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Remembering a Kitty

Kayla had a documented birthday, and the novelty of that and the impact it made on me (barely 11 at the time) stuck with me, cementing the date in my memory. October 4th, 1990. She was basically 15 months old when we got her in January of 1992.

kayla_weep_not_for_me

We had to say goodbye to her in early May 2010. While I’d known we didn’t have much time left with her, the exact timing still came as a shock, and crushed me. She’s still with me, often in thought, often in memories. One of extremely few constants in my years of life.


But it’s not the loss I’m noting here…it’s her life. Though I have far too few photos of her, those I do have are too many for a post like this. I’ve selected a quick few to share. I’ve probably shared at least some of these previously, but I do so in the moment today without regard for prior sharing.

kayla_october_10_2009_on_comics02

In one of my "go through a bunch of longboxes" projects in October 2009, Kayla joined me, curious about all the activity (if not just seeking attention/company…we were the only two living soul in that house at the time). I had the boxes piled around, and she seemed to have a great time climbing around, checking them out. Kayla rarely would allow any box (or bag or other container that she could get into) last long without her getting into it or on it (or both).

kayla_october_10_2009_on_comics01

At one point, I’d left a longbox open without a lid, and she found it, and loved the texture of the comics–she hunkered down and pawed madly at ’em. Some folks might’ve been horrified at the cat doing that to their comics…but me? I grabbed the camera and caught her in the act, comics be darned. My kitty was engaging with the comics.

kayla_pooped_on_wolverine_01Now, back in the early 1990s, there were a bunch of "local one-day events" for comics, including a "First Thursday of the Month" recurring event, held at a local hotel. I’d convinced Dad to take me several times, and one of those times, I found what was at the time a true treasure for me–a $6 copy of Wolverine #1.

Turned out it was a bit water damaged, hence the price at the time. Still, I had Wolverine #1!

HAD.

Kayla did not approve, and one day, I found the issue laying out on my bedroom floor.

Kayla had pooped on it.

Even though it was in a bag/board…I threw it out. I’d not been happy with the waterlogged nature of the thing anyway, so she did me the favor of providing an excellent excuse to trash the thing. (I later obtained a much better-condition copy for a whopping 25 cents!).

kayla_feb_08_2009

Here she is kinda looking up at me taking the photo.

kayla_july04_2009_by_water_and_food

And here she’s simply settled in by her ‘feeding area’…in the later years, she’d sometimes sleep here…it was an out of the way corner where she wouldn’t be bothered; she had the cool floor and often a sunbeam…and she was already by the food and water.

kayla_march_26_2009_recliner

I really like this photo of her in a recliner. Big ol’ chair, small little cat. Like a throne. And she was definite royalty, at least to me.

kayla_and_me

This one’s not the greatest photo of either of us…not my best, and she’s turning to squirm away from being held as the photo was taken. But it’s one of extremely few photos that I have where I am actually in the photo WITH her, as I’m 99.9+ percent of the time the one doing the photography with cats…

kayla_laying_in_my_arms_sept_29_2009

This one’s also less than wonderful of me, but has me holding Kayla. She was a ‘purebred’ Himalayan…but I’d swear she was part ‘Ragdoll’ the way she’d let me pick her up and she’d just go with it, totally chill. (By contrast, present-day, I pick Ziggy up and he squirms almost immediately to be put back down).

I could pick Kayla up randomly, and she’d just settle into my arms–even when I’d pick her up and hold her like this on her back.

kayla_october_10_2009_on_comics01b

Miss Kayla Krystal. October 4, 1990 – May 10, 2010.

Today is the 26th anniversary of her birth. And as far as I can tell, and as far as I did my best in my part to do so, she had a great life…19 1/2 years, just over 18 of which she was part of my life.

Way to Miss the Point, Amazon!

I’ve been in a fair bit of a "fight" with Amazon for nearly a week, now, this time around.

On Monday, September 26th, 2016, I placed an order for the newest Overstreet Comic Book Price Guide (Vol. 46). I don’t usually buy these, certainly not as an annual thing, but the other one I have is from mid 2011, PRE-New 52, and I figured I could handle one every half-decade or so in terms of owning.

More specifically to be able to know "Guide Value" for various books that I’d be interested in as I look toward the "back issues" side of things on an increasing basis…and unfortunately, far too many comic shops don’t bother to "price" their stock, leaving the poor customer unable to actually KNOW what price they’ll be quoted at the counter, and surely impacting what they’ll try to or consider buying. Buuuut that’s a topic for another post.

amazon_open_box_01     amazon_open_box_02

Anyway. I am an Amazon Prime customer. That means that I pay the annual fee, to be a part of Prime, and I do so for the physical shipping, to get stuff shipped "free" with 2-day/ASAP shipping. It may be labeled as or considered "free," but it is paid for by paying for the year TO BE a Prime member.

Nowhere that I have seen or heard of, does it include anything regarding some sort of "lesser" form of shipping as a result.

So, order placed on Monday, 9/26. Item arrived Wednesday, 9/28. The book’s damaged because it is over 1150 pages, very thin paper, and heavy. Since it was NOT packed to remain immobile…it slid around and was damaged in transit (beyond any damage prior). I requested a replacement immediately.

The first replacement arrived two days later, 9/30. This one was in the same sort of mailer, but with gaping wide openings (it was NOT properly assembled) and I could see daylight THROUGH the thing as well as clearly see the book contained within. Which was, of course, damaged in transit.

overstreet_46_third_time_damages_againI immediately requested another replacement, once again citing the damage and leaving "packaging feedback" about the issue with "heavy book + room to move = damage" and waited.

The second replacement (3rd copy) arrived the next day, 10/1. The mailer was slightly better-assembled, but I could still check out the book without even opening the package…and the book was damaged. I requested yet another replacement.

Meanwhile, I’d separately ordered a Green Arrow tpb, which arrived separately on Saturday. That one was in a flimsy yellow bubble envelope a good 50-75% larger than the book…and with no inserts or markings, it was folded and stuck into the mailbox. (So it earned a replacement-request as wel!)

The second copy of the Green Arrow book arrived the same way–overlarge flimsy envelope, folded and stuck in the mailbox.

It was then that I realized I had not seen any notification of the replacement of the Overstreet book being on its way…it was still held up in some hold status, apparently for my having requested multiple replacements.

amazon_missed_the_darned_point

When I contacted them about it, through their site, through their process, as a question on the item checking on "Where’s my order"–I was told that they would issue me a refund, please send the other books back.

To which I complained that it is not a satisfactory resolution–I’m now out a week of time (I could’ve bought the book from two different bricks-and-mortar stores and had a satisfactory CONDITION copy long before this). And to make me do the administrative thing of juggling receipt of packages and re-ordering, and then my own printer/ink/paper and gas to drive packages to a drop-off, and after 8+ days be back at square one? NO!

Their response to my continued explanation of the situation and emphasis on the fact that the book keeps arriving damaged because they refuse to use packing material and a proper sized box?

They made it entirely (temporarily) unavailable for sale "while they investigate the issue."

HELLO! 1. use a box 2. put packing peanuts or crumpled paper or several air pockets or foam or stick it between a couple sheets of cardboard, shrink-wrap that and toss it in the box, where the book itself will stay put, and any banging/beating suffered will be by the cardboard and not the book that I have paid for.

Halting their sale of the book entirely is so totally, completely missing the darned point!

Supposedly they’ll "resolve the issue" within 7 days; I can only imagine they’ll find that their stock is in undamaged condition (it’s getting damaged in transit for their inadequate packaging process).

Meanwhile… wonder if any of those 3rd party sellers will jack their prices up significantly, thinking the thing is outta print?

And my apologies to anyone else who might’ve been planning to order this from Amazon right now and using Prime shipping. It seems I’m the reason the book is (temporarily) not available for purchase through Amazon itself at the moment.

TMNT Revisited: TMNT Adventures (Mini-Series) #1

tmnt_adventures_revisited

tmntadventuresmini001Heroes in a Half-Shell!

Written and Pencilled by: Michael Dooney
Adapted from the Scripts by: David Wise and Patti Howeth
Inked by: Dave Garcia
Lettered by: Steve Lavigne
Color by: Barry Grossman
Cover by: Kevin Eastman, Peter Laird
Published by: Mirage/Archie
Cover Price: $1.00
Cover Date: August 1988

It’s rather interesting to consider that this was–I  believe–the first color TMNT comic. Sure, First Publishing had colored the original black and white issues, but this issue began as a color production rather than the color being a conversion. And where the original Mirage TMNT comics were certainly of a more mature nature for violence and language, this is based on the animated series that was aimed fairly squarely at kids.

Reading back through the issue, it has–for this fan of 26+ years–a lot of familiarity, both from the cartoon as well as the visual style of the art. Which ultimately makes sense, given Dooney‘s involvement with the Mirage stuff in particular. The character designs are obviously those of the cartoon, though.

Being such an old comic–at least a quarter-century–it’s immediately clear some differences from modern comics physically; and my copy in particular isn’t a particularly clean copy…it definitely is a bit yellowed from age and all that, as the paper is classic newsprint, one can see the dots to the coloring, and so on.

As a whole, the art’s not bad in and of itself, though the style is a bit “interesting” having gotten used to more “modern” renditions of these characters. I rather like the realization that even though this was published by Archie, it was created by the Mirage folks…thus lending a certain authenticity to this as a Ninja Turtles thing, rather than just being some thrown-together adaptation of a kids’ cartoon.

Story-wise, this suffers the same as the cartoon itself does in my mind…overly-simplistic and full of glaring plot-holes and such, requiring a lot more suspension of disbelief than most comics I’m used to. There’s also something rather wonky about the pacing, with this first issue covering maybe an episode and a half of the cartoon, rather than just one episode. In that way it’s a rather “compressed” storytelling that (especially looking at it now) really needs a lot more room to breathe. And as a comic, it misses so much potential in terms of “enhancing” the cartoon with narration or thought balloons or such that just wouldn’t fit the cartoon but would a comic.

Other than some abbreviated dialogue and missing the show’s music, this is absolutely a straight up adaptation and it doesn’t begin to even try to be anything else–different or additional. In and of itself, unfortunately, I can say with honesty I find this issue rather hokey, choppy, and other than the art “working” it’s nothing particularly stand-out or impressive to me.

At the same time, this goes back to the very beginning of the TMNT in tv and “popular” comics, so it has a huge bit of historical significance and is in itself quite the “artifact” of its time. This is the first issue of 3, a mini-series, which adapts the entire first “season” or 5-episode mini-series of the TMNT cartoon. At a time when home media (VHS) was still relatively rare (especially compared to our contemporary age of everything being on DVD and so readily available to purchase and watch whenever we want) this was the closest I personally would get to “owning” the episodes to consume whenever I chose. Back in the late-’80s/early-’90s, though, I’d acquired a rather thick comic that came with an audiocassette, which actually collected all 3 issues into a singular volume…but was not itself a bookshelf volume or graphic novel…it was more an 80-page Giant or such.

Publish this as-is today and I’d be rather disappointed. But looking at it as a singular piece, and in context of its time, it’s not bad, and makes for a fairly interesting sort of read.

The ’90s Revisited: Zero Hour

I recently (finally) finished covering the entirety of the Zero Hour: Crisis in Time event…DC‘s 1994 event/crossover. While my posts spanned July, August, and September 2016, I’m endeavoring to have several points in this blog to gather them together and keep them accessible. This is one such post. Below is a "grid" of the covers, linking to the Page indexing this. Below the grid are text links to the individual posts (same as indexed).


zero_hour_grid_all


Showcase ’94 #8 | Showcase ’94 #9 | Zero Hour: Crisis in Time #4 | Batman #511 | Flash #94 | Green Lantern #55 | Legionnaires #18 | Outsiders #11 | Superboy #8 | Superman: The Man of Steel #37 | Valor #23 | Zero Hour: Crisis in Time #3 | Batman: Shadow of the Bat #31 | Hawkman #13 | Justice League America #92 | L.E.G.I.O.N. ’94 #70 | Steel #8 | Superman #93 | Zero Hour: Crisis in Time #2 | Adventures of Superman #516 | Detective Comics #678 | Justice League Task Force #16 | Team Titans #24 | Zero Hour: Crisis in Time #1 | Green Arrow #90 | Guy Gardner: Warrior #24 | Darkstars #24 | Damage #6 | Legion of Super-Heroes #61 | Robin #10 | Justice League International #68 | Catwoman #14 | Action Comics #703 | Anima #7 | Showcase ’94 #10 | Booster Gold #0 | Zero Hour: Crisis in Time #0

Weekend Ranting (October 1st Edition)

Though I’ve been sticking to Monday to Friday posting, I’ve had some thoughts increasingly building up that haven’t quite been making it into standalone posts. So, here are some things that’ve been on my mind lately.

And remember–this is just me, some random guy who has been "into" comics for 28 years, blowing off some mental steam.

destruction_of_coast_city

  • Marvel‘s doing Artist: TBA variant covers. and Super-secret Artist 1:1000 variant covers. And ridiculous needs-an-app-and-loads-of-entered-data-to calculate-eligitiblity variants. Y’know…bad enough, doing variants AT ALL. But if you don’t even have the artist(s) lined up and so you’re announcing variants MERELY for the sake of VARIANTS…you suck! Back in 1992 in one of THE doorbusting-est instances of a comic going on sale, I have the number "750" stuck in my head as the number of copies of Superman #75 I heard was ordered at ONE shop. Launching a continuation of a (now) year-old mini-series and having a 1:1000 cover? What the heck?!?
  • Marvel hyping a new Star Wars series…but it’s Star Wars: Classified. Look…either you bite the bullet and SPOIL some sort of surprise-ending to something, some otherwise "surprise development," and you just take the backlash OF spoiling something, by soliciting some spin-off series. OR…give it a rest! Give it a break! Let the series or event or whatever CONCLUDE, and THEN solicit/hype the Next Big Thing. Yeah, you’ll have a 2-month gap, but if people are really, TRULY clamoring for it…allow some time for ANTICIPATION to actually build. For some finality of something before to sink in. To get the word out that hey! There’s actually more coming, that’s not the end of everything. Just the end of a story!
  • Variants, PERIOD, are no longer special. Regardless of my personal dislike of variants, I can at least accept/acknowledge the choice to use them for "special occasions." Say, a #1 issue, or the start of some new storyline (oops, if we’re talking Marvel, that’s one and the same!) or some other big deal. But when every single issue of every single series seems to have a MINIMUM of two different covers, then there is NOTHING SPECIAL about them. It’s actually MORE SPECIAL and UNIQUE to find any comic for which there is ONLY ONE PUBLISHED COVER. I mean, How freaking ridiculous is that?!?
  • #1 issues are the same way. When there are 3-4 #1s for an otherwise "ongoing series" in the course of 2-3 years; when it takes a combination of 3+ "series" just get to 60 issues… it’s not special. Either that #1 indicates a to-be-short-lived mini-series which will be far preferable in a collected volume…OR it means that I have absolutely NO REAL IDEA what issue I would go back to if I wanted to read something immediately preceding it…since despite this #1 on the cover, I can lay decent odds on it being functionally a #10 or a #29 or some such, being the next issue published with a title and creative team and no greater gap in publication than any other issue-to-issue time (#3 to #4, #27 to #28, etc).
  • The constant cycle of events…particularly the line-wide events. And I’m looking primarily at Marvel on this. Hardly halfway into Secret Wars (Summer 2015) they start the hype/push for a big round of renumberings/relaunches. But the event is "delayed" and the relaunches go out anyway. Then, by the time that event book finishes, they’re already starting the hype on the NEXT event, Civil War II (Summer 2016). And then prior to THAT event even finishing, they’re already rolling out…ANOTHER ROUND of renumbering/relaunches! With delays and such, didn’t Secret Wars functionally run at least 8 months? Add to that what I believe is functionally at least 8 months of Civil War II, and even IF there was a whopping four-month gap between the two, you have 16 out of 20 months with an ongoing major event story! (80% of your time with ongoing events).
  • I got suckered on it twice when Marvel kicked off their new Star Wars line, paying the inflated $4.99 cover price for a #1, though in my own defense, I checked to make certain subsequent issues were "regular price" at $3.99. Star Wars, though. Bigger deal, something special, allegedly-extra-sized issues, big splash, whatever. But the move to it seeming virtually standard that a #1 will be $4.99 or $5.99?!? You’re already losing me on yet another freaking #1 issue…but then you want to have it $2 above a DC #1 if not TWICE AS MUCH as a DC #1?!? Fool me once, shame on you. Keep it up, I see what you’re trying to pull, and even something I’d otherwise BE interested in or consider supporting on principle, you keep me away. (Spider-Man: Renew Your Vows)
  • Convention Exclusives. There’s that saying of "leaving money on the table," right? And while I can "get" and "appreciate" marketing psychology and stuff for supply and demand and hyping stuff up…when you create product SOLELY to sell at a convention when you KNOW DARNED WELL that there are NUMEROUS people that will NEVER BE ABLE TO ATTEND a convention (and that numerous people BUYING your product AT the convention are doing so SOLELY to "flip" the product on the secondary market)… it sucks. Just make stuff available to people who will pay. Sell it through your site. Take pre-orders and produce to that. SOMEthing.
  • "Convention book stock." I get that part of dealers going to conventions involves selling to audiences they don’t usually have, with probably hundreds if not thousands of bodies that have never/will never set foot inside their actual store…but bringing stuff to the convention gets product in front of eyes and likely sales otherwise not possible. BUT… to me, it seems like "everyone" tends to have the SAME STUFF. Virtually EVERYONE has bins and bins and BINS of Marvel Premiere Edition hardcovers, typically $10/ea (having had $19.99, $24.99, or $29.99 cover prices). Very little DC product, period, and typically not in flat-price bins.
  • "Convention singles stock." Recent comics marked up $1 from cover price (new/last few weeks’ issues, with SOME at cover price if there’s been no real "hype" or such). $1 bins of overstock from the last 5 years. MAYBE discounted stock from a few years prior, virtually nothing from the 1990s, and virtually no 50-cent or 25-cent bins with any sort of "runs." When there ARE 50 or 25 cent bins, nothing is remotely in order, it’s all just a mash of stuff thrown together. A convention is basically a one-time thing: I get to look at the boxes NOW, and that’s it. Not worth the hassle…compared to a shop with a regular stock that I can check back every week or so for new stuff or decide that yeah, that bunch of Action Comics issues? I’ll snag those and then see what’s missing and go from there.
  • Final thought for now: Communication is key. If you’re running a convention and accepting applications for press passes, and state that someone will be in touch "within a few weeks of the show," that implies "a few weeks AHEAD OF the show." Two days ahead of the show, I realized 1. hey, the show is THIS WEEKEND and 2. I never DID hear back from them, guess I didn’t qualify for a press pass. So, I went back to check admission prices and such–maybe I’d want to go anyway. But Given that I’d be going alone, simply as me/myself, AND paying admission and facing the above couple points? I decided it would NOT be worth my time/hassle/etc. 4:50pm the day before the show I finally get a response…but I’d already planned my weekend as NOT including the show. C’est la vie.