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Age of Apocalypse Revisited: Weapon X #4

aoa_revisited_logo

weaponx004Into the Maelstrom!

Script: Larry Hama
Pencils: Adam Kubert
Inks: Dan Green
Letters: Pat Brosseau
Colors: Joe Rosas
Separations: Digital Chameleon
Cover: Adam Kubert, Dan Green
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: June 1995
Cover Price: $1.95

Weapon X and Emma Frost open the issue, showing Gateway a holographic projection of North America…the destruction, the death, the whole mess–as they seek to convince him to lead the humans’ armada to Apocalypse’s door. Though counter-intuitive, it ends up being Logan’s in-your-face attitude that ultimately convinces him–not the images of Apocalypse’s atrocities. Moving to the armada, as things get underway they’re attacked by Pierce, who has also alerted Apocalypse’s forces of the coming assault. Pierce is surprised by a trick not exactly up Logan’s sleeve that allows him to save Gateway…who in turn tries one last gambit to get the Armada where it’s headed.

I’d previously "written off" the events of X-Universe as being entirely tangential to stuff and unimportant…the references it gets in this issue shows–at least–that effort is being made to have it matter, and I suppose it actually does, just not in any essential way. Much of this issue is "action," mixed with some foreshadowing. Though the scene with Apocalypse leaving Magneto’s interrogation and showing off a gene-tank to his minion adds context for Carol’s appearance, explains a fatal flaw in Apocalypse (he could easily stop the armada but chooses to allow things to play out just for the entertainment, justifying it that if he WOULD actually be brought down, hey–"survival of the fittest" and all that) and fills a couple pages.

I do feel somewhat disappointed in this issue–I think I feel like while we’ve SEEN a lot of Weapon X here, we haven’t really gotten to KNOW the character. There’s plenty of posturing, but for me at least, I "hear" and see WOLVERINE more than I do this character. Sure, semantics and all, this IS the Wolverine of the AoA reality and all, but the character serves more as "just another character" amidst the Human High Council and such. There’s something to be said of the character not only being capable of but actually working as part of a team, serving as an "agent" of (in this case, the Human High Council) and whatnot…but in retrospect it seems like Logan’s been a small player in his own title.

I like the visuals of the issue overall. I don’t quite "get" visually that Logan’s arm is all that damaged, and while I appreciate that he IS shot on-panel, it looks a bit "convenient" in a sense, like a box being checked. Otherwise, no real complaints on the art, outside of the usual–I don’t like the sideways double-page spreads, as turning a page and then realizing I have to further physically rotate the way I’m holding the comic itself is a huge distraction.

This issue is definitely a product of its time–the 1990s–both hokey and "fitting." Logan chomping a cigar, the various characters’ posturing and recklessness just to show how "cool" they are, etc. Still, it makes for an issue that feels like that bit in a movie where you realize that what’s come before is about to fall by the wayside for the climactic stuff that’ll end the whole thing and leave you barely remembering the story from the first 2/3 to 3/4 of the story thus far.

Had this been a contemporary series, I would not be surprised if Logan would have interacted with characters in X-Universe, as some of that stuff could have been folded together, this series’ chunk of story having such a huge involvement of the HHC. Weapon X doesn’t really tie much up, outside of Pierce being removed from the equation…but where we leave off here has a huge impact, if I’m correctly recalling, on the events that unfold in X-Men: Omega.

Age of Apocalypse Revisited: Weapon X #3

aoa_revisited_logo

weaponx003The Common Right of Toads and Men

Writer: Larry Hama
Penciler: Adam Kubert
Inks: Dan Green and Mike Sellers
Letterer: Pat Brosseau
Colorist: Joe Rosas
Separations: Digital Chameleon
Cover: Adam Kubert
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: May 1995
Cover Price: $1.95

Having "lost" Jean in the previous issue (she can be followed into Factor X #3), Logan heads to Wundagore Mountain seeing Gateway on behalf of the Human High Council. He runs into a couple of cyborgs–humans who voluntarily allowed themselves to be "enhanced" to serve Apocalypse–guarding the place. After dealing with them, he finds Carol Danvers and the two ascend to find Gateway. Meanwhile, the High Council’s resolve deepens. Carol, Logan, and Gateway are attacked by the Cyborgs (who melded for survival) as well as Pierce and Vultura…and after the fight, Logan faces the quasi-success of his mission.

This issue really felt like a whole new one for me–I’d completely forgotten the entirety of this chapter as well as the characters involved. The story isn’t all that thrilling to me despite the action…but then, I’m not a fan of the antagonists–I vaguely recognize Pierce as having a 616-counterpart though I don’t recall the context, and the cyborgs are relatively generic, providing something for Weapon X to fight and dispatch to show how tough and rough he is. Carol Danvers being here seems arbitrary, like her inclusion is simply to have a woman fighting at Logan’s side. Throwing my mind back to 1995, I think Carol was "off the table" at the time with Marvel so this appearance would have been her being "brought back for the story." As such I’m ok with it overall.

Kubert‘s art doesn’t work for me quite as well in this outing (thanks to my disinterest in the antagonists) though I wouldn’t call it bad. It simply doesn’t blow me away in any positive manner.

Passive as it sounds–I didn’t NOT enjoy the issue, but I didn’t find myself particularly enjoying it. It felt like this issue was treading water a bit, moving us from bad-ass Logan & Jean and then the pair splitting, to a "key reveal" I recall happening in the 4th issue right before going on to X-Men: Omega. Still, for me this is a much more satisfying issue than many contemporary comics.

Age of Apocalypse Revisited: Weapon X #2

aoa_revisited_logo

weaponx002Fire in the Sky!

Script: Larry Hama
Pencils: Adam Kubert
Inks: Dan Green
Colors: Joe Rosas
Separations: Digital Chameleon
Letters: Pat Brosseau
Cover: Adam Kubert
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: April 1995
Cover Price: $1.95

On reading the first page of this issue, I felt lost, and actually re-checked the cover. Yep–this IS #2. Not #3 or 4…I didn’t miss an issue. I don’t actually remember the ending to the first issue, but opening on Weapon X wading to shore amidst refugee/survivors, screaming for Jean definitely threw me a bit.

That’s where the issue opens–Logan’s just located Jean, who left to help with the evacuation of the humans from North America. The two reunite, a definite distance/rift between them that neither seems to want to acknowledge. There’s an attack, and the two leap in to help, though it brings things to a head between them and they part ways. Returning to the Human High Council, Logan is stopped by Mariko, and while the two converse another attack commences, and Logan again leaps into action in a way only he can. By the time the attack is over, Jean has left…though Logan is once more able to follow thanks to their psi-link, and the years of partnership between the two reach a tipping point.

This issue definitely feels like a “middle chapter” of a story. We’re thrown in the deep end at the issue’s beginning, and left with an unresolved situation at its end. At its end, we’re halfway through, having been introduced to Logan (Weapon X) and Jean in their status quo, we’ve witnessed their initial mission to completion and then further development of their situation, and things rapidly shifting into place for what I loosely recall of their placement for the far end of the Age of Apocalypse story.

I do like Hama‘s writing, and it’s still interesting to me to look back and realize what he’d done with the Wolverine character (and here, Weapon X) long before I ever recognized his GI Joe work. I touched on the notion covering the previous issue, but saw hints of it again in this issue: while this Weapon X is this reality’s version of Wolverine, there IS a darkness that I suppose I could “accept”–given what I recall of the ending of this Age of Apocalypse epic–morphing into what I considered a ridiculous and stupid thing in more recent years, NEARLY 20 years after the fact.

There’s an authenticity here that I appreciate, and while the story doesn’t leave me chomping at the bit for the next issue, I’m not disappointed to have read this one.

The art is quite good, and I continue to really enjoy Kubert‘s take on things, particularly Weapon X’s hair. That, combined with the burnt-critter version and then seeing the hair growing back over the span of a number of pages was cool–a sort of detail that worked well and conveyed how “tough” the character is physically.

Weapon X may not be my favorite of the Age of Apocalypse titles, but it’s not one I’ve dreaded reading…it falls somewhere in the middle or a neutral place if I were to rank ’em. This was a good issue, and ties in with stuff unfolding in Amazing X-Men, and while this stands alone overall, it’s great to see reference to other chunks of the whole, as this series is not unfolding in a vacuum.

Age of Apocalypse Revisited: Weapon X #1

aoa_revisited_logo

weaponx001Unforgiven Trespasses

Script: Larry Hama
Breakdowns: Adam Kubert
Finishes: Karl Kesel, Dan Green, Chris Warner
Lettering: Pat Brosseau
Coloring: Mike Thomas
Cover: Adam Kubert
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: March 1995
Cover Price: $1.95

After seeing Logan and Jean arrive at the Human High Council in X-Men Alpha, we now find them on a mission while the council decides what to do with the information they’ve been provided. Their mission: to cause trouble for Apocalypse by taking out a structure and allowing a wave of Sentinels in to evacuate what humans can be. Their ride (a sentinel) takes damage, but remains operational; while Logan and Jean fight their way in and ultimately out, even through Havok’s arrival. Once back with the council, the duo learn some shocking news about the humans’ intent moving forward in the face of Apocalypse’s deceit with the Kelly Pact.

This was a good issue, overall. Plenty of action, even if I didn’t comPLETEly follow everything. While I’m sure there are some subtleties I missed in my reading, I take it mostly at surface value. I struggle to see how this Weapon X can be the "villain" I recall from a couple years ago in a more contemporary issue. This seems quite a bit like the Wolverine of the time, but with adamantium (since Magneto never went down his dark path that led to Fatal Attractions and all that entailed). There’s a hint to Logan and Jean’s past, though it’s quick and not something dwelled on by the story. It’ll be interesting to get to the next several issues, and being reminded of the "cool" factor of this title and the character(s).

The visuals were good on the whole…no real complaint. I’m actually a fan of the "big hair" Wolverine rather than the tamed-down Hugh Jackman version of the last decade-plus in contemporary comics. Plenty to "appreciate" here and even as the issue may not be a favorite I still enjoyed it. The only let-down may have come from higher expectations for this than several other recently-read issues.

I do think the cover is one of my favorites–certainly one of the more memorable–of the AoA #1 issues, probably the entire saga. It shows all we really need, with Weapon X front and center and Jean right nearby…two mutants not to be messed with.

Wolverines #1 [Review]

wolverines001Writer: Charles Soule
Artists: Nick Bradshaw, Alisson Borges
Inker: Walden Wong
Colorist: FCO Plascencia
Letterer: VC’s Cory Petit
Editors: Katie Kubert and Mike Marts
Cover: Nick Bradshaw, FCO Plascencia
Published by: Marvel Comics
Cover Date: March 2015
Cover Price: $3.99

In a lotta ways, I’m lost. I recognize some characters, of course (at least by name/vague recollection)…but it’s rather difficult to reconcile this as taking place in the same continuity as the stuff I grew up reading in the ’90s and early/mid-2000s. It’s also quite a challenge to consider that Wolverine–Logan–is really, truly, permanently, not-coming-back-ever-never dead-is-dead DEAD. Moving on…

Thankfully, the “Previously…” page is there–I don’t have to track down all those Death of Wolverine follow-up minis I skipped. Sure, they’d flesh out the DETAILS, but for where this series and this first issue in particular picks up, that’d be superfluous for me.

We open on a bloodied Mystique getting psyched to go through a door; then jump “back” to present. Where we find Mystique, Sabretooth, Daken, and X-23 being forced to work with some escapees from Dr. Cornelius’ experimentations. The mission is to locate/retrieve an object to help them survive. Unfortunately, the Wrecking Crew has also appeared in the vicinity, and confrontation ensues. Though the object sought is located–the adamantium-encased remains of the late Wolverine–this success is short-lived with the appearance of an old villain I certainly would not have suspected. The villain absconds with precious bounty, leaving our protagonists’ situation in disarray.

I picked this up to give it a shot–I’m currently buying all 3 weeklies from DC Comics, might as well give Marvel‘s a try. Moreso than that, though…the cover intrigued me. Kinda generic in a way, but it certainly grabs my attention, seeing the adamantium-encased body of Wolverine surrounded by individuals tied to him (from life, and from what he gave it for). We only get the arms of Deathstrike, Sabretooth, Daken, and X-23 (with a couple of the Weapon X kids in the background)…no Mystique. But that’s not something I even noticed until writing this review.

The actual story is ok enough…where I’d thought the premise of the series might be the characters tracking the body, the cover suggested otherwise, which was why I bought this. And since (thankfully!) the cover suggests these characters around the body and the opening of the issue has them seeking it…hardly spoilers to say that yeah, they find the body IN THIS ISSUE. However, the villain that showed up and left the group in bad shape gives the characters a new quest/hunt, which should sustain the weekly nature of the series for a bit.

I appreciate Soule being on this, given my understanding that he’s the architect of the death of Wolverine…good to see that he’s the one to follow-up “long term” on the development, rather than just killing the character and moving on. And while I wouldn’t think I’d care about the characters involved, have not kept up with them (for example, the last I recall of Sabretooth, he was beheaded by Wolverine…though I’m loosely aware there was a recent-ish story that saw his return) the interactions are not too bad here and I’d be interested in seeing more, seeing these characters in a world without Wolverine.

The issue’s visuals are not bad…there’s a cartooney quality at points that’s mildly distracting and reminds me of Humberto Ramos‘ work. Not a terrible thing, but not entirely my cup of tea. On the whole this simply has the look of a comic book…I credit that to the strong linework (and I suppose that’s a shared credit with the inking). Ultimately the art’s relatively neutral for me…neither a significant turn-off nor a draw. It’s just there, it does its job, and I’m satisfied with it.

Had Marvel priced this at $2.99 as an enticement to investing in FOUR issues monthly, I might’ve been tempted to give it a shot on a weekly basis. Unfortunately, this is a $3.99 book…and a large contributing factor to my having been almost completely driven me away from Marvel stuff is their pricing. Their $3.99 price point combined with frequent double-shipping was a huge turnoff…and if 2 issues at $3.99 apiece each month is enough to frustrate me away from Marvel books, DOUBLING that frequency does nothing positive to my mindset.

I did see somewhere (Bleeding Cool, perhaps) that this series is scheduled to be collected in monthly volumes…provided those are not $20 apiece and I can find ’em at a discount, there’s a possibility I’ll go a bit further into this series that way…or perhaps consider an advance/pre-order for a discount on almost certainly inevitable Marvel Omnibus.

If you don’t mind the $3.99 and are a fan of Soule‘s work with Wolverine and/or Wolverine’s death so far, this may be a decent series to consider. As a single issue this fits the norm…the overwhelming part of the price comes from the realization of the series’ shipping frequency.

[ My thoughts on the final issue of The Death of Wolverine (the week it came out) ]

The ‘90s Revisited: December ’94 X-Books

As the events of Legion Quest were reshaping the ENTIRE line of X-books for the start of 1995, even the titles not directly involved in Legion Quest itself reflected the fact that story was going on, with each title ending with the reality-ending crystallization wave washing over things, most of the books being left on a cliffhanger. While I wasn’t originally going to cover these other titles due to not being direct tie-ins/chapters of Legion Quest, I figured I’d touch briefly on them after all. Here are the resultant five “mini-reviews” of the rest of the December 1994-shipping X-Books.

WOLVERINE #90

wolverine090The Dying Game

Script: Larry Hama
Pencils: Adam Kubert
Inks: Mark Farmer & Dan Green
Lettering: Pat Brosseau
Coloring: Marie Javins
Cover: Adam Kubert, Greg Hildebrandt, Tim Hildebrandt
Editor: Bob Harras

This is one of the more "iconic" issues of this series for me–and certainly harnesses the "feel" of this "era" of the comic for me. The cover is the first thing that stands out, with a hybrid Kubert/Hildebrandt Bros. image–the distinctive Hildebrandts image that would be great on its own, with Kubert‘s art overlaid to the side, and the series logo is almost an afterthought or a formality.

The issue’s story is fairly simplistic, with Wolverine returning to the X-Mansion to keep an eye on the imprisoned Sabretooth while everyone else is away. Wolverine starts out refusing to fight, but pieces things together about the time Sabretooth pulls an escape, and the two brawl. Ultimately they wind up with Wolverine on top, having popped two claws, one to either side of Sabretooth’s head. The villain taunts Wolverine, threatening everyone he loves and cares about, and right as Wolverine pops the third claw–into Sabretooth’s brain–the crystallization wave hits and this never happened, as this universe ends.

While not on the same level as X-Men #s 25 or 41 or Wolverine #75, this is an issue that’s long stood out to me. The ending plays very well with the pre-Age of Apocalypse cliffhanger thing, leaving us hanging a bit on the supposed fate of Sabretooth, what it means for Wolverine to have at long last apparently killed his old foe, etc. (However, the popularity of the characters renders this cliffhanger moot, where some of the "lesser" characters/titles have faded over the years and hold far less memory).

X-FACTOR #111

xfactor111Explosive Performance

Plot: John Francis Moore
Script: Todd Dezago
Pencils: Jan Duursema
Inks: Al Milgrom
Colors: Glynis Oliver
Letters: Starkings/Comicraft
Cover: Tom Grummett, Al Milgrom
Editor: Kelly Corvese
Group Editor: Bob Harras

This issue is one of the more memorable cliffhanger-issues for the month’s X-books, with Guido (Strong Guy) falling to a heart attack, and Reality ends before we learn if he’s actually dead or not.

I remember THAT I’d read a handful of issues of the title from #92-onward thanks to my introduction via the Fatal Attractions crossover the year before. However, other than apparently having read the END, I don’t recall THIS issue’s story prior to reading it this time around.

On the whole, this was a solid enough jumping-in issue…helped perhaps by having read #109 (the Legion Quest Prelude). As I read this issue, I kept mixing up Lila Cheney with Dazzler…two characters I’m familiar enough with name-wise but not so much story-wise. And though I didn’t totally follow–there’s a definite sense I missed plenty with skipping #110–I didn’t feel "lost" or have any particular problem with reading this issue.

That’s probably primarily helped by the fact I read this solely for its "tie-in" to Legion Quest and specifically TO get to the cliffhanger, to have the sense of where the title left off immediately preceding the shift into the Age of Apocalypse itself.

GENERATION X #4

generationx004Between the Cracks

Story: Scott Lobdell and Chris Bachalo
Inks: Mark Buckingham
Colors by: Steve Buccellato
Lettering: Richard Starkings/Comicraft
Cover: Chris Bachalo
Editing: Tom DeFalco, Bob Harras

I’ve yet to *really* ever read any issues of this title–I couldn’t say for sure if I’ve ever actually read an issue, including this one. I remember getting this when it came out, though, so I probably did read it…just without knowing much about the characters. I’d only partially followed the Phalanx Covenant stuff that led to Generation X, and didn’t yet know (m)any of the new characters. This issue’s very stylistic, which I’m not all that enamored with. The story itself isn’t bad, though I don’t much care for the page borders or the little character wandering said borders and holding up page-number signs. It’s an interesting thing to do, and I can appreciate it setting this title apart, as well as the "meta" nature of it. Perhaps it was even "fun" at the time. It just doesn’t do much for me.

Reading this issue for its "lead-in" to Age of Apocalypse was quite disappointing, as it also "bucked the trend" of the other X-books in doing its own thing and then a tacked-on bit to account for the ending of the universe. Not bad in and of itself–a good way to get around being totally formulaic, but my appreciation does not equal enjoyment–and this was the least-enjoyable of the non-Legion Quest X-issues heading into the big event.

X-FORCE #43

xforce043Teapot in a Tempest

Writer: Fabian Nicieza
Penciler: Tony Daniel
Inker: Kevin Conrad
Coloring: Mike Thomas
Cover: Tony Daniel, Kevin Conrad
Editor: Bob Harras

I definitely don’t remember this issue’s story as something I’d read before. I’m familiar with a number of the characters–perhaps from stuff I’ve read in the last 20 years, where I can’t say for sure I’d’ve been familiar with them at the time. I liked the art for this issue, and it’s interesting to see that it’s Tony Daniel, whose work I enjoyed on Batman a few years back. In addition to appreciating the art, I enjoyed this snippet of story–it was cool seeing a number of different characters/situations without them all having to be together in one space; with these multiple ongoing subplots weaving about. The Reignfire reveal seems like it was rather huge at the time, though not recalling anything of the character tells me that’s not something that’s particularly carried to this day.

That the issue involved communication with Cable and was affected by his absence due to things going on in Legion Quest was a definite treat, showing how the various characters tie together and that this issue is not something "on the fringe" of the X-universe of the time but was still closely affected.

EXCALIBUR #86

excalibur086Back to Life

Writer: Warren Ellis
Pencil Artist: Ken Lashley
Ink Artist: Tom Wegrzyn
Letterer: J. Babcock
Colorist: J. Rosas
Cover: Ken Lashley, Tom Wegrzyn
Editor: Suzanne Gaffney
Group Editor: Bob Harras

While I certainly did not pick up on the significance of things at the time, rereading this issue brought back snippets of memory–particularly Kitty’s threat to put Wisdom’s cigarette out, and the issue’s end with the jet crashing.

I do not recall consciously noting before now that this was a Warren Ellis-written issue, though somewhere along the way I became aware of his having been the writer in this general time, and being the one behind the Pete Wisdom character. That this seems to be Wisdom’s first appearance is rather cool.

This issue was a welcome glimpse back to the then-status-quo, and a reminder that Kitty and Nightcrawler had a period of time where they were NOT part of the X-Men themselves. I’d also forgotten about other characters, as well as how much I "miss" Moira’s presence in the X-books. Of course, given contemporary things, that’s practically a generational factor.

The cliffhanger of the characters facing a crash-landing that they weren’t certain of surviving was compelling even back in the day, and has me curious about how the point was resolved when everything returned after the Age of Apocalypse…I’m partially torn on digging that issue out to find out versus allowing myself the wondering until after covering the event itself.

Spoilers on The Death of Wolverine

deathofwolverineshiny004b

Yeah…spoilers.

I’m gonna spoil the thing.

That means I’m definitely giving away how the issue ends.

Talking about how it ends means the issue and series will be spoiled.

Beyond the title itself being a spoiler.

‘Cuz I’m gonna spoil the details of how he dies, etc. And I’m going to assume you’ve read the issue if you’re reading this, or you don’t care.

From here on, the blame’s on you, Bub.

So, I’ve never bought into this, not really. For one thing, we JUST HAD a Death of Wolverine in 2008, and a Wolverine Goes to Hell in 2011.

deathofwolverinetpb2008 wolverinegoestohelltpb

But now, hardly 6 (and 3) years later, after whatever the heck’s gone on in the last couple years’ worth of Wolverine comics with Marvel Now and such since AvX…we have an event mini-series showcasing the death in the title itself.

deathofwolverineshiny004b

I might have bought the entire mini at $3.99 an issue with the shiny covers. They can even kinda get away with it, in my mind, on the notion of shiny covers = shiny metallic claws. But for $4.99…nope, no thank you.

And I only bought this issue to read the conclusion for myself before having it spoiled for ME, and to gauge my interest in the series in general. But I’d already been put off at the notion of a 4-issue “event mini-series” followed by a 7-issue follow-up mini, and then the various other tie-ins.

I was greatly disappointed at the LACK of a “previously” page for this issue–having grown QUITE accustomed to them in Marvel’s single-issues, given their easy omission for the graphic novel. So I don’t really know in any detail what came before in this particular mini, nor much of the recent past for the character, except he’d become “killable” with the apparent loss of his healing factor.

This issue lacked much of any substance for me as a result–picking up simply with Wolverine entering a lab facility much like the one so integral to his own history, and finding Cornelius–presumably and contextually the “mad scientist” doctor who was so integral to Wolverine’s past–experimenting on numerous subjects, STILL seeking to perfect the adamantium bonding process.

The hurt-able Wolverine fights a guard–enhanced/upgraded by Cornelius–where blood is shed and it looked like Wolverine lost his claws…or some sort of add-ons. With Cornelius facing ruination once more, he begins the adamantium process on his subjects, and it seems Wolverine tries to stop it–cutting the feed, but as a result being bathed in the liquidized metal.

Cornelius flees, and the adamantium-drenched Wolverine follows. Extracting Wolverine-like justice on the doctor, he then walks to the edge of the facility to face the sunrise/sunset (whichever) where he sinks to his knees and “dies,” the liquidized metal hardening around him.

Whether he suffocates, or the metal was hot and he was burned to death, or what, I’m not actually sure “just” reading through. And while PERHAPS there’s something “fitting” to him being killed encased in the stuff that he was famous for having inside him, it doesn’t work for me. Not at initial reading, not right now. Not for this EVENT.

Had this been just another issue of an ongoing Wolverine series, where he happened to die…an issue UN-hyped and simply ending leaving the QUESTION of “is he dead?!?” hanging, and THEN having followup books to deal with his apparent death…maybe that’d work better for me.

I’m also quite bothered by the price point to the feeling of lack of story. There are a bunch of pages of “checklist” of the numerous variant covers for this series. Unneeded pages, because you don’t need so darned many variant covers (or any at all!)

For Marvel‘s pricing–the $3.99+ cover prices–I’m not about to buy into a minimum of 19 issues of followup to a 4-issue mini-series. Maybe if I find collected volumes cheaply, or happen across stuff in a bargain bin, or perhaps for one or two issues pick ’em up another week when I haven’t already busted my budget. But no certainty.

I “get” that they (Soule in particular, it seems) want to convey the illusion that Wolverine is actually, fully, totally, completely, definitely, really, no-joke dead Dead DEAD not-coming-back-ever-never-Never…but nope, I don’t buy that.

Maybe he’s “off the table” for the final couple months of 2014, all of 2015, and into 2016 (so far planned). Two years? Ok.

Throw in an extra year, let’s say he’s dead through late 2017. Three years. He’ll be back. I honestly, truly CANNOT imagine a Marvel “capable” of resisting the urge to keep THE Wolverine–Logan, James Howlett, whatever his name is–the character that’s been around since the ’70s and all–off the table for more than a few years. Granted, I thought for sure Jean Grey would be back within a year or two and we’re going on 11 years now. But Jean never supported an ongoing solo series, and Wolverine’s topped 300 issues of solo-ongoing issues.

So…I blew $5 on a crappy single issue with a shiny cover. I read the death for myself, and I’m basically back to no Marvel for a bit. Looking back into the issue, I will probably pick up the Nightcrawler “tie-in” as that will likely be a meaningful story, and if it’s just one issue, all the better…I don’t have to invest in a bunch of issues.

On the whole? This is what it is. I shouldn’t be surprised; I’m certainly not at all impressed, and while “they” got me for this issue…I’m thankful that I KNEW BETTER than to get the entire series. All those tie-ins? Maybe if there’s a Death of Wolverine Omnibus or something I’ll consider it.

After all…the lasting element of the Death of Superman 22 years ago wasn’t the death itself–that was just the vehicle to get to stories of what happened once Superman was gone; how the people around him reacted and got on with their lives, etc. And I might’ve just talked myself into an interest in the follow-up stuff with that analogy…but for Marvel’s pricing, frequency of shipping, and driving stuff into the ground in big clusters rather than spread out and “paced.”

So long, Wolverine…see ya soon.

X-Men Series 1 Revisited, Part 1

This is definitely a strange set to look back to, having come out in 1992…22 years ago! At the same time, it’s rather cool to look back this far, as this is the X-Men just shy of my discovering them originally, and it’s cool to revisit what these characters’ status quo was then, given everything that’s come about SINCE.

It’s also a bit odd to consider the publisher of these cards–Impel–as I am almost certain they aren’t even around anymore, and that they passed the torch (so to speak) for the next series of X-Men cards that was published in 1993.

Especially compared to the Marvel Universe Series IV set, this seems rather amateurish in a way…with some of the cards being landscape oriented, others portrait, and seemingly not organized within the set with an awareness of the standard 9-pocket card pages these would often be stored in.

All of these first 9 are oriented the same way, but as we’ll see next week, the next 9 switch to virtually all portrait orientation, where much of the set remains before a switch back. The coloring on some of the cards–as we’ll see in later posts–also does not all go together for single pages. And yet the final 9-card grouping does make a single larger image.

This first grouping introduces us to a mix of characters from several of the then-current teams: the X-Men themselves, as well as X-Factor, X-Force, and Excalibur.

I don’t much care for the power grid on the backs of the cards–I’ve never cared for this sort of stat with characters, as stories are constantly changing things and these never seem–to me–to remain accurate. All the more for comparing the characters.

The short snippets are nice as a bit of introduction to the characters, and I like the note of their first appearance…a rather handy piece of information to have, even these 20-odd years later. The “X-tra Fact” is also a neat piece of info to have…particularly to help set these cards within the time they came out, as I’m looking back on them now.

I actually hadn’t realized until going through these for this post that Siryn first appeared in Spider-Woman and not a “regular” X-book somewhere.

Nothing too spectacular about these, though I do rather like the Jim Lee art, as well as the use of DIFFERENT art on the backs of the cards rather than a re-use of the front…showing that there was a bit of thought put into these.

[Click below to see the individual cards…]

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Marvel Universe Series IV Revisited, Part 20

This page of cards is a bit more interesting looking back, as being a bit more relevant to comics I was reading at the time, or within a couple years of this set.

Ghost Rider vs. Blaze, Hulk vs. Hulk, Spider-Man and Cardiac, Punisher and Ghost Rider, Wolverine and Omega Red, Cable and Deadpool all grab my attention just by concept. Hulk vs. X-Factor grabs my attention now due to knowing both were being written by Peter David at the time…though that was something I had not yet come to notice in 1993. At the time, other than perhaps the Superman books’ writers and Alex Ross on Marvels, I really didn’t have much concept of specific writers and artists.

In 2013 with the internet and such, it seems rather silly to have a checklist card, when one could likely very easily look up a “checklist” online for what cards exist. Back in ’93, though, this was an extremely valuable resource for knowing how many cards there were and what they were, in the holes in my collection. The checklist card was–outside of seeing cards for sale at the comic shop–the only real means of seeing the set as a whole.

Nowadays I would certainly feel a certain bit of disconcertment over having a “wasted slot” in a card pack taken up by a checklist.

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Marvel Universe Series IV Revisited, Part 19

While informative, I don’t have all that much to say about this page of cards, except that I probably referred to the Warlock vs. Man Beast card when I got into the Warlock character a couple years later; and though I’m aware of some of these conflicts, they don’t particularly interest me on the whole.

Still, I definitely like that these cards had a bit of informative substance on the backs rather than simply listing an issue # of battle and leaving it at that.

Some of these are a bit of “history” that’s held to this day, I think…while others have mostly faded to just being objects of their time.

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