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Supergirl #38 [Review]

Who is Superwoman? part two: Clashes

Writer: Sterling Gates
Penciller: Jamal Igle
Inker: Keith Champagne
Colorist: Nei Ruffino
Letterer: Jared K. Fletcher
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Joshua Middleton
Publisher: DC Comics

I’m finding myself with mixed feelings on this book. True, Kara finally has some depth and personality, motivation and complexity, and most of the crap from the earliest issues of the book has been dealt with to satisfaction and we’re moving forward. While that’s all a good thing, I also find myself growing a bit bored of the New Krypton stuff. The trouble with it is that I have no idea how long this will be a part of DC’s continuity for these characters–I feel like it’s still a bit of a bubble that’ll burst in some deux ex machina that’ll take us back to something resembling the recent post-Infinite Crisis status quo. I also don’t see how this title would have or could play much with Final Crisis–even if the Kryptonians would be too aloof to want to help earth, wouldn’t the New Gods have detected the presense of all these Kryptonians and sought them as hosts far more powerful?

All that aside, this issue picks up with Supergirl back on Earth–where “all Kryptonians except for Superman” have been legally banned. She’s there by order of her mother to retrieve Reactron–the man who murdered her father, Zor-El and bring him back to New Krypton to face the Kryptonians. At the same time, a Superwoman with questionable loyalties fights Kara, insisting that she not be on Earth and return to New Krypton at once, mission unfulfilled. After this battle, we cut (no pun intended) to the pending autopsy of Agent Liberty, and a squabble over who has rights to the body. Back at Lana and Linda Lang’s apartment, Supergirl staggers in, battered and beaten. Meanwhile, Superwoman faces Reactron herself–and poses a very interesting question.

The story itself maintains a solid flow–we’re building on events from the last few months, both from this title and the other Superman family books, particularly the New Krypton story. As said above, I’m growing a bit tired of it, though, and it’s not really holding my interest. Which is not to say it’ll hold no one’s interest, but it doesn’t hold mine the way the opening chapters of New Krypton did.

The art is solid–as with previous issues, for whatever reason my only real gripe is with the way the artist draws ears. Aside from that, I have no particular complaints visually–the art is distinctive, clear, keeps one in the action and does not leave me scratching my head as to what’s going on.

Origins & Omens
Writer: Sterling Gates
Artist: Matthew Clark
Colorist: Nei Ruffino
Letterer: Jared K. Fletcher
Asst. Editor: Wil Moss
Editor: Matt Idelson

I’m definitely growing a bit tired of the Origins and Omens backups–they take away valuable pages from the main story, rather than being an entire extra batch of pages tacked onto the existing full-sized issue. This one expands upon the fact of Kara’s being torn between Earth and New Krypton, the choices she faces by giving full loyalty to one or the other. This short also suggests a rather harsh road ahead for Lana, which may tie into a story done in this title before the current team took over.

Story was brief and simplistic…not much in the way of plot–it’s more a feeling or environmental, almost surreal sorta scene. The art was fine–I recognize the artist’s name, but can’t quite place it, unless this was the previous artist on Supergirl.

All in all, a good issue of this title, but not really flying to greatness just yet. I do expect the story will actually come across better down the road–in collected-edition format and/or simply with some time given to be able to look back on it and see where everything was headed, rather than wondering what IS.

Worth snagging, especially if you’re a fan of the character, the creative team, or those slightly-questionable-at-this-point green pentagonal “triangle numbers” still showing up.

Story: 7/10
Art: 7/10
Whole: 7/10

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