or just its own thing. I don’t suppose it matters TOO much…I zipped right through the issue and enjoyed it in and of itself. However, not being entirely certain of where this is in the larger Ben10 universe/timeline, I’m pretty sure I’m left “on the outside” just enough that I’m not really the target audience for this book. Still, it was worth my trying for being the first issue…but I rather doubt I’ll keep sinking $4/issue into this. If you are or have a fan of the show, I’d definitely say check this out…it’s the premiere issue, after all. But if you’ve never experienced anything Ben10, this issue doesn’t particularly fill you in on stuff so wouldn’t seem the greatest ‘first-introduction-to-the-series/premise’ story to dive in on.

DOCTOR WHO: PRISONERS OF TIME #12

doctorwhoprisonersoftime012I haven’t read issues 1-11, but I bought this issue BECAUSE it’s the last issue…also in anticipation of the Day of the Doctor 50th Anniversary Special. Story-wise, I was fairly lost…not having any details whatsoever of the previous 11 issues. I’m also a bit iffy on the art, with this issue having something just a bit “off” about the various Doctors. Despite that, I could recognize them all, and love the double-page spread of all 11 Doctors. That I could identify each is testament to how far I’ve come as a Doctor Who fan since March of this year. I’d figured I’d probably go for a collected volume of this series, but I’m pretty sure it’s being split into 3 books, so barring a single-edition, I’ll cut my losses with having this single issue that includes all the Doctors and be glad I only spent the $3.99. I imagine if you’ve been following the series to date this puts a nice cap on the series and possibly the entirety of IDW‘s holding of the DW license. In and of itself, I’m kinda “meh” on this…the issue wasn’t bad, but not exactly my cup of tea…yet I hope that’s more my lack of 11 issues’ context than anything of the series itself.

Unity #1 [Review]

unity001Written by: Matt Kindt
Art & Cover by: Doug Braithwaite
Colors: Brian Reber
Published by: Valiant
Cover Price: $3.99

I have yet to read the original Unity stuff from the ’90s as I’m still missing an issue or two and haven’t spent the money on the series of collected volumes. And given that Solar and Magnus are not part of the contemporary Valiant universe and the tagline for THIS series is “Victory is not absolute” (rather than “Time is not absolute”), there’s plenty of difference.

THIS Unity isn’t an event so much as it’s a title, a team…one that is formed in response to Aric (with his X-O Manowar armor) setting down in modern Romania (ancient Dacia) and claiming it as his own, re-claiming it for his people, liberated from the Vine homeworld. Russia launches an attack–this is their backyard–and Aric is victorious, which makes them all the more nervous, and the chain effect is that the entire world is poised on the brink of World War Three. As self-styled savior, Toyo Harada gets involved, first sending in his Unity team, before realizing that he’d have to get involved personally, leading an elite team of his own.

Truthfully, I don’t know if this is a “limited series” a la Harbinger Wars (if so, no clue how many issues), or if it’s actually an ongoing series, and the big “instigating event” for the formation of a status quo is “just” this tie-in to X-O Manowar. But for the moment…I’m not too concerned. I’m “all-in” with Valiant at present–getting basically anything they put out as in single issue format. As such, limited series or ongoing, I’m getting this either way.

This felt like a longer issue than usual, with a lot going on. Really, having kept up with X-O Manowar, this actually felt like an issue of that, just involving a more diverse cast than usual, and less focus on Aric as the protagonist (he’s definitely the antagonist here). That this fits so well with that is definitely a credit to continuity in my mind, and what can be done with characters that are typically involved in separate titles coming together in one. At the same time, while I mention continuity, this can also be a decent entry-point for newer readers. The “core” story is given on the inside front cover, about Aric’s past. The other characters come into play throughout the issue and you get some context for them on a surface level at least. Of course, longer-time Valiant readers will have even more context, a deeper appreciation for some of the various character interactions, based on having come across them before…particularly Ninjak and Harada; as well as Aric himself and Gilad (the Eternal Warrior) from the actual X-O Manowar series.

As a first issue, I liked this. We’re introduced to the instigating event: Aric has claimed Romania and isn’t budging from his ancient homeland. The rest of the world isn’t happy, but have yet to put together an effective (for them) response. We get the introduction of major players–Aric himself, Harada, the Eternal Warrior, Ninjak–as well as the actual Unity team Harada deploys. The opposing sides actually meet and battle in this issue (we aren’t left solely with posturing and “setup” or “building anticipation” for this issue). The effects of the first battle are felt, and set things in motion that the issue’s end promises will be brought into play next issue.

Visually, not a bad issue. After all the months of anticipating this series, wondering what would actually play out, and so on, I was far more eager to dig in on the story side than anything with art. The fact I read right through the issue without having to stop to wonder what exactly was going on action-wise is certainly credit to the art team. Doing the job well, I like when I don’t “notice” the art much one way or the other.

I doubt this issue alone would ‘sell’ you on the Valiant Universe as a whole. But if you’ve been curious, it’s a good point to get in, and be introduced to characters involved in at least three other titles (X-O Manowar, Harbinger, Eternal Warrior), and a huge influence in a fourth (Bloodshot/Bloodshot and H.A.R.D.Corps). And following only a few months after Harbinger Wars, this title brings the Valiant universe together, bridging multiple titles without forcing a multi-title crossover…you can get the story from this issue even without having read any of the other titles.

My only real problem with this issue is the many variant covers; I’ve long had issue with there being so many/regularly variants anyway, but with five or six (at least) variants, this was rather ridiculous to me.

Ultimately, variants or otherwise, if you’ve any interest in Valiant past or present, I do recommend this issue. And if nothing else…you have a $3.99 book that is not being double-shipped, and does not continue (directly) into some other series.

Shadowman #12 [Review]

shadowman012Deadside Blues; Lucky Charm; Blackout

Writers: Ales Kot, Christopher Sebela, Duffy Boudreau
Art: Cafu, Matthew Southworth, Diego Bernard, Alejandro Sicat
Colors: Andy Troy, Jose Villarrubia, Ian Hannin
Letters: Dave Sharpe
Cover Art: Dave Johnson and Kekai Kotaki
Editor: Alejandro Arbona
Executive Editor: Warren Simons
Published by: Valiant
Cover Price: $3.99

I’ve kinda lost the “flow” of this Shadowman title. Seems we’ve had a definite interruption of the ongoing story: a #0 issue, a “Halloween special,” and now this 3-complete-stories issue, as we await a new creative team that’s taking over.

While I’m all about done-in-one stories, self-contained issues, having 3 such stories in one regular-sized issue is a bit much (or short, depending on how one looks at it). These three seem rather slice-of-life; the simple stuff that’s not that big a challenge. They can’t be a big challenge–there’re only a handful of pages to get to the end of the situation as presented!

Given three stories, I’m not bothered by three visual styles in the issue. None of ’em particularly blew me away, but none struck me as annoying or hard to follow. Solid art doing what the art should do.

The stories themselves are a handful of pages apiece. Nothing particularly wrong with any of them–they all offer a touch of insight into Shadowman. They definitely make this feel like a “filler” issue…I’d’ve much rathered see these presented in place of multi-page “previews” in the back of Valiant‘s books. Original COMPLETE shorts to introduce non-readers of Shadowman to the character, and provide some incentive to Shadowman readers to maybe grab another issue. (Easy enough to suggest as a fan currently buying any/all Valiant singles).

Taken as a whole, I found the issue fairly mediocre. Not bad, but not wonderful; for the moment nothing in it seems particularly germane to anything ongoing. If you’re following the series and not inclined to skip issues, this is worth getting and reading. Though it stands alone in and of itself, readers would likely benefit quite a bit with context from having read earlier issues. If you’re looking for a jumping-in point, it seems the next issue will be the spot to do so.

If I wasn’t currently “all-in” on the Valiant books…I’m pretty sure I’d call it a day for now on the series, myself. As-is, I’m hoping this new creative team picks things up and runs next issue and shows me that I actively want to keep up with this title rather than passively “not drop” it.

Quantum and Woody #5 [Review]

quantumandwoody005Writer: James Asmus
Art: Ming Doyle
Colors: Jordie Bellaire
Pin-Up: Tom Fowler and Brian Reber
Cover Art: Andrew Robinson, Lee Garbett, David Lopez, Mike McKone
Letters: Dave Lanphear
Editor: Alejandro Arbona
Executive Editor: Warren Simons
Published by: Valiant
Cover Price: $3.99

Now that they’ve accepted they’re stuck together…Eric (Quantum) and Woody are sharing Eric’s apartment. Of course, Eric hadn’t counted on Woody ALSO bringing the goat (now named Vincent van Goat) and the “teenage” clone of the woman who murdered their father into the mix. As Eric goes to work and returns the weapons Woody snuck out, he tasks Woody with finding a job. Instead, Woody decides to house-hunt, and winds up losing Eric’s car in the process. Eric meanwhile finds that he’s come to the attention of his boss, who lays out an interesting proposal.

Though I’ve now read all of the original Q&W issues, I’ve never looked all that deeply into them…but at least on the surface, this continues to very much come off as being in the same spirit. The situations are modified, more modern…but this series fits right with the original to me.

I don’t know where the story’s actually going, though I recognize Eric’s boss’s name and so have a certain suspicion there. I do have a better sense of Eric’s annoyance (and Woody’s deservance of being the target of said annoyance) in this series so far. 

The art isn’t bad, though something seems a bit “off” and I can’t quite put my finger on it. It’s a bit of a shift, but everyone’s still recognizable and it’s not hard to follow what’s going on.

As a bonus, we get a random pinup page in the back…which is rather amusing in itself, as well as refreshing: it’s a pin-up page, meaning full-page one-page art piece…but get this: it’s NOT A VARIANT COVER! Someone, somewhere, actually remembers that an artist can do a piece of art like this without it HAVING TO BE a VARIANT!

All in all, a good issue, and as billed on the cover, the start of a new arc and thus a better jumping-on point than the previous issue (especially when you consider the first TPB is due out soon at the “bargain” $9.99 price point of all the Valiant vol. 1s). If you’re already following the title, it’s worth continuing. If not, you might be better served grabbing the paperback to read the first/origin story and if you like it, continuing on.

Harbinger #17 [Review]

harbinger017Writer: Joshua Dysart
Art: Clayton Henry
Color Art: Moose Baumann
Letters: Dave Sharpe
Assistant Editor: Josh Johns
Executive Editor: Warren Simons
Cover Artists: Barry Kitson, Sean Chen, Matthew Waite
Published by: Valiant
Cover Price: $3.99

After the last couple issues, I really thought things were going one way…but this issue turns that on its head in a way that I didn’t see coming, even from the ending of the last issue. It was actually the “previously…” text on the inside front cover that clued me in…but seeing that, I think, caused me to ‘dive in’ on this issue all the more eagerly.

We flash back to the end of the stuff in Las Vegas–the Harbinger Wars–and see that what we THOUGHT happened…didn’t ACTUALLY happen. Harada was far more prepared than we thought, and what our heroes have experienced since then has been to keep them quiet and calm…prisoners of Harada. Yet, while savoring his victory, we find out that Harada’s resources–including Harada himself–are spread quite thin, and as he approaches a deep exhaustion, the danger to all around him grows exponentially.

The art on this is good…truthfully, I hardly even noticed it as I read…I was simply engrossed in the story and all the potential it holds. It does what the art should, conveying what’s going on, getting the story across where words don’t or can’t, and keeps the reader moving through the issue.

Story-wise…I’m really enjoying this. It’s hard to believe we’re already 17 issues in…sure, that’s not a HUGE quantity, but looking back we’ve had quite a bit of ground covered. And in this day and age where it hardly seems anything lasts much longer than 12-15 issues, this is a real treat with (thankfully) no end really in sight.

This issue’s story drew me in, revealed answers to questions on my mind, and left me honestly curious about where things go from here.

As the third issue of the current arc, this issue isn’t in and of itself the greatest jumping-on point…but it’s definitely not an issue to pass on if you’ve enjoyed things thus far, and especially if you found yourself thinking the last couple issues indicate a repetition of the classic, original series.

Recommended, and I’m looking forward to #18!

Thoughts on Issues First Week of October

QUANTUM AND WOODY #4

quantumandwoody004I’m continuing to quite enjoy this series. I’ve been reading through the original series digitally, and other than consciously noting that they’re different, for what I’m getting of the reading experience of both: this new iteration fits right into the spirit of the original. Even the slightly modified relationship between Eric and Woody works well and does nothing to diminish their interactions…if anything, it adds depth. Despite all the hubbub earlier and the promotional posters, here in THIS issue we finally meet “the goat,” and quickly see why this is the most awesome goat in comics. I’m pretty sure my high enjoyment of the Goat is knowing it to be a running gag from the original series combined with the “hype” from even before I’d read any of the originals. I look forward to seeing both the continuing development of the main characters, as well as how the goat is handled in this iteration long-term/moving forward. This issue wraps up the first arc…if you’ve not read any so far, it’ll definitely be worth picking up the collected volume.

SHADOWMAN #11

shadowman011Of all the Valiant titles, this is certainly the best one TO have a Halloween Special. That it’s another issue of the main title and not some extra issue (say, a $4.99 one-shot with a couple of sketch pages making up the $1 difference from the price of a regular issue) is a huge “plus” for me. The story itself didn’t interest me all that much, yet as a slice-of-life piece, I liked it; it’s the sort of thing I often like to see…so I can’t quite figure out why it didn’t have the expected appeal. The art was good; no complaints from me there. This is a self-contained issue…and Valiant offers a “previously” blurb on the inside cover, so really, you don’t need to have read anything before this to pick it up and “sample” the Shadowman title. Not my favorite issue, but not every issue CAN be. This is still a decent read and I’ll be continuing to keep up with the title.

FOREVER EVIL #2

foreverevil002With all the “hype” around the first issue and what it COULD mean for Dick Grayson/Nightwing, as well as buying several of the 3-D covers and figuring context wouldn’t hurt, I bought the first issue, and it wasn’t all that bad…I figured even though I had no intention of following Villains Month into any individual titles, I’d go ahead and check out the next issue of Forever Evil…and here it is. I did. There’s potential…but I have no intention of buying all the tie-ins: whether individual titles’ issues OR specific tie-in minis, and this reeks of Infinite Crisis to me where the main issues might advance things a bit, but also serve as ‘setup’ for many of the tie-ins (which will have the “meat” of the event). I’m not interested enough by this issue to plan on continuing on with the series. Perhaps if it gets good word of mouth from others I’ll jump back in…otherwise, I think I’m pretty much done with this.

BATMAN: BLACK AND WHITE #2

batmanblackandwhite002Normally I’d balk at the $4.99 cover price, especially for “only” a mini-series…and I’d wait for the collected volume. After all, mini-series = short, finite story = better in one go as a single-volume. However, this is an anthology, and each issue is already several shorter stories…and for me that would get a bit grating after awhile, having a thick edition where every several pages begins a new story. So I’m enjoying this format, and getting some nice, short one-off bits dealing with Batman and his cast, by a number of creators with varying name-recognition for me. If this were an ongoing series, I doubt I’d have as much interest in it–I’d wait for others’ reviews and general word-of-mouth as to anything particularly “amazing” to be found in a given issue. But while nothing really stands out to me from this issue, I enjoyed it, and compared to many comics felt I got a good read for my money.

Thoughts on Some Recent Valiants

ETERNAL WARRIOR #1

eternalwarrior001I’m not sure what I expected exactly, from this premiere issue…based on bits of “preview” I’d seen despite my usual aversion to and attempts to avoid such things, I’d figured this would be set in the past, so wasn’t disappointed. That is a definite beauty of telling stories about a functionally immortal character who has lived thousands of years…there is a rich timeframe from which to draw and tell stories from! I suppose in some ways I think of Highlander for stuff like this, so it was kind of odd to consider children as part of the picture, but their placement works, and leaves me interested in seeing what comes next. I wasn’t blown away by this issue’s story, though I enjoyed the art. Even so, I find this a very worthy addition to the Valiant line and look forward to what the title holds moving forward.

HARBINGER #16

harbinger016This was a welcome “next chapter” given the way the previous issue ended, and seemed to make a bit more sense of what went down, giving more “reason” for it, as well as allowing some continued character development for a character I’d figured we wouldn’t be seeing again except as a corpse. Tying the character and their powers into the larger arc gives added depth I’m appreciating, and whatever the final ongoing fate of the character, there’s plenty of “meaning” given to things. I also quite enjoy the depiction of Faith and the reality given the character–smart enough to recognize reality yet willing to indulge in the fantastic. The story and art continue to be quite solid, keeping this title as one of my typical favorites of the contemporary Valiant universe.

BLOODSHOT AND H.A.R.D.CORPS #14

bloodshot014I was expecting something a bit different than what I found here, but quite like what we got. I expected more of a grudging team-up coming out of Harbinger Wars, and something that would feel more like a backdoor pilot of sorts. Instead, this actually came off as a #1 issue firmly rooted in existing continuity…but thankfully there’s no renumbering, only a small rebilling of the title…and there’s actually the continuing story showing the fallout of recent events. I really dig this as a way to introduce another major concept of classic Valiant to current continuity without having to add yet another title, and I’m definitely looking forward to seeing where things go for these characters and the title–especially as I never much considered Bloodshot a team character. Yet, obviously he’s going to (have to) become one, at least of sorts.

X-O MANOWAR #17

xomanowar017I’m not exactly loving the art on this title…while it is not bad, there’s just something that seems a bit “off” about the X-O armor. Yet, perhaps that’s the primary “issue” I have with it, because the characters otherwise do look pretty good on the whole. I’m definitely enjoying the story on the whole, though I’m not exactly thrilled at Aric growing into a sort of villain figure of sorts. However, at the same time, that is definitely a realistic thing for someone that shows up and takes over part of a country, whatever the motivations. As established, I can’t see Aric just backing down or arbitrarily/suddenly shifting an ingrained mindset to fit a contemporary mindset that accounts for 1600 years of change in such a short time. The continued development also keeps the character grounded: whatever his intentions, he’s “just” a fallible human, finding himself rather suddenly with a lot of power, making things up and learning as he goes along.

General Thoughts

recentvaliants

Outside of the TMNT comics, the first four Valiant titles of the current crop represent the longest I’ve stuck with any given series in quite a number of years. Factoring in the initial four and the eventual addition of Shadowman last year, Quantum and Woody a couple months back and now Eternal Warrior, this is the largest body of titles I’ve stuck with at length in quite awhile as well. Even when there’d be a valid excuse to essentially “double-ship” a title (a #0 and the next numerical instance) in one month, it seems that Valiant has refrained from doing so; at least with the Shadowman and Bloodshot #0s. Even being up to 7 ongoing titles (which admittedly can seem like a large “commitment” on the surface), one has but to look at Marvel‘s double-shipping and see that Valiant would have to add yet another title just to match the number of $3.99 issues’ commitment one currently enjoys every month for half the number of titles.

This Week’s Huge Haul

This week was THE single largest week for me that I can remember in ages, for new comics.

My “usual” haul would have been Archer & Armstrong, Eternal Warrior, Astro City, and TMNT.

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But I’d opted to buy into the DC Villains Month shenanigans since they’re all functionally one-shots. I was going to skip the Riddler issue. But I was quite disappointed to learn that a cheap Marvel Masterworks volume I’d requested was sold out before the order could be placed, so I filled that volume’s “price gap” with the East of West vol. 1 (for only $9.99 I’ll give even Hickman‘s work a shot!) and the Riddler issue.

I can honestly say that this is probably going to be my largest DC-month since the very first month of the New 52.