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Zero Hour Revisited – Showcase ’94 #10

90srevisited_zerohour

showcase_94_0010Aftermath

Script: Alan Grant
Penciller: Mike Vosburg
Inker: Ron McCain
Colorist: Dave Hornung
Letterer: Ken Bruzenak
Consulting Editor: Dennis O’Neil
Editor: Neal Pozner
Published by: DC Comics
Cover Date: September 1994
Cover Price: $1.95

This particular story basically sees a despondent, defeated Jean-Paul Valley momentarily existing as a homeless man on the streets. He’s been stripped of his role as Batman, having abdicated his role as Azrael for that, and now hasn’t a clue what to do with himself. He contemplates himself, his life, where he is, what he’s been through, how his life has changed in a year (basically saying that from Sword of Azrael to Zero Hour has been about a year in the Bat-side of things–further backed by the Superman: The Man of Steel issue where Batman mentions to Superman both having quite a year). Valley intrudes on a group of homeless, "hogging the fire," and eventually one is brave enough to approach him and engage him (albeit one-sidedly…or so it seems). When he up and leaves, the remaining homeless crowd around the fire and then are threatened by another group. Valley returns and drives them off, and continues to mope about, though now accepting that he IS a person, like any of these others.

Story-wise, this seems both a sort of quasi-epilogue to KnightsEnd, partly following up on that and bridging that story and the start of the ongoing Azrael series that started sometime later in 1994, I believe. This is definitely where a title like this–Showcase ‘__–excels. You don’t have to have an entire issue of some other title dedicated to a story, but you can have a standard-issue-length story presented once without having to be entirely its own one-shot or Special Issue or whatever. There’s room for this Azrael (Jean-Paul Valley) story, prior to/without an Azrael title (yet), but without hijacking another issue of Batman or Detective or Robin or Catwoman or whatever.

Given that, I like this story, and somehow was kinda surprised that it DID run the "full length" of a standard-sized issue. Then, for only 45 cents more (1994 pricing) we get another issue-or-so’s worth of content spotlighting other stuff.

And the cover–featuring Azrael–is a nice Quesada/Kesel piece with the destroyed Az-Bats helmet on the Az-Bats-period Bat-symbol. Iconic, simple, and applicable to the story.

The Tempting part 1: The Beating of Wings

Writer/Creator: Brian Augustyn
Penciller: Anthony Chun
Inker: Matt Banning
Letterer: Steve Haynie
Colorist: Lee Loughridge
Editor: Neal Pozner

I’d swear I’ve read stuff with Black Condor before–specifically in Justice League America–but this did not feel like that at all. I think it’s safe to say this is the first "solo outing" I’ve read of the character, and it felt like a bit of a first-issue thing, introducing the main character, a supporting character, and a conflict. Of course, the hero starts to seem victorious, before being presented with a greater challenge, and we’re left with a cliffhanger (I ought to see if I have the next issue of this, but honestly I doubt I’ll get to it anytime soon…I’m interested, but not necessarily enough to hunt it down for an immediate read. Chances are if I ever get around to assembling the several years of these Showcase Years I’ll read it someday).

The story and art are both good, and as mentioned above for the Azrael story, this is a solid outing that seems like it could lead into an ongoing series; but barring that/prior to that, serves in that stead, being allowed to be put out there as part of an anthology ongoing even where any singular character/story would not support its own thing.

No real complaints, and I do feel I’ve a bit more insight into the character, or at least the context, than I would have had without having read this.

Deja Views

Story: Mike McAvennie
Pencils: Jason Armstrong
Inks: Stan Woch
Colors: Stuart Chaifetz
Letters: Willie Schubert
Consulting Editor: KC Carlson
Editor: Neal Pozner

This story was all over the place, but essentially focuses on a group of Time-themed villains including Clock-King (I believe) and Calendar Man (I think–and not at all like the revamped Rebirth version!). The group is trying to steal some helmet or armor, and stuck in a time-loop, and they got confused in-story right after I got confused reading and jumping to the conclusion that there was some significant editorial error before realizing that was part of the story. And before things are completely sorted out, the story fades to white, signifying the "join" to Zero Hour.

Visually, no great issue on this story for me…it’s not bad, not wonderful. I’m not overly familiar with the characters, don’t really care about them, and this story doesn’t seem to directly come out of anything…it’s just "a story set during _______" (here, Zero Hour). This tie is enough to "justify" including this in reading Zero Hour stuff, but the issue does not sport the official Zero Hour banner or trade dress. Of course, that’s in keeping to the title‘s trade dress of generic fonts for "logos" rather than some bold solo-title logo.

At least it’s more tie-in than a number of tie-ins had, so it’s worth reading for the sake of completeness, though does not ultimately "matter."

OVERALL THOUGHTS

While this title itself–Showcase ’94–may not in and of itself matter all that much, I’m more convinced than ever at its greatness for its time. That’s not to say I could see following such a book long-term in the present, in 2016…but going back 22 years and the three issues I’ve now read for their having a segment each tied to Zero Hour, I recognize what the book’s existence allowed to be published without hijacking other books’ pages or the stories just not getting told. Add to that my not recognizing many of the creators and a slight memory suggesting this: the book was the sort for giving "new talent" a chance without being otherwise committed to a book. Try a writer out, give an artist a story to do, without compromising a "regular" or "ongoing" title, but still get their work out there, see how they do with various characters and creative team lineups.

This issue as a whole is not worth it in terms of Zero Hour, really…but it’s a strong issue, with a distinctive cover, and for the quasi-self-contained Azrael story, it’s well worth a bargain-bin buy (just not worth some collector’s premium or markup despite the issue’s age or cover).

Zero Hour Revisited – Anima #7

90srevisited_zerohour

anima_0007Suddenly, Johnny Gets a Feeling

Writers: Elizabeth Hand & Paul Witcover
Guest Penciller: Brent Anderson
Inker: Will Blyberg
Letterer: Chris Eliopoulos
Colorist: Patricia Mulvihill
Assistant Editor: Chris Eades
Editor: Rob Simpson
Published by: DC Comics
Cover Date: September 1994
Cover Price: $1.50

I recall Anima being one of the characters introduced during the Bloodlines Annuals event in 1993, and of course remember the character more than others as she (obviously) had her own series or a short time. That said, this is the first I can consciously remember actually reading of the character.

Reading this issue, though “only” 7 into its run, was not a fun thing out-of-context. I could recognize the main character and associates by context-clues and figure stuff out, but the story seemed (in part for my lack of familiarity with any of the characters or the full context of the continuity/situation at this point) to jump all over the place enough that I’m not even gonna try to summarize it. Suffice it to say that this felt like diving into a mid-season episode of some tv show and maybe not being disgusted or put off enough by it to turn it off, but it definitely was not the most engaging nor (detail-wise) memorable.

Essentially, there’s this girl, known as Anima, with a bond to some sort of demon named Animus. Animus is imprisoned by siblings/colleagues, as others conspire to do something nasty to the realm of Man, and Anima/Animus are key to stopping that, hence an adversarial situation.

Outside of Eliopoulos on lettering, I really don’t recognize the creative team. Then, the fact that outside of probably this issue (seeing it in the Zero Hour stack and as an issue coming up in the queue) I haven’t really even considered the series for years adds to this series’ isolation in history and continuity. This character came out of the DC Universe Bloodlines stuff; carries the standard DC logo, carries in this case the Zero Hour and DC Universe banner, so it was (at the time at least) certainly in-continuity and such (mid-1990s!). But you would hardly know it to look at any contemporary DC lineup, probably not SINCE the actual 1990s (1999/2000 or so).

That lack of recognition, memory, impact, lends to the weirdness of reading this…certainly refreshing in its way as one of those titles that I seriously doubt would even get a publishing chance nowadays, let alone an audience to go seven issues (let alone any further). The parts with Animus and siblings struck me as rather Hellblazer-esque (ok, perhaps this’d fit in with the new Hellblazer title in Rebirth?) and thus in continuity but tucked off into their own little separated section of continuity.

There’s an offhanded reference indicating Anima had gotten Superman’s message (from waaaaaayyyyy back at the start of Zero Hour!) but outside of that and the fade-to-white abruptness ending this issue, you wouldn’t know it had anything to do with a bigger crossover. This certainly fits the “red skies” designation of sorts…that is, there’s a passing shoe-horned-in reference for a panel or two, but otherwise the issue’s actual story is not impacted nor does it in turn impact, the main event story it supposedly ties in with.

I think this issue would probably fit pretty solidly in with its own series as a run–reading Anima from first issue to however long the series ran–but it’s not even really “fun” as an isolated, standalone issue; it does not advance Zero Hour itself, nor does it shed any real light on something that the main Zero Hour just didn’t have space to do. I would not recommend this outside of an Anima read-through; and given (if only) my own conscious lack of memory of anything impactful even from this series long-term, I certainly would not recommend paying more than 25-50 cents for this in a bargain-bin purchase.

Zero Hour Revisited – Action Comics #703

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action_comics_0703Chronocide!

Writer: David Michelinie
Artists: Jackson Guice & Denis Rodier
Letterer: Bill Oakley
Colorist: Glenn Whitmore
Assistant Editor: Chris Duffy
Associate Editor: Frank Pittarese
Editor: Mike Carlin
Published by: DC Comics
Cover Date: September 1994
Cover Price: $1.50

This is an interesting sort of issue, though the cover puts me off a bit. It’s been a generic sort of image to me, one I haven’t really–truly–looked at in years, just sort of glossing over it, recognizing it, and that’s it, because of it being what it is. It sort of deals with the interior story, though it’s a bit misleading, suggesting Superman abandoning Lois to the Entropy thing of this story, saving himself…when the story is more his facing that sort of loss of his parents, and Lois is the last one standing.

Clark returns to the Daily Planet, having done HIS part, and leaving/trusting the other heroes to do their part. But then, Perry White fades out and Superman realizes they’ve failed. And if Time has been destroyed as recently as Perry’s birth, then his own parents–Ma and Pa Kent–won’t be far behind. So he races to them, but just as he arrives at the farm, finds himself in an alternate timeline/dimension with a younger version of his parents, and where the rocket that brought him to Earth was retrieved, while he had died as an infant. Superman and the younger Kents eventually find themselves faced with reality of Time’s destruction, and just as Superman’s about to save his own parents, he’s pulled into the Timestream for the final moments of Zero Hour, while the world–our perspective ending with Lois’ account of the approaching whiteness–is wiped out, going to the white pages ending all of the ZH books that shared this final week of July 1994.

With the Superman titles all tying in, we’ve seen Superman meet numerous alternate-timeline/universe versions of Batman; we’ve seen him meet a version of his biological parents from Krypton; an alternate super-hero filling his role on another Earth; and now an alternate version of his Earth-parents. All while essentially being part of the ongoing running battle with Extant and the power behind even him. It’s both cool in the sense that we get to see Superman stories taking advantage of the time-anomalies stuff; but stretches stuff a bit to figure all this PLUS his involvement in the "main story." Still, as flimsy as explanations are between his "side stories" and the main, both seem to stand alone pretty well.

I’m not overly fond of the art here, and yet it still triggers the nostalgia factor for me, and I both recognize and remember it. It fits the story and is definitely a product of its time, and I don’t know what I’d do for replacing it. It’s not bad art, just not my favorite art.

Given Dan Jurgens‘ role in Zero Hour itself and obvious ties on the Super-team, the Superman titles in general fit better with Zero Hour than most; and I certainly have better, clearer memory of them as part of the event, and their being a huge part of my exposure to the DC Universe beyond the event itself, so I’m certainly a bit biased. That said, I do feel like this does more to reference the actual, developing story of Zero Hour (if not itself further developing that story) than most other tie-ins. Even so, this hardly seems essential, and will be more of interest to someone reading through the Superman books of the time than someone just reading the "core" Zero Hour series.

Certainly not an issue worth paying more than $1 or so for; but not something to singularly avoid in a bargain bin, either.

We’re finally nearing the end of this event as a whole, and for that, I’m definitely glad.

Zero Hour Revisited – Catwoman #14

90srevisited_zerohour

catwoman_0014Broken Mirrors

Writer: Jo Duffy
Penciller: Jim Balent
Inker: Bob Smith
Colorist: Buzz Setzer
Letterer: Bobpin
Consulting Editor: Dennis O’Neil
Editor: Jordan B. Gorfinkel
Published by: DC Comics
Cover Date: September 1994
Cover Price: $1.50

I was looking forward to getting to this issue, as I only vaguely recall owning (and presumably reading) the first issue, and the two KnightsEnd tie-in issues. This would be the first issue of this iteration of Catwoman that I’ve read in years, and after not caring for New 52 stuff, I figured it’d be interesting and a bit refreshing to see the "classic" ’90s costume, etc.

But then very shortly into the issue, I got sidetracked at catching a couple errors that I feel should have been caught in editing, that put me off a bit and dropped this a few notches in my esteem. The story itself is ok, but by the end of the issue, I felt like I’d missed something somewhere, as even being unfamiliar with this version of Catwoman, stuff still seemed a bit outta-nowhere to me.

Catwoman completes a new heist–stealing some sort of ornamental/antique bed dedicated to Bast, a cat goddess. She sleeps, and when she wakes, she’s in the middle of Zero Hour (though those words are not used and there’s no telling she has any hint of that story going on). The city’s gone feral–or prehistoric–and instead of her tame house-cats, she’s got a sabre-toothed tiger as a pet; instead of a butler she’s got a barbarian in her place, and…yeah. Making the best of the situation–and the excuse to don her outfit indoors–Catwoman leaps into action. She and her new barbarian friend find themselves trying to save the prehistoric cat from a hunting party, and then out of nowhere, Selina grabs the guy for a kiss, and the world goes white.

I can appreciate the adventurous hijinks of having Catwoman team up with time-displaced stand-ins for Marvel‘s Ka-Zar and Zabu, and definitely like that–by way of acknowledging this title’s place in the event–we see Selina viewing multiple versions of herself in a multi-panel mirror and all. And in a way, this having virtually zero context for me–it does not seem continued FROM the previous issue, and other than the fade-to-white signifying the end of Zero Hour #1, this doesn’t seem likely to necessarily CONTINUE to the next issue (but what do I know, having never read the #0 or #15-onward?). So on one hand it’s a "fun" sort of stand-alone/one-off story. Establish Selina/Catwoman. Change the environment, introduce shirtless-guy and ancient kitty, move into cliché story of pet wild animal being hunted. Sure. Then the kiss and…that’s it. So despite "fun" randomness, I’m just NOT *impressed* by this issue.

Visually, the art is good…though I may be biased (particularly recalling back to my 13-year-old self)…this is a book that I’d simultaneously say we wouldn’t get "today" and yet in some ways, I think we WOULD with a certain on-page sexiness and suggestion being more acceptable nowadays than 20-some years ago. And at least in retrospect, I realize that where I’ve often prided myself on having AVOIDED the "bad girl comics" until last year’s Aliens/Vampirella…I think I had a brush with them in this ’90s Catwoman title.

That said, this issue is certainly no necessity for the reading of Zero Hour itself…but it’s a fun-ish one-off. It does somewhat walk a thin line of being somehow gratuitous with that skin-tight costume leaving nothing to the imagination and yet being fairly acceptable for what it is (hey, at least she’s covered and not showing bare skin all over–it’s a Code-approved comic, after all!). I don’t recommend the issue in and of itself–it’s not something to track down. But as with so many of these tie-in issues…if you’re working on a run of the series, or this event, etc. it’s not necessarily something to AVOID.

The issue’d be worth 25-50 cents or so, but not something I’d pay cover price for, and maybe not even something I’d pay $1 for. Still, having read it, it has me curious about the series itself and thinking if I found a run of the series in the cheap-bins, I’d be inclined to snag ’em.

Latest Aliens and Predators Shelf Configuration – September 12, 2016

aliens_shelf_sept12a

aliens_shelf_sept12bWe’re into September, which means a couple of new Aliens related books due out.

I believe this week will see the release of The Complete Aliens Omnibus volume two, collecting two of the Dark Horse novels after the initial trilogy.

And the end of the month will see the release of Alien vs. Predator: Armageddon (Book 3 of a "crossover trilogy" called The Rage War by Tim Lebbon.

We also have the current Dark Horse Comics series Aliens: Defiance in progress, as well as a new Judge Dredd/Aliens/Predator series with an upcoming Aliens: Life and Death (though after 2014’s Aliens/Predator/AvP/Prometheus event and subsequent one-volume collection, I’m just waiting for the one-volume collection this time around, most likely).

There was also a recent collection of general DC Comics/Dark Horse Aliens stuff put out, and more recently a volume of DC Comics/Dark Horse Superman stuff (of primary interest to me, the Superman/Aliens and Superman/Aliens 2 material) published.

Along with the various books and comics, there’s the new Aliens Queen 6" Funko Pop figure that just came out (at least according to a months-old Amazon pre-order that just arrived). While I’ve had the "regular" Alien, this Queen is one of the larger oversized figures… and I quite like it, all things considered.

A couple weeks ago, I found one of the mid-2000s Dark Horse Press Predator novels at a used book shop*. Rather crummy condition, but at half cover price and to have it, I won’t complain much for the moment.

(* not Half-Price Books. I figure it could be missing the cover and they’d mark it up to at least $50 just because it’s out of print and not necessarily due to any great demand beyond myself…)

I believe there are only 3 or so Predator novels I’m missing, now to have all of those; certainly still missing a bunch of comic/collected volumes, but I’ve found the novels a lot more satisfying for both Aliens and Predator, and certainly more "history" with the novels.

And as seen in the photos above, also some cool toys for them–primarily Funko product, with a couple Minimates creatures and a Neca figure thrown in for my kinda bookshelves…

aliens_shelf_sept12c

The ’80s Revisited: Worlds Finest #323

worlds_finest_comics_0323Afraid of the Dark

Writer: Joey Cavalieri
Penciller: Jose Delbo
Inker: Alfredo Alcala
Letterer: Duncan Andrews
Colorist: Nansi Hoolahan
Editor: Janice Race
Cover: Denys Cowan, Dick Giordano, Tatjana Wood
Published by: DC Comics
Cover Date: January 1986
Cover Price: $0.75

I don’t know that I know exactly what I expected from this issue…but this sure wasn’t it!

Metropolis finds itself in the grips of a magical darkness…which means that even Superman can’t do anything about it–though he still tries to at least help, even if he can’t solve anything with it. but he quickly gets taken down by Nightwolf and his magical darkness-wolves (werewolves? dire wolves? magic-wolves, whatever). Nightwolf then parades around proclaiming himself king of the world (essentially) with the beaten Superman as a symbol of his own power and abilities. Meanwhile, Batman does the detective leg-work of the piece, tracking down the origin of this Nightwolf, learning a weakness he can exploit, and ultimately saving the city (and Superman) from the magical threat. In the aftermath, Batman rejects Superman’s attempted thank-you, lecturing him on how he could’ve been killed, and can’t just rush into stuff with FORCE. Batman leaves things at the fact that he’ll SAVE Superman any time, but will not help write his epitaph. And thus, the World’s Finest team has broken up, paving the way for the adversarial (despite mutual respect) relationship of the later 1980s and 1990s that pretty much remains in 2016, 30 years after this issue saw print.

The art is not bad, as Superman and Batman both have a very familiar look, very much what I associate with them for the early to mid 1980s "bronze ange" and such (so much so that as I read Batman’s lines, I heard the voice of the actor from the Untold Legend of the Batman comics-on-cassette!) By extension of THAT, I got a bit of Superman’s voice from the Man of Steel comics-on-cassette stuff as well. My only real problem with the art stems from the time this was published: Superman vs. magical wolves that leave him beaten, costume shredded, and basically unconscious…yet there’s no blood. I don’t need to see a bloodied, shredded almost-corpse, but for the level of threat this supposedly was, it’s odd as a mid-30s adult to read this and see Superman just so "simply" taken down but the only thing INDICATING any harm is holes/tears in the costume with nothing but clean, unmarred skin beneath.

Story-wise, again, this isn’t bad, but it’s certainly DATED. For one thing, someone successfully taking over even a city, and Superman going down, and Batman having to track down the villain’s origin and figure out a weakness and actually take the guy on and such–this would CERTAINLY be a 6-issue arc in terms of contemporary deconstructed/padded/written-for-the-trade comics. And with as much as I have read of modern-day contemporary comics published in the last 15-some years, the "modern sensibility" being drilled into me constantly for all this time–this issue feels ultra-compressed to the point of there being no real character to it…and I’m disappointed at how "filler" and ARBITRARY it felt. I mean, there’s a lot of potential here, but as a now-2016 reader reading this cold some 30 years after it was published, even the hints of characterization and depth that could be picked up on just doesn’t "work" for me as a single issue.

This does not feel like it’s picking up from a cliffhangered previous issue, and as the final issue of the entire series, there’s no cliffhanger (at least not in the "To Be Continued…" sense, though it leaves the Superman/Batman relationship hanging to be developed from its now-broken pieces). As such, it feels like it could be set "whenever," and has no real hook on a specific point in continuity, based on the story itself. And for the flimsy/abrupt splintering of the "partnership" between Batman and Superman, that comes outta nowhere–no internal narration or thought balloons of Batman wishing Clark hadn’t rushed in, and that he’s always doing this and never thinks ahead, whatever. As such, the final couple pages could have been tacked on as "epilogue" to virtually ANY story in which Superman "almost died" and Batman got to "save the day."

The cover as well is a bit out of sync with my personal expectations as well. It seems to indicate the split, a farewell between the two heroes, but no real indicator of cause nor actuality. Given Batman’s small wave, it seems more a casual thing between old friends than any real split or breakup or animosity.

Perhaps adding to my feelings on this issue is also the modern day sensibilities in comics–something as "crucial" as the friendship between Batman and Superman, their partnership, the way they’ve been the best of friends (to this point) coming to an end? This would have been hyped and hugely played-up, with an extra-sized issue with at least another short story following each character and exploring their feelings on the matter and where things are likely to go, etc. (I think of Cyclops vs. Wolverine with Prelude to Schism as its own mini-series to set up the conflict, then Schism itself as another mini to have them actually fight, and then the outcome split into an entirely new ongoing series and a renumbered version of a 48-year-old series).

Something this big just seemed like the issue should have FELT bigger, felt more important, felt Earth-shattering…but instead, it feels like a whimper, or like some tv show that was told it was getting another season, is preparing to film a season finale, but gets told the pre-finale episode is their last, but they can film another minute or two’s worth of story to "wrap things up."

I was quoted $2 for this issue, minus a 20% discount, so figure I paid roughly $1.60 for this…and its cover price is $0.75, so 30 years after its publication, as a "key issue" (final issue of a longrunning series, the "breakup" of the Superman/Batman team), I barely paid more than twice cover price, which itself STILL made it half the cost of a current Dc Rebirth issue, and only a little over 1/3 the cost of a contemporary Marvel issue. The reading experience took longer than contemporary comics, and I’ve sunk however much additional time into typing and preparing this review, so I certainly got my money’s worth out of this for time-to-expense considerations (and I was "prepared" to pay around $6 for this, too!).

Aside from having some desire to read it for yourself, to "experience" the issue as a whole for yourself, this was a real letdown and not something I’d recommend seeking out. Still, there are worse issues, and if you’re (like me) a huge fan of Superman, and even the Superman/Batman stuff, this is worth picking up if you can get it cheaply.

The Weekly Haul – Week of September 7th, 2016

This was a much better haul this week, with a visit to the usual comic shop, and only a passing visit to the closer-by one.

weeklyhaul_09072016_a

Though they’re doomed to be duplicates with the Rebirth bundle from DCBS, snagged Superman and Supergirl. Also Darkwing Duck and Aliens: Defiance, from previous weeks’ pulls.

Then I did end up hitting the bargain bins.

weeklyhaul_09072016_b

A quick glance at the bargain bins told me there was nothing really of interest, but I flipped through anyway, once I spotted a bin that I hadn’t seen at first. In this one, for 80% off, I found the Marvels: 10th Anniversary Edition, and quickly did the math in my head. Yep. For $10, on a $50.00 book that I have honestly wanted since I first learned of its existence some twelve years ago, this was a no-brainer. The book sports a little bit of wear–or at least, the dust jacket does. But it’s more than acceptable given the price!

Then the Wolverine hardcover was a freebie for buying something from the 80% off bin! At the closer-by shop, after seeing it for several weeks, I "gave in" and snagged the Heralds volume. Oversized hardcover, contains 4 issues (I think), at the price of one single regular-sized Marvel comic? Considering I couldn’t find it showing in my ‘inventory’ on my phone, opted to go for it.

weeklyhaul_09072016_c

There were a lot of "new" ’90s books in the quarter-bins, and I snagged a few, though they were still collectively cheaper than two current Marvel books!

The Batman: Sword of Azrael #1 I recall as–at one time–being listed in Wizard as a $40 book. 25 cents today! It wasn’t til I got the thing home that I noticed a scribble on the cover…could be an autograph, though there’s no certificate or anything for its authenticity. Still, for only 25 cents, I’m quite happy. I actually had forgotten that the cover folds out…and this on a roughly standard-priced single-cover "iconic image" issue. Today these would be 3 different covers, all for this first issue: the center image as the "main" cover, the left panel as the "original Azrael" cover, and of course, the actual "Batman" cover for the right.

And there’s just something–to me–appealing with a handful of the Marvel #1s that Marverick and Mutant X are a part of.

weeklyhaul_09072016_d

I’m quite interested in assembling the entire 18-issue run of Eclipso, and have been for years. Ideally from 25-cent bins, as I could probably just go online and get it relatively easily as $1+ single issues. Snagged the Prodigy variant because of the art, and nostalgia (Slingers was a cool concept, to me!). The Sovereign Seven Plus issue is one I may or may not have already, but not a bad one to snag. And the Doom Force caught my eye initially as a #1, then for curiosity with the "Suggested for Mature Readers" note. And the cover just looks like a ’90s book..! So why not?

weeklyhaul_09072016_e

I’ve been working on an extra set of Mantra, and this Giant-Size issue comlements that nicely. The Superman issue is one of my favorite cover images, one I’d love to have a poster of! Nomad #1 for the sake of hey! Nomad #1! And though I had a copy from several years ago, I think this copy of Parallax: Emerald Night is in better condition and so will be a ‘replacement copy’ as well as a ‘convenience copy’ to have my "core series" set of The Final Night unified for now.

weeklyhaul_09072016_f

I’m a sucker for old Wizard issues, especially as they are a relative rarity at all in bargain bins, and I have a shelf full of all my old issues and then some. The Image themed Wizard Special Edition is a new one for me. And this copy of #12 is in far better condition than the copy I had previously, thus serves as an excellent replacement copy for the rather beat-up copy I’d had. The Mage issue/collected edition was an oddity that caught my attention…it’s a Book One yet has a #9 on the cover…I still don’t have the issues all straight for this series. But for only 25 cents, I added it to the stack!

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These six issues were relatively random. Several for nostalgia, others for probably filling-in-of-holes in runs. All of these would likely be $2+ at Half-Price Books, with the Batman issue probably getting priced at $5-$10, based on recent patterns of pricing. All six for 25 cents each at the actual comic shop that knows the value of these sorts of issues.

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And finally, several Marvel Annuals…I may eventually see if I can assemble a set of all of the ____ and ____ ’98 annuals. For now, two new (I think) ones, plus the ’96 X-Force and Cable. I would have passed on the Gen13/Generation X and Generation X/Gen13 issues had both not been present. I found one in the back of one box, the other in the front of an adjacent box, and decided to grab them. Some weird synergy to them, and hopefully an interesting read eventually!

All in all, considering the stack of older stuff, the hardcovers, AND the new issues, this was an excellent haul…though one that certainly could have been a lot more expensive.

Zero Hour Revisited – Justice League International #68

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Writer: Priest
Penciller: Phil Jimenez
Inker: John Stokes
Colorist: Gene D’Angelo
Letterer: Kevin Cunningham
Assistant: Ruben Diaz
Editor: Brian Augustyn
Published by: DC Comics
Cover Date: September 1994
Cover Price: $1.50

I really WANTED to like this issue, and the story, given Priest‘s the writer and I’ve thoroughly enjoyed other stuff he’s done. But particularly for this final chapter, I’m just left rather underwhelmed.

We basically pick up with the pieces from the first couple chapters of this Return of the Hero story, and a mashup of scenes ultimately results in defeat of the enemy, and the group(s) making up with Triumph, some subplots touched on for later, and finally the Zero Hour final-week fade-out to white.

I suppose this simply was a product of its time, to say nothing of having the FEEL of a random "filler" story thrown in to bridge whatever had come before and whatever was coming next, providing some filler story that could tie in to "time travel/time anomalies" and serve as the three Justice League titles’ entries in the Zero Hour event.

The story in and of itself isn’t horrible or anything, but just isn’t much to my taste; perhaps largely for being in the middle of a major "blind spot" for me with the League and the characters involved–this is not the Justice League that was "current" in 1992 tying into the Death of Superman, nor is it the Morrison-era League from when I branched out more in the later ’90s.

The art also isn’t bad, but it doesn’t blow me away, either. It fits the story, and has the "feel" of the era.

Perhaps there’s more depth to be found, but I’m reading from the perspective of "just read and enjoy the entirety of Zero Hour." From that angle, this is filler that fits better than a lot (it involves time anomalies) but doesn’t really seem to directly affect anything with the "core" Zero Hour story itself and so is ultimately passable. I would not recommend this issue by itself as a sole, single issue…but if you can find all three chapters of Return of the Hero! in the 25-cent/50-cent bins and you’re interested in a Priest-written Justice League story set firmly within its 1994 context, this’d be worthwhile enough.

All in all, I’m ready to move on, and have actually kinda burned myself out on these such that it’s getting to be a bit of a slog to get through all these tie-ins…especially as I’m itching to get to Zero Hour #0 itself.

Back to Old Gaming Stuff (With a Little New)

Over the holiday weekend, I had a chance to dig out some dice, pull my old Players Handbook for Dungeons & Dragons off its shelf, and for the first time in 13-15 years, play D&D.

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I’d bought this volume when it was brand-new, back whenever that was (early 2000s!), and shortly after also bought the Dungeon Master’s Guide…though I never really got around to being able to use them. (It would be several more years before I snagged the Monster Manual after 3.5 had hit and it was "on sale" as an outdated edition.)

I was unable to actually find my old dicebag (having recently moved, and it being so long since I’d had need of the thing, I haven’t a clue where it’s wound up!)…so I scrounged up another bag from some USB multi-piece set, and managed to pull together a small assortment of dice from several different gaming bins (Heroclix, Shadowrun: Duels, D&D Miniatures). But then, not satisfied with that, I hit a comic/game shop and snagged a cheap set of 7 dice and then a number of random misc. dice to beef up my now-current collection.

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In rummaging through everything looking for the old dice, I found two large card boxes that proved to hold a number of stand-out Magic: the Gathering cards I remember.

Above: two "dual lands" from the Revised Edition. I’d at one point had a third, but I’d traded that to someone for a couple other cards I was more interested in. That was before these become such incredibly expensive cards. I obviously stuck them into card protectors, and for the moment, they can stay there.

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A couple more "fun" cards–the hydras! The Balduvian Hydra is from the Ice Age expansion, while the Rock Hydra is from the Revised Edition, I believe. I quite enjoyed using both, being a fan of the token-creatures and stuff, and just the rarity and air about ’em (the Ice Age card being the "new" or "poor man’s" Rock Hydra).

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Similar to the Balduvian Hydra, the Polar Kraken was–to me–a neat creature that seemed like a new version of an older one–and fun to use as one of the largest (if not THE largest) creatures in the game at the time, the Leviathan. I believe I traded or bought the two Leviathan cards from the The Dark set, and "inherited" the Fourth Edition one from a friend when he got out of the game.

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And then there’s my favorite subset of cards from the game: the Elder Dragons! (The Nicol Bolas pictured here is out of its case for the group photo…it was in the case in a photo shared several weeks ago.)

Chromium was by far my favorite of the five, if only for the art and concept, but probably also for its inclusion in some of the early comics. Nicol Bolas has come to be a favorite as well thanks to use of the character in the books (Time Spiral in particular) and for getting a toy made!

While probably not at all powerful nowadays, some 65 sets and 12,000+ cards later, considering I got into the game in early 1995 or so (the game had not yet been out for 2 years!), these were great at the time, and truly the stuff of legends.

Though they’re obviously not comic books, I may start "showing off" some of my old favorites as I come across them, sorting through all these old cards that I hadn’t realized were not in with what I’d thought was my entire collection (oops!).

Time will tell, though!

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#HPBHaul or #HPBFail? Not All OOP are Equal

While not actually a comic or graphic novel, I was looking for a copy of a D&D volume, and basically the only one the HPB I was at had was the (3.0, I believe) Players Handbook II. For $35. Because (gasp! shock! awe!) it’s out of print.

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$34.95 cover price, but hey, let’s add 4 cents and call it a day. But I did notice more than other times–there’s a date on the sticker…06-06-16. So I believe this means the book has sat there unsold for three months at that price. Makes me wonder if I could "make an offer" on it–would they rather move the book, or let it sit there as a potential sale?

And as I’ve mentioned before: they have a whole separate section for rare/out of print/"collectable" volumes. I REALLY wish they would NOT shelve full-price/OOP-priced stuff with "everything else"!

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Huntress volume. Half-Price Books wants $24.99 for it. Not half price.

Heck, this one’s not even full price.

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Seemingly JUST because it is "out of print," they’ve tacked on an additional 25% to the cover price. And with the date on the sticker, the thing’s been there nearly three months. This is at LEAST the SECOND time it’s caught MY eye before I (re)realized the price.

TWO times at least that I would have bought this–at $10. But it’s not something I’m willing to pay $19.99 for…and sure as heck not willing to pay a marked-up price for it just because it’s out of print!

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Particularly maddening on the pricing is finding this volume.

Spider-Man: Maximum Carnage. This looked like an "original edition," from the early/mid-1990s (when collected volumes at all were a relatively rare thing!). Sure, the book is pretty beat-up: white edges, bends/folds in the covers, torn spine, etc. But it’s an original edition! (or close enough to it–there have been at least 2 editions AFTER this one that I am personally aware of!) But since when does damage matter to HPB if it’s out of print?!?

I mean, honestly…I am really, truly curious: why is this one priced so cheaply for being vintage and long out of print (and I’m pretty sure even any newer edition is now also OUT OF PRINT) while other out of print stuff is marked up?

Where’s the consistency?!?

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I actually bought the All*Star Batman & Robin the Boy Wonder volume. It was at a different HPB, but was half off the cover price. Yet even this one is confounding–this is an out of print edition, I don’t even think the collection has an in-print edition right now.

9 issues’ content for $10 and it includes the infamous Batcave fold-out? For something that–if only for the notion that Miller considers it as canonical with Dark Knight Returns–I do want to read.

And where I’ve mentioned their having a full-priced Age of Apocalypse Omnibus listed as "out of print," I did finally ask about it–whether it was "the 2012 edition or the 2016 edition." It is the 2012 (original) edition, that at one point DID go out of print. But as there’s a new 2016 edition, and omnibii are expensive enough as it is, with an in-print newer printing, I can’t imagine many would care that much about an older printing if they just want the book itself. I’m not aware of any visually-distinctive differences.