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Cover Gallery: Age of Apocalypse Special Issues

Amidst all the reviews and such, for me (at least) sometimes it’s just really fun to look at a bunch of comics’ covers together, whether it’s admiring a run of a series, or seeing a full story, or some other ‘theme’. Here are the covers to the special issues from the original Age of Apocalypse event in 1995 (and as a shameless plug, click on the cover and that should take you to my Age of Apocalypse Revisited coverage of the issue).

 

xmenalpha001 xmenomega001
xmenchronicles001 xmenchronicles002
xuniverse001 xuniverse002
ageofapocalypsethechosen001 xmenprime001

Cover Gallery: Legion Quest

Amidst all the reviews and such, for me (at least) sometimes it’s just really fun to look at a bunch of comics’ covers together, whether it’s admiring a run of a series, or seeing a full story, or some other ‘theme’. Here are the covers to late 1994’s Legion Quest books that crossed the X-Men line at the time (and as a shameless plug, click on the cover and that should take you to my Age of Apocalypse Revisited coverage of the issue).

 

uncannyxmen319 xfactor109
uncannyxmen320 xmen040
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xmen041  

Secret Wars – Week of June 10, 2015

Several weeks in and finally getting to some of the #2s for the Secret Wars tie-ins. I enjoyed the week’s reading overall, though none of the #2s particularly stood out or overly impressed me. As always, I’m not thrilled with the $3.99 price point, but these could have been worse for the price. We also had the Marvel Zombies #1, which I covered by itself.

Inferno #2

secretwars_inferno002I definitely picked this up because of the first issue, and was curious at where things would go. This issue manages to lose the “shiny newness” factor of the first and settles (for me) into a middle ground of “good” but “not terribly memorable in itself.” Even though I did read the issue, its content and the specific details of the issue mostly faded from conscious memory…outside of what happens to Nightcrawler. I’m quite sure I’d have enjoyed it more if I was familiar with the original Inferno story; but here, I’m simply experiencing the details of this iteration with a general knowledge of continuity after the original. While I’m not overly engaged at this point, the only real negative for me (story or art or overall) is a passive lack of engaged interest. Nothing actively puts me off or kills my willingness to continue with the series.

Secret Wars 2099 #2

secretwars_2099002I’m still not entirely sure what to think of this book, but as a Peter David one I really find myself wanting to like it. This issue gives us more background (and questions) on the Avengers 2099…particularly Captain America and her alter ego. We also re-meet the Hulk of 2099 and see him face off with the Avengers. I only loosely remember the existence of the Hulk 2099 title and character, with a lot more “awareness OF” than actual reading experience on the character. While we have Miguel heading Alchemax, this is sort of the first (familiar) 2099 character for me, grounding the new characters (Hercules simply seems to be “my” Hercules but traumatized). Taken alone as itself I don’t think I’d care nearly as much for this title; but as a 2099 combined with David‘s writing, I want to see where this goes, and look forward to the next issue.

Ultimate End #2

secretwars_ultimateend002Things start to make a lot more sense to me here and explain stuff I was unclear on with the first issue. For one thing, I assumed the first issue had some bit of flashback going on, or something preceding the start of Secret Wars itself; I get clarification here that what I’m actually seeing is heroes from two different worlds put together and trying to figure their situation out, but AS a part of Battleworld. We get some nice character interactions between the two Tony Starks, and other Spider-Man/Peter Parker and Ultimate Gwen and Aunt May. We also get a Green Hulk vs. Gray Hulk fight to cap off the issue. I’m also seeing that unlike my initial assessment, this is much like any of the other tie-ins to Secret Wars in that we have characters from the given setting(s) and get a story involving them, in the context of Battleworld.

Overall Thoughts on the week

I’ve definitely found myself significantly more interested in the #1s to “try” them than with the continuations of the series. I’ve already passed on Secret Wars Journal #2, and suspect that in the coming weeks/months I’ll “drop” other titles and possibly pass on even more. No matter how interested I may be or how “fun” the thing might look…I have a limited budget, and $3.99 upon $3.99 stack up REALLY fast, and whatever of these tie-ins I buy are ON TOP OF stuff I’m already getting, and are not going to supplant any of those. The “sticker shock” of Marvel‘s $3.99 books continues to be THE #1 detriment for me. I look forward to the next couple weeks, with less tie-ins that I’m after, and hope that what I *am* getting with balance out more across the weeks as the event goes on.

Secret Wars – Week of June 3, 2015

I actually enjoyed reading the Secret Wars comics I bought this week…so much so that I spent more time reading and less time even considering reviewing. And given general “life gets in the way” time-constraints (and lack of patience, if I’m totally honest) I decided instead of writing up single-issue reviews, I’d just touch base on the issues I bought this week and thoughts I had. Not exactly reviews, not exactly something else. Just my rundown of my trip into Battleworld.

Secret Wars #3

secretwars(2015)003I continue to be surprised (pleasantly) at this series. I’m less and less appreciative of the full-page text/chapter breaks (seems like a waste of pagespace to me), but I’m finding the core story here to be a lot more accessible than I expected, given the writer. Given we basically already know the outcome, and have for months before this even started, it’s still a good ride going through. As this third issue in the series, there is a shift and I sort of feel like we’ve had 3 distinct “situations” presented with the first issue giving us the end of the 616 and 1610 Earths, the second immersing us in this current Battleworld Earth, and now we begin to see some cracks and the drawn-back curtain on how this world was came to be and its background. I definitely look forward to the next issue, and whatever tie-ins I do or don’t get, I’m pretty sure I’m “all in” for this core book.

X-Tinction Agenda #1

secretwars_xtinctionagenda001The cover alone for this issue would have sold it for me. Having a classic cover-dress absolutely punched my nostalgia button–corner box with the character headshots; the bold, blocky title logo, the overly dramatic image, and even the “ACTION-PACKED FIRST ISSUE” blurb…totally something out of the early 1990s. Topping that off, the simple fact that this is an X-book. I’ve yet to read the original X-Tinction Agenda story, but I know OF it. And this issue provides some interesting (to me) character sets as well as the situation casting certain characters into a “villains” type of role…while keeping them sympathetic to me as a reader. Despite that, I’m not overly invested in these versions of the characters, and the cliffhanger doesn’t mean much to me except as “generic” potential foreshadowing. Given my enjoyment of classic ’90s X-Men stuff, chances are good that I’ll stick with this series for its duration.

Amazing Spider-Man: Renew Your Vows #1

secretwars_amazingspiderman001Given the better part of the last decade has had me with near-zero interest in the One More Day/postOne More Day take on Spider-Man, getting a fresh take on a MARRIED Peter Parker (who HAS A KID, to boot!) is something I really could not NOT support. And thankfully, despite some wariness on my part at Slott writing the book (what I’ve read of his work on Spider-Man over the past view years has had mixed reactions on my part)…I quite enjoyed the issue. Some page layouts were a bit weird and distracting as I tried to determine the exact flow of panels, but the art itself was great. The story gives a nice mix of Peter in action and interacting with his family, as well as setting up the world he and MJ live in, and providing an interesting spin on the character as things are set up for the rest of this series. I definitely look forward to the next issue (for better or worse, this is a double-ship month so I only have a couple weeks) and will see how things are shaping up from there as to whether I keep up with the series to its conclusion.

Future Imperfect #1

secretwars_futureimperfect001This is another Secret Wars tie-in based on a story I’m quite AWARE OF but have yet to actually read. I didn’t REALLY have any particular interest in it…but then I saw that it IS a Peter David book, so on his name alone, I decided to check this out. And overall, I’m glad that I did. I had no particular pre-conceived notions getting into this, so it just unfolded, and even gave an interesting twist where I thought I saw something developing but then got something else that felt like it should have been equally obvious. I also enjoyed the art overall in itself, if not all the character designs. Despite that, this is one that as a story doesn’t hit any real nostalgia buttons for me, and given the large quantity of books each week may fall off for me as I simply don’t have the “budget” to get every last tie-in title that’s on my radar. Still…having the original creator (David) getting to revisit something like this with a fresh series is something I welcome, and am glad to see out there. It also leaves me much more interested in actually reading the original, just to “experience” that for myself after all these years.

Years of Future Past #1

secretwars_yearsoffuturepast001The original Days of Future Past story in X-Men was probably the first major story that I spent awhile trying to track down just to read. I was aware of its existence, knew what issues it had been in…but did not have actual, physical access to it to read the thing. I was introduced via the ’90s cartoon, then eventually found a paperback children’s novelization, and finally at some point found the two-issue “mini tpb” to read it (years ahead of collected volumes and digital or even eBay negating such troubles). This is an oversized issue at $4.99 instead of $3.99, and that almost put me off from getting it, but since it even FELT oversized, I decided to suck it up and buy the thing…I’m giving as many of the #1s a shot as I can, figuring shops will have a better handle on ordering for the second issues, and at least I won’t miss out on a surprise #1 taking off in popularity. This had some interesting enough bits, but overall this didn’t exactly grab me…I appreciate it being drawn from the Days of Future Past-era stuff but doesn’t actually hold the tight significance of that original story for me.

Overall Thoughts on the week

Considering I’ve been largely away from Marvel for most of the past couple years, with most weeks not even buying anything they put out, it’s been quite an anomaly the last several weeks actually having Marvel in my purchase stack. This week brought out the sticker shock…with a cluster of THREE Star Wars books, and buying FIVE Secret Wars tie-ins, as well as a couple random issues AND my usual pull-list issues. Even so, while I may be “iffy” on tie-ins on a case-by-case basis, five or so weeks in and I’m still enjoying Secret Wars and still looking forward to more!

Inferno (2015) #1 [Review]

secretwars_inferno001Writer: Dennis Hopeless
Art: Javier Garron
Colors: Chris Sotomayor
Letters: VC’s Joe Sabino
Cover: Javier Garro and Romulo Fajardo, Jr.
Assistant Editor: Xander Jarowey
Editor: Katie Kubert
Published by: Marvel Comics
Cover Date: July 2015
Cover Price: $3.99

I have yet to read the original Inferno saga. I remember and recognize its logo from comics I first saw in a friend’s collection, though now know it more personally through comics in my own collection, issues I’ve seen in passing in back issue and bargain bins, and know of it historically through prior revisitations and references as well as the “after-effects” it left on the X-Men-universe. But as a sucker for classic X-stories (with added appeal of late for lack of great X-stuff to get into), I was quite interested in this, if only to “check it out.” I wouldn’t necessarily choose Inferno–it’s hardly at the top of my list of favorite X-stories–but this issue was yet a mostly enjoyable read for me.

Several years after the demons took over the city, we find the Colossus willingly submits to doing Cyclops’ bidding in exchange for being allowed to–one day per year–take a squad of X-Men into the Inferno to attempt to free his sister from the demons’ grasp. After a particularly costly such encounter, the losses are driven home all the more, and Colossus finds himself nearly cut off, faced with one final rescue attempt that does not go nearly as he had hoped.

The story itself is good, taking the core concept of the classic story and giving it a different ending, pulling a “present” timeline out of that change. I’m not consciously familiar with the art team, but there’s a definite air of familiarity to me with the visuals, reminding me (I think) of Chris Bachalo‘s work…though that’s not entirely a positive. The art is not horrible or anything but it’s not exactly to my liking. Stylistically, it fits the story pretty well, and much of its simplicity works for getting across what’s going on. It could certainly be a lot worse, a lot more jarring, so I’m good with it as-is.

Where The Infinity Gauntlet had originally been its own title, and the 2099 line was basically a bunch of books with the 2099 tacked onto something (Spider-Man, Punisher, X-Men, etc) and so works with the current Secret Wars as Secret Wars 2099, Inferno works a little less so as a standalone to me. The logo is familiar and simple but on the cover seems to just be floating. Perhaps it’s the lack of a Secret Wars or Battleworld logo stretched across the top, but this mostly looks like a Bachalo-esque image with the logo elements pasted onto it.

In and of itself, this was a good issue and I’m definitely interested to see what happens in the next issue. I liked the stand-alone nature of this book: consciously I know it’s part of Secret Wars, one of the realms in that world, but on the whole this could just be an introductory issue of some parallel reality with the X-Men characters…and that works in a good way.

Perhaps not entirely worth $3.99, but getting an older, more classic-ish X-story back in the forefront is good enough for me. And given the seemingly arbitrary pricing model of Marvel‘s collected editions, I’m definitely ok with buying this as singles. Recommended particularly to fans of the original story, or early-’90s/pre-’90s X-stuff.

The ’90s Revisited: X-Men Prime

90s_revisited

xmenprime001Racing the Night

Writers: Scott Lobdell & Fabian Nicieza
Pencilers: Bryan Hitch, Jeff Matsuda, Gary Frank, Mike McKone, Terry Dodson, Ben Herrerr, Paul Pelletier
Inkers: Al Milgrom, P. Craig Russell, Cam Smith, Mark Farmer, Mark McKenna, Tom Palmer, Tim Townsend, Hector Collazo
Letttering: Richard Starkings and Comicraft
Coloring: Steve Buccellato and Electric Crayon
Cover: Bryan Hitch
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: July 1995
Cover Price: $4.95

With this issue, we’re back to the “real” reality/universe/timeline/whatever. The 616 Marvel Universe. Bishop and his mission was a success, and by stopping Legion from killing Xavier…the Age of Apocalypse never happened, things have been set right. Or have they?

We have a bunch of plot points sharing this issue…while the various Age of Apocalypse mini-series led into X-Men: Omega, this issue now serves as the focal point for the return of the “regular” X-Men titles…as a “regular universe” Alpha issue to introduce readers to the current status quo of the characters and teams that make up the X-side of the Marvel Universe and send the readers into the mix of titles having had this bit of setup for where things are moving forward.

I do think that if Free Comic Book Day had been around in 1995, this would certainly have been a Marvel offering…an in-continuity quasi-anthology to get readers to jump aboard the entire line of X-comics.

I can’t say I’m honestly all that thrilled with this issue on this re-read. I certainly appreciate that there are “only” two writers credited, offering a bit of consistency to the story side of things. The issue is quite a mix visually due to the numerous pencilers and inkers getting their chance to work on pages presumably germane to the individual titles. Reading through this time, I noticed a bit of wonky art at points, but somehow was not particularly jarred by the shifts…perhaps for familiarity with the Age of Apocalypse stuff as a whole.

After the shiny “chromium” covers for X-Men: Alpha and X-Men: Omega, seems Marvel felt the need to give this a special cover as well–a clear plastic-ish thing with an inner orangey background. We also get the “alternate” X-Men logo, with the Prime part next to it…and the whole thing is a wrap-around (which I very much appreciate 20 years later in an age of VARIANT “interlocking” covers).

The story introduces or re-introduces some characters–and I even see hints of Onslaught in this reading. We find out that several characters–Nate Grey, Dark Beast, Sugarman, and Holocaust–escaped the Age of Apocalypse and wound up in the real timeline. Nate first appears in the “present,” while Magneto’s Acolytes only now in the present discover what will be revealed to be Holocaust…but Beast and Sugarman arrived 20 years ago, and were responsible for the Morlocks and Genosha’s Mutates, respectively. Marrow is reintroduced, aged twenty years from a prior appearance…Rogue and Iceman are on a roadtrip, the former haunted by whatever she saw in Gambit’s memories (Gambit’s in a coma). Trish Tilby reveals the Legacy Virus to the public along with the knowledge that it’s affecting humans as well as Mutants. X-Factor chases Mystique and Havok’s powers act up on him; X-Force’s base is destroyed. Wolverine is living in the woods outside Xavier’s mansion (refusing to reside under the same roof as Sabretooth) and Bishop is having unconscious outbursts as a result of the visions he’s having as a result of his temporal status in relation to the Age of Apocalypse. Amidst all this a mutant seeks the X-Men but winds up victim of humans lashing out against something they fear and do not understand.

This certainly sets up the various X-titles moving forward, so for that alone is pretty much an “essential read.” Yet, unless one intends to pursue those issues from mid-1995 that this is immediately germane to, there’s not much to really dig into singularly with this issue. Outside of characters involved and how they now will interact in the 616 universe, there’s no actual story-content directly tied to the story of the Age of Apocalypse timeline.

Given that, my covering of this issue is much like why I covered the non-Legion Quest X-books that preceded Age of Apocalypse: this is stuff coming out on the “other end”, the border, “bleed,” or whatever butting up against the Age of Apocalypse without actually BEING an issue of that..

While rarer than the Alpha or Omega issues in bargain bins, I certainly would not pay much more than cover price for this (and that would be a grudgingly-paid price). I’d seek this out to use as a starting point diving into any or all of the X-books of the time but certainly not if you’re only interested in the Age of Apocalypse.

Unlike contemporary Marvel, this does not kick off “the next” EVENT but rather gives the individual titles time to flex and explore their own things for awhile before everything heats up again with the following year’s Onslaught stuff.

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Age of Apocalypse Revisited: X-Men Omega

aoa_revisited_logo

xmenomega001_front…Endings

Story: Scott Lobdell
Dialogue: Mark Waid
Pencils: Roger Cruz
Inks: LaRosa, Townsend, Kesel, Candelario, Hanna, Milgrom
Letters: Richard Starkings and Comicraft
Colors: Steve Buccellato, Electric Crayon
Cover: John Romita Jr., Klaus Janson
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: June 1995
Cover Price: $3.95

While not nearly as "iconic" as the Alpha issue to me…this issue is still one of THE most iconic comic issues of my youth. Though the majority of the context comes from the various individual titles that make up the Age of Apocalypse, this is THE issue they all led into, after spinning out of X-Men: Alpha. As such, while I didn’t remember details of most of the individual series, I remembered where things wound up because of this issue.

We open on a full-page of Magneto, bloodied and energy crackling around him, standing defiantly against an off-page foe, who we find is Holocaust, battering the leader of the X-Men for Apocalypse’s amusement before the villain reveals his final plans. Meanwhile, Angel finds Karma, while in the pens, the X-Men arrive via Blink’s portals. As they contemplate the lack of opposition and come across Beast, we move to see Cyclops and Jean leading freed humans across the bridge away from Apocalypse’s stronghold. Apocalypse’s forcefield is taken down by Angel’s suicide bomb…his sacrifice allows Nate (X-Man) access to Apocalypse…where he finds and is recognized by Magneto as The One that Forge had long ago promised to deliver.

while Nate takes on Holocaust, the X-Men have found the M’Kraan crystal, and Destiny confirms Bishop’s claims and everything comes down to Illyana choosing to help restore broken reality. The three enter the crystal, leaving the X-Men to fight Apocalypse’s forces. On the bridge, Jean realizes the bombs have been launched and throws up a psi-shield…holding them back as long as she can. In the crystal, Destiny guides Illyana in unlocking her powers, getting Bishop back to the moment things went wrong. Back on the bridge, Havok reveals himself, unleashing his powers to take out Jean and Scott before being taken out himself by Weapon X. The X-Men rescue baby Charles, mess up Beast’s escape attempt, while others have fallen in battle and misunderstanding.

In the past, Bishop confronts his past self and Legion, preventing Legion from killing anyone…and closing a loop that sees the X-Men ripped back to their own time and the chronal energies erasing their presence and Legion’s from the memories of all left behind…that events would unfold as they had with no taint from Legion’s obtrusive presence.

Nate finally gets to Apocalypse before being attacked again by Holocaust…using a shard of the M’Kraan crystal he and Holocaust are unexpectedly removed from the equation. The distraction is enough for Magneto to summon the power to rip Apocalypse apart, finally killing the evil mutant and ending his reign. In the last few moments left to him, he rejoins Rogue and his son, while reflecting on the importance of one man to the world itself…as the nuclear blast is about to engulf them. Hope is left behind, in Bishop accomplishing his mission…and preventing any of this from ever having happened.

This issue being what it is, as mentioned above…there’s little separating its nostalgic and emotional, lasting impact on me from the technicalities of the issue itself.

At this typing, I don’t particularly recognize Cruz‘ name or art…and would have sworn there was someone else on the art. Looking back, Cruz contributed to a couple previous X-issues, and was the penciler on the Alpha issue as well…so while the art isn’t ENTIRELY consistent with the individual series, it provides a definite consistency to the other bookend issue of this entire mega-arc. In and of itself, I really don’t have any complaints on the art…everyone is recognizeable and obvious for who they are…and though many of the characters don’t look quite as well-done as they were in the individual books, given this issue involves so many without being a "jam book," that’s hardly an issue for me. We have numerous inkers and a full roster of Letterers and Colorists…whether that was to get the book out "on time" or to allow more hands to touch the project, be a part of it, I don’t know. It’s really something I mostly notice for specifically scoping out the credits to write this up.

Story-wise, I see Mark Waid on dialogue, as with X-Men: Alpha…which is interesting again as before given I wasn’t consciously aware of him 20 years ago but know him as a writer whose work I like present-day…and realize how much I like his dialogue through this issue, hokey and cheesey as parts are. Magneto’s final moments in the issue resonate particularly for me.

Given the specific issues that things unfolded in, this is the first we’ve "seen" of the "regular" X-Men in the entirety of the labeled Age of Apocalypse issues. The brief bit we get with them–specifically of Storm realizing the true battle was fought elsewhere–is something that has stuck with me since originally reading the issue, and worked its way into my head over the years as a concept that truly influences my understanding and conception of time travel and alternate reality stories…really in a way I can’t quite put to typed words.

The Age of Apocalypse ends, the "true reality" is restored…but this story left lasting repercussions (and characters) on the X-universe and the Marvel universe in general. Fitting in a way, perhaps, that present-day 2015 we’re about to get major changes to the very fabric of the Marvel universe, as I’ve just finished re-reading this tale.

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Age of Apocalypse Revisited: Amazing X-Men #4

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amazingxmen004On Consecrated Ground

Plot: Fabian Nicieza
Penciler: Andy Kubert
Inker: Matt Ryan
Lettering: Richard Starkings and Comicraft
Color Art: Kevin Somers and Digital Chameleon
Cover: Andy Kubert, Matt Ryan
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: June 1995
Cover Price: $1.95

Here we are…the second-to-last issue of the entirety of this (as we’re in 2015 I have to use the word "original" to specify) Age of Apocalypse story.

The issue opens with Bishop in the hands of the Madri as they prepare to "sacrifice" him so that his knowledge does not pass further and inspire others to consider a world in which Apocalypse does not presently rule. Storm bursts onto the scene and frees him, though the doing drains her considerably. While this is going on, Quicksilver and Banshee locate the source of the Madri–Jamie Madrox–as we learn that the Madri are all "just" dupes of Jamie. Meanwhile, Rogue and her group arrive back at the mansion to learn Magneto has been taken and her son Charles is missing. Nightcrawler bamfs in with Destiny; Colossus and Kitty had also arrived with Illyana and now deliver the news that their students died in freeing the girl. Dazzler and Exodus return as well, Gambit and Lila Cheney in tow…but no sign of Charles. Rogue lashes out at Gambit for not returning with her child; while Banshee sacrifices himself to put an end to Abyss, and Madrox gives his own life to shut down the Madri and thus save Storm and Bishop. The various pieces of Magneto’s planning have come together, borne fruit…and the X-Men stand ready to end the age of Apocalypse.

Though this issue does technically continue threads from the previous issue, in many ways it feels more like a filler issue, not belonging to its own series, but rather, tying things together to funnel/filter several things into X-Men: Omega and the end of the overall AoA story arc. There’s a lot going on, though nothing really gets much focus.

The story as such doesn’t work as a solo issue, and even as a final issue, too much "space" is given to converging plotlines for this to really fit the standard expectation of a final issue. I suppose I’d say that this issue lacks much of its own identity as a chapter of an individual thread about to be woven back into a larger whole. Yet, this certainly sets things up and if one reads this issue, it certainly does not make much sense not to continue on to X-Men: Omega.

The art is good. Nothing really stands out positive or negative, though if anything it might be the portrayal of Abyss. I can’t quite figure out if I like or dislike the character’s appearance…though it’s a credit to the visual team that I can "hear" the sound of the character’s movements in my head.

This issue is a sort of bridge between the other minis and X-Men: Omega; particularly Generation Next, X-Calibre, Astonishing X-Men, and Gambit and the X-Ternals…really only leaving out Weapon X, X-Man, and Factor-X, as those series’ finales I believe are more directly connected to the pages of the bookend special.

The end of this issue points out the continuation into X-Men: Omega…which apparently was on sale the same week, so there would have been the double-dose of story, and making this one functionally an extension if one bought both. X-Men: Alpha, 8 4-issue series, two 2-issue series and a profile book…this is–if my math’s correct–the 39th part of AoA, with everything wrapping up in a 40th issue, capping things off.

Age of Apocalypse Revisited: X-Men Chronicles #2

aoa_revisited_logo

xmenchronicles002Shattered Dreams

Writer: Howard Mackie
Penciler: Ian Churchill
Inks: Hanna/Vey/Moncuse/Wiacek
Colors: Matt Webb
Color Separations: Digital Chameleon
Lettering: Richard Starkings and Comicraft
Cover: Churchill
Editors: Kelly Corvese, Bob Harras
Published by: Marvel Comics
Cover Date: June 1995
Cover Price: $3.95

We open on Weapon X confronting Magneto. He and Jean are leaving, and Mags will NOT be convincing him otherwise. After the tense standoff, we shift to Wolverine–a huge mutant working for Holocaust. Holocaust, it seems, was once Nemesis–who killed Scarlet Witch in X-Men Chronicles #1, some time before this issue. Magneto doesn’t take Jean and Logan’s leaving all that well and throws himself AND his X-Men into training, none realizing the pending danger of the Wolverine. We also see the deterioration of Gambit’s pursuit of Rogue as we see the blossoming of the Magneto/Rogue relationship…which doesn’t begin to go over well with Gambit. Despite the huge wedge from a heart’s betrayal, Gambit stands with Magneto against Wolverine…though their broken friendship is one of the "key" events to come of the issue.

It may be that the issue is extra-sized and so a bigger single chunk of story, minus issue breaks and fitting into the larger, more complex continuity of multiple titles going on simultaneously, as well as "seeing" a key point in this version of the X-Men’s past (relative to the "present day" waning moments of the Age of Apocalypse unfolding in the main X-books cover dated June 1995). It might be the art, and certainly an enjoyable story. But reading this issue, the thoughts it provoked, and the feeling I had when I got to the end…this is definitely one of my TOP favorite issues of the entirety of the AoA storyline.

There’s only one page in particular (but several, flipping back through the issue) with Magneto specifically, where I feel like I noticed a change in the inking, transforming Churchill‘s work such that I actually paused and looked back to see if there were multiple artists/pencilers on the book, as it just looks quite different from the rest of the book. Otherwise, I really liked the art, and would have to really dig to find anything NOT to like about it. I’m not all that fond of Wolverine’s visual design…but as a generic "evil mutant" he works quite well. I imagine part of that is simply the use of the name in association with someone NOT Logan. (Yet, it makes sense in a world with countless "codenames" if most know "Weapon X" but he’s not using the name…"Wolverine" WOULD be up for grabs!)

Mackie gets a bad rap, I think…or at least, I’ve allowed my opinion to be clouded by his later work, particularly–I think–his Spider-Man stuff of the later ’90s. Here, I just simply enjoyed seeing these characters and the story that we get through the longer segment. Even knowing what was coming, I found it rather authentic seeing Gambit’s naiveté regarding Rogue’s falling for Magneto, and empathized with his hurt and frustration at the unintended "betrayal" of Magneto and Rogue’s developing relationship.

We get some details hinted at previously, and the actual "on-panel" stuff with Logan and Jean leaving and the Magneto/Rogue/Gambit triangle, as well as 44 pages of story plus 5 double-page "historical moments" (basically, "pinups") to round things out. I truly miss–and consider it a "lost art" of late–the inclusion of such "pinups" or quasi-arbitrary art pages in comics. In 2015, these would be an additional 10 variant covers as 5 sets of double-panel interlocking images. In 1995, these were fun bonus pages adding some visual context to the X-Men’s history. If only by labeling, these pages definitely lend credence to the notion of a picture being worth a thousand words.

Given this is essentially a one-shot, simply "a" story of this universe’s X-Men, the issue stands very strongly on its own. Knowing only that this is an alternate reality as well as the general convolutedness of the entirety of X-Men history…one doesn’t have to be following the rest of the Age of Apocalypse to follow this or to take this as "a story." For that matter, one doesn’t truly have to have read X-Men Chronicles #1, even.

For me, at least…the Age of Apocalypse doesn’t get much better than this; and perhaps for its immediate recency as of this typing, if I didn’t before I definitely now hold this as cream of the crop when it comes to Age of Apocalypse stuff.

Age of Apocalypse Revisited: X-Calibre #4

aoa_revisited_logo

xcalibre004On Fire

Writer: Warren Ellis
Pencils: Ken Lashley
Inks: Tom Wegrzyn with Philip Moy
Colors: Joe Rosas
Letters: Richard Starkings and Comicraft
Separations: Digital Chameleon
Cover:
Editors: Suzanne Gaffney, Bob Harras
Published by: Marvel Comics
Cover Date: June 1995
Cover Price: $1.95

Damask, Switchback, Mystique, and Nightcrawler pause for a moment before heading back to Avalon to try again to convince Destiny to return with Kurt to Magneto. Before long, a new presence is discovered…the Shadow King has arrived, and causes all sorts of death and destruction. He’s able to possess others, trigger parts of their mind…yet by possessing he can cause physical danger for others while he himself–as a psionic entity–continues on if a host body is destroyed. Eventually he possesses Mystique, triggering a desperate idea for Kurt. Utilizing teamwork, a combination of his own powers and those of Switchback and Damask, Kurt leads his "X-Calibre" team to take on the Shadow King, despite the dream that was Avalon now being so much ash and remnants of destruction.

Here we are with another "final issue" of "a four issue series," and again we don’t have a true ending so much as a turning point or point of continuity, where a fleshed-out adventure moves characters as pieces around a board to get them where they need to be for X-Men: Omega.

Unlike the previous issues, I read this in eagerness to get THROUGH it…the end of the Age of Apocalypse is in sight and I am very much looking forward to getting to X-Men Omega. Like previous issues, I didn’t recall any details of this series, so it reads like a "new" issue, though I knew if not its endpoint, at least its end result. Given my mindset reading this, I didn’t notice much of anything distinctly Ellis in the story. I simply saw the characters, watched the story unfold, and got to the end of the issue sooner than expected, not realizing how much ground is yet to be covered between this final page and where Kurt and Destiny go in X-Men: Omega.

The art holds to a consistent quality; characters look familiar to my memory of prior issues, and the art itself never distracts. The layouts, however, prove distracting much as in Weapon X, as there are multiple double-page spreads where I have to physically rotate the entire issue 90 degrees to read the sideways double-page top to bottom. Forcing such movement proved quite distracting.

All in all…not a bad issue, not a great issue. Characters picked up with the term "X-Calibre" and used it as a team-name to describe the group, which is sort of disappointing to me after thinking for awhile since the previous issue how cool it was to have the title referenced as it was on a "meta" level without actually being otherwise referenced within the story. Granted, it FITS in this way, it just changes things a bit. And we again get an ending of "intent" though we have to see actual action to get the characters from here (point A) to X-Men: Omega (point B) or trust that it’ll be explained as having happened off-panel.

The end is in sight, and I think I’d’ve enjoyed this issue more in and of itself if I weren’t so eager to get to the end of everything.